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The Tengwar () script is an artificial script, one of several scripts created by J. R. R. Tolkien, the author of The Lord of the Rings. Within the context of Tolkien's fictional world, the Tengwar were invented by the Elf Fëanor, and used first to write the Elvish languages and . Later a great number of Tolkien's constructed languages were written using the Tengwar, including . Tolkien used Tengwar to write : most of Tolkien's Tengwar samples are actually in English.


External history

Precursors
The , a script developed by Tolkien in the late 1910s and described in Parma Eldalamberon 13, anticipates many features of the Tengwar: vowel representation by (which is found in many Tengwar varieties); different Tengwar shapes; and a few correspondences between sound features and letter shape features (though inconsistent).

Even closer to the Tengwar is the Valmaric script, described in Parma Eldalamberon 14, which Tolkien used from about 1922 to 1925. It features many Tengwar shapes, the inherent vowel found in some Tengwar varieties, and the tables in the samples V12 and V13 show an arrangement that is very similar to one of the primary Tengwar in the classical Quenya "mode".

In his An Introduction to Elvish, Jim Allan compared the Tengwar with the London merchant 's 1686 Universal Alphabet, both on grounds of the correspondence between shape features and sound features, and of the actual letter shapes.

9780905220109, Bran's Head Books.


Tengwar
The Tengwar script was probably developed in the late 1920s or in the early 1930s. The Lonely Mountain Jar Inscription, the first published Tengwar sample, dates to 1937. , most editions with colour plates. The full explanation of the Tengwar was published in Appendix E of The Lord of the Rings in 1955. The Lord of the Rings, Appendix E, "Writing: The Fëanorian Letters "

The Mellonath Daeron Index of Tengwar Specimina (DTS) lists most of the known samples of Tengwar by Tolkien. There are only a few known samples predating publication of The Lord of the Rings (many of them published posthumously):

  • The Lonely Mountain Jar Inscription, published 1937 DTS 1
  • Middle Page from the Book of Mazarbul DTS 13
  • Last Page from the Book of Mazarbul, Last Line, this and the above one originally prepared for inclusion in The Lord of the Rings DTS 14
  • Steinborg Drawing Title DTS 15
  • Ilbereth's Greeting from The Father Christmas Letters, dating to 1937 DTS 22
  • The Treebeard Page DTS 24
  • Edwin Lowdham's Manuscript from The Notion Club Papers has Old English language text written in Tengwar (with a few Adûnaic and Quenya words), dating to 1945/6. DTS 50/ 51
  • The Brogan Tengwa-greetings, appearing in The Letters of J. R. R. Tolkien, No. 118, tentatively dated to 1948 DTS 10

The following samples presumably predate The Lord of the Rings, but were not explicitly dated:

  • Elvish Script Sample I, II, III, with parts of the English poems Errantry and Bombadil, first published in the Silmarillion Calendar 1978, later in Pictures by J. R. R. Tolkien, DTS 16, DTS 17, DTS 18
  • So Lúthien, a page of the English Lay of Leithian text DTS 23Facsimiled in The Lays of Beleriand:299.


Internal history and terminology
Within the context of , the Tengwar were invented by the Elf Fëanor in , and used first to write the Elven tongues and . According to J. R. R. Tolkien's The War of the Jewels, at the time Fëanor created his script, he introduced a change in terminology. He called a letter, a written representation of a spoken phoneme (tengwë), a tengwa. Previously, any letter or symbol had been called a sarat (from proto=yes 'incise'). The alphabet of Rúmil of Tirion, on which Fëanor supposedly based his own work, was known as . It later became known as "Tengwar of Rúmil". The War of the Jewels, Appendix D to Quendi and Eldar

The plural of tengwa is tengwar, and this is the name by which Fëanor's writing system became known. Since, however, in commonly used modes, an individual tengwa was equivalent to a consonant, the term tengwa in the fiction became equivalent to "consonant sign", and the vowel signs were known as ómatehtar. By loan-translation, the Tengwar became known as tîw (singular têw) in Sindarin, when they were introduced to . The letters of the earlier alphabet native to Sindarin were called (singular certh, probably from proto=yes 'cutting', and thus semantically analogous to sarat). This term was loaned into exilic Quenya as certa, plural certar.


Description

Letters
The most notable characteristic of the Tengwar script is that the shapes of the letters correspond to the distinctive features of the sounds they represent. The Quenya consonant system has five places of articulation: , , palatal, , and glottal. The velars distinguish between plain and labialized (that is, articulated with rounded lips, or followed by a sound). Each point of articulation, and the corresponding tengwa series, has a name in the classical Quenya mode. Dental sounds are called tincotéma and are represented with the Tengwar in column I. Labial sounds are called parmatéma, and represented by the column II Tengwar; velar sounds are called calmatéma, represented by column III; and labialized velar sounds are called quessetéma, represented by the Tengwar of column IV. Palatal sounds are called tyelpetéma and have no tengwa series of their own, but are represented by column III letters with an added diacritic for following .

