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Nūr ad-Dīn 'Abd ar-Rahmān Jāmī (; 7 November 1414 – 9 November 1492), also known as Mawlanā Nūr al-Dīn 'Abd al-Rahmān or Abd-Al-Rahmān Nur-Al-Din Muhammad Dashti, or simply as Jami or Djāmī and in Turkey as Molla Cami, was a Persian Sunni poet who is known for his achievements as a prolific scholar and writer of mystical Sufi literature. He was primarily a prominent poet-theologian of the school of Ibn Arabi and a Khwajagan Sũfī, recognized for his eloquence and for his analysis of the metaphysics of mercy. His most famous poetic works are Haft Awrang, Tuhfat al-Ahrar, Layla wa Majnun, Fatihat al-Shabab, Lawa'ih, Al-Durrah al-Fakhirah. Jami belonged to the Naqshbandi Sufi order.
Because his father was from Dasht, Jami's early pen name was Dashti, but later, he chose to use Jami because of two reasons he later mentioned in a poem:
Jami was a mentor and friend of the famous Turkic poet Alisher Navoi, as evidenced by his poems:
Afterward, he went to Samarkand, the most important center of scientific studies in the Muslim world and completed his studies there. He embarked on a pilgrimage that greatly enhanced his reputation and further solidified his importance through the Persian world. Jami had a brother called Molana Mohammad, who was, apparently a learned man and a master in music, and Jami has a poem lamenting his death. Jami fathered four sons, but three of them died before reaching their first year. The surviving son was called Zia-ol-din Yusef and Jami wrote his Baharestan for this son.
At the end of his life he was living in Herat. His epitaph reads "When your face is hidden from me, like the moon hidden on a dark night, I shed stars of tears and yet my night remains dark in spite of all those shining stars."Ahmed, Rashid (2001). Taliban, p. 40. Yale University Press. There is a variety of dates regarding his death, but consistently most state it was in November 1492. Although, the actual date of his death is somewhat unknown the year of his death marks an end of both his greater poetry and contribution, but also a pivotal year of political change where Spain was no longer inhabited by the Arabs after 781 years. His funeral was conducted by the prince of Herat and attended by great numbers of people demonstrating his profound impact.
After his re-emergence into the social world he became involved in a broad range of social, intellectual and political actives in the cultural center of Herat. He was engaged in the school of Ibn Arabi, greatly enriching, analyzing, and also changing the school or Ibn Arabi. Jami continued to grow in further understanding of God through miraculous visions and feats, hoping to achieve a great awareness of God in the company of one blessed by Him. He believed there were three goals to achieve "permanent presence with God" through ceaselessness and silence, being unaware of one's earthly state, and a constant state of a spiritual guide. Jami wrote about his feeling that God was everywhere and inherently in everything. He also defined key terms related to Sufism including the meaning of sainthood, the saint, the difference between the Sufi and the one still striving on the path, the seekers of blame, various levels of tawhid, and the charismatic feats of the saints. Oftentimes Jami's methodology did not follow the school of Ibn Arabi, like in the issue of mutual dependence between God and his creatures Jami stated "We and Thou are not separate from each other, but we need Thee, whereas Thou dost not need us."
Jami created an all-embracing unity emphasized in a unity with the lover, beloved, and the love one, removing the belief that they are separated. Jami was in many ways influenced by various predecessors and current Sufi's, incorporating their ideas into his own and developing them further, creating an entirely new concept. In his view, love for Muhammad was the fundamental stepping stone for starting on the spiritual journey. Jami served as a master to several followers and to one student who asked to be his pupil who claimed never to have loved anyone, he said, "Go and love first, then come to me and I will show you the way." For several generations, Jami had a group of followers representing his knowledge and impact. Jami continues to be known for not only his poetry, but his learned and spiritual traditions of the Persian speaking world. In analyzing Jami's work greatest contribution may have been his analysis and discussion of God's mercy towards man, redefining the way previous texts were interpreted.
In Herat, his manual of irrigation design included advanced drawings and calculations and is still a key reference for the irrigation department. His poetry has been inspired by the of Hafiz Shirazi, and his famous divan Haft Awrang (Seven Thrones) is, by his own admission, influenced by the works of Nizami Ganjavi. The Haft Awrang also known as the long masnavis or mathnawis are a collection of seven poems. Each poem discusses a different story such as the Salaman va Absal that tells the story of a carnal attraction of a prince for his wet-nurse. Jami uses allegorical symbolism within the tale to depict the key stages of the Sufi path such as repentance and expose philosophical, religious, or ethical questions. Each of the allegorical symbols has a meaning highlighting knowledge and intellect, particularly of God. This story reflects Jamī's idea of the Sufi-king as the ideal medieval Islamic ruler to repent and embark upon the Sufi path to realize his rank as God's 'true' vicegerent and become closer to God.
Another composition of Jami is that of the Kherad-name, which he composed in the tradition of the Alexander Romance, especially in that of the Persian version of Nizami Ganjavi's Iskandarnameh. He completed this work perhaps around 1485, and in it he moves the emphasis from stories about Alexander's journey and conquest to short anecdotes that display notions of wisdom and philosophy.
As well, Jami is known for his three collections of lyric poems that range from his youth towards the end of his life called the Fatihat al-shabab (The Beginning of Youth), Wasitat al-'ikd (The Central Pearl in the Necklace), and Khatimat al-hayat (The conclusion of Life). Throughout Jami's work references to Sufism and the Sufi emerge as being key topics. One of his most profound ideas was the mystical and philosophical explanations of the nature of divine mercy, which was a result of his commentary on other works.
Along with his works are his contributions to previous works and works that have been created in response to his new ideas.
In the context of the Indian subcontinent, Jami's legacy and influence in the post-Timurid period can significantly be perceived in various instances. The first Mughal emperor Babur, in his memoir Baburnama, referred to Jami as the "foremost authority of the age in all of the sciences and as a poet of such renown that the mere mention of his name is a source of blessing". According to British-American professor of Persian Studies Hamid Algar, it was not Jami's or , but such as Yusuf and Zulaykha that were thought of so eminent insofar subsequent Mughal emperors post-Babur like Humayun, Akbar, Jahangir, Shah Jahan produced their own versions of the narrative as late as the nineteenth century. Jami's influence on the Persianized Urdu in the Indian subcontinent and many Urdu poetry such as Ghalib has also been well documented in South Asia. For instance, one of Ghalib's contemporary biographers Mehr Afshan Farooqi, while discussing the so-called Indian style or Mughal-Safavid style in the context of the history of Persian poetry, traces the Persian influence on Urdu to Baba Fighani, a pupil of Jami.
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