The Uruk period (; also known as Protoliterate period) is a period of the protohistory Chalcolithic to Early Bronze Age in Mesopotamia and the ancient Near East. It follows the Ubaid period and precedes the Jemdet Nasr period (although it is often considered a final stage of the Late Uruk period). In the broadest sense, this period coincides with the 4th millennium BC. Uruk culture is also used to refer to the culture originating in Lower Mesopotamia during this period.
Named after the city of Uruk in southern Mesopotamia, this period saw a set of major innovations that lay the foundations of ancient Mesopotamian civilization. It is the period of the appearance of cities and the State (the so-called "urban revolution"), a phenomenon particularly visible in Lower Mesopotamia, notably on the site of Uruk, where excavations of the monumental center for the levels of the second half of the 4th millennium BC have revealed the existence of this culture. This phenomenon is marked by a greater specialization of activities and functions, which are accompanied by technical innovations: development of irrigated agriculture, appearance of the potter's wheel and of ceramics and bricks of standardized formats produced in large quantities, establishment of sheep farming producing wool, also on a large scale, in textile workshops, etc. The development of state institutions is accompanied by that of management instruments allowing the supervision of workers and other resources, and it is in this context that the first form of writing, 'Proto-cuneiform', appears around 3400-3300, essentially for administrative purposes.
These innovations were once thought to have originated in Uruk and southern Mesopotamia, but it has become increasingly evident that neighboring regions participated in the process and were not mere imitators. Other "proto-urban" sites and complex political entities also appeared in Susiana, southwestern Iran, northern Mesopotamia and western Syria, as well as in southeastern Anatolia. Nevertheless, Lower Mesopotamia is the most dynamic region of all, the most urbanized, the most innovative, and the most influential. It is the starting point of an 'Urukean expansion', a much-discussed long-term process seeing the implantation of outposts and colonies from southern Mesopotamia and a significant cultural impact of this region on the others. After a 'Late Uruk' phase (ca. 3500-3300/3200 BC) marking the apex of this phenomenon, after 3300/3200 BC this dynamic ceased and the Near East became culturally more fragmented.
The traditional chronology is very imprecise and is based on some key in the Eanna quarter at Uruk. The most ancient levels of these sondages (XIX–XIII) belong to the end of the Ubaid period (Ubaid V, 4200–3900 or even 3700 BC); pottery characteristic of the Uruk period begins to appear in levels XIV/XIII. The Uruk period is traditionally divided into three main periods, subdivided in sub-phases. The first is the "Early Uruk" (levels XII to IX of the Eanna test) and then "Middle Uruk" (levels VIII to VI). From the middle of the 4th millennium BC, we gradually move towards the best-known phase, that of the "Late Uruk" (levels V and IV A and B), which lasted until around 3100 BC, or, according to more recent proposals based on carbon 14 dating, around 3300 BC.Margarete van Ess, "New Radiocarbon Datings from Uruk", in . The Cuneiform Digital Library Initiative dates the tablets of the last phase, Uruk IV, ca. from 3350 to 3200
With the exploration of other parts of the Near East in the last decades of the 20th century, especially northern Mesopotamia and Syria, there was a need for a new periodization. In 2001, a new chronology was proposed by the members of a colloquium at Santa Fe, based on recent excavations, especially at sites outside Mesopotamia. They consider the Uruk period to be the "Late Chalcolithic" (LC). Their LC 1 corresponds to the end of the Ubaid period and ends around 4200 BC, with the beginning of LC 2, which is the first phase of the Uruk period. They divide "Early Uruk" into two phases, with the dividing line placed around 4000 BC. Around 3800 BC, LC 3 begins, which corresponds to the "Middle Uruk" phase and continues until around 3400 BC, when it is succeeded by LC 4. It rapidly transitions to LC 5 (Late Uruk and Jemdet Nasr), which continues until 3000 BC.M. S. Rothman (ed.), Uruk Mesopotamia and its neighbours : cross-cultural interactions in the era of state formation, Santa Fe, 2001, introduction
Some other chronological proposals have also been put forward, such as by the ARCANE team (Associated Regional Chronologies for the Ancient Near East).
The early phases of the Late Chalcolithic (LC 1), at the end of the 5th millennium BC, are equivalent to the latest phases of the Ubaid period (Uruk strata XVI to XIV). The following stages LC 2 and 3 roughly match the Early Uruk period (levels XIII to IX), initially characterized by a substantial change in the ceramic assemblage (development of wheel-made vases and beveled rim bowls typical of the Uruk period). Those periods are very poorly documented in Lower Mesopotamia. The study of settlement through land surveys indicated a complexification of its structure, which became multimodal and very differentiated, in contrast to the more simple, bi-modal, Ubayd organization. Larger, urban-size, sites appear (40 hectares and more: Eridu, Uruk, Tell al-Hayyad), as well as other smaller settlements down to the village/hamlet level. A cultural homogenization occurred, contributing to the formation of the Early Uruk culture, which also affected Susiana: stone vessels, architectural decorations, the presence of accounting tokens. The first colonial settlements can also be seen in neighboring regions (Kunji, Godin Tepe, Logardan, Girdi Qala). Further north, a homogenization of the ceramic repertoire is observed, making it possible to delineate several geographically larger horizons than previously, notably the group comprising northern Mesopotamia, Syria, eastern Anatolia, and the southern Caucasus. Important settlements appear in Upper Mesopotamia and Syria: Tell Brak, Hamoukar, Nineveh, Tepe Gawra
While northern and southern Mesopotamia followed the same trend during the first half of the 4th millennium BC, a significant change occurred after 3700/3600 BC at the beginning of the Middle Uruk period. The South began to surpass its neighbors in terms of scale, population density, and social complexity, increasing its influence in the Near East, a phenomenon that culminated in the later stages of the Uruk period.
