Kata is a Japanese word ( or ) meaning "form". It refers to a detailed pattern of martial arts movements. It can also be reviewed within groups and in unison when training. It is practiced in Japanese martial arts as a way to muscle memory and perfect the movements being executed. Korean martial arts with Japanese influence (hapkido, Tang Soo Do) use the derived term hyeong (hanja: 形) and also the term pumsae (hanja: 品勢 hangeul: 품새).
Kata are also used in many traditional Japanese arts such as theatre forms like kabuki and schools of tea ceremony ( chadō), but are most commonly known in the martial arts. Kata are used by most Japanese and Okinawan martial arts, such as iaido, judo, kendo, kenpo, and karate.
Kata is a loanword in English, from the 1950s in reference to the judo kata due to Jigoro Kano, and from the 1970s also of karate kata; but the word has come to be used as a generic term for "forms" in martial arts in general, or even figuratively applied to other fields.
In kenjutsu, paired kata at the beginners level can appear to be stilted. At higher levels serious injury is prevented only by a high sensitivity of both participants to important concepts being taught and trained for. These include timing and distance, with the kata practised at realistic speed. This adjustability of kata training is found in other Japanese arts with roles of attacker and defender often interchanging within the sequence. Many martial arts use kata for public demonstrations and in competitions, awarding points for such aspects of technique as style, balance, timing, and verisimilitude (appearance of being real).
One explanation of the use of kata is as a reference guide for a set of moves. Not to be used following that "set" pattern but to keep the movements "filed". After learning these kata, this set of learned skills can then be used in a sparring scenario (particularly without points). The main objective here is to try out different combinations of techniques in a safe environment to ultimately find out how to defeat your opponent.
Recently, with the spread of extreme martial arts, or XMA, a style of kata called CMX kata has formed. These kata are performed in tournaments and include gymnastics related elements, such as backflips, cartwheels, and splits. These kata can also be performed with weapons such as the bō staff.
South and Southeast Asian martial arts incorporate both preset and freestyle forms. In silat these are referred to as jurus and tari respectively. Malay folklore credits the introduction of forms to the Buddhist monk Bodhidharma.
In Korean martial arts such as taekwondo and Tang Soo Do, the word hyung or hyeong is usually employed, though in some cases other words are used. The International Taekwon-Do Federation uses the word Hyung, while the World Taekwondo Federation uses the word poomsae or simply the English translations "pattern" or "form." Taekwondo patterns have multiple variations including Palgwe and the more popular Taeguk forms used by the WTF. Forms are included in certain taekwondo competitions and are a key element of gradings.
In Sanskrit, forms are known either as yudhan (combat form) or pentra (tactical deployment). Other Asian martial arts refer to forms by various terms specific to their respective languages, such as the Burmese word aka, the Vietnamese quyen and the Kashmiri khawankay.
In historical European martial arts and their modern reconstructions, there are forms, plays, drills and flourishes.
In Japanese language kata (though written as 方) is a frequently-used suffix meaning “way of doing,” with emphasis on the form and order of the process. Other meanings are “training method” and “formal exercise.” The goal of a painter's practising, for example, is to merge their consciousness with their brush; the potter's with their clay; the garden designer's with the materials of the garden. Once such mastery is achieved, the theory goes, the doing of a thing perfectly is as easy as thinking it.DeMenthe, Boye Lafayette. Kata, The Key to Understanding and Dealing with the Japanese! Tuttle Publishing, 2003, pp. 1–3
Kata is a term used by some programmers in the Software CraftsmanshipThe Software Craftsmanship Movement movement. Computer programmers who call themselves "Software Craftsmen" will write 'Kata' - small snippets of code that they write in one sitting, sometimes repeatedly, often daily, in order to build muscle memory and practise their craft.
In 1999, the term was used by Dave Thomas, co-author of the book The Pragmatic Programmer. The concept was implemented by Laurent Bossavit and Emmanuel Gaillot who talked about it at XP2005 in Sheffield (UK). The Coder's Dojo - A Different Way to Teach and Learn Programming. XP2005 in Sheffield (UK). Following this conference, Robert C. Martin described the concept and initial usages in his article "The Programming Dojo". "The Programming Dojo"
One of the things that characterize an organization's culture is its kata – its routines of thinking and practice.Ichijo, Kazuo and Nonaka, Ikujiro, Knowledge Creation and Management: New Challenges for Managers, Oxford University Press, 2006, page 25 Edgar Schein suggests an organization's culture helps it cope with its environment,Schein, Edgar. Organizational Culture and Leadership: A Dynamic View. Jossey-Bass, 1985, p. 57 and one meaning of kata is, "a way to keep two things in sync or harmony with one another." A task for leaders and managers is to create and maintain the organizational culture through consistent role modeling, teaching, and coaching, which is in many ways analogous to how kata are taught in the martial arts.
Toyota Kata is a 2009 management book by Mike Rother aiming to establish a routine for establishing a continuous improvement process.
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