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Metromedia, Inc. (also often MetroMedia) was an American media company that owned and television stations in the United States from 1956 to 1986 and controlled from 1988 to 1997. Metromedia was established in 1956 after the DuMont Television Network ceased operations and its owned-and-operated stations were spun off into a separate company. Metromedia sold its television stations to in 1985 (which News Corp. then used to form the nucleus of Fox Television Stations), and spun off its radio stations into a separate company in 1986. Metromedia then acquired ownership stakes in various film studios, including controlling ownership in Orion. In 1997, Metromedia closed down and sold its media assets to Metro-Goldwyn-Mayer.


History

Origins
The company arose from the ashes of the DuMont Television Network, the world's first commercial television network.
(1991). 9780684190556, Macmillan. .
DuMont had been in economic trouble throughout its existence, and was seriously undermined when ABC accepted a buyout offer from United Paramount Theaters in 1953. The ABC-UPT deal gave ABC the resources to operate a national television service along the lines of and . DuMont officials quickly realized the ABC-UPT deal put their network on life support, and agreed in principle to merge with ABC. However, it was forced to back out of the deal when minority owner Paramount Pictures raised antitrust concerns. UPT had only spun off from Paramount four years earlier, and there were still doubts about whether the two companies were really separate.

By 1955, DuMont realized it could not compete against the other three networks and decided to wind down its operations. Soon after DuMont formally shut down network service in 1956, the parent firm DuMont Laboratories spun off the network's two remaining owned and operated stations, in New York City and in Washington, D.C., to shareholders as the DuMont Broadcasting Corporation."DuMont network to quit in telecasting 'spin-off.'" Broadcasting - Telecasting, August 15, 1955, pg. 64. [1]"DuMont completes spin-off, separates broadcasting, labs.'" Broadcasting - Telecasting, December 5, 1955, pg. 7. [2] The company's headquarters were co-located with WABD in the former DuMont Tele-Centre (which was later renamed the Metromedia Telecenter) in New York.

In 1957, DuMont Broadcasting purchased two New York area radio stations, WNEW (now )"DuMont pays $7.5 million for WNEW." Broadcasting, March 25, 1957, pp. 31-32. [3][4] and WHFI (later and WWFS), "Changing Hands." Broadcasting, November 18, 1957, pg. 96"For the Record." Broadcasting - Telecasting, January 6, 1958, p. 108. [6] and later that year changed its name to the Metropolitan Broadcasting Corporation to distance itself from its former parent company."DuMont revenue grows, name change approved." Broadcasting, May 19, 1958, pg. 84. [7] The following year, Paramount sold its shares in Metropolitan Broadcasting to Washington-based investor , enough to give Kluge controlling interest. Kluge installed himself as chairman, and later increased his holdings to 75 percent."Kluge buying Paramount's 21% of Metropolitan Broadcasting." Broadcasting, December 1, 1958, pg. 9. [8] WABD's were later changed to WNEW-TV to match its new radio sisters. "Name change." Broadcasting, September 8, 1958, pg. 84


Expansion
Metropolitan Broadcasting's first acquisitions included WHK-AM- in (in 1958); the Foster & Kleiser outdoor advertising firmSpielvogel, Carl. "Advertising: an acquisition set." The New York Times, December 20, 1959. (in 1959); and in Stockton, California, Benedict Gimbel Jr.-owned WIP-AM- in , WTVH-TV (now WHOI) in Peoria, Illinois, and WTVP television (now WAND) in Decatur, Illinois (all in 1960)."3 blessings with 2 rebukes." Broadcasting, January 4, 1960, pg. 40. [10][11] "Changing hands." Broadcasting, January 18, 1960, pp. 95-96 In 1961 Metropolitan purchased KMBC-AM- in Kansas City, Missouri."Metropolitan buying KMBC." Broadcasting, December 26, 1960, pp. 51-52. [13][14] Later that year the company's name was changed to Metromedia;"It's Metromedia." Broadcasting - Telecasting, April 3, 1961, pg. 56. [15] the Metropolitan Broadcasting name was retained for its broadcasting division until 1967. Metromedia gets its TV team in uniform Broadcasting, March 25, 1968, pp. 56-57.

