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The Haridasa Bhakti Sahitya devotional movement () originated in , India, after , and spread to eastern states such as and of medieval India.

(2025). 9788120815759, Motilal Banarsidass (2008 Reprint).
Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.Sharma (1961), p. 514

This movement was ushered in by the Haridasas ( lit "servants of Lord ") and took shape in the 13th century – 14th century CE period, prior to and during the early rule of the Vijayanagara Empire. The main objective of this movement was to propagate the philosophy of ( Madhva Siddhanta) to the masses through a literary medium known as Dasa Sahitya ( lit "literature of the dāsas").

Prominent philosophers, poets and scholars such as , , , and played an important role during this time.Kamath (2001), p. 155 Though the movement found its roots in the country and later spread to other parts of South India, it was a net result of earlier devotional movements such as the movement (of in Kannada) of northern Karnataka led by (12th century) and the saints of (10th century).Krishna Rao M.V. Dr. in Later, in and Guru Chaitanya were influenced by the teachings of . Chaitanya's devotees started the International Society for Krishna Consciousness - known colloquially as the Hare Krishna Movement.Kamath (2001), p. 156

The Haridasas were saints, some of whom were wandering bards, and considered themselves as slaves of their supreme lord - Hari. While the movement was mainly heralded by the , it was a one whose ideals and thoughts pervaded and received noteworthy contributions from all sections of society.According to some accounts, Kanaka Dasa came from a family of hunters ( beda) and from other accounts, from a family of Shepherds ( kuruba) (Sastri 1955, p. 365) The Haridasa movement can be considered as a part of a larger movement whose devotional inspiration to the masses lasted over a millennium. The Haridasa movement made significant contribution to Kannada devotional literature.Sastri (1955), p. 381


Origin
The origin of the Haridasa movement is not clearly known, with some legends indicating there were holy men and kings who espoused this form of devotion as early as the 9th century. The Haridasas' songs attribute as the movement's true founder in the 15th century, despite the Srikurmam inscription suggesting that , the direct disciple of may have been its originator. However it is well known that the great religious devotionalism called Dasa Kuta found its organizational base and started to produce large congregation of devotees in the region, largely due to the (philosophy) propounded in the 13th century by of (1238 - 1317 CE).

The Haridasas' who propagated the philosophy of Madhvacharya belonged to two groups; the Dasakuta, those who conveyed the philosophy of Madhvacharya in simple and lucid to the masses, and the Vyasakuta, those who were required to be proficient in the , and other Darshana (scriptures). During this period, this movement became a strong force which helped a resurgence of a strong sentiment in Southern India, when Northern India was already under rule. The Haridasas' found state patronage in the Vijayanagara Empire which at its peak, ruled over the entire .Kamath (2001), p178 Vyasatirtha was intimately associated with the empire and was considered the family guru by King .Krishnadevaraya was highly devoted to Vyasatirtha (Kamath 2001), p178)Vyasatirtha was highly honoured by King Krishnadevaraya (Nilakanta Sastri 1955, p324)

Haridasas' belonged to the tradition of and worshipped , a manifestation of the Hindu god and all forms of (an of Vishnu). The Vittalanatha temple at on the bank of in present-day , the Vittala Swami temples at in and the temple on hills in , Raghavendra Swamy Mutt in Mantralaya, Lord Shri Krishna in Udupi, Shri ChennaKeshava Temple in Belur, and almost all ancient temples are considered the pivotal and important in the Haridasa context.


Preachers
The Haridasas' generally hailed from places in present-day , but there were some exceptions such as who was a native of Mangalvedhe near in modern and who was a native of either or Orissa. Naraharitirtha (1281), a minister in the court of Kalinga was inducted into the Madhvacharya order. He composed many early devotional hymns in praise of Vishnu in the Kannada language, some of which are available today.Sastri (1955), p364 While the Srikurmam inscription indicates that Naraharitirtha may have been the originator of this devotional movement, the songs of the Haridasas' give credit to as the real founder of the movement in the 15th century.

Famous Saints & Haridasas from the Madhvacharya order during the Vijayanagar empire period were:


Growth and patronage
Sripadaraya, Vyasatirtha and Vadirajatirtha are called "three great saints" ( yathi raja trayaru, as they were accorded royal patronage) in the Haridasa movement whereas the epithet "great trinity of Vaishnava composers" from Karnataka goes to Sripadaraya, Purandaradasa and Kanakadasa, though it is difficult to separate literature, music, devotion from their composite writings. The center of their activity in the 15th–16th century was , the royal centre of , the regal capital of Vijayanagara empire.

