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A vocoder (, a portmanteau of voice and en coder) is a category of speech coding that analyzes and Speech synthesis the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation.
The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission.
By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum.
The vocoder has also been used extensively as an electronic musical instrument. The decoder portion of the vocoder, called a voder, can be used independently for speech synthesis.
The vocoder analyzes speech by measuring how its spectral energy distribution characteristics fluctuate across time. This analysis results in a set of temporally parallel envelope signals, each representing the individual frequency band amplitudes of the user's speech. Put another way, the voice signal is divided into a number of frequency bands (the larger this number, the more accurate the analysis) and the level of signal present at each frequency band, occurring simultaneously, measured by an envelope follower, represents the spectral energy distribution across time. This set of envelope amplitude signals is called the Modulation. To recreate speech, the vocoder reverses the analysis process, variably filtering an initial broadband noise (referred to alternately as the "source" or "carrier"), by passing it through a set of , whose individual envelope amplitude levels are controlled, in real time, by the set of analyzed envelope amplitude signals from the modulator.
The digital encoding process involves a periodic analysis of each of the modulator's multiband set of filter envelope amplitudes. This analysis results in a set of digital pulse code modulation stream readings. Then the pulse code modulation stream outputs of each band are transmitted to a decoder. The decoder applies the pulse code modulations as control signals to corresponding amplifiers of the output filter channels.
Information about the fundamental frequency of the initial voice signal (as distinct from its spectral characteristic) is discarded; it was not important to preserve this for the vocoder's original use as an encryption aid. It is this dehumanizing aspect of the vocoding process that has made it useful in creating special voice effects in popular music and audio entertainment.
Instead of a point-by-point recreation of the waveform, the vocoder process sends only the parameters of the vocal model over the communication link. Since the parameters change slowly compared to the original speech waveform, the bandwidth required to transmit speech can be reduced. This allows more speech channels to utilize a given communication channel, such as a radio channel or a submarine cable.
Analog vocoders typically analyze an incoming signal by splitting the signal into multiple tuned frequency bands or ranges. To reconstruct the signal, a carrier signal is sent through a series of these tuned band-pass filters. In the example of a typical robot voice the carrier is noise or a sawtooth waveform. There are usually between 8 and 20 bands.
The amplitude of the modulator for each of the individual analysis bands generates a voltage that is used to control amplifiers for each of the corresponding carrier bands. The result is that frequency components of the modulating signal are mapped onto the carrier signal as discrete amplitude changes in each of the frequency bands.
Often there is an unvoiced band or sibilance channel. This is for frequencies that are outside the analysis bands for typical speech but are still important in speech. Examples are words that start with the letters s, f, ch or any other sibilant sound. Using this band produces recognizable speech, although somewhat mechanical sounding. Vocoders often include a second system for generating unvoiced sounds, using a noise generator instead of the fundamental frequency. This is mixed with the carrier output to increase clarity.
In the channel vocoder algorithm, among the two components of an analytic signal, considering only the amplitude component and simply ignoring the phase component tends to result in an unclear voice; on methods for rectifying this, see phase vocoder.
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The development of a vocoder was started in 1928 by Bell Labs engineer Homer Dudley,
who was granted patents for it on March 21, 1939,
(filed October 30, 1935)
and Nov 16, 1937.
To demonstrate the speech synthesis ability of its decoder section, the voder (voice operating demonstrator)
Based on (See [http://www.haskins.yale.edu/featured/heads/SIMULACRA/graphics/voder.gif schematic diagram of the Voder synthesizer].)
The filters controlled by keys convert the tone and the hiss into [[vowel]]s, [[consonant]]s, and [[inflection]]s. This was a complex machine to operate, but a skilled operator could produce recognizable speech.
A demonstration of the [[voder]] (not the vocoder).