In separate 1963 deals the company expanded into , buying first "KTTV to Metromedia for $10 million plus." Broadcasting, January 14, 1963, pg. 9. [17] and later KLAC and the original KLAC-FM (now )."Metromedia adds KLAC in $4.5 million deal." Broadcasting, March 18, 1963, pp. 9-10. [18][19] The company would later engineer a swap of FM facilities; the second KLAC-FM (later KMET and now ) was established in 1965."Changing hands." Broadcasting, March 22, 1965, pp. 110-111: Metromedia acquires KRHM (94.7 FM) and sells KLAC-FM (102.7 FM); the FCC allows both facilities to exchange call letters. [20][21] Metromedia also entered the realm of live entertainment by purchasing the (in 1963)"Ice Capades Acquired By Metromedia, Inc." The New York Times, May 14, 1963. and the Harlem Globetrotters (in 1967).Gent, George. "Metromedia buys Globetrotters; TV chain will add team to Ice Capades operation." The New York Times, May 24, 1967. Later in the decade Metromedia opened a television production center in Los Angeles, known as Metromedia Square, which served as the studio facility for numerous network programs. Metromedia also owned a TV production and distribution company called Metromedia Producers Corporation (MPC), established in 1968 from Wolper Productions. MPC produced and syndicated various programs and TV movies, most notably the Truth or Consequences and the 1972-86 version of The Merv Griffin Show. Metromedia spent the 1970s and the first half of the 1980s increasing its television and radio station portfolio, and continued to expand its syndication business. In 1976, it teamed up with to launch a first-run syndicated variety show.

Metromedia entered the in 1969 with the launch of the Metromedia Records label, whose biggest-selling artist was . The label was also notable as having issued the first two studio albums of Peter Allen, Peter Allen (1971) and Tenterfield Saddler (1972). Peter Allen discography; www.allmusic.com. The label was closed in 1974. Allen's Tenterfield Saddler, the title song of which has become an , was acquired and reissued by A&M Records in 1978. Peter Allen discography; www5d.biglobe.ne.jp.

In 1976, similar to the more successful SFM Holiday Network of syndicated stations launched two years later, Metromedia teamed up with Ogilvy and Mather for a proposed linking of independent TV stations termed MetroNet. The proposed programming would consist of several Sunday night family dramas, on weeknights a half-hour serial and a gothic series similar to , and on Saturdays a variety program hosted by . The plans for MetroNet failed when advertisers balked at Metromedia's advertising rate, which was only slightly lower than the Big Three's and low national coverage, leaving for another similar operation, Operation Prime Time. In 1979, Metromedia Producers Corporation had also reached a deal with Bob Stewart Productions for an exclusive co-producing agreement.

In 1982, Metromedia made its biggest broadcasting purchase when it acquired in for $220 million, which at the time was the largest amount ever spent on a single television station property.Schwartz, Tony. "Metromedia seeks TV station." The New York Times, July 23, 1981. Two years later, John Kluge bought out Metromedia's shareholders and took the company private.Cuff, Daniel F. "Business people; Metromedia's founder begins new challenge." The New York Times, December 14, 1983.

Also around this time, Metromedia attempted to bring to the air a national newscast for independent stations (much as the rival had created Independent Network News in 1980), planned for launch in the fall of 1983. Unlike INN, the program was planned to be offered as a hybrid, hour-long local/national newscast, fed to affiliates by satellite as a headlines block and three other segments, which could be aired by local stations in whatever order the stations deemed alongside locally produced news content. Also as part of this plan, Metromedia established full news departments for KRIV in Houston and what was then in Dallas (another news department was planned for in Chicago, but that department ultimately didn't launch until 1987, after the Murdoch buyout). Metromedia attempted to hire away from to serve as anchor. Kuralt chose to stay to with CBS; John Hart was also considered as an anchor, but ultimately the planned newscast never came to fruition.

In 1985, it made an attempt to revive the comedy as The Madeline Kahn Show for first-run syndication, but the deal never came to fruition.


1985-86 divestitures
On May 4, 1985, Kluge announced the sale of Metromedia's television stations, and Metromedia Producers Corp., to News Corporation (owned by Australian newspaper publisher ) and 20th Century Fox Film Corporation (owned jointly by Murdoch and ) for $3.5 billion. With the exception of WCVB-TV (which was subsequently sold to the Hearst Corporation), all of the former Metromedia stations formed the nucleus of the Fox Broadcasting Company (which began operations on October 9, 1986), while MPC was folded into 20th Century Fox Television. The transactions became official on March 6, 1986.Cole, Robert J.. "Murdoch to buy & TV stations; cost $2 billion." The New York Times, May 7, 1985. Because of these transactions, and the fact that Metromedia was originally spun off from the DuMont Television Network, radio personality has suggested that the Fox network is a revival or at least a linear descendant of DuMont.