Similarly shaped letters reflect not only similar places of articulation, but also similar manners of articulation. In the classical Quenya mode, row 1 represents voiceless stops, row 2 voiced prenasalized stops, row 3 voiceless fricatives, row 4 voiceless prenasalized stops, row 5 nasal stops, and row 6 approximants.

(2025). 9781035008575, Pan Books.


Regularly formed
Most letters are constructed by a combination of two basic shapes: a vertical stem (either long or short) and either one or two rounded bows (which may or may not be underscored, and may be on the left or right of the stem).

These principal letters are divided into four series (témar) that correspond to the main places of articulation and into six grades (tyeller) that correspond to the main manners of articulation. Both vary among modes.

Each series is headed by the basic signs composed of a vertical stem descending below the line, and a single bow. These basic signs represent the for that series. For the classical Quenya mode, they are , , and , and the series are named tincotéma, parmatéma, calmatéma, and quessetéma, respectively; téma means "series" in Quenya.

In rows of the general use, there are the following correspondences between letter shapes and manners of articulation:

  • Doubling the bow turns the into a voiced one.
  • Raising the stem above the line turns it into the corresponding fricative.
  • Shortening it (so it is only the height of the bow) creates the corresponding . In most modes, the signs with shortened stem and single bow do not correspond to the nasals, but to the .

In addition to these variations of the Tengwar shapes, there is yet another variation, the use of stems that are extended both above and below the line. This shape may correspond to other consonant variations required. Except for some English abbreviations, it is not used in any of the better known Tengwar modes, but it occurs in a mode where the tengwa Parma with extended stem is used for and the tengwa Calma with extended stem is used for .See Parma Eldalamberon 19 (2010), pp. 41–43. The Tengwar with raised stems sometimes occur in variants that look like extended stems, as seen in the inscription of the .

An example from the parmatéma (the signs with a closed bow on the right side) in the "general use" of the Tengwar is:

  • The basic sign, named parma, (with descending stem) represents (it happens to look much like the Latin letter P).
  • With the bow doubled, umbar, it represents .
  • With a raised stem, formen, it represents .
  • With a raised stem and a doubled bow, ampa, it represents generally but possibly (depending upon the language).
  • With a short stem and double bow, malta, it represents .
  • With short stem and single bow, vala, it represents , or if that has the phonological behaviour of a sonorant (e.g. in Quenya).

In languages such as Quenya, which do not contain any voiced fricatives other than "v", the raised stem + doubled bow row is used for the common nasal+stop sequences ( nt, mp, nk, nqu). In such cases, the "w" sign in the previous paragraph is used for "v". In the mode of Beleriand, found on the door to Moria, the bottom tyellë is used for nasals (e.g., vala is used for ) and the fifth tyellë for doubled nasals (malta for ).


Irregularly formed
There are additional letters that do not have regular shapes. They may represent, e.g., , , and . Their use varies considerably from mode to mode. Some aficionados have added more letters not found in Tolkien's writings for use in their modes.


Tehtar diacritics
A tehta (Quenya 'marking') is a placed above or below the tengwa. They can represent vowels, consonant doubling, or nasal sound.

As Tolkien explained in Appendix E of The Lord of the Rings, the tehtar for vowels resemble Latin diacritics: circumflex (î) , acute (í) , dot (i) , left curl (ı̔) , and right curl (ı̓) . Long vowels, excepting , may be indicated by doubling the signs. Some languages from which is absent or in which compared to it appears sparsely, such as the , use left curl for ; other languages swap the signs for and .

A vowel occurring alone is drawn on the vowel carrier, which resembles (ı) for a short vowel or dotless j (ȷ) for a long vowel.


Modes
Just as with any writing system, every specific language written in Tengwar requires a specific , depending on the of that language. These Tengwar orthographies are usually called modes. Some modes follow pronunciation, while others follow traditional orthography.

Some modes map the basic consonants to , , and (classical mode in chart at right), while others use them to represent , , and (general mode at right). The other main difference is in the fourth tyellë below, where those letters with raised stems and doubled bows can be either voiced fricatives, as in Sindarin (general mode at right), or nasalized stops, as in Quenya (classical mode).


Ómatehtar
In some modes, called ómatehtar (or vowel tehtar) modes, the vowels are represented with called tehtar (Quenya for 'signs'; corresponding singular: tehta, 'sign'). These ómatehtar modes can be considered rather than true . In some ómatehtar modes, the consonant signs feature an inherent vowel.

