In ancient Roman religion and Roman mythology, Janus ( ; ) is the god of beginnings, gates, transitions, time, duality, doorways,Varro apud Augustine De Civitate Dei VII 9 and 3; Servius Aen. I 449; Paulus ex Festus s. v. Chaos p. 45 L passages, frames, and endings. He is usually depicted as having a double-sided head. The month of January is named for Janus ( Ianuarius).Forsythe, Time in Roman Religion, p. 14. According to ancient Roman farmers' almanacs, Juno was mistaken as the tutelary deity of the month of January,H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981), p. 51. but Juno is the tutelary deity of the month of June.
Janus presided over the beginning and ending of conflict, and hence war and peace. The gates of the Temple of Janus in Rome were opened in time of war and closed to mark the arrival of peace. As a god of transitions, he had functions pertaining to birth and to journeys and exchange, and in his association with Portunus, a similar harbor and gateway god, he was concerned with travelling, trading, and shipping.
Janus had no flamen or specialised priest (sacerdos) assigned to him, but the King of the Sacred Rites (rex sacrorum) himself carried out his ceremonies. Janus had a ubiquitous presence in religious ceremonies throughout the year. As such, Janus was ritually invoked at the beginning of each ceremony, regardless of the main deity honored on any particular occasion.
While the ancient Greeks had no known equivalent to Janus, there is considerable overlap with culsans of the Etruscan pantheon.
Iānus would then be an action name expressing the idea of going, passing, formed on the root *yā- < *y-eð2- theme II of the root *ey- go from which eō, ειμι.Objections by A. Meillet and A. Ernout to this etymology have been rejected by most French scholars: É. Benveniste, R. Schilling, G. Dumezil, G. Capdeville. The enlargement of root *ey- into *ya- is well represented in Western Indo-European, as e. g. in Irish āth ,*yā-tu-s ford: cf. J Pokorny Indogermanisches etymologisches Wörterbuch I Berne-Munich 1959 p. 296 s. v. i̯ā and Thesaurus Linguae Latinae s. v. ianus. Other modern scholars object to an Indo-European etymology either from Dianus or from root *yā-.A. Meillet DELL s.v. Ianus; A. Ernout "Consus, Ianus, Sancus" in Philologica II 1957 p. 175: Ernout takes into consideration the legends of the Thessalic origin of Janus too.
From Ianus derived ianua ("door"),F. Altheim History of Roman Religion London 1938 p. 194; V. Basanoff Les dieux des Romains Paris 1942 p. 18. and hence the English word "janitor" (Latin, ianitor).
Another etymology proposed by Nigidius Figulus is related by Macrobius:Macrobius above I 9,8. Ianus would be Apollo and Diana Iana, by the addition of a D for the sake of euphony. This explanation has been accepted by A. B. Cook and J. G. Frazer. It supports all the assimilations of Janus to the bright sky, the Sun and the Moon. It supposes a former *Dianus, formed on *dia- < *dy-eð2 from the Indo-European root *dey- shine represented in Latin by dies day, Diovis and Iuppiter.A. B. Cook Zeus. A Study in Ancient Religion Cambridge 1925 II p. 338-9 supposes two parallel series *Divianus, *Dianus, Ianus and Diviana (Varro Lingua Latina V 68), Diana, Iana (Varro De Re Rustica I 37, 3). This interpretation encounters the difficulty of the long i in Dīāna. G. Radke Die Götter Altitaliens Münster 1965 p. 147. The form Dianus postulated by Nigidius, however, is not attested.
A third etymology indicated by Cicero, Ovid and Macrobius, which explains the name as Latin, deriving it from the verb ire ("to go") is based on the interpretation of Janus as the god of beginnings and transitions.Ovid Fasti I 126-7; Macrobius, Saturnalia, I, 9, 11: "Alii mundum, id est caelum, esse voluerunt: Ianumque ab eundo dictum, quod mundum semper eat, dum in orbem volvitur et ex se initium faciens in se refertur: unde et Cornificius Etymorum libro tertio: Cicero, inquit, non-Ianum sed Eanum nominat, ab eundo." It should be observed that Cornificius's quotation from Cicero contains a mistake, as Cicero did not name a Eanum; Cicero De Natura Deorum II 67: "Cumque in omnibus rebus vim habent maxumam prima et extrema, principem in sacrificando Ianum esse voluerunt, quod ab eundo nomen est ductum, ex quo transitiones perviae iani foresque in liminibus profanarum aedium ianuae nominantur"." "As in everything the first and the last things have the greatest force, they wanted that Janus be the first in sacrificial actions, because his name is derived from going, from which fact previous passages are named iani and the hollows in the boundary of secular houses ianuae."
Almost all of these modern explanations were originally formulated by the ancients.R. Schilling above p. 102 cites Lydus De Mensibus IV 2 who states that according to Varro the Etruscans called him Heaven; Augustine De Civitate Dei VII 7 identifies him with the world; Longinus and Messala, cited by Lydus above IV 1, with time; Gavius Bassus with air and Hera (apud Lydus above IV 2).
The connection of the notions of beginning ( principium), movement, transition ( eundo), and thence time was clearly expressed by Cicero.C. Bailey, Phases in the Religion of Ancient Rome (Berkeley, 1932), p. 46; Cicero De Natura Deorum II 67. In general, Janus is at the origin of time as the guardian of the gates of Heaven: Jupiter himself can move forth and back because of Janus's working.Ovid Fasti I 125–126: "I preside over the gates of Heaven together with the mild Hours: Jupiter himself goes and comes back by my working". In one of his temples, probably that of Forum Holitorium, the hands of his statue were positioned to signify the number 355 (the number of days in a lunar year), later 365, symbolically expressing his mastership over time.Pliny Naturalis Historia XXXIV 7; Macrobius Saturnalia I 9 10; Lydus De Mensibus I 4. He presides over the concrete and abstract beginnings of the world,According to Varro, in the Carmen Saliare Janus is called "creator", as the initiator of the world itself. De Lingua Latina, VII, 26–27; Ovid Fasti I 117-20 states he is the ruler and mover of the universe. such as religion and the gods themselves,Macrobius Saturnalia I 9, 2. he too holds the access to Heaven and to other gods: this is the reason why men must invoke him first, regardless of the god they want to pray to or placate.Ovid Fasti I 173-4. He is the initiator of human life,Macrobius defines him Consivium, i.e. propagator of the mankind. Saturnalia, I, 9, 16. of new historical ages, and financial enterprises: according to myth he was the first to mint coins and the as, first coin of the liberal series, bears his effigy on one face.Macrobius Sat. I 7, 22: the ship on the other face remembers the arrival of Saturn; cf. Ovid Fasti I 230-40.
