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Architecture (; ; ) is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, , , and or other . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

(2022). 9789990985085, Miranda Publishers.

The practice, which began in the , has been used as a way of expressing for civilizations on all seven . For this reason, architecture is considered to be a form of . Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise by the Roman architect , according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. wrote Lives of the Most Excellent Painters, Sculptors, and Architects and put forward the idea of style in the Western arts in the 16th century. In the 19th century, declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. In fact, During the European Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by known by name. Later, the roles of architects and became separated. Modern architecture began after World War I as an movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed.

Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating.

Architecture can mean:
  • A general term to describe buildings and other physical structures. Shorter Oxford English Dictionary (1993), Oxford,
  • The art and science of and (some) nonbuilding structures.
  • The style of design and method of construction of buildings and other physical structures.
  • A unifying or coherent form or structure.Merriam–Webster's Dictionary of English Usage, or
  • Knowledge of art, science, technology, and humanity.
  • The design activity of the architect, from the macro-level (, landscape architecture) to the micro-level (construction details and furniture). The practice of the , where architecture means offering or rendering professional services in connection with the design and construction of buildings, or built environments.

Theory of architecture
The philosophy of architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its and in relation with development of . Many philosophers and theoreticians from to , , and Ludwig Wittgenstein have concerned themselves with the nature of architecture and whether or not architecture is distinguished from building.

Historic treatises
The earliest surviving written work on the subject of architecture is by the Roman architect in the early 1st century AD.D. Rowland – T.N. Howe: Vitruvius. Ten Books on Architecture. Cambridge University Press, Cambridge 1999, According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation – firmness, commodity and delight. An equivalent in modern English would be:
  • Durability – a building should stand up robustly and remain in good condition
  • Utility – it should be suitable for the purposes for which it is used
  • Beauty – it should be aesthetically pleasing
According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De re aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealized human figure, the . The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognizable truths. The notion of style in the arts was not developed until the 16th century, with the writing of .Françoise Choay, Alberti and Vitruvius, editor, Joseph Rykwert, Profile 21, Architectural Design, Vol. 49 No. 5–6 By the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English.

In the 16th century, Italian Mannerist architect, painter and theorist Sebastiano Serlio wrote Tutte L'Opere D'Architettura et Prospetiva ( Complete Works on Architecture and Perspective). This treatise exerted immense influence throughout Europe, being the first handbook that emphasized the practical rather than the theoretical aspects of architecture, and it was the first to catalog the five orders. Sebastiano Serlio -- On domestic architecture , Columbia University Libraries, accessed February 5, 2021

In the early 19th century, Augustus Welby Northmore Pugin wrote Contrasts (1836) that, as the title suggested, contrasted the modern, industrial world, which he disparaged, with an idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, , in his Seven Lamps of Architecture, published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men … that the sight of them" contributes "to his mental health, power, and pleasure".John Ruskin, The Seven Lamps of Architecture, G. Allen (1880), reprinted Dover, (1989) For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.

On the difference between the ideals of architecture and mere , the renowned 20th-century architect wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture".Le Corbusier, Towards a New Architecture, Dover Publications(1985). Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."

Modern concepts
The notable 19th-century architect of skyscrapers, , promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of ' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a , not only practical but also aesthetic, psychological and cultural.

stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.... To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality".Rondanini, Nunzia Architecture and Social Change Heresies II, Vol. 3, No. 3, New York, Neresies Collective Inc., 1981.

Among the philosophies that have influenced modern architects and their approach to building design are , , , Poststructuralism, and Phenomenology.

In the late 20th century a new concept was added to those included in the compass of both structure and function, the consideration of , hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management, and .


Origins and vernacular architecture
File:Stærnes Søndre Loft, Rollag.jpg|In : wood and elevated-level File:Lesotho Slide Show (294).JPG|In : rondavel stones File:Yola hut -Tagoat Co. Wexford.JPG|In : Yola hut

Muzeul Satului Bucuresti 02.jpg|In : peasant houses in the Dimitrie Gusti National Village Museum () Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and knowledge began to be formalized through oral traditions and practices, building became a , and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world.

