Bajiquan () is a traditional Chinese martial art that features explosive, short-range power in close combat and is well-known for its rapid elbow and Shoulder strike strikes.
The eight extremities in Bajiquan refers to the eight distalmost parts of the body to strike the opponent. This includes the fist, forearm, elbow, shoulder, hip, thigh, knee, and foot to deliver a powerful blow in close range. Bajiquan is also known as the " bodyguard style", as this was the pugilism style taught and used by personal bodyguards for Mao Zedong, Chiang Kai-shek, and Puyi (the last Qing dynasty emperor).
Bajiquan is now popular in northern China and Taiwan. Later, it was introduced to Japan, South Korea, and other countries; such as the United States, Canada, United Kingdom, France, Italy, among others.
Etymology
According to most common etymology,
bajiquan was originally called
baziquan () because the fists, held loosely and slightly open, are used to strike downwards in a rake-like fashion. The name was considered to be rather crude, so it was changed to
bajiquan. The term
baji comes from the
I Ching and signifies an "extension of all directions". In this case, it means "including everything" or "the universe".
[Liu and Oyanagi (1992) p.15]
However, this etymology is not universally accepted.[李会宁 (Li Huining), 八极拳文化论 (Discussions sur la Culture du Bajiquan), 中国文联出版社, 2004, 300 p. ()]
History
Little is known about the origin of the style. Information before the Republican era of China is extremely rare, with clearest documentation beginning circa 1920s-1930s.
The first practitioner clearly identified in written history was a man named Wu Zhong (p=Wú Zhōng; 1712–1802), a member of the Hui minority and from the Wu family clan of the Mengcun region of Cangzhou, Hebei.[Liu Yunqi (1992), p.18]
According to the genealogical records of the Wu family, Wu Zhong's great-grandfather left the family stronghold to settle about 50 km away in the isolated hamlet of Houzhuangke (后庄科) in the neighboring province of Shandong. Wu Zhong is said to have been born in Houzhuangke before returning to settle with the main branch of his family in the village of Mengcun, Hebei province. Little is known of Wu Zhong, except that he quickly reached an unparalleled level in the practice of martial arts. His prowess earned him the nickname "god of the spear", as well as being recruited to serve as an instructor at the imperial court under Prince Xun. When he was about 60 years old, Wu Zhong returned to Mengcun where he devoted the last thirty years of his life to transmitting his fighting art, and the village became the source of the development of bajiquan.[Collectif, 沧县直 (Annales du comté de Cang), 沧县志书局, 1933]
The origin of the mastery acquired by Wu Zhong remains unknown to this day, it is currently the subject of many controversies between the different branches of bajiquan. Historical documents contain two versions of the origins of bajiquan:
-
The Cang County annals,
[吴会清 (Wu Huiqing), 吴氏八极拳术秘诀之谱 (Manuel des Secrets du Bajiquan de la Famille Wu), Manuel lithographié, 1936] and the Pobei manuscript indicate that an itinerant Taoism monk by the name of Lai (l=the leper) and his disciple Pi (l=the enthusiast) would have stayed in Mengcun to teach bajiquan as well as the handling of the great spear to Wu Zhong. By the admission of the Wu family of Mengcun, this reference is probably to be considered as a legend.;[(zh) 吴丕请 (Wu Piqing), « 回族武术八极拳考述 (Investigations sur le Baji Quan de la minorité Hui) », 回族研究 (Journal de recherche sur la minorité Hui), 2004 (n°3), p. 83-86][Matsuda and Nogami (1986) p.38][ Bajiquan Jianjie 八极拳简介 in ]
-
The other is Zhang Yueshan, a monk from Yueshan Temple in Henan Province (either Zhengzhou or Jiaozuo), who was returning to secular life and traveling around. It is said that he taught the great spear method.
[Lu Shengli (2006), p.110][Ma MingDa, "About "About the Baji Quan of YueShan"", Wulin (Cercle Martial), December 2000]
-
Besides those two theories, there is also speculation that the martial art originates from Shaolin Temple in Henan, unrelated to Zhang Yueshan.
[Su Fa, Baji Quan de Shaolin, Beijing Institute of Physical Education Press, 1992]
In any case, all sources agree on the fact that Wu Zhong traveled a lot, and that it was only at the end of his life that he devoted himself to teaching bajiquan. It is presumed that the legend of Lai and Pi simply symbolizes the martial knowledge that Wu Zhong was able to acquire throughout his life, probably from the study of the other styles of the region, and that he crystallized it in the form of bajiquan.