The concept of 'god of ending' is defined in connection to the human point of reference, i.e. the current situation of man in the universe, and not to endings as transitions into new circumstances, which are under the jurisdiction of the gods of beginning, owing to the ambivalent nature of the concept. Thus the god of beginning is not structurally reducible to a sovereign god, nor the goddess of ending to any of the three categories on to which Dumézil distributed goddesses. There is though a greater degree of fuzziness concerning the function and role of goddesses, which may have formed a preexisting structure allowing the absorption of the local Mediterranean mother goddesses, nurturers, and protectresses .
As a consequence, the position of the gods of beginning would not be the issue of a diachronic process of debasement undergone by a supreme sky god, but rather a structural feature inherent to the culture's theology. The descent of primordial sky gods into the condition of deus otiosus is a well-known phenomenon in many religions.
Dumézil himself observed and discussed in many of his works the phenomenon of the fall of archaic celestial deities in numerous societies of ethnologic interest.
Mircea Eliade evaluated Dumezil's views (1946) positively, and recommended their use in comparative research on Indo-European religions.
A similar solar interpretation has been offered by A. Audin who interprets the god as the issue of a long process of development, starting with the Sumeric cultures, from the two solar pillars located on the eastern side of temples, each of them marking the direction of the rising sun at the dates of the two solstices: the southeastern corresponding to the Winter and the northeastern to the Summer solstice. These two pillars would be at the origin of the theology of the divine twins, one of whom is mortal (related to the NE pillar, nearest the Northern region where the sun does not shine) and the other is immortal (related to the SE pillar and the Southern region where the sun always shines). Later these iconographic models evolved in the Middle East and Egypt into a single column representing two torsos and finally a single body with two heads looking at opposite directions.
Numa Pompilius, in his regulation of the Roman calendar, called the first month Ianuarius after Janus, according to tradition considered the highest divinity at the time.
A temple of Janus is said to have been consecrated by the consul Gaius Duilius in 260 BC after the Battle of Mylae in the Forum Holitorium. It contained a statue of the god with the right hand showing the number 300 and the left the number 65—i.e., the length in days of the solar year—and twelve altars, one for each month.Pliny Naturalis Historia XXXIV 33; Macrobius Saturnalia I 9 10; Varro apud Macrobius above I 9 16. R. Schilling above p. 115 remarks such a feature could have been added only after the Julian reform of the calendar.
The four-sided structure known as the Arch of Janus in the Forum Transitorium dates from the 1st century of the Christian era: according to common opinion it was built by the Emperor Domitian. However American scholars L. Ross Taylor and L. Adams Holland on the grounds of a passage of Statius Silvae IV 3, 9–10: "... qui limina bellicosa Iani/ iustis legibus et foro coronat", "... who crowns the warlike boundaries of Janus with just laws and the Forum". maintain that it was an earlier structure (tradition has it the Ianus Quadrifrons was brought to Rome from FaleriiMacrobius I 9, 13; Servius Aen. VI 607; Lydus De Menisibus IV 1.) and that Domitian only surrounded it with his new forum.L. Adams Holland, "Janus and the Fasti", Classical Philology (1952), p. 139. In fact the building of the Forum Transitorium was completed and inaugurated by Nerva in AD 96.
The main sources of Janus's cult epithets are the fragments of the Carmen Saliare preserved by Varro in his work De Lingua Latina, a list preserved in a passage of Macrobius's Saturnalia (I 9, 15–16), another in a passage of Johannes Lydus's De Mensibus (IV 1), a list in Cedrenus's Historiarum Compendium (I p. 295 7 Bonn), partly dependent on Lydus's, and one in Servius Honoratus's commentary to the Aeneis (VII 610).G Capdeville above p. 404-7. Literary works also preserve some of Janus's cult epithets, such as Ovid's long passage of the Fasti devoted to Janus at the beginning of Book I (89–293), Tertullian, Augustine and Arnobius.
The manuscript has:
Many reconstructions have been proposed:References in A.B. Cook above II p. 329–331; a later attempt by J. F. K. Dirichs Die urlateinischen Reklamestrophe auf dem sogenannten Dresselschen Drillingsgefäss des sabinischen Töpfers Dufnos Heidelberg 1934 p. 30.
they vary widely in dubious points and are all tentative, nonetheless one can identify with certainty some epithets:
The epithets that can be identified are:
Even though the lists overlap to a certain extent (five epithets are common to Macrobius's and Lydus's list), the explanations of the epithets differ remarkably. Macrobius's list and explanation are probably based directly on Cornelius Labeo's work, as he cites this author often in his Saturnalia, as when he gives a list of Maia's cult epithetsMacrobius above I 12, 21–22. and mentions one of his works, Fasti.Macrobius above I 16, 29. In relating Janus's epithets Macrobius states: "We invoke in the sacred rites". Labeo himself, as it is stated in the passage on Maia, read them in the lists of indigitamenta of the libri pontificum. On the other hand, Lydus's authority cannot have consulted these documents precisely because he offers different (and sometimes bizarre) explanations for the common epithets: it seems likely he received a list with no interpretations appended and his interpretations are only his own.Capdeville above p. 409.
Schilling and Capdeville counter that it is his function of presiding over the return to peace that gave Janus this epithet, as confirmed by his association on 30 March with Pax, Concordia and Salus,Ovid above III 881–882; J.- C. Richard "Pax, Concordia et la religion officielle de Janus à la fin de la République romaine" in MEFR 75 1963 p. 303-386. even though it is true that Janus as god of all beginnings presides also over that of war and is thus often called belliger, bringer of warLucan Pharsalia I 61-2; Statius Silvae II 3, 12. as well as pacificus. This use is also discussed by Dumézil in various works concerning the armed nature of the Mars qui praeest paci, the armed quality of the gods of the third function and the arms of the third function.G. Dumézil "Remarques sur les armes des dieux de la troisième fonction chez divers peuples indo-européens" in Studi e Materiali di Storia delle Religioni 28 1957 p. 1-10.