In Lower Mesopotamia, the Middle Uruk period (Uruk strata VIII/VII to VI), which corresponds roughly to the LC 4 period, is marked by important changes in the ceramic assemblage, notably a diversification of forms. Uruk greatly exceeds in size the other urban settlements of the region, acquires large-scale monumental architecture (e.g. the "Stone Building"), and the first symbolic cylinder seals and bullae appear there, testifying to the development of the administration. The expansion of Uruk culture increased between 3800 and 3500 BC, with the development of enclaves and the first colonies.
The Late Uruk period (LC 5) is defined by levels VI to IV. Its ceramic assemblage is poorly known; it is therefore better characterized by its glyptics, monumental architecture, and administrative tablets. Most of the data on the Uruk period date from this late period, including the extensively studied epigraphic documentation, which explains why studies are mainly focused on its final phase. Uruk reached an impressive area of 250 hectares during the Uruk IV phase, and was at the center of a polity of about 80,000 to 90,000 inhabitants, the result of an 'explosive'
The Uruk IV level at Uruk ends around 3300 BC according to recent data, ending Uruk period strictly speaking. The subsequent phase, Uruk III, also referred as Jemder Nasr period in southern Mesopotamia, is a 'transitional' phase (or an 'interlude'), often seen as a final stage of the Late Uruk and therefore included in the studies of the period. The beginning of this phase sees important changes: the monumental buildings of Uruk are leveled and replaced by new ones, maybe reflecting a political crisis, the beveled rim bowls are replaced by coarse conical bowl, painted ceramic reappear. The settlement pattern of the region shifts towards new configurations. But many urukean cultural traits are preserved, and most of the Proto-cuneiform tablets date from this period (Uruk III epigraphic stage, ca. 3200-3000 BC). The transition to the 3rd millennium opens a new era, the Early Dynastic Period. Beyond southern Mesopotamia, the colonial sites have been deserted (probably before the changes at Uruk) and Urukean influence declined in the Near East, replaced by several regional traditions ('Proto-Elamite' in southwestern Iran, 'Post-Uruk' and 'Nineveh 5' in northern Mesopotamia).
It may also have become a highly populated and urbanized region in the 4th millennium BC, with a social hierarchy, craft specialization, and long-distance commerce. It has been the focus of archaeological investigations led by Robert McCormick Adams Jr., whose work has been vital to understanding the emergence of urban societies in this region. A clear settlement hierarchy has been identified, dominated by a number of agglomerations which grew more and more important over the 4th millennium BC, of which Uruk seems to have been the most important by far, making this the most ancient known case of urban macrocephaly, since its hinterland seems to have reinforced Uruk itself to the detriment of its neighbors (notably the region to the north, around Adab and Nippur) in the final part of the period.R. McC. Adams, Heartland of Cities, Surveys of Ancient Settlement and Land Use on the Central Floodplain of the Euphrates, Chicago, 1981, pp. 60–81
The ethnic composition of this region in the Uruk period cannot be determined with certainty. It is connected to the problem of the origins of the (the so-called "Sumerian Question") and the dating of their emergence (if they are considered locals of the region) or their arrival (if they are thought to have migrated) in lower Mesopotamia. There is no agreement on the archaeological evidence for a migration, or on whether the earliest form of writing already reflects a specific language. Some argue that it is actually Sumerian, in which case the Sumerians would have been its inventors and would have already been present in the region in the final centuries of the 4th millennium at the latest (which seems to be the most widely accepted position). Whether other ethnic groups were also present, especially Semitic ancestors of the Akkadians or one or several 'pre-Sumerian' peoples (neither Sumerian nor Semite and predating both in the region) is also debated and cannot be resolved by excavation.
The most remarkable constructions are located in the sector called Eanna (after the temple that was located there in subsequent periods, and possibly already at this stage). After the 'Limestone Temple' of level V, a construction program hitherto unparalleled was begun in level IV. Thereafter, the buildings were vastly larger than before; some had novel designs, and new construction techniques were used for both structure and decoration. Level IV of the Eanna is divided into two monumental groups: in the west, a complex centered on the 'Temple with mosaics' (decorated with mosaics made of painted clay cones) of level IVB, subsequently covered by another building (the 'Riemchen Building') of level IVA. To the east there is a very important group of structures—notably a 'Square Building' and the 'Riemchen Temple Building', which were subsequently replaced by other buildings with original plans, like the 'Hall with Pillars' and the 'Hall with Mosaics', a square 'Grand Court' and two very large buildings with a tripartite plan, 'Temple C' (54 x 22 m) and 'Temple D' (80 x 50 m, the largest building known from the Uruk period).
The second monumental sector was attributed to the god Anu by the site's excavators because it was the location of a sanctuary to this god some 3000 years later. It is dominated by a series of temples built on a high terrace after the Ubayd period. The best-preserved of these is the "White Temple" of level IV, which measures 17.5 x 22.3 m and gets its name from white plates that covered its walls. At its base, a building with a labyrinthine plan, called the 'Stone building', was built.
The function of these buildings, which are unparalleled in their size and the fact that they are gathered in monumental groups, is debated. The excavators of the site wanted to see them as 'temples', influenced by the fact that in the historic period, the Eanna was the area dedicated to the goddess Inanna and the other sector was dedicated to the god An. This conformed to the theory of the 'temple-city' which was in vogue during the inter-war period. The present view is that it is probably a mix of administrative and religious structures: palatial residences, administrative spaces, cultic reception halls, and meeting places for political assemblies, etc. In any case, it was necessary to invest considerable effort and resources to construct these buildings, which shows the capacities of the elites of this period.
Uruk is also the site of the most important discoveries of early clay tablet, in levels IV and III, in a context where they had been disposed of, which means that the context in which they were created is not known to us.
The Uruk culture itself is certainly characterized mainly by sites of southern Mesopotamia and others which seem to have directly resulted from migrations from this region (the 'colonies' or 'emporia'), which are clearly part of the Uruk culture. But the phenomenon which is known as the Uruk expansion is detected on sites situated across a vast zone of influence, covering the whole Near East, regions which were not all really part of the Uruk culture, which was strictly-speaking limited to Lower Mesopotamia. Uruk culture is more evident in the Upper Mesopotamia (Girdi Qala and Logardan, Grai Resh, Tell al-Hawa, and Kani Shaie for example), northern Syria, western Iran and southeastern Anatolia. They generally experienced an evolution similar to that of lower Mesopotamia, with the development of urban agglomerations and larger political entities and they were strongly influenced by the culture of the 'center' in the later part of the period (c. 3500–3200 BC), before a general strengthening of their own regional cultures took place at the turn of the 3rd millennium BC.
