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In Christian architecture the baptistery or baptistry ( baptisterie; baptisterium; βαπτιστήριον, 'bathing-place, baptistery', from βαπτίζειν, baptízein, 'to baptize') is the separate centrally planned structure surrounding the . The baptistery may be incorporated within the body of a church or , and provided with an altar as a chapel. In the early Church, the were instructed and the of was administered in the baptistery.


Design
The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of to Christians. Beginning in the fourth century, baptisteries in Italy were often designed with an octagonal plan.
(2012). 9781441236272, Baker Academic. .
The octagonal plan of the Lateran Baptistery, the first structure expressly built as a baptistery, provided a widely followed model. The baptistery might be twelve-sided, or even circular as at .
(2025). 9788885991422, Pontificio Istituto di Archeologia Cristiana.

In a or , the catechumens were instructed and made their before baptism. The main interior space centered upon the ( piscina), in which those to be baptized were thrice immersed. Three steps led down to the floor of the font, and over it might be suspended a gold or silver dove. The iconography of or on the walls were commonly of the scenes in the life of Saint John the Baptist. The font was at first always of stone, but latterly metals were often used.

The Lateran baptistery's font was fed by a natural spring. When the site had been the palatial dwelling of the Laterani, before Constantine presented it to Bishop Miltiades, the spring formed the water source for the numerous occupants of the domus. As the requirements for Christian baptisteries expanded, Christianization of sacred pagan springs presented natural opportunities. , in a letter written in AD 527, described a fair held at a former pagan shrine of , in the still culturally Greek region of southern Italy. This shrine had been Christianized by converting it to a baptistery ( Variae 8.33). There are also examples of the transition from miraculous springs to baptisteries from Gregory of Tours (died c. 594) and Maximus, bishop of Turin (died c. 466).


History
Baptisteries belong to a period of the church when great numbers of adult catechumens were baptized and immersion was the rule. They did not seem to be common before the emperors Gratian, Valentinian, and Theodosius made the in the Edict of Thessalonica (i.e. before the 4th century). As early as the 6th century, the baptismal font was commonly built in the of the church, before it was moved into the church itself. After the 9th century, with infant baptism increasingly the rule, few baptisteries were built. Some of the older baptisteries were so large that there are accounts of councils and being held in them. They had to be large because a bishop in the early church would customarily baptize all the catechumens in his and the rite was performed only three times a year, on certain holy days. Baptisteries were thus attached to the and not to the churches. In the Italian countryside a was a church with a baptistery on which other churches without baptisteries depended.

During the months when no baptisms occurred, the baptistery doors were sealed with the 's seal, a method of controlling the orthodoxy of all baptism in the diocese. Some baptisteries were divided into two parts to separate the sexes; or sometimes the church had two baptisteries, one for each sex. A was often provided to warm the neophytes after immersion.

Though baptisteries were forbidden to be used as burial-places by the Council of Auxerre (578), they were sometimes used as such. The Florentine Antipope John XXIII (d. 1419) was buried in the Florence Baptistery, facing Florence Cathedral, with great ceremony, and a large and sculpturally important tomb by Donatello and his partner. Many of the early archbishops of Canterbury in England were buried in the baptistery at Canterbury.

According to the records of early church councils, baptisteries were first built and used to correct what were considered the evils arising from the practice of private baptism. As soon as Christianity had expanded so that baptism became the rule, and as immersion of adults gave place to sprinkling of infants, the ancient baptisteries were no longer necessary. They are still in general use, however, in Florence and Pisa.

The Lateran Baptistery must be the earliest ecclesiastical building still in use. A large part of it remains as built by Constantine. The central area, with the basin of the font, is an octagon around which stand eight porphyry columns, with capitals and of classical form. Outside these are an and outer walls forming a larger octagon. Attached to one side, toward the Lateran basilica, is a porch with two noble porphyry columns and richly carved capitals, bases and entablatures.

The circular church of , also of the 4th century, served as a baptistery and contained the tomb of the daughter of Constantine. This is a remarkably perfect structure with a central dome, columns, and mosaics of classical fashion. Two side niches contain the earliest known mosaics of distinctively Christian subjects. In one is represented receiving the Old Law, in the other delivers to the New Law charter, sealed with the monogram.

The earliest surviving structure that was used as a baptistery is the tomb-like baptistery at . Another baptistery of the earliest times has been excavated at . Ruins of baptisteries have also been found at and in . At are two noted baptisteries, decorated with fine . One was built in the mid-5th century, and the other in the 6th. A large baptistery decorated with mosaics was built in the 6th century at .

In the East, the metropolitan baptistery at Constantinople still stands at the side of the former patriarchal Church of Holy Wisdom. Many others, in for example, were found in late 19th and early 20th-century archaeological research, as were some belonging to churches of . In the most famous early baptistery is Baptistère Saint-Jean at . Other early examples exist at , Fréjus and . In , a detached baptistery is known to have been associated with Canterbury Cathedral.


Revival in medieval Italy
In most of Europe the early Christian practice of having a distinct baptistery building, useful when large numbers of adult were being instructed and then baptised in groups by immersion, had lapsed by the Late Middle Ages, when baptisms were , and used sprinkling with holy water rather than immersion. Instead, smaller fonts were placed inside the church. But in north Italy separate baptisteries revived, probably largely as an expression of civic pride, placed beside the cathedral, and often with a separate or bell-tower.Osborne, 104–105; White, 59; Honour & Fleming, 279–280

Among the more spectacular Romanesque and Gothic examples, the Florence Baptistery was built between 1059 and 1128, the begun 1152 (replacing an older one) and completed in 1363, the was begun in 1196, Pistoia in 1303; all these have octagonal exteriors.White, 250 The Siena Baptistery was begun in 1316, then left incomplete some decades later.White, 234, 236–240


Famous baptisteries
Famous Italian baptisteries include:
  • Lateran Baptistery, Rome, the most significant and architecturally most influential baptistery in the Christian West, founded by Pope Sixtus III
  • Florence Baptistery, Tuscan Romanesque-style structure associated with Florence Cathedral, rebuilt between 1059 and 1150; it contains 's Doors of Paradise
  • , circular domed Baptistery of St John clad in white marble in the Piazza del Duomo, , built in stages from 1152 and combining Romanesque with Gothic.
  • Lomello Baptistery of San Giovanni ad Fontes

Famous French baptisteries include:

  • Baptistery of Fréjus Cathedral
  • Baptistery of in Aix-en-Provence
  • Baptistery of , reputedly the oldest Christian building in France.

Byzantine baptisteries of the Holy Land:


See also
  • Mandi (Mandaeism)
  • Church of the priest Félix and baptistry of Kélibia


Notes
  • and John Fleming, A World History of Art, 1st edn. 1982 (many later editions), Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback.
  • Osborne, Harold (ed), The Oxford Companion to Art, 1970, OUP,
  • White, John. Art and Architecture in Italy, 1250 to 1400, London, Penguin Books, 1966, 3rd edn 1993 (now Yale History of Art series).


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