Koch on the other hand sees the epithet Janus Quirinus as a reflection of the god's patronage over the two months beginning and ending the year, after their addition by king Numa in his reform of the calendar. This interpretation too would befit the liminal nature of Janus.C. Koch "Bemerkungen zum römischen Quirinuskult" in Zeitschrift für Religions and Geistesgeschichte 1953 p.1-25.
The compound term Ianus Quirinus was particularly in vogue at the time of Augustus, its peaceful interpretation complying particularly well with the Augustan ideology of the Pax Romana.Res Gestae Divi Augusti XIII; Suetonius Augustus XXII 5; Horace Odes IV 15, 4–9.
The compound Ianus Quirinus is to be found also in the rite of the spolia opima, a lex regia ascribed to Numa, which prescribed that the third rank spoils of a king or chief killed in battle, those conquered by a common soldier, be consecrated to Ianus Quirinus.Only Festus s. v. p. 204, 13 L, among the three sources relating this rite has the expression Ianui Quirino; Plutarch Marcellus VIII 9 and Servius (and Virgil himself) Aeneis VI 859 have only Quirinus. This has led to disputes among scholars on the value of the expression and its antiquity as Verrius Flaccus may have forged it. Schilling believes the reference of this rite to Ianus Quirinus to embody the original prophetic interpretation, which ascribes to this deity the last and conclusive spoils of Roman history.R. Schilling above p.128, citing Festus s. v. spolia opima p. 204 L.
Some scholars have maintained that Juno was the primitive paredra of the god. This point bears on the nature of Janus and Juno and is at the core of an important dispute: was Janus a debased ancient uranic supreme god, or were Janus and Jupiter co-existent, their distinct identities structurally inherent to their original theology?
Among Francophone scholars, Grimal and (implicitly and partially) Renard and Basanoff have supported the view of a uranic supreme god against Dumézil and Schilling. Among Anglophone scholars Frazer and Cook have suggested an interpretation of Janus as uranic supreme god.
Whatever the case, it is certain that Janus and Juno show a peculiar reciprocal affinity: while Janus is Iunonius, Juno is Ianualis, as she presides over childbirth and the menstrual cycle, and opens doors.Servius Aeneis VII 620–622; Ovid Fasti I; Isidore Origines VIII 11, 69: "Iunonem dicunt quasi Ianonem, id est ianuam, pro purgationibus feminarum, eo quod quasi portas matrum natis pandat, et nubentum maritis". Moreover, besides the kalends Janus and Juno are also associated at the rite of the Tigillum Sororium of 1 October, in which they bear the epithets Ianus Curiatius and Iuno Sororia. These epithets, which swap the functional qualities of the gods, are the most remarkable apparent proof of their proximity.M.Renard above p. 14-17. The rite is discussed in detail in the section below.
Varro on the other hand had clear the relevance of the function of starting a new life by opening the way to the semen and therefore started his enumeration of the gods with Janus, following the pattern of the Carmen Saliare.Augustine above VI 9: "Thus the same Varro starts mentioning and listing the gods from the conception of man, who have been given life from Janus"; VII 3: "... it is answered that Janus has in his power every start and therefore not without cause is he ascribed that of the opening to conception". Macrobius gives the same interpretation of the epithet in his list: " Consivius from sowing (conserendo), i. e. from the propagation of the human genre, that is disseminated by the working of Janus."The etymology from sero, albeit clear, presents a problem with the long first ī of Consīvius: this difficulty can be overcome if one considers Consēuius, attested by Tertullian Ad Nationes II 11, 3. as the most ancient form. He though does not consider Conseuius to be an epithet of Janus but a theonym in its own right.
Lydus understands Consivius as βουλαιον (consiliarius) owing to a conflation with Consus through Ops Consiva or Consivia. The interpretation of Consus as god of advice is already present in Latin authorsPaulus p. 36, 19 L; Tertullian De Spectaculis V 5; Arnobius Adversus Nationes III 23; Ausonius Eclogae XXIV 20; Servius Aeneis VIII 636; Augustine above IV 11. and is due to a folk etymology supported by the story of the abduction of the Sabine women, (which happened on the day of the Consualia aestiva), said to have been advised by Consus. However no Latin source cites relationships of any kind between Consus and Janus Consivius. Moreover, both the passages that this etymology requires present difficulties, particularly as it seems Consus cannot be etymologically related to adjective consivius or conseuius, found in Ops Consivia and thence the implied notion of sowing.G. Capdeville above p. 434. Consus is a u theme word and the only adjective it formed is Consualia.
Capdeville sees this epithet as related exclusively to the characters of the legend and the rite itself: He cites the analysis by Dumézil as his authority.G. Dumézil Les Horaces et les Curiaces Paris 1942.
Schilling supposes it was probably a sacrum originally entrusted to the gens Horatia that allowed the desacralisation of the iuvenes at the end of the military season, later transferred to the state.Livy I 26, 12: ... pecunia publica at public expenses. Janus's patronage of a rite of passage would be natural. The presence of Juno would be related to the date (Kalends), her protection of the iuvenes, soldiers, or the legend itself.
Schilling's opinion is that it is related to curia,R. Schilling "Janus, dieu introducteur, dieu des passages" in Melanges d' archeologie et d'histoire 72 1960 p. 109. as the Tigillum was located not far from the curiae veteres.
Renard considered Schilling's interpretation unacceptable, even though supported by an inscription ( lictor curiatius)R. Schilling above citing Real Encyclopaedie s.v. calata comitia column 1330. Aulus Gellius Noctes Atticae XV 27, 2 has lictor curiatus. because of the different quantity of the u, short in curiatius, curis and Curitis and long in curia. Moreover, it is part of the different interpretation of the meaning of the ritual of the Tigillum Sororium proposed by Herbert Jennings Rose, Kurt Latte, and Robert Schilling himself.