The first historical reference to bajiquan appears in military treaty called Jixiao Xinshu written by general Qi Jiguang (1528–1588). It is inferred that bajiquan may have been a well-established martial art during the 16th Century.[Liu and Oyanagi (1992) p.14-15][Zhang Shizhong "Bajiquan: The Essence of Traditional Chinese Fist" Fuchangdo, 1998, page 19, ]
Wu Zhong had only one child, his daughter Wu Rong (labels=no), who at the age of 30 married an expert in Changquan and stopped practicing bajiquan after a few years. To avoid remaining childless and ensure the continuity of his art, Wu Zhong adopted Wu Ying (labels=no), a distant nephew of the Wu family of Mengcun. Wu Zhong transmitted all his knowledge to Wu Ying, as well as to Wu Zhongyu (c=吴钟毓), another distant nephew of the Wu family of Mengcun. In 1790, at the request of his master, Wu Ying officially introduced the name " bajiquan" and he wrote the first martial manual of the Wu family to ensure the transmission of the family art among generations to come. Thus, bajiquan was transmitted within the Wu family who also ensured the dissemination of the style to other families in Mengcun and the surrounding villages.[Wim Seeuws & Christophe Tiffreau, Seeking old school KungFu in China's villages, Kung Fu Magazine, Nov/Dec 2011, page 66 ]
At first, bajiquan was transmitted mainly to the Hui people of Meng Village, but it was also transmitted to Luohan, an area where many Han people live. Eventually, it came to be divided into the Hui lineage of Mencun and the Han lineage of Luo.
Contemporary history of bajiquan
Li Shuwen (1860–1934) was considered one of the most important movers of the martial art during
Qing dynasty.
He was from Cangzhou (), Hebei, and acquired the nickname "God of Spear Li".
A
Beijing opera Wu Shen (martial male character) by training, he was also an expert fighter. His most famous quote is, "I do not know what it's like to hit a man twice."
Li Shuwen's students included Huo Dian Ge () (bodyguard to
Puyi, the last Emperor of China), Li Chenwu (bodyguard to
Mao Zedong), and
Liu Yunqiao () (secret agent for the nationalist
Kuomintang and instructor of the
Chiang Kai-shek's bodyguards).
has since acquired a reputation as the "bodyguard style".
[Crudelli 2008, p.68] Ma Fengtu () and Ma Yintu () introduced
bajiquan into the Central Guoshu Institute (Nanjing Guoshu Guan ) where it is required for all students.
[Ba Zi Jie Xi: a talk on rake fist 耙子解析]
The impetus that set the spread of bajiquan throughout China was that of the Central Guoshu Institute, as a regular course common to the two training courses "Shaolin Gate" and "Wudang Gate". It all started with the establishment of " bajiquan teaching materials for group training" (団体訓練用八極拳教材). As the branch of Central Guoshu Institute expanded, bajiquan became more popular and popularized.
Relation to piguaquan
In the tradition of Ma brothers,
bajiquan is believed to share roots with another Hebei martial art,
piguaquan. It is said that Wu Zhong, the oldest traceable master in the
bajiquan lineage, taught both arts together as an integrated fighting system.
[ ] The legend has it that they eventually split apart, only to be recombined by Li Shuwen in the late 18th to early 19th century. As a testament to the complementary nature of these two styles, a proverb states: "When
pigua is added to
baji, gods and demons will all be terrified. When
baji is added to
pigua, heroes will sigh knowing they are no match against it." ()
[Su Yuchang, Pachi Tanglang Chuan: Eight Ultimate Praying Mantis, 2014, p. 175ff.]
No historical proofs supporting this version, however, were found.
Branches and lineages
Prominent branches and lineages of the art survived to modern times, including Han-style, Huo-style, Ji-style, Li-style, Ma-style, Qiang-style, Wu-style (from Wu Xiefeng), Wutan-style, and yin yang-style
bajiquan. Each has a unique element while sharing core practices. Some lineages are more common or only exist in
China, while others have spread to Western countries.
Mengcun bajiquan
Meng Village (
Mengcun) is said to be the original birthplace of
bajiquan, or at least the modern versions of the art.
is still widely practiced there.