Prehistoric architecture

File:Göbekli Tepe, Urfa.jpg|Göbekli Tepe from , founded in 10th millennium BC and abandoned in 8th millennium BC File:Trypillian house2.jpg|Pottery miniature of a Cucuteni-Trypillian house File:Cucuteni MNIR IMG 7622.JPG|Miniature of a regular Cucuteni-Trypillian house, full of ceramic vessels File:Orkney Skara Brae.jpg|Excavated dwellings at (Mainland, Orkney, , UK)

Early human settlements were mostly . Hence, Expending economies resulted in the creation of which in some cases grew and evolved very rapidly, such as that of Çatal Höyük in and of the Indus Valley Civilization in modern-day .

Neolithic settlements and "cities" include Göbekli Tepe and Çatalhöyük in Turkey, in the Levant, in Pakistan, Knap of Howar and , , Scotland, and the Cucuteni-Trypillian culture settlements in , and .

Ancient architecture
File:Ishtar gate in Pergamon museum in Berlin..jpg|Mesopotamian architecture: Reconstruction of the in the (, ), circa 575 BC

Kheops-Pyramid.jpg|Ancient Egyptian architecture: The Great Pyramid of Giza (, Egypt), circa 2589-2566 BC, by

File:Parthenon (30276156187).jpg|Ancient Greek architecture: The on the Athenian Acropolis, made of marble and limestone, 460-406 BC

Maison Carree in Nimes (16).jpg|Ancient Roman architecture: The Maison Carrée from Nîmes (France), one of the best-preserved Roman temples, circa 2 AD

File:Horyu-ji National Treasure World heritage 国宝・世界遺産法隆寺85.JPG|Japanese architecture: Hōryū-ji, a Buddhist temple in , Japan, 607 AD

In many ancient civilizations such as those of and , architecture and urbanism reflected the constant engagement with the divine and the , and many ancient cultures resorted to monumentality in architecture to symbolically represent the political power of the ruler or the state itself.

The architecture and of the Classical civilizations such as the and the evolved from civic ideals rather than religious or empirical ones and new building types emerged. As the Architectural "style" developed in the form of the . Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices.

Texts on architecture have been written since ancient times. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect . Some of the most important early examples of canonic architecture are religious.

Asian architecture

Beauty of khajuraho temple.jpg|Indian architecture: The Kandariya Mahadeva Temple (, , ), circa 1030

File:11 Temple of Heaven.jpg|Chinese architecture: The Hall of Prayer for Good Harvests, the main building of the Temple of Heaven (, China), 1703-1790

Himeji Castle The Keep Towers.jpg|Japanese architecture: The (, Hyōgo Prefecture, ), 1609

File:Roulos Group - 005 Bakong (8587796725).jpg|Khmer architecture: The (near , ), earliest surviving Temple Mountain at Angkor, completed in 881 AD The architecture of different parts of developed differently than Europe; and each of Buddhist, Hindu and Sikh architecture had different characteristics. In fact, Unlike Indian and Chinese architecture which had great influence on the surrounding regions, Japanese architecture did not. Some Asian architecture showed great regional diversity such as Buddhist architecture, in particular. Moreover, other architectural achievements in Asia is the Hindu temple architecture, which developed from around the 5th century CE, is in theory governed by concepts laid down in the , and is concerned with expressing the macrocosm and the microcosm.

In many Asian countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Also, the grandest houses were relatively lightweight structures mainly using wood until recent times, and there are few survivals of great age. Buddhism was associated with a move to stone and brick religious structures, probably beginning as rock-cut architecture, which has often survived very well.

Early Asian writings on architecture include the Kao Gong Ji of China from the 7th–5th centuries BCE; the of ancient India; Manjusri Vasthu Vidya Sastra of and of .

Islamic architecture

File:Córdoba (5157827355).jpg|Moorish architecture: Grand arches of the Mosque–Cathedral of Córdoba (Córdoba, )

File:20180301124354 IMG 4179And6more Interior 3.jpg|Persian architecture: The Jameh Mosque in ()

File:Taj Mahal, Agra, India edit2.jpg|Mughal architecture: The in ()

Selimiye Mosque, Dome.jpg|Ottoman architecture: The interior side view of the main dome of the Selimiye Mosque in ()

Islamic architecture began in the 7th century , incorporating architectural forms from the ancient and , but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, Turkey, North Africa, the Indian Sub-continent and in parts of Europe, such as Spain, Albania, and the Balkan States, as the result of the expansion of the .