The interpretation of the expansion of the Uruk culture into neighboring regions poses numerous problems and many explanatory models (general and regional) have been proposed in order to explain it.
Further north, in the Zagros, the site of Godin Tepe in the Kangavar valley is particularly important. Level V of this site belongs to the Uruk period. Remains have been uncovered of an ovoid wall, enclosing several buildings organized around a central court, with a large structure to the north which might be a public building. The material culture has some traits which are shared with that of Late Uruk and Susa II. Level V of Godin Tepe could be interpreted as an establishment of merchants from Susa and/or lower Mesopotamia, interested in the location of the site on commercial routes, especially those linked to the tin and lapis lazuli mines on the Iranian Plateau and in Afghanistan.H. Weiss and T. Cuyler Young Jr., "Merchants of Susa: Godin V and plateau-lowland relations in the late Fourth Millennium B.C.", Iran 10, pp. 1–17, 1975 Further east, the key site of Tepe Sialk, near Kashan, shows no clear evidence of links with the Uruk culture in its Level III, but beveled rim bowls are found all the way out to Tepe Ghabristan in the ElbourzY. Majidzadeh, "Sialk III and the Pottery Sequence at Tepe Ghabristan: The Coherence of the Cultures of the Central Iranian Plateau", Iran 19, pp. 141-146, 1981 and near Jiroft at Mahtoutabad further to the southeast.
In this region, the retreat of the Uruk culture resulted in a particular phenomenon, the Proto-Elamite civilization, which seems to have been centered on the region of Tell-e Malyan and Susiana and seems to have taken over the Uruk culture's links with the Iranian plateau.P. Amiet, L'âge des échanges inter-iraniens, 3500–1700 av. J.-C., Réunion des musées nationaux, Paris, 1986.
The best known site is Habuba Kabira South, a fortified port on the right bank of the river in Syria. The city covered around 22 hectares, surrounded by a defensive wall, roughly 10 percent of which has been uncovered. Study of the buildings on this site shows that it was a planned settlement, which would have required significant means. The archaeological material from the site is identical to that of Uruk, consisting of pottery, cylinder-seals, bullae, accounting calculi, and numerical tablets from the end of the period. Thus this new city has every appearance of being an Urukian colony. Around 20 residences of various sorts have been excavated. They have a tripartite plan, arranged around a reception hall with a foyer opening onto an internal courtyard, with additional rooms arranged around it. In the south of the site is a hill, Tell Qanas, which has a monumental group of several structures identified speculatively as 'temples' on an artificial terrace. The site was abandoned at the end of the 4th millennium BC, apparently without violence, during the period when the Uruk culture retreated.
Habuba Kabira is similar in many ways to the nearby site of Jebel Aruda on a rocky outcrop, only 8 km further north. As at Habuba Kabira, there is an urban center made up of residences of various kinds and a central monumental complex of two 'temples'. It is beyond doubt that this city too was built by 'Urukians'. A little further north, further Urukian outposts, Tell Qraya and Tell Sheikh Hassan, lay on the middle Euphrates. It is possible that these sites were part of a state implanted in the region by people from south Mesopotamia and were developed in order to take advantage of important commercial routes.
A little to the east of Tell Brak is Hamoukar, where excavations began in 1999. This vast site has provided the normal evidence found at sites under Urukian influence in Upper Mesopotamia (pottery, seals) and evidence of the existence of an important urban center in this region in the Uruk period, like Tell Brak. Excavators have also found traces of a violent destruction of the site ca. 3500 BC, with thousands of sling bullets, maybe caused by an army from Uruk.
Further to the east again, the site of Tell al-Hawa, Iraq also shows evidence of contacts with lower Mesopotamia.
Nearby, Tepe Gawra, which was also important in the Ubayd period, is an important case of the changing scale of monumental architecture and of political entities between the end of the 5th millennium and the 4th millennium BC (Level XII to VIII). The excavations there have revealed some very rich tombs, different kinds of residence, workshops, and very large buildings with an official or religious function (notably the 'round structure'), which may indicate that Tepe Gawra was a regional political center. Unlike its neighbor Kuyunjik, the influence of Urukean cultural traits in Gawra is limited.M. S. Rothman, "Tepe Gawra: The Evolution of a Small, Prehistoric Center in Northern Iraq", Philadelphia, 2001P. Butterlin (ed.), A propos de Tepe Gawra, Le monde proto-urbain de Mésopotamie, Turnhout, 2009
Other sites have been excavated in the region of Samsat (also in the Euphrates valley). An Urukian site was revealed at Samsat during a hasty rescue excavation before the area was flooded as a result of the construction of a hydroelectric dam. Fragments of clay cones from a wall mosaic were found. A little to the south is Kurban Höyük, where clay cones and pottery characteristic of Uruk have also been found in tripartite buildings.B. Helwing, "Cultural interaction at Hassek Höyük, Turkey, New evidence from pottery analysis", Paléorient 25/1, pp. 91–99, 1999
Further to the north, the site of Arslantepe, located in the suburbs of Malatya, is the most remarkable site of the period in eastern Anatolia. It is a case of emergence of a complex administrative center without urbanization around it. During the first half of the 4th millennium BC, this site was dominated by a building called 'Temple C' by the excavators, which was built on a platform. It was abandoned around 3500 BC and replaced by a monumental complex which seems to have been the regional center of power. The culture of Late Uruk had a discernible influence, but the local culture remains fundamentally indigenous. Development of administration is seen most clearly in the numerous sealings found on the site. Around 3000 BC, the site was destroyed by a fire. The monuments were not restored and the Kura–Araxes culture centered on the southern Caucasus became the dominant material culture on the site.M. Frangipane (ed.), Alle origini del potere : Arslantepe, la collina dei leoni, Milan, 2004 But in this region, the Urukian influence becomes increasingly ephemeral, as one gets further from Mesopotamia.