Renard connects the epithet's meaning to the curis or cuiris, the spear of Juno Curitis as here she is given the epithet of Sororia, corresponding to the usual epithet Geminus of Janus and to the twin or feminine nature of the passage between two coupled posts.M. Renard above p. 14.
In summary, the etymology of Curiatius remains uncertain.For a thorough listing of the hypotheses advanced cf. A. Walde – J. B. Hoffmann Lateinische etymologisches Wörterbuch 1938 3rd p. 319 s.v.On the role of Janus in the rite of the Tigillum Sororium see also the section that follows.
Any rite or religious act whatsoever required the invocation of Janus first, with a corresponding invocation to Vesta at the end ( Janus primus and Vesta extrema). Instances are to be found in the Carmen Saliare, the formula of the devotio,Livy VIII 9, 6 the lustration of the fields and the sacrifice of the porca praecidanea,Cato De Agri Cultura 141 and 143. the Acta of the Arval Brethren. Acta Fratrum Arvalium ed. Henze p. CCXIV and 144 ff.
Although Janus had no flamen, he was closely associated with the rex sacrorum who performed his sacrifices and took part in most of his rites: the rex held the first place in the ordo sacerdotum, hierarchy of priests.Some scholars opine that the rex was Janus's priest, e.g. M. Renard "Aspects anciens de Jaanus et de Junon" in Revue belge de philologie et d' histoire 31 1. 1953 p. 8. G. Dumézil disagrees as he considers the rex also and even more directly associated with Jupiter. The flamen of Portunus performed the ritual greasing of the spear of the god Quirinus on 17 August, day of the Portunalia, on the same date that the temple of Janus in the Forum Holitorium had been consecrated by consul Gaius Duilius in 260 BC.Portunus seems to be a god closely related to Janus, if with a specifically restricted area of competence, in that he presides over doorways and harbours and shares with Janus his two symbols, the key and the stick: Scholiasta Veronensis Aen. V 241: "god of harbours and patron of doors". See also section below.
The rite of the bride's oiling the posts of the door of her new home with wolf fat at her arrival, though not mentioning Janus explicitly, is a rite of passage related to the ianua.
The paradox of the pacifist king serving Mars and passage to war and of the warmonger king serving Quirinus to achieve peace under the expected conditions highlights the dialectic nature of the cooperation between the two gods, inherent to their own function.Tullus's vow included beside the institution of the Salii also that of the Saturnalia (perhaps along with the Consualia) and of the Opalia after the storing of the harvest: all festivals related to peace, fertility and plenty. Because of the working of the talismans of the sovereign god they guaranteed alternatively force and victory, fecundity and plenty. It is noteworthy that the two groups of Salii did not split their competences so that one group only opened the way to war and the other to peace: they worked together both at the opening and the conclusion of the military season, marking the passage of power from one god to the other. Thus the Salii enacted the dialectic nature present in the warring and peaceful aspect of the Roman people, particularly the iuvenes.A passage of Statius Silvae V 2, 128, to be found in a poem in honour of his friend Crispinus, a Salius Collinus, suggests clearly the difference between the functions of the arms of Quirinus and those of Mars (and Minerva): "Mars and the virgin Actea shew the points ... the arms of Quirinus ... shields born from the clouds and arms untouched by slaughter": the arms of Quirinus were peaceful.
This dialectic was reflected materially by the location of the temple of Mars outside the pomerium and of the temple of Quirinus inside it.Servius Aen. I 292 "Thence in the City there two temples of his, of Quirinus within the Urbs, as if protector but peaceful, another on the Via Appia outside the Urbs near the gate, as if warrior, or gradivus ": the gate is the Porta Capena; VI 860: "Quirinus is the Mars that presides over peace and is worshipped inside the city: in fact the Mars of war has his temple outside it". Regardless of the actual date of their foundation their location is archaic: for Quirinus cf. Paulus p. 303 L and for Mars Festus p. 204 L. The annual dialectic rhythm of the rites of the Salii of March and October was also further reflected within the rites of each month and spatially by their repeated crossing of the pomerial line. The rites of March started on the first with the ceremony of the ancilia movere, developed through the month on the 14th with Equirria in the Campus Martius (and the Mamuralia marking the expulsion of the old year), the 17th with the Agonium Martiale, the 19th with the Quinquatrus in the Comitium (which correspond symmetrically with the Armilustrium of 19 October), on the 23rd with the Tubilustrium and they terminated at the end of the month with the rite of the ancilia condere. Only after this month-long set of rites was accomplished was it fas to undertake military campaigns.Suetonius Othon VIII 5: "He started the expedition before it was ritually correct, without any care for religious praescriptions, but with ancilia moved and not yet stored "; Ovid Fasti III 395f.: "The arms move the fight: the fight is alien to the grooms, when they have been stored the omen shall be more propitious".
While Janus sometimes is named belligerLucan Pharsalia I 61–62: "Pax missa per orbem/ ferrea belligeri compescat limina Iani". Statius Silvae II 3,12: "belligerum Iani nemus". and sometimes pacificusMartial VIII 66, 11–12. in accord with his general function of beginner, he is mentioned as Janus Quirinus in relation to the closing of the rites of March at the end of the month together with Pax, Salus and Concordia:Ovid Fasti III 879–882: "... Janus is to be worshipped together with mild Concord and Safety of the Roman people and the altar of Peace". This feature is a reflection of the aspect of Janus Quirinus which stresses the quirinal function of bringing peace back and the hope of soldiers for a victorious return.Servius Aen. I 291: "It is a better reason that those who go to war desire the come back."The ancients give an armed and even military definition of Quirinus: Macrobius I 9 16; Ovid II 475-8; Plutarch Romulus 29, 1; Quaestiones Romanae 27; Paulus 43, 1 L. But while his armed character of is not in contradiction with the nature of Quirinus as well as of the gods of the third function, a definitely and exclusively martial character is unacceptable and looks to be a later development, due to the assimilation of Romulus with Quirinus. The legend of Romulus's later life had strong military connotations, which changed the original character of Quirinus. According to Dumezil the interpretation Quirnus-Romulus came about via a different route, i. e. the divine twins myth, of which Romulus and Remus are an instance. Their myth is representative and belongs to the category of the gods of the third function, as e.g. the Dioskuri, the Ashvins. Whatever the original nature of the Sabine Quirinus, in Rome this god did not originally have a military function.