(2015). 9789004290365 .

European Middle Ages
File:Basilica di Santa Maria Maggiore abside a Roma.jpg|Byzantine architecture: of Santa Maria Maggiore (), decorated in the 5th century with this glamorous mosaic

File:Durham Cathedral Nave.jpg|Romanesque architecture: Interior of the (Durham, UK), 1093-1133

File:Sainte Chapelle Interior Stained Glass.jpg|Gothic architecture: Stained glass windows of the in Paris, completed in 1248, mostly constructed between 1194 and 1220

File:4, Strada Stavropoleos, Bucharest (Romania).jpg|Brâncovenesc architecture: The Stavropoleos Church (downtown , ), with elaborate paintings on the façade, 1724

In during the period, were formed by craftsmen to organize their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master mason, or Magister lathomorum as they are sometimes described in contemporary documents.

The major architectural undertakings were the buildings of abbeys and . From about 900 CE onward, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic.

Also, a significant part of the Middle Ages architectural heritage is numerous across the continent. From the Balkans to Spain, and from Malta to Estonia, these buildings represent an important part of European heritage.

Renaissance and the architect

Florence Duomo (167859687).jpeg|The Florence Cathedral (, ), 1294–1436, by Arnolfo di Cambio, Filippo Brunelleschi and Emilio De Fabris

Tempietto del Bramante Vorderseite.jpg|The Tempietto (Rome), by , 1444-1514

Le salon des Perspectives (Villa Farnesina, Rome) (34242676046).jpg|The Hall of Perspective from (Rome), by Baldassare Peruzzi, 1505-1510

07-Villa-Rotonda-Palladio.jpg|The Villa La Rotonda (, Italy), 1567 - , by

Schloss Chenonceau.JPG|The Château de Chenonceau (France), by Philibert de l'Orme, 1576

In Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance humanism, which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, , – and the cult of the individual had begun. There was still no dividing line between , and , or any of the related vocations, and the appellation was often one of regional preference.

A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering, which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist.

Early modern and the industrial age

Château de Maisons-Laffitte 001.jpg|Baroque architecture: The Château de Maisons (France), by François Mansart, 1630–1651

Petit appartement du roi - Pièce de la vaisselle d'or (3).jpg|: The pièce de la vaisselle d'or (Palace of Versailles, , France)

West facade of Petit Trianon 002.JPG|Neoclassical architecture: The west facade of the (Versailles), 1764, by Ange-Jacques Gabriel

All Saints Margaret Street Interior 2, London, UK - Diliff.jpg| (in this case Gothic Revival): Interior of the All Saints (London), 1850–1859, by William Butterfield

The Museum of Ages.jpg|19th century Eclectic Classicist architecture: The Museum of Ages on (, ), late 19th century, unknown architect

Vedere a Halelor din Paris de pe Biserica Saint Eustache.jpg|19th century industrial architecture: (Paris), 1850s-destroyed in 1971, by

Éden-Théâtre 1876 Paris - Chauveau 1999 after p96.jpg|: The Éden-Théâtre (Paris), early 1880s-demolished in 1895, by William Klein and

56, Bulevardul Dacia, Bucharest (Romania).jpg|Revivalist architecture of a national style (in this case Romanian Revival): The C.N. Câmpeanu House on Bulevardul Dacia (Bucharest), , by Constantin Nănescu

(2022). 9789731872308, SIMETRIA.

Palacio CEC, Bucarest, Rumanía, 2016-05-29, DD 91-93 HDR.jpg|Beaux-Arts architecture: The on (Bucharest), 8 June 1897 – 1900, by

(2022). 9786068839097, Editura Istoria Artei.