Since the identification of possible enclaves or settlements of Uruk culture, scholars have debated the nature of the phenomenon and its explanations. Guillermo Algaze took Immanuel Wallerstein's concept of the "world system" and notions from international trade theory to apply them to the Uruk period, thereby developing the first coherent model of the expansion of Uruk civilization. According to his proposals, the phenomenon is characterized as a complex set of "colonial intrusions": "Urukeans" would have established a network of outposts outside Lower Mesopotamia, mainly for economic reasons, to control trade routes along which raw materials transited. The sites concerned are proper "colonies", either with the creation of new sites on virgin soil or the takeover of older ones by coercive means, or diaspora-type outposts, maybe in some cases merchant implantations specialized in long-distance trade (at least initially). It is not necessarily a unitary and centralized phenomenon, because it could have been initiated by various (rival) cities.Debate initiated in G. Algaze, "The Uruk Expansion: Cross Cultural Exchange in Early Mesopotamian Civilization," in Current Anthropology Volume 30/5, 1989, pp. 571-608; the theory is then presented more fully in Ibid., The Uruk World System: The Dynamics of Early Mesopotamian Civilization, Chicago, 1993 (revised 2005); Id., "The Prehistory of Imperialism: The case of Uruk Period Mesopotamia", in M. S. Rothman (ed.), Uruk Mesopotamia and its neighbors: cross-cultural interactions in the era of state formation, Santa Fe, 2001, pp. 27-85; ; .
Algaze's hypotheses initiated a very rich debate.C. A. Petrie, "Ancient Iran and Its Neighbours: the state of play", in C. A. Petrie (ed.), Ancient Iran and Its Neighbours: Local Developments and Long-range Interactions in the 4th Millennium BC, Oxford, 2013, pp. 1-24 Other explanations propose a form of agrarian colonization following a lack of land in Lower Mesopotamia, or a migration of refugees from the Uruk region following ecological or political problems. They are primarily put forward for sites in the Syro-Anatolian world, with few global theories advanced. War may have played an important role in the process. The evidence from Tell Hamoukar shows the existence of large-scale warfare, possibly involving an army from Uruk. Walled settlements became more common in northern Mesopotamia and Syria during the Late Uruk period. Other attempts at explanation leave aside the preponderance of political and economic considerations to focus on the Urukean expansion as a long-term cultural phenomenon, taking up for this the concepts of koine, acculturation, hybridization or cultural emulation while considering their differentiation according to cultural areas and sites. This approach involves taking into account the ways in which Uruk cultural elements were received (and therefore adopted, selected, adapted) by local populations, which can be done in different ways. P. Butterlin has proposed seeing the links uniting southern Mesopotamia and its neighbors at this time as a "world-culture" and not as an economic "world-system", in which the Uruk region provides a model for its neighbors, each of which takes up in its own way the most adaptable elements while retaining more or less strong specific traits: this explains the different degrees of influence or acculturation. Indeed, the Urukean impact is generally differentiated according to the sites and regions studied, which has led to the development of several typologies based on the material traces of the Urukean "kit". Some scholars have thus been able to distinguish several types of sites: "colonies", where the entire kit is found, which would be true 'Urukean' sites; sites with a "hybrid" profile where the influence is notable but without ever supplanting the local culture (the kit is partially present); "trading outposts" comprising an Urukean enclave; strictly local/indigenous ('Late Chalcolithic') sites where the Urukean influence is weak.
It might be added that an interpretation of the relations of this period as center-periphery interaction, although often relevant, risks leading researchers to see decisions in an asymmetric or diffusionist fashion, and this needs to be nuanced. Thus, it increasingly appears that the regions neighboring Lower Mesopotamia did not wait for the Urukians in order to begin an advanced process of increasing social complexity or urbanization, as the example of the large site of Tell Brak in Syria shows, which encourages us to imagine the phenomenon from a more 'symmetrical' angle.J. A. Ur, P. Karsgaard and J. Oates, "Early urban development in the Near East," Science 317/5842, (August 2007)
Indeed, at Tell Brak, we find that this city developed as an urban center slightly earlier than the better known cities of southern Mesopotamia, such as Uruk.
On archaeological sites, the presence of textile production is identified by finds of spindle whorls used for spinning, and loom weights, which indicates the presence of weight looms. The latter allow the production of long fabrics, also of more complex patterns than in the past (biased, herringbone, diamonds), and twill thanks to the presence of mobile bars, elaborate weaves attested by iconography. Textile craftsmanship could therefore have experienced technical developments during this period, but this requires confirmation.C. Breniquet, "The Archaeology of wool in Ancient Mesopotamia, sources, methods and Perspectives", in C. Breniquet and C. Michel (dir.), Wool Economy in the Ancient Near East and the Aegean ? From the Beginnings of Sheep Husbandry to Institutional Textile Industry, Oxford, 2014, pp. 66-71.J. McCorriston, "The Fiber Revolution: Textile Extensification, Alienation, and Social Stratification in Ancient Mesopotamia", in Current Anthropology, vol. 38, no 4, 1997, pp. 517-535.
The study of houses at the sites of Habuba Kabira and Jebel Aruda has revealed the social evolution which accompanied the appearance of urban society. The former site, which is the better known, has houses of different sizes, which cover an average area of 400 m2, while the largest have a footprint of more than 1000 m2. The 'temples' of the monumental group of Tell Qanas may have been residences for the leaders of the city. These are thus very hierarchical habitats, indicating the social differentiation that existed in the urban centers of the Late Uruk period (much more than in the preceding period). Another trait of the nascent urban society is revealed by the organization of domestic space. The houses seem to fold in on themselves, with a new floor plan developed from the tripartite plan current in the Ubayd period, but augmented by a reception area and by a central space (perhaps open to the sky), around which the other rooms were arranged. These houses thus had a private space separated from a public space where guests could be received. In an urban society with a community so much larger than village societies, the relations with people outside the household became more distant, leading to this separation of the house. Thus the old rural house was adapted to the realities of urban society. This model of a house with a central space remained very widespread in the cities of Mesopotamia in the following periods, although it must be kept in mind that the floor plans of residences were very diverse and depended on the development of urbanism in different sites.