Nanjing bajiquan
Bajiquan of Nanjing was introduced to the Guoshu Institute by students of Zhang Jingxing, Han Huiqing, and Ma Yingtu. Han had a great influence on the spread of
baji in southern China, to the point that there was a saying
bei li nan han meaning "Li Shuwen in the north and Han Huachen in the south".
Wu Xiufeng
Wu Xiufeng
(1908–1976) is the "grandfather" of many modern
baji lineages. The following lineages descend from him.
Tian-style
Tian-style is a branch which has mutual influences from Jingang Bashi—the second art practiced by Tian Jinzhong. Practitioners include Wu Xiufeng, Tian Jinzhong, and Shen Jiarui
>> Zhou Jingxuan
Tian-style is practiced in China and abroad.
Yin Yang–style
Yin Yang-style was created by Zhao Fujiang, who combined his knowledge of
baji,
xingyiquan and
yiquan to create a new art form.
Yin-Yang is primarily practiced in China.
Wutan-style baji
Wutan-style
baji[Named after the Wutan Center for the Promotion of Chinese Wushu (武壇國術推廣中心), not to be confused with the Wudang (武當) of the Wudang Mountains.] is the most common lineage in the West today. Originally from Taiwan, where its founder, Liu Yunqiao, lived. This lineage includes additional arts that are taught alongside
baji, such as
piguaquan and
baguazhang.
Jian Diansheng[ ] >> Li Shuwen[ ] Su Yuchang, and Tony Yang
Features
Tactics and strategy
Bajiquan opens the opponent's arms forcibly (
qiang kai men; ) and mount attacks at high, mid, and low levels of the body (
san pan lian ji; ). It is most useful in close combat, as it focuses on elbow, knee, shoulder and hip strikes. When blocking an attack or nearing an opponent,
bajiquan techniques emphasize striking major points of vulnerability, namely the thorax (trunk of the body), legs and neck.
The "six big ways of opening" ( liu da kai; ) are:
-
Ding (): using the fist, elbow or shoulder to push forward and upward.
-
Bao (): putting arms together as if hugging someone. It is usually followed by pi (splitting).
[ ]
-
Ti (): elevating the knee to hit the thigh of the opponent, or elevating the foot to hit the shin of the opponent, etc.
-
Dan (): using a single move.
-
Kua (): using the hip.
-
Chan (): entanglement with rotation around the wrist, elbow and shoulder.
Stepping and body methods
Footwork in
bajiquan has three special features:
-
Zhenjiao
-
Nianbu
-
Chuangbu
[Su Yuchang, Pachi Tanglang Chuan: Eight Ultimate Praying Mantis, 2014, pp. 131ff.]
These striking techniques are related to traditional Chinese medicine, which states that all parts of the body are connected, either physically or spiritually.
Forms
The forms of
baji are divided into armed and unarmed routines. There are twenty fist forms, which include twelve
baji Small Structure Fists,
baji Black Tiger Fist,
baji danzhai,
baji danda/
duida,
baji luohan gong, and
baji si lang kuan. There are eight weapons forms, including
liuheda qiang (spear),
chun yang jian (sword),
san yin dao (sabre),
xing zhe bang (staff),
pudao, and
chun qiu dadao (a long two-handed heavy blade, used by Generals sitting on their horses).
Most schools focus on a much smaller curriculum. Standard across almost all groups are xiaobaji and dabaji; two weapons forms, the sabre and the spear; a two-man training routine called baji duijie or baji duida and a series of 8 short attacking methods called the " bashi" (Eight Postures), which are derived from the art of Shaolin jingang bashi.
Power generation and expression
The major features of
baji include elbow strikes, arm/fist punches, hip checks and strikes with the shoulder. All techniques are executed with a short power, developed through training; among Chinese martial artists,
baji is known for its fast movements.
Baji focuses on infighting, entering from a longer range with a distinctive charging step (
zhenjiao).
The essence of bajiquan lies in Neijin, or power-issuing methods, particularly fa jin (explosive power). The style contains six types of jin, eight different ways to hit and several principles of power usage. Most of bajiquan's moves utilize a one-hit push-strike method from very close range. The bulk of the damage is dealt through the momentary acceleration that travels up from the waist to the limb and further magnified by the charging step known as zhenjiao.
The mechanics of jin are developed through many years of practice and bajiquan is known for its strenuous lower-body training and its emphasis on the horse stance.