File:Castel Béranger, February 16, 2013.jpg|Art Nouveau architecture: The Entrance of the Castel Béranger (Paris), 1895–1898, by

The emerging knowledge in scientific fields and the rise of new materials and technology, architecture and began to separate, and the architect began to concentrate on and the humanist aspects, often at the expense of technical aspects of building design. There was also the rise of the "gentleman architect" who usually dealt with wealthy clients and concentrated predominantly on visual qualities derived usually from historical prototypes, typified by the many country houses of Great Britain that were created in the Neo Gothic or Scottish baronial styles. Formal architectural training in the 19th century, for example at École des Beaux-Arts in France, gave much emphasis to the production of beautiful drawings and little to context and feasibility.

Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production.

Vernacular architecture became increasingly ornamental. Housebuilders could use current architectural design in their work by combining features found in pattern books and architectural journals.


Alfeld Fagus 08JUL15.JPG|Early Modern architecture: The (, Germany), 1911, by

Einsteinturm 7443a.jpg|Expressionist architecture: The (, near , Germany), 1919–1922, by

Théâtre des Champs-Élysées, 21 April 2013.jpg|Art Deco architecture: The Théâtre des Champs-Élysées (Paris), 1910–1913, by

Overzicht voorgevel - Heerlen - 20349660 - RCE.jpg|International Style: The (, the Netherlands), 1934–1935, by and

Around the beginning of the 20th century, general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors to Modern architecture. Notable among these is the Deutscher Werkbund, formed in 1907 to produce better quality machine-made objects. The rise of the profession of industrial design is usually placed here. Following this lead, the school, founded in , Germany in 1919, redefined the architectural bounds prior set throughout history, viewing the creation of a building as the ultimate synthesis—the apex—of art, craft, and technology.

When modern architecture was first practiced, it was an movement with moral, philosophical, and aesthetic underpinnings. Immediately after World War I, pioneering modernist architects sought to develop a completely new style appropriate for a new post-war social and economic order, focused on meeting the needs of the middle and working classes. They rejected the architectural practice of the academic refinement of historical styles which served the rapidly declining aristocratic order. The approach of the Modernist architects was to reduce buildings to pure forms, removing historical references and ornament in favor of functional details. Buildings displayed their functional and structural elements, exposing steel beams and concrete surfaces instead of hiding them behind decorative forms. Architects such as Frank Lloyd Wright developed organic architecture, in which the form was defined by its environment and purpose, with an aim to promote harmony between human habitation and the natural world with prime examples being and .

Architects such as Mies van der Rohe, and worked to create beauty based on the inherent qualities of building materials and modern construction techniques, trading traditional historic forms for simplified geometric forms, celebrating the new means and methods made possible by the Industrial Revolution, including steel-frame construction, which gave birth to high-rise superstructures. Fazlur Rahman Khan's development of the tube structure was a technological break-through in building ever higher. By mid-century, Modernism had morphed into the International Style, an aesthetic epitomized in many ways by the Twin Towers of New York's World Trade Center designed by .

PiazzaDItalia1990.jpg|Piazza d'Italia (, USA), 1978, by Charles Moore

The Walt Disney Company office.jpg| Building (, USA), 1990, by

Cambridge University Judge Business School interior.jpg|Multicolour interior of the Cambridge Judge Business School (, the UK), 1995, by

Case danzanti.jpg|The (, ), 1996, by Vlado Milunić and

Many architects resisted , finding it devoid of the decorative richness of historical styles. As the first generation of modernists began to die after World War II, the second generation of architects including Paul Rudolph, , and tried to expand the aesthetics of modernism with , buildings with expressive sculpture façades made of unfinished concrete. But an even younger postwar generation critiqued modernism and Brutalism for being too austere, standardized, monotone, and not taking into account the richness of human experience offered in historical buildings across time and in different places and cultures.

One such reaction to the cold aesthetic of modernism and Brutalism is the school of metaphoric architecture, which includes such things as and zoomorphic architecture, both using nature as the primary source of inspiration and design. While it is considered by some to be merely an aspect of , others consider it to be a school in its own right and a later development of expressionist architecture.

(2022). 9781443835176, Cambridge Scholars Publishing.

