A minaret (; , or ; ; ) is a type of tower typically built into or adjacent to . Minarets are generally used to project the Muslim call to prayer ( adhan) from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.
Additionally, minarets historically served a visual symbolic purpose. In the early 9th century, the first minarets were placed opposite the qibla wall. Oftentimes, this placement was not beneficial in reaching the community for the call to prayer. They served as a reminder that the region was Islamic and helped to distinguish mosques from the surrounding architecture. They also acted as symbols of the political and religious authority of the Muslim rulers who built them.
Minarets are built out of any material that is readily available, and often changes from region to region. In the construction of the tall and slender Ottoman minarets, molten iron was poured into pre-cut cavities inside the stones, which then solidified and helped to bind the stones together. This made the structures more resistant to earthquakes and powerful winds.
The origin of the minaret is unclear. Many 19th-century and early 20th-century scholars traced the origin of minarets to the Umayyad Caliphate period (661–750) and believed that they imitated the church found in Syria in those times. Others suggested that these towers were inspired by the of and shrines in Mesopotamia. Some scholars, such as A. J. Butler and Hermann Thiersch, agreed that the Syrian minarets were derived from church towers but also argued that the minarets of Egypt were inspired by the form of the Pharos Lighthouse in Alexandria (which survived up until medieval times). K. A. C. Creswell, an Orientalism and important early-20th-century scholar of Islamic architecture, contributed a major study on the question in 1926 which then became the standard scholarly theory on the origin of minarets for roughly fifty years.Creswell attributed the origin of minaret towers to the influence of Syrian church towers and regarded the spiral or helicoidal minarets of the Abbasid period as deriving from local ziggurat precedents, but rejected the possible influence of the Pharos Lighthouse. He also established that the earliest mosques had no minarets and he suggested that the first purpose-built minarets were built for the Mosque of Amr ibn al-As in Fustat in 673. In 1989 Jonathan Bloom published a new study which argued that the first true minaret towers did not appear until the 9th century, under Abbasid rule, and that their initial purpose was not related to the call to prayer.
References on Islamic architecture since the late 20th century often agree with Bloom's view that the mosques of the Umayyad Caliphate did not have minarets in the form of towers. Instead of towers, some Umayyad mosques were built with platforms or shelters above their roofs that were accessed by a staircase and from which the muezzins could issue the call to prayer. These structures were referred to as a mi'dhana ("place of the adhān") or as a ṣawma῾a ("monk's cell", due to its small size).
A possible exception to the absence of tower minarets is documented in Caliph Al-Walid I's renovation of the Prophet's Mosque in Medina in the early 8th century, during which he built a tower, referred to as a manāra, at each of the mosque's four corners. However, it is not clear what function these towers served. They do not appear to have been used for the call to prayer and may have been intended instead as visual symbols of the mosque's status. Historical sources also reference an earlier manāra, built of stone, being added to the mosque of Basra in 665 by the Umayyad provincial governor, but it is not entirely clear if it was a tower or what form it had, though it must have had a monumental appearance. has a distinctive spiral minaret (848–852)]]The first known minarets built as towers appeared under Abbasid rule. Four towers were added to the Masjid al-Haram during its Abbasid reconstruction in the late 8th century. In the 9th century single minaret towers were built in or near the middle of the wall opposite the qibla wall of mosques. These towers were built across the empire in a height to width ratio of around 3:1. One of the oldest minarets still standing is that of the Great Mosque of Kairouan in Tunisia, built in 836 and well-preserved today. Other minarets that date from the same period, but less precisely dated, include the minaret of the Friday Mosque of Bandar Siraf, now the oldest minaret in Iran, and the minaret opposite the qibla wall at the Umayyad Mosque (known as the "Minaret of the Bride"), now the oldest minaret in the region of Syria (though its upper section was probably rebuilt multiple times). In Samarra, the capital of the Abbasid Caliphate in present-day Iraq, the Great Mosque of Samarra was built in the years 848–852 and featured a massive minaret behind its northern wall. Its design was repeated in the nearby Abu Dulaf Mosque (861). The earlier theory which proposed that these helicoidal minarets were inspired by ancient Mesopotamian ziggurats has been challenged and rejected by some later scholars including Richard Ettinghausen, Oleg Grabar, and Jonathan Bloom.