Kluge also sold Metromedia's outdoor advertising firm, the Harlem Globetrotters, and the Ice Capades in 1985, its cellular phone and yellow pages divisions to the Southwestern Bell Corporation (now known as the second incarnation of AT&T, due to SBC's acquisition of AT&T Corporation in 2005) under the leadership of Zane Barnes, Robert G. Pope, and J.B. Ellis. They also spun off the radio stations into a separate company (which took on the Metropolitan Broadcasting name)Stevenson, Richard W. "Metromedia ad business sale". The New York Times, January 21, 1986.Fabrikant, Geraldine. "Metromedia set to sell Globetrotters, ice show." The New York Times, March 5, 1986."Metromedia, Katz radio groups sold in LBO's." Broadcasting, March 31, 1986, pp. 33-34. [24][25] "In brief." Broadcasting, November 17, 1986, pg. 120 before they were sold to various other owners by the early 1990s.


Legal battles
In retaliation for a lawsuit brought by , who sought the rights to his children's television program Winchell-Mahoney Time, which was produced at KTTV in Los Angeles during the mid-1960s, it is believed that KTTV management destroyed the program's video tapes. In 1989 Winchell was awarded nearly $18 million as compensation for Metromedia's capricious behavior. "Victory for ventriloquist." Broadcasting, July 3, 1989, pg. 37 "Paul Winchell Gets Last Word and $17.8 Million." "LA Times", July 3, 1986

In 1983, , a former evening news co-anchor at KMBC-TV in Kansas City, sued Metromedia on claims of fraud and sexual discrimination. After spending eight months at KMBC-TV in 1981, she was demoted to reporting assignment after a study claimed Craft was "too old, too unattractive and not deferential to men" in the eyes of viewers. Craft declined the reassignment and subsequently resigned from the station. Craft initially won her case, though she lost on appeal at the U.S. Supreme Court."Newsroom issue goes to court." Broadcasting, August 1, 1983, pp. 24-25. [29][30]"Craft decision leaves questions." Broadcasting, August 15, 1983, pp. 28-30. [31][32][33] "Craft case continues." Broadcasting, December 23, 1985, pg. 69"Christine Craft wins two, loses big one." Broadcasting, March 10, 1986, pp. 74-75. [35][36]


Ownership of film studios
On May 22, 1986, Metromedia acquired a 6.5% stake in ; a movie and television production studio. Metromedia's Orion Stake, chicagotribune.com By December, the stake in Orion's ownership was increased from 9.3% to 12.6% and on April 12, 1988, to 44.1% Metromedia's Orion Stake, newyorktimes.com On May 20, 1988, Metromedia acquired 's share for $78 million, holding a majority stake in Orion Pictures worth nearly 67%. In 1995, Kluge merged Orion, MCEG Sterling Entertainment (producer of the Look Who's Talking series), the holding company Actava, and Metromedia into a new Metromedia International Group. In November 1995, Metromedia announced that it would acquire Motion Picture Corporation of America (MPCA) for $32 million, followed by The Samuel Goldwyn Company for $115 million in February 1996. On April 11, 1997, Metromedia sold Orion/Goldwyn and MPCA to Metro-Goldwyn-Mayer (MGM) for $573 million and was closed on July 10 of the same year.Bates, James. "Metromedia to Sell Film Units to MGM for $573 million." The New York Times. April 29, 1997."Years of Hits, Misses Comes to Close." Daily News of Los Angeles. July 10, 1997; Bates, James. "MGM Lays Off 85 in Metromedia Film, TV Units." Los Angeles Times. July 11, 1997. In 1998, MPCA broke apart from MGM becoming independent again.


Activities following film sale
Following the sale of the film business to MGM, Metromedia still owned Metromedia Restaurant Group (which it had renamed from S&A Restaurant Group, which was acquired from Grand Metropolitan) in 1990 as well as Metromedia Fiber Network. The latter went bankrupt a few years later and became , while the former went bankrupt in 2008. Metromedia International operated subscription television operators (, , Ala TV, ) and private radio stations in Eastern Europe and CIS countries; by 2006 following the sale of most assets, it bought in Georgia to ease financial burden from filing for Chapter 11 bankruptcy. Most assets were joint-ventures with government-linked companies. Https://www.kommersant.ru/doc/180985" target="_blank" rel="nofollow"> Битвы за "Космос ТВ" Its operations were put in a state of limbo in 2002 due to regulatory issues. Kazakh Report: March 7, 2002


Typeface
Beginning in 1967, Metromedia's television stations began utilizing a sans-serif typeface for their on-air logo. The typeface was a proprietary one called Metromedia Television Alphabet, which was as distinctive as the typeface employed by Group W unit of Westinghouse Electric for its TV and radio stations beginning in 1963. Metromedia Television Alphabet was used for the channel numbers of its television stations until 1977, when another typeface modeled slightly after the Futura family was introduced.