Ómatehtar modes can vary in that the vowel stroke can be placed either on top of the consonant preceding it, as in , or on the consonant following, as in , English, and the notorious Black Speech inscription on the One Ring.


Full writing
In the full writing modes, the consonants and the vowels are represented by Tengwar. Only one such mode is well known. It is called the "mode of " and one can read it on the Doors of Durin.


Modes for other languages
Since the publication of the first official description of the Tengwar at the end of The Lord of the Rings, others have created modes for other languages such as , , , , , , , Hungarian and Welsh. Modes have also been devised for other constructed languages; and .

Tolkien had used multiple modes for English, including full writing and ómatehtar alphabetic modes, phonetic full modes and phonetic ómatehtar modes known from documents published after his death.


Encoding schemes

Legacy encoding
The contemporary standard in the Tengwar user community maps the Tengwar characters onto the ISO 8859-1 character encoding following the example of the Tengwar typefaces by Dan Smith. This implies a major flaw: If no corresponding Tengwar font is installed, a appears.

Since there are not enough places in ISO 8859-1's 191 codepoints for all the signs used in Tengwar orthography, certain signs are included in a "Tengwar A" font which also maps its characters on ISO 8859-1, overlapping with the first font.

For each Tengwar diacritic, there are four different codepoints that are used depending on the width of the character which bears it.

Other Tengwar typefaces with this encoding include Johan Winge's Tengwar Annatar, Måns Björkman's Tengwar Parmaitë, Enrique Mombello's Tengwar Élfica or Michal Nowakowski's Tengwar Formal (note that these differ in some details).

The following sample shows the first article of the Universal Declaration of Human Rights written in English, according to the traditional English orthography. It should look similar to the picture; if no Tengwar font is installed, it will appear as a jumble of characters because the corresponding ISO 8859-1 characters will appear instead.

j#¸ 9t&5# w`Vb%_ 6EO w6Y5 e7`V`V 2{( zèVj# 5% 2x%51T`Û 2{( 7v%1+- 4hR 7EO 2{$yYO2 y4% 7]F85^ 2{( z5^8I`B5$I( 2{( dyYj2 zE1 1yY6E2_ 5^( 5#4^(7 5% `C 8q7T1T W w74^(692^H --

Note: Some browsers may not display these characters properly.


Unicode
made a proposal to include the Tengwar in the standard in 1997. The range to U+160FF in the SMP was tentatively allocated for Tengwar in the 2023 Unicode roadmap.


ConScript Unicode Registry
Tengwar are included in the unofficial ConScript Unicode Registry (CSUR), which assigns codepoints in the Private Use Area. Tengwar are mapped to the range U+E000–U+E07F.

The following Unicode sample (which repeats the one above) is meaningful when viewed under a typeface supporting Tengwar glyphs in the area defined in the ConScript Tengwar proposal:

⸬ ⸬

Some that support this proposal are , Tengwar Telcontar, Constructium, Tengwar Formal Unicode, and FreeMonoTengwar (James Kass's Code2000 and Code2001 use an older, incompatible version of the proposal). The eight “Aux” variant fonts of Kurinto (such as Kurinto Text Aux, Book Aux, Sans Aux) also support Tengwar. Kurinto

+ Tengwar letters CSUR encoding ! Name !! Image !! CSURDesignation annotation
Tengwar LETTER TINCO
Tengwar LETTER PARMA
Tengwar LETTER CALMA
Tengwar LETTER QUESSE
Tengwar LETTER ANDO
Tengwar LETTER UMBAR
Tengwar LETTER ANGA
Tengwar LETTER UNGWE
Tengwar LETTER THUULE (suule)
Tengwar LETTER FORMEN
Tengwar LETTER HARMA (aha)
Tengwar LETTER HWESTA
Tengwar LETTER ANTO
Tengwar LETTER AMPA
Tengwar LETTER ANCA
Tengwar LETTER UNQUE
Tengwar LETTER NUUMEN
Tengwar LETTER MALTA
Tengwar LETTER NOLDO (ngoldo)
Tengwar LETTER NWALME (ngwalme)
Tengwar LETTER OORE
Tengwar LETTER VALA
Tengwar LETTER ANNA
Tengwar LETTER VILYA (wilya)
Tengwar LETTER ROOMEN
Tengwar LETTER ARDA
Tengwar LETTER LAMBE
Tengwar LETTER ALDA
Tengwar LETTER SILME
Tengwar LETTER SILME NUQUERNA
Tengwar LETTER AARE (aaze, esse)
Tengwar LETTER AARE NUQUERNA (aaze n., esse n.)
Tengwar LETTER HYARMEN
Tengwar LETTER HWESTA SINDARINWA
Tengwar LETTER YANTA
Tengwar LETTER UURE
Tengwar LETTER HALLA
Tengwar LETTER SHORT CARRIER
Tengwar LETTER LONG CARRIER