As the rites of the Salii mimic the passage from peace to war and back to peace by moving between the two poles of Mars and Quirinus in the monthly cycle of March, so they do in the ceremonies of October, the Equus October ("October Horse") taking place on the Campus MartiusFestus p. 190 L. the Armilustrium, purification of the arms, on the Aventine Hill,Varro Lingua Latina VI 22; V 153; Plutarch Quaestiones Romanae 23. and the Tubilustrium on the 23rd. Other correspondences may be found in the dates of the founding of the temples of Mars on 1 June and of that of Quirinus on 29 June, in the pre-Julian calendar the last day of the month, implying that the opening of the month belonged to Mars and the closing to Quirinus.
The reciprocity of the two gods' situations is subsumed under the role of opener and closer played by Janus as Ovid states: " Why are you hidden in peace, and open when the arms have been moved?" Fasti I 277. Another analogous correspondence may be found in the festival of the Quirinalia of February, last month of the ancient calendar of Numa.C. Koch above; R. Schilling above p. 124 n. 2. The rite of the opening and closure of the Janus Quirinus would thus reflect the idea of the reintegration of the miles into civil society, i.e. the community of the quirites, by playing a lustral role similar to the Tigillum Sororium and the porta triumphalis located at the south of the Campus Martius. In Augustan ideology this symbolic meaning was strongly emphasised.Thus Ovid may conclude his passage devoted to Janus with the words "Janus, do make peace and those who administer it (Augustus and Germanicus) eternal." in Fasti I 287. Horace too mentions that Augustus closed the Ianum Quirini in Carmina IV 15, 9 and calls "Janus ... protector of the peace" in Epistulae II 1, 255.
The rite took place on the kalends of October, the month marking the end of the yearly military activity in ancient Rome. Scholars have offered different interpretations of the meaning of Janus Curiatius and Juno Sororia. The association of the two gods with this rite is not immediately clear. It is however apparent that they exchanged their epithets, as Curiatius is connected to (Juno) Curitis and Sororia to (Janus) Geminus.M. Renard "Aspects anciens de Janus et de Junon" above p. 9 and ff. citing E. L. Shields, Juno (Northampton, Mass., 1926), p. 53. Renard thinks that while Janus is the god of motion and transitions he is not concerned directly with purification, while the arch is more associated with Juno. This fact would be testified by the epithet Sororium, shared by the tigillum and the goddess. Juno Curitis is also the protectress of the iuvenes, the young soldiers.Martianus Capella De Nuptiis II 149. Paul the Deacon states that the sororium tigillum was a sacer (sacred) place in honour of Juno.Paulus s.v. Sororium tigillum p. 399 L. Another element linking Juno with Janus is her identification with Carna, suggested by the festival of this deity on the kalends (day of Juno) of June, the month of Juno.
Carna was a nymph of the sacred lucus of Helernus, made goddess of hinges by Janus with the name of Cardea, and had the power of protecting and purifying thresholds and the doorposts.A. Grenier, Les religions étrusque et romaine (Paris, 1948), pp. 115 and 131R. Pettazzoni, "Carna", Studi Etruschi 14 (1940), p. 163ff.Ovid Fasti VI 155 This would be a further element in explaining the role of Juno in the Tigillum. It was also customary for new brides to oil the posts of the door of their new homes with wolf fat. In the myth of Janus and Carna (see section below) Carna had the habit when pursued by a young man of asking him out of shyness for a hidden recess and thereupon fleeing: but two headed Janus saw her hiding in a crag under some rocks. Thence the analogy with the rite of the Tigillum Sororium would be apparent: both in the myth and in the rite Janus, the god of motion, goes through a low passage to attain Carna as Horatius passes under the tigillum to obtain his purification and the restitution to the condition of citizen eligible for civil activities, including family life. The purification is then the prerequisite for fertility. The custom of attaining lustration and fertility by passing under a gap in rocks, a hole in the soil or a hollow in a tree is widespread.Roscher, Lexicon, s.v. Ianus col. 21–22.
The veiled head of Horatius could also be explained as an apotropaic device if one considers the tigillum the iugum of Juno, the feminine principle of fecundity. Renard concludes that the rite is under the tutelage of both Janus and Juno, being a rite of transition under the patronage of Janus and of desacralisation and fertility under that of Juno: through it the iuvenes coming back from campaign were restituted to their fertile condition of husbands and peasants. Janus is often associated with fecundity in myths, representing the masculine principle of motion, while Juno represents the complementary feminine principle of fertility: the action of the first would allow the manifestation of the other.Cf. Augustin De Civitate Dei VII 2 and 3.
The myth of Crane has been studied by M. RenardM. Renard "Aspect anciens de Janus et de Junon" above pp. 13–14. and G. Dumezil.G. Dumézil Fêtes romaines d'été et d'automn. Suivi par dix questions romaines "Question X. Theologica minora" Paris 1975 p. 223ff. The first scholar sees in it a sort of parallel with the theology underlying the rite of the Tigillum Sororium. Crane is a nymph of the sacred wood of Helernus, located at the issue of the Tiber, whose festival of 1 February corresponded with that of Juno Sospita:Ovid Fasti II 67–68. Crane might be seen as a minor imago of the goddess. Her habit of deceiving her male pursuers by hiding in crags in the soil reveals her association not only with vegetation but also with rocks, caverns, and underpassages.In Greece Crane, Cranea is an epithet of Athens, meaning the rocky city; the Cranai are nymphs of rocks, or Naiads of springs. L. Rocci Dizionario Greco -Italiano Roma 1972 s. v. Her nature looks to be also associated with vegetation and nurture: G. Dumezil has proved that Helernus was a god of vegetation, vegetative lushness and orchards, particularly associated with vetch. As Ovid writes in his Fasti, 1 June was the festival day of Carna, besides being the calendary festival of the month of Juno and the festival of Juno Moneta. Ovid seems to purposefully conflate and identify Carna with Cardea in the aetiologic myth related above. Consequently, the association of both Janus and the god Helernus with Carna-Crane is highlighted in this myth: it was customary on that day to eat ivetch (mashed beans) and lard, which were supposed to strengthen the body. Cardea had also magic powers for protecting doorways (by touching thresholds and posts with wet hawthorn twigs) and newborn children by the aggression of the striges (in the myth the young Proca).Ovid Fasti VI 131–183. M. Renard sees the association of Janus with Crane as reminiscent of widespread rites of lustration and fertility performed through ritual walking under low crags or holes in the soil or natural hollows in trees, which in turn are reflected in the lustrative rite of the Tigillum Sororium.