Former stations
  • Stations are arranged in alphabetical order by state and city of license.
  • Two boldface asterisks appearing following a station's call letters ( **) indicate a station built and signed on by either Metromedia or predecessor Dumont.

+ Stations owned by Metromedia ! scope="col" ! scope="col"State/Dist. ! scope="col"Station ! scope="col"Purchased ! scope="col"Sold ! scope="col" class="unsortable"Notes
! scope="row"
–Oakland ! scope="row"
Sacramento ! scope="row"
! scope="row"
District of Columbia ! scope="row"
! scope="row"
! scope="row"
Springfield ! scope="row"WTVP
Peoria–Bloomington ! scope="row"WTVH-TV
! scope="row"
! scope="row"
! scope="row"
! scope="row"WTCN-TV
! scope="row"KMBC
New York ! scope="row"
! scope="row"
! scope="row"WHK
! scope="row"WIP
! scope="row"KRLD
! scope="row"KRIV-TV
Washington ! scope="row"KJR


Television syndication
This is a list of television programs that were produced and/or syndicated by Metromedia Producers Corporation (MPC):

  • Allen Ludden's Gallery (1969)
  • The Ann Sothern Show (1958–1961)
  • B.A.D. CatsRights now owned by CBS Media Ventures.
  • Charlie's AngelsCurrently distributed by Sony Pictures Television.
  • (1975–1980) (co-produced with Ralph Edwards Productions)
  • (1950–1952, 1956–1959)Currently distributed by Disney-ABC Domestic Television
  • Dusty's Trail (1973–1974) (co-produced with Redwood Productions and Writer First Productions)
  • Dynasty (distributor, 1985–1986)
  • Expedition Danger
  • Family
  • Firehouse (1974) (co-produced with Stonehenge Productions)
  • Groovie Goolies and FriendsCurrently owned by (via DreamWorks Animation).
  • The Great Space Coaster (co-produced with Sunbow Productions)Currently owned by Tanslin Media.
  • Hart to Hart
  • Here We Go Again (1973)
  • Hit Man (co-produced with Productions)
  • and the World of Animal Behavior
  • Jeopardy! (original version - distributor, 1974)Rights now owned by CBS Media Ventures.
  • Kids Are People Too (1978–1982)
  • Little Gloria... Happy at Last (1982; mini-series)
  • (distributor)Currently distributed by Warner Bros. Television.
  • The Merv Griffin Show (distributor/co-producer, 1972–1983)Currently distributed by Reelin' In the Years Productions on behalf of The Griffin Group.
  • Movin' On (distributor)Currently distributed by the Peter Rodgers Organization.
  • My Favorite Martian (distributor)
  • National Geographic Specials (1964–1971)
  • The New Avengers (U.S. distributor)Rights now owned by .
  • The New Show (1976–1977)
  • Primus (1971–1972) (co-produced with Films)
  • Queen for a Day (1969–1970)
  • S.W.A.T.
  • Small Wonder (production company, 1985–1986)''
  • (syndicated by Tribune Entertainment then Trifecta Entertainment & Media; rights now owned by Paramount Media Networks)
  • (production company, 1983–1986)
  • Starsky & Hutch
  • Strike Force
  • The Super (1972)
  • Super Pay Cards (1981–1982; distributor)
  • Susie (1953–1957)
  • T. J. Hooker
  • (distributor)Later distributed by Worldvision Enterprises and Shout! Factory; currently distributed by .
  • Thicke of the Night (distributor)
  • Too Close for Comfort (1980–1987) (co-produced with D.L. Taffner Productions)
  • Truth or Consequences (distributor, 1966–1978) (co-produced with Ralph Edwards Productions)
  • The Undersea World of Jacques Cousteau
  • (co-produced with the CTV Television Network)
  • Vauldeville
  • Vega$ (1978–1981) (distributor)
  • Wild Times (1980; mini-series)
  • -Mahoney Time (1965–1968)Rights now owned by Paul Winchell's family.
  • (1955–1977, 1980–1983)


Notes
https://github.com/microsoft/WindowsAppSDK/issues/3089#issue-1430110636


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