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A marsiya (; ) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali, his family, and his companions at the tragedy of . Marsiyas are essentially religious lamentations. A History of Urdu literature by T. Grahame Bailey; Urdu Poetry in Lucknow in the 19th century


Background
The word Marsiya is derived from the Arabic word marthiyya (; R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of , and Battle of Karbala. It is usually a poem of mourning.

Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, qasida, or the four-line unit form, murabba. Over time, the musaddas became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the band have one rhyme scheme while the remaining two line referred to as the tip have another. Poets who recite marsiyas are called marsiakhawan.

This form found a specially congenial soil in , an important community in the Indian subcontinent, where it was regarded as an act of piety and religious duty to eulogize and bemoan the martyrs of the battle of Karbala. The genre was championed by Mir Babar Ali Anis.

Famous marsiya writers in include Mir Babar Ali Anis, Mirza Salamat Ali Dabeer, Ali Haider Tabatabai, , , and others. Well-known Persian poets of the genre include Muhtasham Kashani, Nawab Ahmad Ali Khan Qayamat and Samet Borujerdi. In Turkish, Bâkî composed an important marsiya.

Mir Babar Ali Anis, a renowned poet, composed salāms, elegies, and . While the length of elegy initially had no more than forty or fifty stanzas, he pushed it beyond one hundred fifty or even longer than two hundred stanzas or bands, as each unit of marsiya in the musaddas format is known. Mir Anis drew upon the vocabulary of , Persian, , Hindi, and to a great degree. Marsiya by Shiraz e Hind on May 15th, 2010 He has become an essential element of among the Urdu-speakers of the Indian subcontinent. The first major and still current critical articulation about Mir Anis was Muazna-e-Anis-o-Dabir (1907) written by in which he said "the poetic qualities and merits of Anis are not matched by any other poet".

Chhannu Lal Dilgeer (c 1780–c 1848), another marsiya poet, was born during the reign of Nawab , the Nawab wazir of Oudh. He was initially a poet with the ‘Tarab’, before focusing on marsiya at a later stage. He converted to Islam and changed his name to Ghulam Hussain. His most popular marsiya is called Ghabraye Gi Zaynab, Ghabraye Gi Zaynab (). Chhannu Lal Dilgeer


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