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The codex (: codices )

(2025). 9780550101051, Chambers.
was the historical ancestor format of the modern . Technically, the vast majority of modern books use the codex format of a stack of pages at one edge, along the side of the text. However, the term codex is now reserved for older books, which mostly used sheets of , , or , rather than . Oxford English Dictionary, 2nd ed.: Codex: "a manuscript volume"

By convention, the term is also used for any (although the earlier examples do not actually use the codex format), and other pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the , while most do not.

At least in the Western world, the main predecessor to the paged codex format for a long document was the continuous (also of vellum, parchment or papyrus), which was the dominant form of document in the . Some codices are continuously folded like a , in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. Concertina-style codices made of fibre-based paper were also developed in China no later than the 9th century. This practice later spread to through Buddhist exchange, where they were called .

The developed the form from . The gradual replacement of the scroll by the codex has been called the most important advance in book making before the invention of the . The codex transformed the shape of the book itself, and offered a form that has lasted ever since. The spread of the codex is often associated with the rise of , which early on adopted the format for the . First described in the 1st century of the Common Era, when the Roman poet praised its convenient use, the codex achieved numerical parity with the scroll around 300 CE,"Codex" in the Oxford Dictionary of Byzantium, Oxford University Press, New York & Oxford, 1991, p. 473. . and had completely replaced it throughout what was by then a Christianized Greco-Roman world by the 6th century.


Etymology and origins
The word codex comes from the word caudex, meaning "trunk of a tree", "block of wood" or "book". The codex began to replace the almost as soon as it was invented, although new finds add three centuries to its history (see below). In , by the fifth century, the codex outnumbered the scroll by ten to one based on surviving examples. By the sixth century, the scroll had almost vanished as a medium for literature.Roberts, Colin H., and Skeat, T. C. (1987), The Birth of the Codex. London: Oxford University Press for the , p. 75. The change from rolls to codices roughly coincides with the transition from to as the preferred writing material, but the two developments are unconnected. In fact, any combination of codices and scrolls with papyrus and parchment is technically feasible and common in the historical record.

Technically, even modern and are codices, but publishers and scholars reserve the term for (hand-written) books produced from until the . The scholarly study of these manuscripts is sometimes called . The study of ancient documents in general is called .

The codex provided considerable advantages over other book formats, primarily its compactness, sturdiness, economic use of materials by using both sides (recto and verso), and ease of reference (a codex accommodates , as opposed to a scroll, which uses sequential access).


History
The used precursors made of reusable for taking notes and other informal writings. Two ancient , a pentaptych and octoptych excavated at , used a unique connecting system that presages later sewing on of thongs or cords. A first evidence of the use of papyrus in codex form comes from the Ptolemaic period in Egypt, as a find at the University of Graz shows.

may have been the first Roman to reduce scrolls to bound pages in the form of a note-book, possibly even as a papyrus codex.During the ; Suet. Jul. 56.6 ; cf. At the turn of the 1st century AD, a kind of folded parchment notebook called pugillares membranei in Latin became commonly used for writing in the . Theodore Cressy Skeat theorized that this form of notebook was invented in Rome and then spread rapidly to the Near East.

Codices are described in certain works by the poet, . He wrote a series of five meant to accompany gifts of literature that Romans exchanged during the festival of . Three of these books are specifically described by Martial as being in the form of a codex; the poet praises the compendiousness of the form (as opposed to the scroll), as well as the convenience with which such a book can be read on a journey. In another poem by Martial, the poet advertises a new edition of his works, specifically noting that it is produced as a codex, taking less space than a scroll and being more comfortable to hold in one hand. According to Theodore Cressy Skeat, this might be the first recorded known case of an entire edition of a literary work (not just a single copy) being published in codex form, though it was likely an isolated case and was not a common practice until a much later time.

In his discussion of one of the earliest parchment codices to survive from in Egypt, Eric Turner seems to challenge Skeat's notion when stating, "its mere existence is evidence that this book form had a prehistory", and that "early experiments with this book form may well have taken place outside of Egypt." Early codices of parchment or papyrus appear to have been widely used as personal notebooks, for instance in recording copies of letters sent (Cicero Fam. 9.26.1). Early codices were not always cohesive. They often contained multiple languages, various topics, and even multiple authors. "Such codices formed libraries in their own right."

(2025). 9780500291153, Thames & Hudson.
The parchment notebook pages were "more durable, and could withstand being folded and stitched to other sheets". Parchments whose writing was no longer needed were commonly washed or scraped for re-use, creating a ; the erased text, which can often be recovered, is older and usually more interesting than the newer text which replaced it. Consequently, writings in a codex were often considered informal and impermanent. Parchment (animal skin) was expensive, and therefore it was used primarily by the wealthy and powerful, who were also able to pay for textual design and color. "Official documents and deluxe manuscripts in were written in gold and silver ink on parchment...dyed or painted with costly purple pigments as an expression of imperial power and wealth."