The Haridasa movement gained further impetus in the 17th and 18th centuries in and around . Some of the noted saints from this era were , , , Jagannatha Dasa, Prasanna Venkata Dasa, Pranesha Dasa, Venugopala Dasa also known as Panganama Timmanna Dasa, Mahipathi Dasa, Mohanna Dasa, Helevanakatte Giriamma and Harapanhalli Bhimavva. The history of the Haridasa movement from the 13th century to the present day is the history of spreading (devotion to Hari or Vishnu) to the common man and in that purpose contributed immensely to Kannada literature and to the development of Kannada language. Both the Haridasa and Veerashaiva movements pervade the length and breadth of Karnataka and exert ennobling influences upon the neighboring provinces of , and .


Contribution to Kannada literature
Haridasa movement made a significant contribution towards Kannada literature by spawning a whole corpus of devotional literature in the form of verses, hymns and musical compositions, popularizing the philosophy postulated by Saint Madhvacharya.Their poems were in ragale metre (Sastri 1955, p365) The literature that originated from this devotional movement is called Dasa Sahitya (or dasara padagalu - literature of the dasas). These various compositions are generally called as Devaranamas (literally meaning names of the Lord) and are sung in the praise of the god Vishnu. These compositions have the concept of (devotion to God) at their core and they usually revolve around references to mythology and the Dvaita philosophy. Some Haridasas' such as Purandara Dasa and Kanaka Dasa also composed several Devaranamas using day-to-day episodes, morals and virtues as the central theme. These compositions were in simple Kannada language since the main objective of this movement was to take the devotional movement to the common man.Sharma (1961), p515 In doing so, the common people were also educated in the importance of consciousness ( jnana), devotion ( bhakti), ethics and Hindu religion. Their hymns ( padas) set to various musical tones ( ragas) aroused fervor among the masses. As advocates of religious reform, the Haridasas' propounded the virtues of detachment ( vairagya). and found in their songs and hymns were used to great effect in achieving this. In addition to devotional songs, Kanaka Dasa authored five literary classical writings in the style. Jagannathadasa, and Gopaladasa etc., are more well known among a galaxy of composers who made rich contributions to Kannada literature.

The compositions can be broadly classified under one of the following three types:

* Kavya or poetic compositions
* Tatva or philosophic compositions
* General compositions.


Pen name (Ankita Nama)
Each Haridasa had a unique ankita nama, or pen-name, with which they 'signed' all their compositions. The of some of the most well known Haridasas is listed below:
1243-1333Narahari Raghupathi
1404-1502Ranga Vitthala
1460-1539Sri Krishna
1480-1600Hayavadana
Raghavendratirtha1595-1671Dheera Venugopala
1484-1564Purandara Vittala
1508-1606Kaginele Adikeshava
1682-1755Vijaya Vittala
1722-1762Gopala Vittala
Panganama Timmanna Dasa1722-1765Venugopala Vittala
Helevanakatte Giriyamma18th CenturyHelevanakatte Ranga
Jagannatha Dasa1727-1809Jagannatha Vittala
Mahipathidasa1611-1681Mahipathi
Prasanna Venkatadasa1680-1752Prasanna Venkata
Mohanadasa1728-1751Mohana Vittala
Nekkara Krishnadasa18th CenturyVaraha Thimmappa
Jayesha Vittala Dasa1850-1932Jayesha Vittala


Contribution to Carnatic music
The Haridasa movement developed the tradition as a distinct art form from the style there by heralding a renaissance in the world of Indian . , one of the foremost of Haridasas' is known as the "Father of carnatic music" ( Karnataka Sangeeta Pitamaha) for his invaluable contributions to this art form.Owing to his contributions to carnatic music, Purandaradasa is known as Karnataka Sangita Pitamaha He was a prolific composer. Historians propose the number of his compositions in the Kannada language were as many as 75,000 - 475,000, though only few hundreds are available today. He composed several which later served as the foundation for the Kriti form, elaborated and perfected by the Trinity of Carnatic music. He codified and consolidated the teaching of Carnatic music by evolving several graded steps such as sarali, jantai, thattu varisai, alankara and geetham, and laid down a framework for imparting formal training in the art form.Iyer (2006), p93 The structure and lessons he formulated four centuries ago remain the foundation for all students of Carnatic music. Apart from Purandara Dasa, several later Haridasas' composed songs adhering to the same musical and philosophical traditions. Their compositions usually fell in one of the following categories: Padagalu (or Devaranama- devotional hymns), Kriti, Ugabhoga, Suladi, Vruttanama, Dandaka, Tripadi (three line poetry), Pattadi, SangathyaSangatya composition is meant to be sung to the accompaniment of a musical instrument (Sastri 1955, p359) and (lyrical verses in blank verse). These forms of composition are still prevalent in and especially in .

Though these compositions usually adhere to the carnatic style of music, some of these compositions have also been sung in the style by musicians such as and .


See also


Notes
  • (2025). 9788120815759, Motilal Banarasidass.
  • (2025). 9780195606867, Indian Branch, Oxford University Press.


External links

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