Beginning in the late 1950s and 1960s, architectural phenomenology emerged as an important movement in the early reaction against modernism, with architects like Charles Moore in the United States, Christian Norberg-Schulz in Norway, and Ernesto Nathan Rogers and Vittorio Gregotti, , in Italy, who collectively popularized an interest in a new contemporary architecture aimed at expanding human experience using historical buildings as models and precedents.

(2022). 9780816666041, University of Minnesota Press. .
Postmodernism produced a style that combined contemporary building technology and cheap materials, with the aesthetics of older pre-modern and non-modern styles, from high classical architecture to popular or vernacular regional building styles. famously defined postmodern architecture as a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside) and upheld it against modernist and brutalist "ducks" (buildings with unnecessarily expressive tectonic forms).

Architecture today

Dallas Meadows Museum 1.jpg|The (, , USA), 2001, by HBRA architects

File:Beijing national stadium.jpg|The Beijing National Stadium (, China), 2003–2007, by Herzog & de Meuron

Campus WU LC D1 TC DSC 1440w.jpg|The Library and Learning Center of the University of Vienna (, Austria), 2008, by

File:Isbjerget.jpg|The housing project (, Denmark), inspired by form and color of icebergs, 2013, by , JDS Architects, Louis Paillard, and SeARCH Since the 1980s, as the complexity of buildings began to increase (in terms of structural systems, services, energy and technologies), the field of architecture became multi-disciplinary with specializations for each project type, technological expertise or project delivery methods. Moreover, there has been an increased separation of the 'design' architect A design architect is one who is responsible for the design. from the 'project' architect who ensures that the project meets the required standards and deals with matters of liability.A project architect is one who is responsible for ensuring the design is built correctly and who administers building contracts – in non-specialist architectural practices the project architect is also the design architect and the term refers to the differing roles the architect plays at differing stages of the process. The preparatory processes for the design of any large building have become increasingly complicated, and require preliminary studies of such matters as durability, sustainability, quality, money, and compliance with local laws. A large structure can no longer be the design of one person but must be the work of many. Modernism and Postmodernism have been criticized by some members of the architectural profession who feel that successful architecture is not a personal, philosophical, or aesthetic pursuit by individualists; rather it has to consider everyday needs of people and use technology to create livable environments, with the design process being informed by studies of behavioral, environmental, and social sciences.

Environmental has become a mainstream issue, with a profound effect on the architectural profession. Many developers, those who support the financing of buildings, have become educated to encourage the facilitation of environmentally sustainable design, rather than solutions based primarily on immediate cost. Major examples of this can be found in passive solar building design, , materials, and more attention to a structure's energy usage. This major shift in architecture has also changed architecture schools to focus more on the environment. There has been an acceleration in the number of buildings that seek to meet sustainable design principles. Sustainable practices that were at the core of vernacular architecture increasingly provide inspiration for environmentally and socially sustainable contemporary techniques. The U.S. Green Building Council's LEED (Leadership in Energy and Environmental Design) rating system has been instrumental in this.Other energy efficiency and green building rating systems include Energy Star, Green Globes, and CHPS (Collaborative for High Performance Schools).

Concurrently, the recent movements of , Metaphoric architecture, Complementary architecture and New Classical architecture promote a sustainable approach towards construction that appreciates and develops , architectural tradition and classical design. This in contrast to modernist and globally uniform architecture, as well as leaning against solitary and . Issue Brief: Smart-Growth: Building Livable Communities . American Institute of Architects. Retrieved on 23 March 2014. Glass curtain walls, which were the hallmark of the ultra modern urban life in many countries surfaced even in developing countries like Nigeria where international styles had been represented since the mid 20th Century mostly because of the leanings of foreign-trained architects.

Other types of architecture

Landscape architecture
Landscape architecture is the design of outdoor public areas, landmarks, and structures to achieve environmental, social-behavioral, or aesthetic outcomes.Sir Geoffrey Jellicoe, , The Landscape of Man: Shaping the Environment from Prehistory to the Present Day It involves the systematic investigation of existing social, ecological, and soil conditions and processes in the landscape, and the design of interventions that will produce the desired outcome. The scope of the profession includes ; ; stormwater management; environmental restoration; and recreation planning; visual resource management; green infrastructure planning and provision; and private estate and landscape master planning and design; all at varying scales of design, planning and management. A practitioner in the profession of landscape architecture is called a landscape architect.