Macrobius Saturnalia I 7, 19ff. relates that Janus was supposed to have shared a kingdom with Camese in Latium, in a place then named Camesene. He states that Hyginus recorded the tale on the authority of a Protarchus of Tralles. In Macrobius Camese is a male: after Camese's death Janus reigned alone. However Greek authors make of Camese Janus's sister and spouse: AtheneusAtheneus Deipnosophistes XV 46=692. citing a certain Drakon of Corcyra writes that Janus fathered with his sister Camese a son named Aithex and a daughter named Olistene.Wellman in R.E. Pauly-Wissowa V column 1663 no. 16 writes Drakon might have lived at the time of Augustus, R. Schilling thinks he lived only after Pliny the Elder. Cf. Plutarch Quaestiones Romanae 22 on Camise. Servius Danielis Aen. VIII 330. states Tiber (i.e., Tiberinus) was their son.
Arnobius writes that Fontus was the son of Janus and Juturna. Adversus Nationes III 29. The name itself proves that this is a secondary form of Fons modelled on Janus,Walde-Hoffmann LEW s. v. Fons. denouncing the late character of this myth: it was probably conceived because of the proximity of the festivals of Juturna (11 January) and the Agonium of Janus (9 January) as well as for the presence of an altar of Fons near the JaniculumG. Wissowa Religion und Kultus der Römer Munich 1912 p. 221. Cf. Cicero De Legibus II 56. and the closeness of the notions of spring and of beginning.
Plutarch Quaestiones Romanae 22. writes that according to some Janus was a Greek from Perrhebia.Comparing this tradition with Strabon's passage in Geographia X 2, 12 (who cites Odyssea X 190–192) on the Ionians, French scholar J. Gagé has seen a Hyperborean origin of Janus, derived from the Protohellenes of Thessaly and the Pelasgians. Cf. J. Gagé, "Sur les origines du culte de Janus", Revue de l' histoire des religions 195/1 (1979), pp. 31–32.
After Romulus and his men kidnapped the Sabine women, and Rome was attacked by the Sabines under king Titus Tatius, Janus caused a volcanic hot spring to erupt, resulting in the would-be attackers being buried alive in the deathly hot, brutal water and ash mixture of the rushing hot volcanic springs that killed, burned, or disfigured many of Tatius's men. This spring is called Lautolae by Varro.Varro Lingua Latina V 156; Paulus ex Festus p. 105, 11 L. Later on, however, the Sabines and Romans agreed on creating a new community together. In honor of this, the doors of a walled roofless structure called 'The Janus' were kept open during war after a symbolic contingent of soldiers had marched through it. The doors were closed in ceremony when peace was concluded.Macrobius Saturnalia I 9, 17–18; Ovid Metamorphoses XIV 781–799; Fasti I 259–276; Servius Ad Aen. I 291; VIII 361; Mythographus Vaticanus III 4, 9.
His temple named Janus Geminus had to stand open in times of war. It was said to have been built by king Numa Pompilius, who kept it always shut during his reign as there were no wars. After him it was closed very few times, one after the end of the first Punic War, three times under Augustus and once by Nero. It is recorded that emperor Gordianus III opened the Janus Geminus.Julius Capitolinus Gordianus XXVI 3.
It is a noteworthy curiosity that the opening of the Janus was perhaps the last act connected to the ancient religion in Rome: Procopius writesProcopius De Bello Gothico I 25. that in 536, during the Gothic War, while general Belisarius was under siege in Rome, at night somebody opened the Janus Geminus stealthily, which had stayed closed since the 390 edict of Theodosius I that banned the ancient cults. Janus was faithful to his liminal role also in the marking of this last act.R. Schilling above p. 89.
As a protector of peace he is nevertheless armed, in the same way as the quirites are, as they are potentially milites soldiers: his statue represents him is holding a spear. For this reason Janus, god of gates, is concerned with his function of protector of the civil community. For the same reason the flamen Portunalis oiled the arms of Quirinus, implying that they were to be kept in good order and ready even though they were not to be used immediately.G. Dumézil above p. 236-238.
Dumézil and Schilling remark that as a god of the third function Quirinus is peaceful and represents the ideal of the pax romana i. e. a peace resting on victory.On the arms of the gods of the third function cf. G. Dumézil, "Remarques sur les armes des dieux de troisième fonction chez divers peuples indo-européens", Studi e Materiali di Storia delle Religioni 28 (1957), pp. 1–10.
Varro would have stated that he was the god of harbours and patron of gates. Scholia Veronensia ad Aeneidem V 241. His festival day named Portunalia fell on 17 August, and he was venerated on that day in a temple ad pontem Aemilium and ad pontem Sublicium that had been dedicated on that date.G. Wissowa above.
Portunus, unlike Janus, had his own flamen, named Portunalis. It is noteworthy that the temple of Janus in the Forum Holitorium had been consecrated on the day of the Portunalia, and that the flamen Portunalis was in charge of oiling the arms of the statue of Quirinus.Festus s. v. persillum p. 238 L. The persillum was a rediculum, small container in which the ointment was kept.R. Schilling above p. 99 and n. 4, p. 120; G. Dumézil above part I chapt. 5 It. tr. p.237-238.
