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A dirge () is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegy. Dirges are often slow and bear the character of . Poetic dirges may be dedicated to a specific individual or otherwise thematically refer to death.
The English word dirge is etymology from the Latin Dirige, Domine, Deus meus, in conspectu tuo viam meam ("Direct my way in your sight, O Lord my God"), the first words of the first antiphon (a short chant in Christian liturgy) in the Matins of the Office for the Dead, based on Psalm 5. The original meaning of dirge in English referred to this office, particularly as it appeared within breviary and primer prayer books.
Among the most consistent devotions within these primers was the Office of the Dead, a popular arrangement of the canonical hours as prayers for the dead. This office was itself typically divided into two hours for recitation at different times of day: Dirige (equivalent to Matins and Lauds) in the morning and Placebo (equivalent to Vespers or Evensong) in the evening. Both terms were derived from among first words always said when reciting those hours, with Dirige starting an antiphon derived from Psalm 5. Gradually, Dirige and eventually "dirge" came to refer to not only to the morning hour, but to the Office of the Dead as a whole and its pairing with the Psalms of Commendation (Psalms 119 and 139). This practice was codified in the 1559 standardized primer issued under Elizabeth I, wherein both hours appeared under the collective name Dirige.
Prior to the English Reformation, translated sections from the Dirige were among the most circulated vernacular portions of the Bible available in England as recitation by laity of these prayers was common at and gravesites. Formal Liturgy saying of the Dirige–then legally required to be in Latin
The word "dirge" gradually came to be associated with the variety of funeral hymns it describes today. Among the earliest was a pre-Reformation funeral lament from the Cleveland area of North Yorkshire, England, known as the Lyke-Wake Dirge. The contents are neither scriptural nor liturgical, but rather speak to the means of salvation through Jesus Christ via alms-giving. A simultaneous development was a funerary "tariff" wherein those present at the recitation of the canonical Dirige would be paid a small amount from the estate of the deceased. It is associated with the still-practiced Lyke Wake Walk, a 40-mile challenge walk across the moorlands of north-east Yorkshire,Cowley, Bill (1959). Lyke Wake Walk (1st edition). Dalesman Books. as the members' anthem of the Lyke Wake Club, a society whose members are those who have completed the walk within 24 hours. This dirge saw a resurgence in popularity in the 1960s following performances by English folk bands such The Young Tradition and Pentangle.
While private devotionals were proliferated under the Reformation-minded Elizabeth, the number of permitted public liturgical devotions were targeted for curtailment. The Dirige was retained within the Elizabethan primer over Protestantism objections to prayers for the dead and there remained resistance to the public liturgical performance of the devotion. In 1560 and 1561, episcopal visitors of the Church of England observed with disapproval the continued practice of clerks singing psalms in "dirge-like" fashion.
Since their evolution away from Christian usage, some dirges have intentionally been written to be musical setting, while others have been set or reset at later dates. Among the latter cases is the "Dirge for Fidele", a portion of William Shakespeare's play Cymbeline that was later set to music by multiple composers.
(1997). 019211655X, Oxford University Press. 019211655X–persisted through the first half of the 16th century, with occasional requirements that certain proportions of a parish church's congregation be present for such events.
Notable dirges
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