Interior architecture
Interior architecture is the design of a space which has been created by structural boundaries and the human interaction within these boundaries. It can also be the initial design and plan for use, then later redesigned to accommodate a changed purpose, or a significantly revised design for of the building shell. The latter is often part of sustainable architecture practices, conserving resources through "recycling" a structure by adaptive redesign. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed, concerned with all aspects of the human uses of structural spaces. Put simply, interior architecture is the design of an interior in architectural terms.

Naval architecture
Naval architecture, also known as naval engineering, is an discipline dealing with the engineering design process, , maintenance, and operation of and structures.Biran, Adrian; (2003). Ship hydrostatics and stability (1st Ed.) – Butterworth-Heinemann. Naval architecture involves basic and applied research, design, development, design evaluation and calculations during all stages of the life of a marine vehicle. Preliminary design of the vessel, its detailed design, , , operation and maintenance, launching and are the main activities involved. Ship design calculations are also required for ships being modified (by means of conversion, rebuilding, modernization, or repair). Naval architecture also involves the formulation of safety regulations and damage control rules and the approval and certification of ship designs to meet and non-statutory requirements.

Urban design
Urban design is the process of designing and shaping the physical features of cities, towns, and villages. In contrast to architecture, which focuses on the design of individual buildings, urban design deals with the larger scale of groups of buildings, streets and public spaces, whole neighborhoods and districts, and entire cities, with the goal of making urban areas functional, attractive, and sustainable.

Urban design is an interdisciplinary field that utilizes elements of many built environment professions, including landscape architecture, , architecture, civil engineering and municipal engineering.Van Assche, K., Beunen, R., Duineveld, M., & de Jong, H. (2013). Co-evolutions of planning and design: Risks and benefits of design perspectives in planning systems . Planning Theory, 12(2), 177-198. It is common for professionals in all these disciplines to practice urban design. In more recent times different sub-subfields of urban design have emerged such as strategic urban design, landscape urbanism, water-sensitive urban design, and sustainable urbanism.

Metaphorical "architectures"
"Architecture" is used as a metaphor for many modern techniques or fields for structuring abstractions. These include:
  • Computer architecture, a set of rules and methods that describe the functionality, organization, and implementation of , with software architecture, hardware architecture and network architecture covering more specific aspects.
  • Business architecture, defined as "a blueprint of the enterprise that provides a common understanding of the organization and is used to align strategic objectives and tactical demands",OMG Business Architecture Special Interest Group " What Is Business Architecture? " at, 2008 ( Accessed 04-03-2015; Cited in: William M. Ulrich, Information Systems Transformation: Architecture-Driven Modernization Case Studies. (2010), p. 4. Enterprise architecture is another term.
  • Cognitive architecture theories about the structure of the
  • System architecture a that defines the , , and more of any type of .Hannu Jaakkola and Bernhard Thalheim. (2011) "Architecture-driven modelling methodologies." In: Proceedings of the 2011 conference on Information Modelling and Knowledge Bases XXII. Anneli Heimbürger et al. (eds). IOS Press. p. 98

Seismic architecture
The term 'seismic architecture' or 'earthquake architecture' was first introduced in 1985 by Robert Reitherman. The phrase "earthquake architecture" is used to describe a degree of architectural expression of earthquake resistance or implication of architectural configuration, form or style in earthquake resistance. It is also used to describe buildings in which seismic design considerations impacted its architecture. It may be considered a new aesthetic approach in designing structures in seismic prone areas.
(2022). 9789940979409, Msproject.
The wide breadth of expressive possibilities ranges from metaphorical uses of seismic issues, to the more straightforward exposure of seismic technology. While outcomes of an earthquake architecture can be very diverse in their physical manifestations, architectural expression of seismic principles can also take many forms and levels of sophistication.

See also
  • Architectural engineering
  • Architectural technology
  • Ephemeral architecture
  • Index of architecture articles
  • Outline of architecture
  • Philosophy of architecture
  • Reverse architecture
  • Timeline of architecture


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