+ Tengwar ligatures and extended letters CSUR encoding ! Name !! Image !! CSURDesignation annotation
Tengwar LETTER ANNA SINDARINWA
Tengwar LETTER EXTENDED THUULE
Tengwar LETTER EXTENDED FORMEN
Tengwar LETTER EXTENDED HARMA
Tengwar LETTER EXTENDED HWESTA
Tengwar LETTER EXTENDED ANTO
Tengwar LETTER EXTENDED AMPA
Tengwar LETTER EXTENDED ANCA
Tengwar LETTER EXTENDED UNQUE
Tengwar LETTER STEMLESS OORE (digit zero)
Tengwar LETTER STEMLESS VALA
Tengwar LETTER STEMLESS ANNA
Tengwar LETTER STEMLESS VILYA (digit one)

+ Tengwar accents CSUR encoding ! Name !! Image !! CSURDesignation annotation
Tengwar SIGN THREE DOTS ABOVE
Tengwar SIGN THREE DOTS BELOW
Tengwar SIGN TWO DOTS ABOVE
Tengwar SIGN TWO DOTS BELOW
Tengwar SIGN AMATICSE (dot above)
Tengwar SIGN NUNTICSE (dot below)
Tengwar SIGN ACUTE (andaith, long mark)
Tengwar SIGN DOUBLE ACUTE
Tengwar SIGN RIGHT CURL
Tengwar SIGN DOUBLE RIGHT CURL
Tengwar SIGN LEFT CURL
Tengwar SIGN DOUBLE LEFT CURL
Tengwar SIGN NASALIZER
Tengwar SIGN DOUBLER
Tengwar SIGN TILDE
Tengwar SIGN BREVE
Tengwar PUSTA (putta, stop)
Tengwar DOUBLE PUSTA (putta)
Tengwar EXCLAMATION MARK
Tengwar QUESTION MARK
Tengwar SECTION MARK
Tengwar LONG SECTION MARK
Tengwar SIGN LONG CARRIER BELOW
Tengwar SIGN DOUBLE ACUTE BELOW
Tengwar SIGN RIGHT CURL BELOW
Tengwar SIGN LEFT CURL BELOW
Tengwar SIGN LEFT FOLLOWING SILME
Tengwar SIGN RIGHT FOLLOWING SILME

+ Tengwar digits CSUR encoding ! Name !! Image !! CSURDesignation annotation
Tengwar LETTER STEMLESS OORE (digit zero)
Tengwar LETTER STEMLESS VILYA (digit one)
Tengwar DIGIT TWO
Tengwar DIGIT THREE
Tengwar DIGIT FOUR
Tengwar DIGIT FIVE
Tengwar DIGIT SIX
Tengwar DIGIT SEVEN
Tengwar DIGIT EIGHT
Tengwar DIGIT NINE
Tengwar DUODECIMAL DIGIT TEN
Tengwar DUODECIMAL DIGIT ELEVEN
Tengwar DECIMAL BASE MARK
Tengwar DUODECIMAL BASE MARK
Tengwar DUODECIMAL LEAST SIGNIFICANT DIGIT MARK


In popular culture
Tengwar has been used in since the publication of The Lord of the Rings in the 1950s.

With the exception of , the actors playing the Fellowship of the Ring in The Lord of the Rings film trilogy have Tengwar tattoos of the English word nine.

Footballers such as Sergio Agüero and have tattoos with their first name in Tengwar on their forearms.


See also
  • A Elbereth Gilthoniel
  • Elvish languages (Middle-earth)
  • Namárië


Sources
For a list of linguistic material by Tolkien published in the journals Parma Eldalamberon and , see bibliography in Elvish languages (Middle-earth).

  • Derzhanski, Ivan A. "The Fëanorian Tengwar and the Typology of Phonetic Writing Systems." Vinyar Tengwar 41 (2000): 20–23.
  • Hostetter, Carl F. ""Si man i-yulmar n(g)win enquatuva": A Newly-Discovered Tengwar Inscription." Vinyar Tengwar 21 (1992): 6–10.
  • Smith, Arden R., Irmengard Rauch and Gerald F. Carr. "The Semiotics of the Writing Systems of Tolkien's Middle-earth." In Semiotics around the World: Synthesis in Diversity, I-II, ed. Irmengard Rauch, 1239–42. Berlin, Germany: Mouton de Gruyter, 1997.


External links

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