Bloom also argues that the early Abbasid minarets were not built to host the call to prayer, but were instead adopted as symbols of Islam that were suited to important congregational mosques. Their association with the muezzin and the call to prayer only developed later. As the first minaret towers were built by the Abbasids and had a symbolic value associated with them, some of the Islamic regimes opposed to the Abbasids, such as the Fatimids, generally refrained from building them during these early centuries. The earliest evidence of minarets being used for hosting the call to prayer dates to the 10th century and it was only towards the 11th century that minaret towers became a near-universal feature of mosques.
Under the Ayyubid dynasty (late 12th to mid-13th centuries), the details of minarets borrowed from Fatimid designs. Most distinctively, the summits of minarets had a lantern structure topped by a pointed ribbed dome, whose appearance was compared to a mabkhara, or incense burner. This design continued under the early Bahri dynasty (13th to early 14th century), but soon began to evolve into the shapes distinctive to Mamluk architecture. They became very ornate and usually consisted of three tiers separated by balconies, with each tier having a different design than the others. This configuration was particularly characteristic of Cairo.
Later minarets in the Burji dynasty period (late 14th to early 16th centuries) typically had an octagonal shaft for the first tier, a round shaft on the second, and a lantern structure with finial on the third level. The stone-carved decoration of the minaret also became very extensive and varied from minaret to minaret. Minarets with completely square or rectangular shafts reappeared at the very end of the Mamluk period during the reign of Sultan al-Ghuri (r. 1501–1516). During al-Ghuri's reign, the lantern summits were also doubled – as with the minaret of the Mosque of Qanibay Qara or al-Ghuri's minaret at the al-Azhar Mosque – or even quadrupled – as with the original minaret of al-Ghuri's madrasa.
The rise of the Timurid Empire, which heavily patronized art and architecture, led to what is now called the "international Timurid" style which spread from Central Asia during and after the 15th century.
In the later Abbasid period (11th to 13th centuries), after the Seljuk Empire period, minarets were typically cylindrical brick towers whose square or polygonal bases were integrated into the structure of the mosque itself. Their main cylindrical shafts were tapered and culminated in muqarnas cornices supporting a balcony, above which is another small cylindrical turret topped by a dome. Two examples of this style are the Mosque of al-Khaffafin and the Mosque of Qumriyya.
The minaret at the Great Mosque of Kairouan, built in 836 under Aghlabids rule, is the oldest minaret in North Africa and one of the oldest minarets in the world. It has the shape of a massive tower with a square base, three levels of decreasing widths, and a total height of 31.5 meters. The first two levels are from the original 9th-century construction but the third level was reconstructed at a later period. Another important minaret for the architectural history of the region is the minaret built by Abd ar-Rahman III for the Great Mosque of Cordoba in 951–952, which became the model for later minarets in the Maghreb and al-Andalus. Jonathan Bloom has suggested that Abd ar-Rahman III's construction of the minaret – along with his sponsoring of other minarets around the same time in Fez – was partly intended as a visual symbol of his self-declared authority as Caliphate and may have also been aimed at defying the rival Fatimid Caliphs to the east who did not endorse the construction of minarets at the time. Other important historic minarets in the region are the Almohad-era minarets of the Kutubiyya Mosque and the Kasbah Mosque in Marrakesh, the Hassan Tower in Rabat, and the Giralda in Seville, all from the 12th and early 13th centuries.
Ottoman architecture followed earlier Seljuk models and continued the Iranian tradition of cylindrical tapering minaret forms with a square base. Classical Ottoman minarets are described as "pencil-shaped" due to their slenderness and sharply-pointed summits, often topped with a crescent moon symbol. The presence of more than one minaret, and of larger minarets, was reserved for mosques commissioned by the Ottoman sultans themselves such as the Süleymaniye Mosque. Taller minarets often also had multiple balconies (known as şerefe in Turkish) along their shafts instead of one. The Üç Şerefeli Mosque in Edirne, finished in 1447, was the first sultanic mosque to have multiple minarets with multiple balconies. Of its four minarets, the northwestern minaret was the tallest Ottoman minaret up to that time, rising to 67 metres. Its height was only surpassed by the minarets of the Selimiye Mosque in Edirne (1574), which are 70.89 meters tall and are the tallest minarets in Ottoman architecture. Later Ottoman minarets also became plainer and more uniform in design. The trend of multiple minarets culminated in the six minarets of the Sultan Ahmed Mosque (also known as the Blue Mosque) in Istanbul.
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