The domestication of the donkey was also an advance of considerable importance, because they were more useful than the wheel as a means of transport in mountainous regions and for long-distance travel, before the spoked wheel was invented. The donkey enabled the system of caravans that would dominate trade in the Near East for the following millennia, but this system is not actually attested in the Uruk period.C. Michel, « Caravane »,
For transport at the local and regional level in Lower Mesopotamia, boats made from reeds and wood were crucial, on account of the importance of the rivers for connecting places and because they were capable of carrying much larger loads than land transport.
For these periods, a 'state' can be understood as a form of government controlling a territory, defending it, and sometimes attempting to expand it, an authority acting as a mediator between the various societal forces under its power. It is also organizing labor, mostly agricultural (or, in a pessimistic view, extorting it and alienating dependent workers). According to modern standards, the degree of control of the population and the territory is relatively weak, in contrast to what the official ideology proclaims. In the documentation, these first states can be identified by: their social stratification, making it possible to distinguish a ruling elite, visible in particular in archeology by the presence of monumental architecture (and also in general imposing tombs, but this is not the case in Mesopotamia); an art reflecting its ideology; a hierarchical settlement network, dominated by a main city, implying a form of centralization of activities; the existence of a specialization of activities and an organization of production, storage and exchanges ; ritual practices and worship organized by elites.
The kind of political organization that existed in the Uruk period is debated, and its internal organization (monarchy? oligarchy? assembly? heterarchy?) is virtually unknown. No evidence supports the idea that this period saw the development of a kind of 'proto-empire' centered on Uruk. It may be best to understand an organization in 'city-states' like those that existed in the 3rd millennium BC. This is corroborated by the existence of 'city seals' from the Jemdet Nasr period and the beginning of the Early Dynastic period, which bear symbols of the Sumerian cities of Uruk, Ur, Larsa, etc. The fact that these symbols appeared together might indicate a kind of league or confederation uniting the cities of southern Mesopotamia (and potentially southwestern Iran), perhaps for religious purposes (cult of Inanna?), perhaps under the authority of one of them (Uruk?).Roger Matthews, "Archaic City Seals from Mesopotamia and Iran", in .
Research into the causes of the emergence of these political structures has not produced any theory that is widely accepted. Research into explanations is heavily influenced by evolutionist frameworks and is, in fact, more interested in the period before the appearance of the state, which was the product of a long process and preceded by the appearance of 'chiefdoms.' This process was not a linear progression but was marked by phases of growth and decline (like the 'collapse' of archaeological cultures). Among the main causes proposed by proponents of the functionalist model of the state are a collective response to practical problems (particularly following serious crises or a deadlocks), like the need to better manage the demographic growth of a community or to provide it with resources through agricultural production or trade, alternatively others suggest that it was driven by the need to soothe or direct conflicts arising from the process of securing those resources. Other explanatory models place greater emphasis on competition, rivalry, and individuals' personal interests in their quest for power and prestige. It is likely that several of these explanations are relevant.
The causes of the emergence of cities have been widely discussed. Some scholars explain the development of the first cities by their role as ceremonial religious centers, others by their role as hubs for long-distance trade, but the most widespread theory is that developed largely by Robert McCormick Adams which considers the appearance of cities to be a result of the appearance of the state and its institutions, which attracted wealth and people to central settlements, and encouraged residents to become increasingly specialized. This theory thus leads the problem of the origin of cities back to the problem of the origin of the state and of inequality.M. Van de Mieroop, The Ancient Mesopotamian City, Oxford, 1997, pp. 23–28 and following pages.
In the Late Uruk period, the urban site of Uruk far exceeded all others. Its surface area, the scale of its monuments, and the importance of the administrative tools unearthed there indicate that it was a key center of power. This transformation was the outcome of a process that began many centuries earlier and is largely attested outside Lower Mesopotamia (aside from the monumental aspect of Eridu). The emergence of important proto-urban centers began at the beginning of the 4th millennium BC in southwest Iran (Chogha Mish, Susa), and especially in the Jazirah (Tell Brak, Hamoukar, Tell al-Hawa, Grai Resh). Excavations in the latter region tend to contradict the idea that urbanization began in Lower Mesopotamia and then spread to neighboring regions; the appearance of an urban center at Tell Brak appears to have resulted from a local process with the progressive aggregation of village communities that had previously lived separately, and without the influence of any strong central power (unlike what seems to have been the case at Uruk). Early urbanization should therefore be thought of as a phenomenon that occurred simultaneously in several regions of the Near East in the 4th millennium BC, though further research and excavation are still required to clarify this process for us.
Examples of urbanism in this period are still rare, and in Lower Mesopotamia, the only residential area excavated is Abu Salabikh, a settlement of limited size. It is necessary to turn to Syria and the neighboring sites of Habuba Kabira and Jebel Aruda for examples of urbanism that are relatively well-known. Habuba Kabira consisted of 22 hectares, surrounded by a wall and organized around important buildings, major streets, narrow alleys, and a group of residences of similar shape, organized around a courtyard. It was clearly a planned city created ex nihilo and not an agglomeration that developed passively from village to city. The planners of this period were thus able to create a complete urban plan and thus had an idea of what a city was, including its internal organization and principal monuments.