Influences
Baji focuses on being more direct, culminating in powerful, fast strikes that will render an opponent unable to continue. Even so, there are some styles that are derived from
baji's main principles or concepts on how to hit the opponent:
-
Eight postures ( Bashi)
-
Eight movements method ( Bashi gong)
-
Eight movements method ( Bashi chui)
-
Double Eight Postures ( Shuang bashi)
-
Eight postures of the dragon style ( Longxing bashi)
Many of these forms are also based or mixed with luohanquan, a Shaolin style. The term bashi may also refer to baji. The term is also used in xingyiquan.
Notable people
-
Li Shuwen
-
Liu Yunqiao
-
Adam Hsu - Taiwanese bajiquan master
-
Su Yu-chang
-
Li Jianwu
-
Wu Lianzhi
-
Wu Yue (actor)
-
Ryuchi Matsuda - Japanese author behind "A Historical Outline of Chinese Martial Arts"
[Matsuda, Ryuchi (1986). Zhōngguó wǔshù shǐlüè 中國武術史略 (in Chinese). Taipei 臺北: Danqing tushu.] and a manga called Kenji. Matsuda is known for introducing and publicising various Chinese martial arts in Japan, such as bajiquan.
In popular culture
Bajiquan is a staple in
martial arts media, appearing in various
movies and
video games.
-
It is featured in the Chinese movie The Grandmaster (2013), performed by character Yixiantian (played by Chang Chen), and Hong Kong drama A Fist Within Four Walls (2016), performed by character Chou Au-kuen (played by Ruco Chan), character Fa Man (played by Grace Wong) and character Duen Ying-fung (played by Benjamin Yuen).
-
The Taiwanese idol drama Baji Teenagers (一代新兵之八極少年, Yīdài xīnbīng zhī bā jí shàonián), which showcases actor Chiu Pin Cheng (alias Leo Chiu).
-
It is featured in The Matrix film franchise. Smith, played by Hugo Weaving, exhibits basic bajiquan techniques in the film.
-
Li Mei from uses bajiquan as one of her fighting styles.
-
It inspired lightning bending used by some firebenders including Zuko, Azula, Iroh, and Mako on the Nickelodeon animated show and its sequel series The Legend of Korra.
-
It is featured in the [Marvel'. Bajiquan is first used in Shang Chi and the Legend of the Ten Rings as one of the fighting styles of Shang Chi. It is later used in by Namor.
Japan
Bajiquan has hugely impacted the Japanese pop culture. In Japanese, it is known as
hakkyokuken, a Japanese reading of the Chinese characters used to write
bajiquan.
Bajiquan's impact would begin with
Kenji, a manga series written by
Ryuchi Matsuda and illustrated by Yoshihide Fujiwara. It follows a teenage practitioner of
Bajiquan and is supposedly based on Ryuichi Matsuda's own journey in Chinese martial arts.
In 1993, Yu Suzuki—who got interested in martial arts because of the manga Kenji—would direct Virtua Fighter, a groundbreaking 3D fighting game. The game was hugely successful in Japan and amongst the roster was a bajiquan practitioner Akira Yuki, solidifying bajiquan's stay in Japanese pop-culture. Bajiquan is also central to Yu Suzuki's Shenmue, a "sister" game to Virtua Fighter series.
Bajiquan is featured in many manga/anime series, including Air Master, Gantz, , Fist of the Blue Sky, Undead Unluck, Love Hina, Negima! Magister Negi Magi, Beelzebub and Garōden
In Japanese video games, it is featured in:
-
Dead or Alive series by Tecmo, used by Kokoro
-
Fatal Fury by SNK, used by Tung Fu Rue
-
Fighter's History by Data East, used by Lee Diendou
-
Guilty Gear by Arc System Works, used by Jam Kuradoberi
-
Judgement and Lost Judgment by Sega, used by Takayuki Yagami in some of the moves of his Tiger-fighting style.
-
The King of Fighters also by SNK, used by Sie Kensou
-
Melty Blood and Fate franchise by Type-Moon, used by Miyako Arima in the former, and Kirei Kotomine, Rin Tohsaka, and Li Shuwen in the latter
-
Rival Schools also by Capcom, used by who also guest stars in Street Fighter V as a DLC character
-
Street Fighter by Capcom, twins Yun and Yang as well as by Karin Kanzuki
-
Tekken by Namco, mainly used by Leo Kliesen and secondarily by Michelle Chang and Julia Chang
-
Tobal 2 by Square, used by Chaco Utani
-
Virtua Fighter series by Sega, used by Akira Yuki
See also
Bibliography
External links