Dudley's vocoder was used in the SIGSALY system, which was built by Bell Labs engineers in 1943. SIGSALY was used for encrypted voice communications during World War II. The KO-6 voice coder was released in 1949 in limited quantities; it was a close approximation to the SIGSALY at . In 1953, KY-9 THESEUS voice coder used solid-state logic to reduce the weight to from SIGSALY's , and in 1961 the HY-2 voice coder, a 16-channel system, weighed and was the last implementation of a channel vocoder in a secure speech system.
Later work in this field has since used digital speech coding. The most widely used speech coding technique is linear predictive coding (LPC). Another speech coding technique, adaptive differential pulse-code modulation (ADPCM), was developed by P. Cummiskey, Nikil Jayant and James L. Flanagan at Bell Labs in 1973.
Toll quality voice coders, such as ITU G.729, are used in many telephone networks. G.729 in particular has a final data rate of with superb voice quality. G.723 achieves slightly worse quality at data rates of 5.3 and . Many voice vocoder systems use lower data rates, but below voice quality begins to drop rapidly.
Several vocoder systems are used in NSA encryption systems:
Modern vocoders that are used in communication equipment and in voice storage devices today are based on the following algorithms:
Vocoders are also currently used in psychophysics, linguistics, computational neuroscience and cochlear implant research.
One advantage of this type of filtering is that the location of the linear predictor's spectral peaks is entirely determined by the target signal, and can be as precise as allowed by the time period to be filtered. This is in contrast with vocoders realized using fixed-width filter banks, where the location of spectral peaks is constrained by the available fixed frequency bands. LP filtering also has disadvantages in that signals with a large number of constituent frequencies may exceed the number of frequencies that can be represented by the linear prediction filter. This restriction is the primary reason that LP coding is almost always used in tandem with other methods in high-compression voice coders.
One of the first attempts to use a vocoder in creating music was the Siemens Synthesizer at the Siemens Studio for Electronic Music, developed between 1956 and 1959. (See also excerpt of pp. 157– 160 from the 3rd edition in 2008 ()) Details of the Siemens Electronic Music Studio, exhibited at the Deutsches Museum.
In 1968, Robert Moog developed one of the first solid-state musical vocoders for the electronic music studio of the University at Buffalo.
In 1968, Bruce Haack built a prototype vocoder, named Farad after Michael Faraday. It was first featured on "The Electronic Record For Children" released in 1969 and then on his rock album The Electric Lucifer released in 1970. A sample of earlier Vocoder.
Vocoder effects have been used by musicians in both electronic music and as a special effect along with more traditional instruments. In 1969, Sly and the Family Stone used it in "Sex Machine", a song on the album Stand!. Other artists who have made vocoders an essential part of their music, overall or during an extended phase. Examples include the German synthpop group Kraftwerk, the Japanese new wave group Polysics, Stevie Wonder ("Send One Your Love", "A Seed's a Star") and jazz/fusion keyboardist Herbie Hancock during his late 1970s period. In 1982 Neil Young used a Sennheiser Vocoder VSM201 on six of the nine tracks on Trans.Dave Tompkins9781612190938, Melville House. ISBN 9781612190938 The chorus and bridge of Michael Jackson's "P.Y.T. (Pretty Young Thing)". features a vocoder ("Pretty young thing/You make me sing"), courtesy of session musician Michael Boddicker.
Among the most consistent users of the vocoder in emulating the human voice are Daft Punk, who have used this instrument from their first album Homework (1997) to their latest work Random Access Memories (2013) and consider the convergence of technological and human voice "the identity of their musical project". For instance, the lyrics of "Around the World" (1997) are integrally vocoder-processed, "Get Lucky" (2013) features a mix of natural and processed human voices, and "Instant Crush" (2013) features Julian Casablancas singing into a vocoder.
Vocoders are used in television production, filmmaking and games, usually for robots or talking computers. The robot voices of the Cylons in Battlestar Galactica were created with an EMS Vocoder 2000. The 1980 version of the Doctor Who theme, as arranged and recorded by Peter Howell, has a section of the main melody generated by a Roland SVC-350 vocoder. A similar Roland VP-330 vocoder was used to create the voice of Soundwave, a character from the Transformers series.
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