The most prominent figure in the Uruk iconography is the so-called "Priest-King" or "Ruler-Priest," an archetypal figure wearing a brimmed cap and a long kilt, with his hair bound up into a bun, which appears in the Uruk V period (ca. 3500-3350 BC).D. P. Hansen, "Art of the Early City-States", in J. Aruz (ed.), Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus, New York, 2003, pp. 22-24. He is mostly found in the Uruk documentation, also in Susa, and even in Egypt on the Gebel el-Arak knife. On the 'Uruk Vase,' he leads a procession and offering towards the goddess Inanna; on the 'Stele of the Hunt,' he defeats lions with his bow. In other cases, he is shown feeding animals, which suggests the king as a shepherd who gathers his people, protects them, and looks after their needs, ensuring the prosperity of the kingdom. These motifs match the functions of the subsequent Sumerian kings: war-leader, chief priest, and builder. In the administrative texts, this ruler may be the person designated by the title of EN.P. Steinkeller, History, Texts and Art in Early Babylonia, Berlin and Boston, 2017, pp. 82-104 Tell Brak in Upper Mesopotamia is also representative of this phenomenon, but with a different iconography: here the lion seem to be a representation of the royal figure.A. McMahon, « Tell Brak, Early Northern Mesopotamian Urbanism, Economic Complexity and Social Stress, fifth-fourth millennia BC », in D. Bonatz and L. Martin (eds.), 100 Jahre Archäeologische Feldforschungen in Nordost-Syrien - Eine Bilanz, Weisbaden, 2013, p. 65-78; J. Weber, “Exotic Animal Consumption at Tell Brak in the Mid-fourth Millennium BC”, in A. MacMahon and H. Crawford (eds.), Preludes to Urbanism – The Late Chalcolithic of Mesopotamia, In Honor of Joan Oates, Cambridge, 2014, p. 127-133.
The lists of professions and offices of the Late Uruk period provide information on social stratification, as they appear to follow a hierarchical order, and may also be lists of people ruling in an assembly. The people on these lists, who are also attested in administrative documents, probably include high-ranking officials of the administration, such as the one called NAMEŠDA (the 'king'? a ritual leader?); many of them have a title including the word GAL 'Big'/'Chief,' and may therefore be supervisors of various sectors of the administration.
This social and political order relies on ideological foundations, as reflected once again in the art. As the key figure of the "Priest-king" indicates, the elites served as religious intermediaries between the divine and human worlds, notably through sacrificial ritual and festivals they organized, which fulfilled their symbolic function as the foundation of social order. This reconstruction is apparent from the friezes on the great alabaster vase of Uruk, from several cylinder seals, and from administrative texts that mention the transport of goods for ritual use. In fact, according to the Mesopotamian worldview that prevailed in the following period, the gods created human beings to serve them, and the goodwill of the latter was necessary to ensure the prosperity of society.
The workers employed by the institutions were fully or partially dependent, receiving commands and rations from the administrators, as documented in the Late Uruk tablets, which sometimes describe them with detail (age, sex). Some of these workers are probably slaves, designated in the administrative documents by the signs SAL and KUR. They could be war prisoners, but it is impossible to ascertain. What is clear is that they are tightly controlled, described by G. Algaze as 'domesticated' humans, equivalent to domestic animals in the minds of the administrators.
Regarding the relationship between men and women, these developments could have been detrimental to women. With a more stratified society based on patriarchal kinship groups, reproduction would become a more acute problem, resulting in increasing control over women. This could be reflected in art, with the disappearance of the female figurines common during the earlier stages of the Late Neolithic and Chalcolithic (Halaf, Ubayd), as well as anything related to female sexuality and reproduction.K. I. Wright, "Women and the Emergence of Urban Society in Mesopotamia," in S. Hamilton, R. Whitehouse, and K. I. Wright (eds.), "Archaeology and Women: Ancient and Modern Issues," Walnut Creek, 2007, pp. 212-229. Even elite women are rare in the iconographic repertoire, while official art clearly highlights a virile figure, the "Ruler-Priest," associated in the Uruk vase with the goddess Inanna, which empowers this masculine authority.J. D. M. Green, “Gender and Sexuality,” in A. C. Gunther (ed.), A Companion to Ancient Near Eastern Art, Hoboken, 2019, pp. 184-187. Cylinder seals depict women performing craft activities, especially weaving and churning, which could indicate that they were already particularly involved in these economic activities in domestic and institutional settings, as was the case in Sumer in later periods. But other interpretations are possible, such as the fact that these are representations of high-society women specialized in quality craftsmanship, intended for the production of prestige goods.C. Breniquet, “Weaving, Potting, Churning: Women at work during the Uruk period. Evidence from the cylinder seals”, in B. Lion and C. Michel (eds.), The Role of Women in Work and Society in the Ancient Near East, Boston and Berlin, 2016, pp. 8-28.
Seals were used since the Late Neolithic (ca. 6500-6000 BC) to secure merchandise that had been stocked or exchanged, to secure storage areas, or to identify an administrator or merchant. With the development of institutions and long-distance trade, their use became widespread. In the course of the Middle Uruk period (ca. 3500 BC), (cylinders engraved with a motif that could be rolled over clay to impress a symbol) were invented and replaced simple seals. They were used to seal clay envelopes and tablets, and to authenticate objects and goods, because they functioned like a signature for the person who applied the seal or for the institution which they represented. Sealing became important in many areas of the Near East in the 4th millennium. On the periphery of “Greater Mesopotamia”, Arslantepe witnessed the elaboration of a complex administrative system based on the sealing of cretulae, clay seals applied to close doors and containers.
The Uruk period also saw the development of various accounting tools by the middle of the 4th millennium (Middle Uruk period). Accounting tokens (also referred to as calculi), representing goods that were moved and stored and had to be accounted for, already existed during the Late Neolithic. They improved during the Uruk period to produce more goods, including "complex tokens" of various forms: balls, cones, rods, discs, etc. Spherical clay envelopes (or bullae) containing tokens were created around this period: these are clay balls that contain tokens and could have numerical signs inscribed on their exterior, indicating their contents; the bullae could be broken to verify, with the tokens, the veracity of the numbers inscribed on them. This led slightly later to the creation of numerical tablets, a simplification of the bullae with only the inscription and no tokens, which served as an "aide-mémoire", and then to "numero-ideographical" tablets, adding ideographic signs for goods, a decisive step towards the invention of writing.