The last place implies a direct connection with the situation of the worshipper, in space and in time. Vesta is thence the goddess of the hearth of homes as well as of the city. Her inextinguishable fire is a means for men (as individuals and as a community) to keep in touch with the realm of gods. Thus there is a reciprocal link between the god of beginnings and unending motion, who bestows life to the beings of this world (Cerus Manus) as well as presiding over its end, and the goddess of the hearth of man, which symbolises through fire the presence of life. Vesta is a virgin goddess, but at the same time she is called a 'mother' of Rome: She is thought to be indispensable to the existence and survival of the community.A. Brelich, Vesta (Zurich, 1949), "Janus und Vesta" p. 28ff.
On the other hand, as expected Janus is present in region I of Martianus Capella's division of Heaven and in region XVI, the last one, are to be found the Ianitores terrestres (along with Nocturnus), perhaps to be identified in Limentinus,S. Weinstock, "Martianus Capella", Journal of Roman Studies, p. 106 n. 25 on the grounds of Varro apud Augustine above VII 2 and Johannes Scotus Eriugena Annotationes in Marcianum, edited by C. E. Lutz (Cambridge, Mass., 1939; reprint New York, 1970), p. 29, 8. deities strictly related to Janus as his auxiliaries (or perhaps even no more than concrete subdivisions of his functions) as the meaning of their names implies: Forculus is the god of the forca, a iugum, low passage, Limentinus the guardian of the limes, boundary, Cardea the goddess of hinges, here of the gates separating Earth and Heaven.Tertullian Idolatria XV 5; De Corona Militis XIII 9.
The problem posed by the qualifying adjective terrestres earthly, can be addressed in two different ways.
One hypothesis is that Martianus's depiction implies a descent from Heaven onto Earth.S. Weinstock "Martianus Capella" in Journal of Roman Studies p. 104 and 106 . However Martianus's depiction does not look to be confined to a division Heaven-Earth as it includes the Underworld and other obscure regions or remote recesses of Heaven. Thence one may argue that the articulation Ianus-Ianitores could be interpreted as connected to the idea of the Gates of Heaven (the Synplegades) which open on the Heaven on one side and on Earth or the Underworld on the other.S. Weinstock above p. 106 n. 25; E. L. Highbarger, The Gates of Dream: An archaeological examination of Vergil, Aeneid VI 893–899 (Baltimore, 1940); A. K. Coomaraswamy, The Door in the Sky (Princeton, 1997); M. Eliade Shamanism: Archaic Techniques of Ecstasis (Princeton, 2004); G. Capdeville, "Les dieux de Martianus Capella", Revue de l'histoire des religions 213/3 (1996), pp. 293–4.
From other archaeological documents though it has become clear that the Etruscans had another god who was double-faced like Janus: Culsans, of which there is a bronze statuette from Cortona (now at Cortona Museum). While Janus is a bearded adult, Culśans is an unbearded youth, making his identification with Hermes look possible.A. Pfiffig Religio Etrusca Graz 1975 p. 330-1. However, his name is also connected with the Etruscan word for doors and gates.E. Simon, "Gods in harmony", in Etruscan Religion, edited by N. Thomas De Grummond (Univ. of Texas Press, 2006) p. 58. Cf. also goddess Culśu, the gatekeeper of the Underworld, holding a torch and a key, on the sarchophagus of Hasti Afunei from Chiusi.
According to Capdeville, Culsans may also be found on the outer rim of the Piacenza Liver, on case 14, in the compound form CULALP, i.e., "of Culsans and of Alpanu" on the authority of Pfiffig, but perhaps here it indicates instead the female goddess Culśu, the guardian of the door of the Underworld.A. Pfiffig above pp. 330–331 on Culśu and p. 280 on Alpanu. In Capdeville's citation it looks the author is unaware of existence of two different gods named Culśanś and Culśu respectively. Although the location is not strictly identical, there is some approximation in his situations on the Liver and in Martianus's system.
A. Audin connects the figure of Janus to Culsans and Turms (Etruscan rendering of Hermes, the Greek god mediator between the different worlds, brought by the Etruscan from the Aegean Sea), considering these last two Etruscan deities as the same.A. Audin above p. 96. This interpretation would then identify Janus with Greek god Hermes. Etruscan medals from Volterra too show the double-headed god and the Janus Quadrifrons from Falerii may have an Etruscan origin.L. Schmitz in W. Smith above p. 551.
The ancient deity Isimud was commonly portrayed with two faces facing in opposite directions. Sumerian depictions of Isimud are often very similar to the typical portrayals of Janus in ancient Roman art. Unlike Janus, however, Isimud is not a god of doorways. Instead, he is the messenger of Enki, the ancient Sumerian god of water and civilization. Reproductions of the image of Isimud, whose Babylonian name was Usimu, on cylinders in Sumero-Accadic art can to be found in H. Frankfort's work Cylinder seals (London 1939) especially in plates at p. 106, 123, 132, 133, 137, 165, 245, 247, 254. On plate XXI, c, Usimu is seen while introducing worshippers to a seated god.
Janus-like heads of gods related to Hermes have been found in Greece, perhaps suggesting a compound god.J. Marcadé, "Hermès double", Bulletin de Correspondence Hellénique 76 (1952), pp. 596–624.
William Betham argued that the cult arrived from the Middle East and that Janus corresponds to the Baal-ianus or Belinus of the Chaldeans, sharing a common origin with the Oannes of Berossus.Royal Numismatic Society, Proceedings of the Numismatic Society, James Fraser, 1837
P. Grimal considers Janus a conflation of a Roman god of doorways and an ancient Syro-Hittite uranic cosmogonic god.P. Grimal above pp. 15–121.
The Roman statue of the Janus of the Argiletum, traditionally ascribed to Numa, was possibly very ancient, perhaps a sort of xoanon, like the Greek ones of the 8th century BC.P. J. Riis, An introduction to Etruscan art (Copenhagen, 1953), p. 121.
In Hinduism, the image of double- or four-faced gods is quite common, as it is a symbolic depiction of the divine power of seeing through space and time. The supreme god Brahma is represented with four faces. Another instance of a four-faced god is the Slavic god Svetovid.