As early as the early 2nd century, there is evidence that a codex—usually of papyrus—was the preferred format among . In the library of the Villa of the Papyri, (buried in AD 79), all the texts (of Greek literature) are scrolls (see Herculaneum papyri). However, in the Nag Hammadi library, hidden about AD 390, all texts (Gnostic) are codices. Despite this comparison, a fragment of a non-Christian parchment codex of ' De Falsa Legatione from Oxyrhynchus in Egypt demonstrates that the surviving evidence is insufficient to conclude whether Christians played a major or central role in the development of early codices—or if they simply adopted the format to distinguish themselves from .

(2025). 9781512807868, University of Pennsylvania Press.

The earliest surviving fragments from codices come from Egypt, and are variously dated (always tentatively) towards the end of the 1st century or in the first half of the 2nd. This group includes the Rylands Library Papyrus P52, containing part of St John's Gospel, and perhaps dating from between 125 and 160., and . From Robert A Kraft (see link): "A fragment of a Latin parchment codex of an otherwise unknown historical text dating to about AD 100 was also found at Oxyrhynchus (P. Oxy. 30; see Roberts & Skeat 28). Papyrus fragments of a 'Treatise of the Empirical School' dated by its editor to the centuries AD 1–2 is also attested in the Berlin collection (inv. # 9015, Pack\2 # 2355)—Turner, Typology # 389, and Roberts & Skeat 71, call it a 'medical manual.

In Western culture, the codex gradually replaced the scroll. Between the 4th century, when the codex gained wide acceptance, and the Carolingian Renaissance in the 8th century, many works that were not converted from scroll to codex were lost. The codex improved on the scroll in several ways. It could be opened flat at any page for easier reading, pages could be written on both front and back (recto and verso), and the protection of durable covers made it more compact and easier to transport.Murray, S. (2009). The library: An illustrated history. New York, NY: Skyhorse Publishing, Inc. Chicago: ALA Editions 2009. (p. 27).

The ancients stored codices with spines facing inward, and not always vertically. The spine could be used for the , before the concept of a proper title developed in medieval times. Though most early codices were made of papyrus, the material was fragile and supplied from Egypt, the only place where papyrus grew. The more durable parchment and gained favor, despite the cost.

The codices of pre-Columbian (Mexico and Central America) had a similar appearance when closed to the European codex, but were instead made with long folded strips of either fig bark () or plant fibers, often with a layer of applied before writing. codices were written as late as the 16th century (see and ). Those written before the Spanish conquests seem all to have been single long sheets folded -style, sometimes written on both sides of the . There are significant codices produced in the colonial era, with pictorial and alphabetic texts in Spanish or an indigenous language such as .

(2025). 9780826343376, UNM Press. .

In , the scroll remained standard for far longer than in the world. There were intermediate stages, such as scrolls folded -style and pasted together at the back and books that were printed only on one side of the paper. Several intermediate Chinese bookbinding forms from the 10th century . International Dunhuang Project. This replaced traditional Chinese writing mediums such as bamboo and wooden slips, as well as silk and paper scrolls. The evolution of the codex in China began with folded-leaf in the 9th century, during the late (618–907), improved by the 'butterfly' bindings of the (960–1279), the wrapped back binding of the (1271–1368), the stitched binding of the (1368–1644) and dynasties (1644–1912), and finally the adoption of Western-style bookbinding in the 20th century. The initial phase of this evolution, the accordion-folded palm-leaf-style book, most likely came from and was introduced to China via .

still retains the , at least for ceremonial use.

(1995). 9780814337554, Wayne State University Press. .


From scrolls to codices
Among the experiments of earlier centuries, scrolls were sometimes unrolled horizontally, as a succession of columns. The Dead Sea Scrolls are a famous example of this format, and it is the standard format for Jewish made to this day for ritual use. This made it possible to fold the scroll as an accordion. The next evolutionary step was to cut the folios and sew and glue them at their centers, making it easier to use the papyrus or vellum recto-verso as with a modern book.

Traditional would call one of these assembled, trimmed, and bound folios (that is, the "pages" of the book as a whole, comprising the front matter and contents) a codex in contradistinction to the cover or case, producing the format of book now colloquially known as a hardcover. In the hardcover bookbinding process, the procedure of binding the codex is very different from that of producing and attaching the case.


Preparation
The first stage in creating a codex is to prepare the animal skin. The skin is washed with water and lime, but not together. The skin is soaked in the lime for a couple of days. The hair is removed, and the skin is dried by attaching it to a frame, called a herse.
(2025). 9780801438639, Cornell university press.
The parchment maker attaches the skin at points around the circumference. The skin attaches to the herse by cords. To prevent it from being torn, the maker wraps the area of the skin attached to the cord around a pebble called a pippin. After completing that, the maker uses a crescent-shaped knife called a lunarium or to remove any remaining hairs. Once the skin completely dries, the maker gives it a deep clean and processes it into sheets. The number of sheets from a piece of skin depends on the size of the skin and the final product dimensions. For example, the average calfskin can provide three-and-a-half medium sheets of writing material, which can be doubled when they are folded into two conjoint leaves, also known as a bifolium. Historians have found evidence of manuscripts in which the scribe wrote down the medieval instructions now followed by modern makers.Thompson, Daniel. "Medieval Parchment-Making." The Library 16, no. 4 (1935). Defects can often be found in the membrane, whether they are from the original animal, human error during the preparation period, or from when the animal was killed. Defects can also appear during the writing process. Unless the manuscript is kept in perfect condition, defects can also appear later in its life.