Indeed, "proto-cuneiform", which appeared ca. 3350-3300 BC, probably derived from these older bookkeeping practices, which are often labeled its "precursors". It represented a new management tool that enabled more precise, long-term recording: most of the tablets from the Uruk and Jemdet Nasr periods are administrative, used to record the economic operations of the institutions. The development of these administrative practices necessitated the development of a system of measurement which varied depending on what they were to measure (animals, workers, wool, grain, tools, pottery, surfaces, etc.). They are very diverse: some use a sexagesimal system (base 60), which would become the universal system in subsequent periods, but others employ a decimal (base 10) or even a mixed system called 'bisexagesimal', all of which makes it more difficult to understand the texts. The system for counting time was also developed by the scribes of institutions in the Late Uruk period.
The high degree of division and control of labor within the Urukean institutions is also reflected in the widespread presence of beveled-rim bowls at sites from this period. These crude, mass-produced vessels have a standardized volume and were probably used to distribute food en masse to workers, whether in the form of grain rations or bread molded inside.
Thus, Late Uruk institutions could control the production of prestige goods, redistribution, long-distance trade, and the management of public works. They were able to support an increasingly specialized workforce. The largest institutions contained multiple 'departments' devoted to a single activity (cultivation of fields, herds, etc.). Nonetheless, there is no proof that these institutions were able to supervise the majority of the population in the process of centralising production. The economy rested on a group of domains (or 'houses' / 'households', É in Sumerian) of different sizes, from large institutions to modest family groups, maybe some of 'private' nature.
It is now widely accepted that proto-cuneiform is primarily an economic tool, developed to record economic transactions and allow their subsequent verification. It can be seen as an improvement over older accounting tools (tokens, clay bullae, numerical tablets, and seals) and as the culmination of numerous attempts to improve accounting methods within Urukean institutions. Its success lies in its greater efficiency (although it did not put an end to the use of the older devices). Proto-cuneiform uses the numerical signs derived from numerical tablets, and adds a new category of signs, ideograms (or logograms), representing objects or words, which number in the hundreds. They are created using pre-existing pictorial and symbolic codes (tokens, seals, works of art) or by drawing a simplified (sometimes partial) representation of an object, a human, or an animal (pictograms). Proto-cuneiform is not a system aimed at transcribing a language: the phonetic use of signs (following the rebus principle) is at best marginal (used for personal names). The texts of this period are predominantly (85-90%) administrative in nature and are found mainly in contexts that seem to be public (institutional offices), rather than private. Alongside administrative texts, lexical lists and lexicographic works of a scholarly type have been discovered from the beginnings of writing. They compile signs according to different themes (lists of people, metals, pottery, cereals, toponyms, etc.) and are to become a characteristic of the later phases of Mesopotamian literary tradition. A notable example is the list of persons (including the ancestor of the "Lú.A" series, known from the 3rd millennium BC), in which various people are identified by title and profession, apparently in hierarchical order. These lexical texts are considered an attempt to compile, codify, and organize the world, thus a first step in the emergence of written speculations. One of them, the “Tribute List,” could even be the first literary text.Hans J. Nissen, "The Invention and Early Uses of Writing in Mesopotamia", in .
The artistic canons of the period were clearly more realistic, or at least more realistic, than those of the preceding periods. The human being is at the center of this art. This is notably the case with the cylinder seals and prints of cylinder seals found at Susa (level II), which are the most realistic of the period: they represent the central figure of society as the monarch, but also some ordinary men engaged in everyday life, agricultural and artisanal work (pottery, weaving). This realism indicates a true shift, which might be called 'humanist', because it marks a turning point in Mesopotamian art and more generally a change in the mental universe which placed man or at least the human form in a more prominent position than ever before.
Sculpture took on exceptional importance, whether carved in the round or in bas-relief on stelae and especially on cylinder seals that appeared in the Middle Uruk period. These different media share the same motifs, which are transmitted from one to the other (and also in the Proto-cuneiform system). They are increasingly complex, especially in the Eanna complex at Uruk, and above all by the objects found in the Sammelfund (hoard) of level III of Eanna (Jemdet Nasr period). The 'Warka Vase', an alabaster vase more than 1 meter (3 feet) high, marks the beginning of narrative art in Mesopotamia: a religious procession commemorating the goddess Inanna (a 'Hieros gamos'?) is depicted on several registers. It also associates written signs with images for the first time. Other carved vessels were found, as well as carved troughs depicting animals and landscapes ('Uruk Trough'). The 'Mask of Warka' is a life-sized marble female head, maybe a cult statue of the goddess Inanna, in a naturalistic style. It was probably originally part of a complete body. The basalt 'Lion Hunt' stele is a public monument depicting one of the period's favorite motifs: the 'Priest-King' hunting lions. Several statues also represent this figure, as do cylinder seals. A group of several stone animal figurines, some originally inlaid, were also found in the sanctuary, were they were probably consecrated to the gods.
The glyptic iconography of the Late Uruk period is very innovative, taking advantage of the newly developed cylinder seals to represent more complex scenes than on stamp seals, since they could be rolled out indefinitely, creating a narration with greater dynamism than stamps. The most complex ones depict scenes with animals, mythical beasts, processions, prisoners, and economic activities (animal husbandry, weaving, fishing, etc.). The rich glyptic from Susa features specific motifs such as intertwined snakes and a “Lord of snakes.” Other seals use simpler patterns.