Other analogous or comparable deities of the prima in Indo-European religions have been analysed by G. Dumézil.G. Dumezil, "Remarques comparatives sur le dieu scandinave Heimdallr", Études Celtiques (1959), pp. 263–283; "De Janus à Vesta" in Tarpeia (Paris, 1947), pp. 31–113 esp. pp. 86–88. They include the Indian goddess Aditi who is called two-faced as she is the one who starts and concludes ceremonies,Śatapatha Brāhmaṇa (Shatapathabrahmana) III 2, 4, 16 ubhayaḥtaśīrṣṇi and Eggeling's note. and Scandinavian god Heimdallr. The theological features of Heimdallr look similar to Janus's: both in space and time he stands at the limits. His abode is at the limits of Earth, at the extremity of Heaven; he is the protector of the gods; his birth is at the beginning of time; he is the forefather of mankind, the generator of classes and the founder of the social order. Nonetheless he is inferior to the sovereign god Oðinn: the Minor Völuspá defines his relationship to Oðinn almost with the same terms as those in which Varro defines that of Janus, god of the prima to Jupiter, god of the summa: Heimdallr is born as the firstborn ( primigenius, var einn borinn í árdaga), Oðinn is born as the greatest ( maximus, var einn borinn öllum meiri). Hyndluljóð strophe 37 and 40. Analogous Iranian formulae are to be found in an Avestic gāthā (Gathas).Yasna 45 first verses of strophes 2, 4 and 6. In other towns of ancient Latium the function of presiding over beginnings was probably performed by other deities of feminine sex, notably the Fortuna Primigenia of Praeneste.
In demonology, Janus is corrupted into Bifrons, and is described by grimoires such as The Lesser Key of Solomon as a demonic earl in charge of moving bodies into graves and lighting candles over them, possibly suggesting the retention of Janus's role as a deity of endings and guardian of passages.
In Act I Scene 1 of Shakespeare's Merchant of Venice, Salarino refers to the two-headed Janus while failing to find the reason of Antonio's melancholy. In Act I Scene 2 of Shakespeare's Othello, Iago invokes the name of Janus after the failure of his plot against the titular character.
In her 1921 book The Witch-Cult in Western Europe, folklorist Margaret Murray claimed that evidence found in records of the early modern witch trials showed the witches' god, usually identified in the records as the Devil, was in fact often a male priest dressed in a double mask representing Janus. Murray traced the presence of a man dressed with a mask on the back of his head at some witch meetings to confessions of accused witches in the Pyrenees region, and one statement in particular that the leader of the witches appeared " comme le dieu Janus" ("as the god Janus"). Via the etymology given by James Frazier, Murray further connected the figure on Janus or Dianus in the witch-cult with the more well known goddess of witchcraft, Diana.Murray, Margaret. 1921. The Witch-Cult in Western Europe Both Murray's contemporaries and modern scholars have argued that Murray's hypothesis and the connections she drew between Janus and Diana, and linking the early modern witch trials with ancient pagan beliefs, are dubious.
Janus Films, a film distribution company founded in 1956, takes its name from the god and features a two-faced Janus as its logo.
The Janus Society was an early homophile organization founded in 1962 and based in Philadelphia. It is notable as the publisher of DRUM magazine, one of the earliest gay-interest publications in the United States and most widely circulated in the 1960s,
The Society of Janus is the second BDSM organization founded in the United States (after The Eulenspiegel Society), and is a San Francisco, California based BDSM education and support group. It was founded in August 1974 by the late Cynthia Slater and Larry Olsen. According to the Leather Hall of Fame biography of Slater, she said of the Society of Janus:
In the 1995 spy film GoldenEye in the James Bond film series, the main antagonist Alec Trevelyan calls himself the code name "Janus" after he betrays Bond and subsequently MI6 after learning he is a Lienz Cossack. Bond, portrayed by Pierce Brosnan, goes on to state, "Hence, Janus. The two-faced Roman god come to life", after learning of Trevelyan's betrayal.
The University of Maryland's undergraduate history journal, created in 2000, is named Janus.
Cats with the congenital disorder diprosopus, which causes the face to be partly or completely duplicated on the head, are known as Janus cats.
In the 1995 game, Chrono Trigger, Janus is the young prince of Zeal Kingdom and later becomes the Demon King Magus.
In 2020, the character Deceit from the series Sanders Sides, created by Thomas Sanders, revealed his name to be Janus in the episode "Putting Others First".
In Cassandra Clare's The Shadowhunter Chronicles, the counterpart of Jace Herondale from an alternate dimension called Thule chooses the name "Janus" for himself after the Roman god.
Janus particles are engineered micro- or nano-scopic particles possessing two distinct faces which have distinct physical or chemical properties.
Janus is the name of a time-reversible programming language. It is also the name of a concurrent constraint programming language.
William Janus is a minor character in the American sitcom South Park who suffers from dissociative identity disorder; his surname is derived from the Roman god.
Solar god theories
Temples
Cult epithets
Carmen Saliare
Other sources
Pater
Geminus
Patulcius and Clusivius the 1st
Quirinus
Ποπάνων (Popanon, Libo?)
Iunonius
Consivius
Κήνουλος (Coenulus)
Curiatius
Rites
Beginning of the year
Beginning of the month
Beginning of the day
Space
Rites of the Salii
Tigillum Sororium
Myths
Origin, legends, and history
Distant origin hypothesis
1. The boat of Janus and the beliefs of the primitive sailing techniques
2. Religious quality of trees
3. The depiction of Janus and Boreas as bifrons
4. The sites of the cults of Janus at Rome
5. Sociological remarks
Relationship with other gods
Janus and Juno
Janus and Quirinus
Janus and Portunus
Janus and Vesta
Janus in Etruria
Association with non-Roman gods
Legacy
There were three basic reasons why we chose Janus. First of all, Janus has two faces, which we interpreted as the duality of sadomasochism (one's dominant and submissive sides). Second, he's the Roman god of portals, and more importantly, of beginnings and endings. To us, it represents the beginning of one's acceptance of self, the beginning of freedom from guilt, and the eventual ending of self-loathing and fear over one's SM desires. And third, Janus is the Roman god of war—the war we fight against stereotypes commonly held against us.
In the 1987 thriller novel The Janus Man by British novelist Raymond Harold Sawkins, Janus is used as a metaphor for a Soviet agent infiltrated into British Secret Intelligence Service – "The Janus Man who faces both East and West".
See also
Citations
Bibliography
External links
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