Preparation of pages for writing
Firstly, the membrane must be prepared. The first step is to set up the quires. The quire is a group of several sheets put together. Raymond Clemens and Timothy Graham point out, in "Introduction to Manuscript Studies", that "the quire was the scribe's basic writing unit throughout the Middle Ages":

Pricking is the process of making holes in a sheet of parchment (or membrane) in preparation of it ruling. The lines were then made by ruling between the prick marks.... The process of entering ruled lines on the page to serve as a guide for entering text. Most manuscripts were ruled with horizontal lines that served as the baselines on which the text was entered and with vertical bounding lines that marked the boundaries of the columns.


Forming quire
From the Carolingian period to the end of the Middle Ages, different styles of folding the quire came about. For example, in continental Europe throughout the Middle Ages, the quire was put into a system in which each side folded on to the same style. The hair side met the hair side and the flesh side to the flesh side. This was not the same style used in the British Isles, where the membrane was folded so that it turned out an eight-leaf quire, with single leaves in the third and sixth positions. The next stage was tacking the quire. Tacking is when the scribe would hold together the leaves in quire with thread. Once threaded together, the scribe would then sew a line of parchment up the "spine" of the manuscript to protect the tacking.


Materials
The materials codices are made with are their support, and include papyrus, parchment (sometimes referred to as membrane or vellum), and paper. They are written and drawn on with metals, , and .
(1991). 9780195046526, Oxford University Press.
The quality, size, and choice of support determine the status of a codex. Papyrus is found only in late antiquity and the Early Middle Ages. Codices intended for display were bound with more durable materials than vellum.
(2025). 9780198606536, Oxford University Press.
Parchment varied widely due to animal species and finish, and identification of animals used to make it has only begun to be studied in the 21st century. How manufacturing influenced the final products, technique, and style is little understood. However, changes in style are underpinned more by variation in technique.
(2025). 9780195395365, Oxford University Press.
Before the 14th and 15th centuries, paper was expensive, and its use may mark off the deluxe copy.


Structure
The structure of a codex includes its size, format/ ordinatio (its quires or gatherings), consisting of sheets folded a number of times, often twice- a bifolio,
(1991). 9780195046526, Oxford University Press.
sewing, , and rebinding. A quire consisted of a number of folded sheets inserted into one another- at least three, but most commonly four bifolia, that is eight sheets and sixteen pages: Latin quaternio or Greek tetradion, which became a synonym for quires. Unless an exemplar (text to be copied) was copied exactly, the format differed. In preparation for writing codices, ruling patterns were used that determined the layout of each page. Holes were prickled with a spiked lead wheel and a circle. Ruling was then applied separately on each page or once through the top folio.
(1991). 9780195046526, Oxford University Press.
Ownership markings, decorations, and illumination are also a part of it.
(2025). 9780199576128, Oxford University Press.
They are specific to the , or any production center, and libraries of codices.


Pages
Watermarks may provide, although often approximate, dates for when the copying occurred. The layout (size of the margin and the number of lines) is determined. There may be textual articulations, , openings, chapters, and . Space was reserved for illustrations and decorated guide letters. The apparatus of books for scholars became more elaborate during the 13th and 14th centuries when chapter, verse, , marginalia finding guides, indexes, , and tables of contents were developed.


Binding
Modern deals with paper sheets of uniform dimensions, and products for mass-market sale are generally utilitarian. Elaborate historical bindings are called .Michelle P. Brown, Understanding Illuminated Manuscripts, revised: A Guide to Technical Terms, 2018, Getty Publications, , 9781606065785 p. 109.


The libraire
By a close examination of the physical attributes of a codex, it is sometimes possible to match up long-separated elements originally from the same book. In the 13th century , due to secularization, stationers or libraires emerged. They would receive commissions for texts, which they would contract out to scribes, illustrators, and binders, to whom they supplied materials. Due to the systematic format used for assembly by the libraire, the structure can be used to reconstruct the original order of a manuscript. However, complications can arise in the study of a codex. Manuscripts were frequently rebound, and this resulted in a particular codex incorporating works of different dates and origins, thus different internal structures. Additionally, a binder could alter or unify these structures to ensure a better fit for the new binding.
(2025). 9780198662037, Oxford University Press.
Completed quires or books of quires might constitute independent book units- booklets, which could be returned to the stationer, or combined with other texts to make anthologies or miscellanies. Exemplars were sometimes divided into quires for simultaneous copying and loaned out to students for study. To facilitate this, catchwords were used- a word at the end of a page providing the next page's first word.
(2025). 9780198606536, Oxford University Press.


See also
  • History of books
  • History of scrolls
  • Index (publishing)
  • List of codices
  • List of florilegia and botanical codices
  • List of New Testament papyri
  • List of New Testament uncials
  • Traditional Chinese bookbinding
  • Volume (bibliography)


Citations

General and cited references


External links
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