Places of worship are difficult to identify by archaeology, particularly in the Eanna area of Uruk. But in several cases, the cult functions of buildings seem probable if we judge by their resemblance to buildings that are certainly sanctuaries from the following periods: the White Temple of Uruk, the temples of Eridu and Tell Uqair. Cultic installations such as altars and basins have been identified there. Temples are also identified at Tell Brak ('Eye Temple'), Arslantepe ('Temple C'), and Susa (High Terrace). It would then appear that the deities were already venerated in temples from this period. The development of sacred spaces used for important ceremonies shows that religion tends to be spatially separated from the secular, an evolution that may be linked to the period's dynamics. Of great interest is the emergence of high terraces supporting cultic buildings (Uruk, Susa), landmarks of the urban landscape.J.-C. Margueron, "Sanctuaires sémitiques", Supplément au Dictionnaire de la Bible 64B–65, Paris, 1991, col. 1119–1147P. Butterlin, "Late Chalcolithic Mesopotamia, towards a definition of sacred space and its evolution," in N. Laneri (ed.), Defining the sacred, Approaches to the Archaeology of Religion in the Ancient Near East, London, 2015, pp. 60-72
Documents dating from the Uruk period indicate that deities were already complex figures, conceptualized in human (anthropomorphism), astral, and symbolic forms, including animals.Beate Pongratz-Leisten, "Some reflections on the origins of the divine and interaction with divinity in the ancient Near East," in A. Palamidis and C. Bonnet (eds.), What's in a Divine Name?: Religious Systems and Human Agency in the Ancient Mediterranean, De Gruyter, Berlin and Boston, 2024, pp. 833-834 Uruk texts and iconography indicate that the goddess Inanna, the deified planet Venus, was already the city's tutelary deity. She was designated by the proto-cuneiform sign MUŠ (a buckled reed pole, probably the goddess's standard). Administrative tablets indicate that Inanna received offerings in several aspects, including those personifying the Morning Star and the Evening Star, to which a great festival was dedicated. The Warka Vase is probably a depiction of one of the festivals dedicated to the goddess (depicted on the vase) and of the prosperity granted to humans on the condition that they honor their gods.
The religious beliefs of the 4th millennium BC have been the object of debate: Thorkild Jacobsen saw a religion focused on gods linked to the cycle of nature and fertility.T. Jacobsen, The Treasures of Darkness: A History of Mesopotamian Religion, New Haven, 1976, pp. 23–73 The iconography of various cylinder seals and the Warka Vase uses imagery of abundance, perhaps referring to the cyclical regeneration of nature and sacred marriages.
Then, it is at least possible to discern the main elements of the ideology and religious practices well known from later periods of Mesopotamian history: a divine world organized around a few main figures, represented in human form (anthropomorphism); a cult dominated by urban temples thought of as divine residences, with a cultic calendar including some major festivities, and a cultic personnel (attested in proto-cuneiform lists of officials); an ideology which professes that humans have a duty to honor the gods by providing them with food, drink and other offerings, mobilizing significant resources for this (the temples probably already had important assets such as fields, workshops, animals and slaves).
The first region lacked a stratified society with an embryonic bureaucracy and urbanization, and therefore no strong elites (they are referred to as "chiefdoms"). Thus, there was no local relay for Uruk influence to take root, especially since it was undoubtedly too remote, as this region was much more marked by Egyptian influence during this period.G. Philip, "Contacts between the 'Uruk' world and the Levant during the fourth millennium BC: evidence and interpretation", in J. N. Postgate (ed.), Artefacts of Complexity: Tracking the Uruk in the Near East, Warminster, 2002, p. 207-235C. Nicolle, "Aux marges du Levant Sud : quelques considérations sur l'expansion "égyptienne" dans la seconde moitié du IVe millénaire", in J.-M. Durand and A. Jacquet (ed.), Centre et périphérie, approches nouvelles des Orientalistes, Paris, 2009, p. 29-46.
Egypt-Mesopotamia relations seem to have developed from the 4th millennium BCE, starting in the Uruk period for Mesopotamia and in the pre-literate Gerzean culture for Prehistoric Egypt (circa 3500-3200 BCE).Shaw, Ian. & Nicholson, Paul, The Dictionary of Ancient Egypt, (London: British Museum Press, 1995), p. 109. Influences can be seen in the visual arts of Egypt, in imported products, and also in the possible transfer of writing from Mesopotamia to Egypt, and generated "deep-seated" parallels in the early stages of both cultures. But overall, Urukean influence seems limited to objects and images perceived as prestigious and exotic (Gebel el-Arak Knife), chosen by local elites at a time when they needed markers to assert their power in a state society also under construction.B. Midant-Reynes, Aux origines de l'Égypte, Du Néolithique à l'émergence de l'État, Paris, 2003, p. 296-301.T. Wilkinson, « Uruk into Egypt : Imports and Imitations », in J. N. Postgate (ed.), op. cit., p. 237-247
Contacts have also been detected between the Urukean sphere and the regions of eastern Arabia, which pass through the Persian Gulf. They have been highlighted by the discovery of objects of Mesopotamian manufacture in Abu Dhabi and Oman, as well as the presence of the name Dilmun, which designates the island of Bahrain and the neighbouring mainland, in proto-cuneiform tablets from Uruk. Some metallic objects found in Mesopotamia for the end of the 4th millennium were made with copper imported from Oman. Mesopotamian ceramics from the Jemdet Nasr period are attested on several sites in these regions, attesting to a development of relations.R. Carter, "The Sumerians and the Golf", in H. Crawford (ed.), The Sumerian World, Oxon and New York, 2013, p. 579-586..
/ref> Then comes a transitional phase, Uruk III or Jemdet Nasr, sometimes considered a final Late Uruk period. It ends ca. 3000 BC.
/ref>
Outline of the 4th millennium BC in the Near East
/ref>). Urukean expansion reached its peak during this period, ca. 3500-3200 BC, with the creation of new colonies such as Habuba Kabira and the increased acculturation of local sites. Urukean influence is less and less marked the further one moves away from southern Mesopotamia, although it remained perceptible over a vast area.
Lower Mesopotamia
Environment and settlement
Uruk
Other sites in Lower Mesopotamia
Neighboring regions
Susiana and the Iranian Plateau
Upper Mesopotamia and northern Syria
Urukean colonies on the Euphrates
Tell Brak and Khabur valley
Tell Kuyunjik and Tepe Gawra
Southeast Anatolia
Uruk expansion
Technology and economy
Agriculture and pastoralism
Woolworking
Pottery
Metallurgy
Architecture
Means of transport
Trade
Society and administration
State formation
'Urban Revolution'
Social stratification
Development of administration
Intellectual and symbolic expressions
Writing
Visual Arts
Religion
Relations with other cultures
Uruk culture sites
See also
Bibliography
Ancient Near East, Mesopotamia
Uruk period
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