A Caganer () is a figurine depicted in the act of defecation appearing in in Catalonia and neighbouring areas such as Andorra, Valencia, Balearic Islands, and Northern Catalonia (in southern France). It is most popular and widespread in these areas, but can also be found in other areas of Spain (Murcia), Portugal, and Southern Italy (Naples).
The name "El Caganer" literally means "the pooper". Traditionally, the figurine is depicted as a peasant, wearing the traditional Catalan red cap (the barretina) and with his trousers down, showing a bare backside, and defecating.
Origins
The exact origin of the Caganer is unknown, but the tradition has existed since at least the 18th century.
According to the society Amics del Caganer (Friends of the Caganer), it is believed to have entered the nativity scene by the late 17th or early 18th century, during the Baroque period.
[ Amics del Caganer (Friends of the Caganer). Consulted 23 December 2010.][
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Tradition
In Catalan Countries, as well as in the rest of Spain and in most of Italy and Southern France, traditional Christmas decorations often consist of a large model of the city of Bethlehem, similar to the of the English-speaking world but encompassing the entire city rather than just the typical manger scene. This pessebre is often a reproduction of a pastoral scene—a traditional Catalan masia (farmhouse) as the central setting with the child in a manger, and outlying scenes including a washerwoman by a river, a woman spinning, shepherds herding their sheep or walking towards the manger with gifts, the Three Wise Men approaching on camel back, a scene with the angel and shepherds, the star pointing the way, etc. Commonly materials such as moss will be used to represent grass, with cork used to represent mountains or cliffs.
The caganer is a particular and highly popular feature of modern Catalan nativity scenes. It is believed to have entered the nativity scene by the late 17th or early 18th century, during the Baroque period.[ El Caganer, by Jordi Arruga and Josep Mañà. (Barcelona: Alta Fulla, 1992), reproduced on the website Amics del Caganer (Friends of the Caganer). Consulted 23 December 2010.] Eminent folklorist Joan Amades called it an essential piece and the most popular figure of the nativity scene. It can also be found in other parts of southwestern Europe, including Murcia, the region just south of Valencia in Spain (where they are called cagones), Naples (cacone or pastore che caca) and Portugal (cagões).[ Amics del Caganer] There is a sculpture of a person defecating hidden inside the cathedral of Ciudad Rodrigo, Province of Salamanca, though this is not part of a nativity scene.[ Jordi Bilbeny, Les arrels precristianes del pessebre de Nadal (The Pre-Christian Roots of the Nativity Scene) (article in Catalan). Consulted 03 January 2024.] Accompanying Mary, Joseph, Jesus, the and company, the caganer is often tucked away in a corner of the model, typically nowhere near the manger scene. A tradition in Catalonia is to have children find the hidden figure.
Explanations
Possible reasons for placing a figure representing a person in the act of emptying his bowels in a scene which is widely considered holy include:
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The Caganer, by creating faeces, is fertilize the Earth. According to the ethnographer Joan Amades, it was a "customary figure in nativity scenes pessebres in the 19th century, because people believed that this deposit symbolically fertilized the ground of the nativity scenes, which became fertile and ensured the nativity scene for the following year, and with it, the health of body and peace of mind required to make the nativity scene, with the joy and happiness brought by Christmas near the hearth. Placing this figurine in the nativity scene brought good luck and joy and not doing so brought adversity."
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Many modern caganers represent celebrities and authority figures. By representing them with their pants down, the caganer serves as a levelling device to bring the mighty down.
[Erickson, Brad. Les virtuts cíviques del caganer. Caramella: Revista de música i cultura popular No. 25, pp. 47-50 (2011).]
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As to the charge of blasphemy, as Catalan anthropologist Miguel Delgado has pointed out, the grotesque, rather than a negation of the divine may actually signify an intensification of the sacred, for what could be more grotesque than the crucifixion of Jesus Christ, a bloody public torture and execution as the defining moment in the story of Christianity?
[Delgado Ruiz, Manuel. 2001. Luces iconoclastas: Anticlericalism, espacio, y ritual en la España contemporánia, Ariel Antropología. Barcelona: Editorial Ariel.]
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In his essay Les virtuts cìviques del caganer ("The Civic Virtues of the Defecator"), American anthropologist Brad Erickson argues that Catalans use the caganer to process and respond to contemporary social issues such as immigration and the imposition of public civility regulations.
[Erickson, Brad. Les virtuts cìviques del caganer. Caramella: Revista de música i cultura popular. No. 25, pp. 47-50 (2011).]
Further opinions:[The following opinions are translated from El Caganer, by Jordi Arruga and Josep Mañà. (Barcelona: Alta Fulla, 1992), reproduced on the website Amics del Caganer (Friends of the Caganer). Consulted 23 December 2010.]
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"The caganer was the most mischievous and out-of-place character of the pessebre's otherwise idyllic landscape; he was the "Other", with everything that entails, and as the "Other", was accepted, in a liberal vein, as long as he did not aim to occupy the foreground. The caganer represented the spoilsport that we all have inside of us, and that's why it is not surprising that it was the most beloved figure among the children and, above all, the adolescents, who were already beginning to feel rather like outsiders at the family celebration."
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"The caganer is a hidden figure and yet is always sought out like the lost link between transcendence and contingency. Without the caganer, there would be no nativity scene but rather a liturgy, and there would be no real country but just the false landscape of a model." Joan Barril
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"The caganer seems to provide a counterpoint to so much ornamental hullabaloo, so much emotive treacle, so much contrived beauty."
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"The caganer is, like so many other things that have undergone the filtering of a great many generations, a cult object; with the playful, aesthetic and superficial devotion that we feel towards all the silly things that fascinate us deep down."
Similar traditions
The Caganer is not the only defecating character in the Catalan Christmas tradition—another is the Tió de Nadal, which also makes extensive use of the image of faecal matter (it is a log, i.e. tió which, having been "fed" for several weeks, is told to defecate on Christmas Eve and "magically" produces candy for children, a candy that has supposedly come from its bowels). Other mentions of faeces and defecation are common in Catalan folklore: indeed, a popular Catalan saying for use before a meal is menja bé, caga fort i no tinguis por a la mort! ("Eat well, shit heartily, and don't be afraid of death!"). In his book Barcelona, architecture critic and locale historian Robert Hughes gives a good introduction to this earthy tradition.
The Caganer can also be found in other European cultures, either as an import or a minor local tradition:
Traditional vs. modern portrayals
The traditional caganer is portrayed as a Catalan peasant man (i.e. a farmer or shepherd) wearing a typical hat called a Barretina—a red stocking hat with a black band. At least since the late 1970s, the figure of a traditional Catalan peasant woman was also added, wearing traditional garb including the long black hairnet.
The Catalans have modified this tradition a good deal since the 1940s. In addition to the traditional caganer design, one can easily find other characters assuming the Caganer position, such as , , Santa Claus, celebrities, athletes, historical figures, politicians, Spanish royalty, British royalty,
At markets and exhibits
Caganers are easiest to find before Christmas in holiday markets, like the one in front of the Cathedral of Santa Eulalia, which has many tables of Caganers. Every year new figures are created, and some people collect them. Caganers are the focal point of at least one association ( Els Amics del Caganer, i.e. Friends of the Caganer), which puts out a regular bulletin ( "El Caganòfil"), and have even been featured in art exhibits.
In recent years a urinating statue, or Pixaner, has also appeared, but it has not taken root or gained any serious popularity.
Controversy surrounding Barcelona's civility ordinance
In 2005, the Barcelona city council provoked a public outcry by commissioning a nativity scene which did not include a caganer. The local government was reported to have countered these criticisms by claiming that the Caganer was not included because a civility ordinance[Suñé, Ramon. 2006a. La nueva ordenanza del civismo impera desde hoy en Barcelona. La Vanguadia, January 25.] had made public defecation and public urination illegal, meaning that the caganer was now setting a bad example.[ Caganer, Amics del. 2005. Nova polèmica amb la figura del Caganer 2005 ][Castells, E. 2005. La ausencia de 'caganer' en el pesebre de Sant Jaume enfrenta a los políticos. La Vanguardia de Barcelona, 30/11/2005.] A second writer offered a win-win solution. He suggested including the caganer but also placing a figure of a police officer with a pen and clipboard next to him, writing a ticket for the infraction. The writer said this would achieve three objectives: respect tradition, comply with the ordinance and educate the public about how it is being reinforced, and finally, demonstrate how important it is to respect the law.[Giménez, Joaquín. 2005. Multa al 'caganer'. La Vanguardia de Barcelona, 29/11/2005.] Finally, the head of Parks and Gardens publicly denied prohibiting the caganer in the first place, saying that it was the artistic decision of the artist commissioned by the city to design and install the pessebre.[Castells, E. 2005. La ausencia de 'caganer' en el pesebre de Sant Jaume enfrenta a los políticos. La Vanguardia de Barcelona, 30/11/2005.] Following a campaign against the caganer's absence called Salvem el caganer (Save the caganer), and widespread media criticism, the 2006 nativity restored the caganer, who appeared on the northern side of the nativity near a dry riverbed.
See also
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Mooning – the act of displaying one's bare buttocks
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Tió de Nadal
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Kin no unko
External links
target="_blank" rel="nofollow"> Christmas in Barcelona from Leoniediscovers.com by Leonie Discovers
