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Prende or Premte is the goddess, goddess of , beauty, fertility, and protector of women, in the Albanian pagan mythology.; ; ; ; . She is also called Afër-dita,; an Albanian phrase meaning "near day", "the day is near", or "dawn",; in association with the cult of the planet , the morning and evening star.; She is referred to as Zoja Prenne or Zoja e Bukuris ("Goddess/Lady Prenne" or "Goddess/Lady of Beauty"). Her sacred day is , named in Albanian after her: e premte, premtja ().; She reflects features belonging to the original Indo-European dawn goddess. A remarkable reflection associated with the Indo-European dawn goddess is the Albanian tradition according to which Prende is the daughter of the sky god – Zojz.

Thought to have been worshiped by the in antiquity,; Prende is identified with the cult of Venus and she was worshipped in northern , especially by the Albanian women, until recent times. She features attributes also belonging to , Iris, and Helen, as well as as shown by the etymology of her name. Describing a goddess of the underworld and at the same time a personification of springtime, the Albanian e Bukura e Dheut ("the Beauty of the Earth") is evidently an epithet of the Albanian equivalent of Persephone.

In Christian times she was called ShënePremte or Shën Prende ("Saint Veneranda"), identified by the Catholic Church as , mother of . She was so popular in Albania that over one in eight of the Catholic churches existing in the late 16th and the early 17th centuries were named after her. Many other historical Catholic and Orthodox churches were dedicated to her in the 18th and 19th centuries.


Name

Variants
Dialectal variants include: P(ë)rende ( P(ë)renda), Pren(n)e ( Pren(n)a); : Premte ( Premtja), Preme ( Prema).

Prende is also called Afërdita ( Afêrdita in ) in association with the cult of the planet , the morning and evening star, which in Albanian is referred to as (h)ylli i dritës, Afërdita "the Star of Light, Afërdita" (i.e. Venus, the morning star) and (h)ylli i mbrëmjes, Afërdita (i.e. Venus, the evening star). Afër-dita, an Albanian phrase meaning "near day", "the day is near", or "dawn",; is the native Albanian name of the planet Venus. Afro-dita is its Albanian form meaning "come forth the day/dawn".

The Albanian translation of "evening" is also rendered as πρέμε premë in the Albanian-Greek dictionary of Marko Boçari.

In northern Albania, Prende is referred to as Zoja Prenne or Zoja e Bukuris "Goddess/Lady Prenne" or "Goddess/Lady of Beauty".


Etymology
The Albanian name Premtë or P(ë)rende is thought to correspond regularly to the counterpart Περσεφάττα ( Persephatta), a variant of Περσεφόνη ( ). The theonyms have been traced back to the *pers-é-bʰ(h₂)n̥t-ih₂ ("she who brings the light through").

The Albanian phrase afro dita 'come forth the day/dawn' traces back to Proto-Albanian *apro dītā 'come forth brightness of the day/dawn', from Indo-European *h₂epero déh₂itis. The theonym Aprodita is attested in Messapic inscriptions in , which is considered to be a Messapic theonym of an Indo-European goddess.


Role
In the Albanian pagan mythology Prende is the dawn goddess, goddess of love, beauty, fertility and health. She is considered the Albanian equivalent of the Roman Venus, and Greek . In mythological terms Prende has attributes that also belong to Aphrodite, Iris and Helen, and is considered to be etymologically related to . Describing a goddess of the underworld and at the same time a personification of springtime, the Albanian e Bukura e Dheut ("the Beauty of the Earth") is evidently an epithet of the Albanian equivalent of Persephone.

According to some Albanian traditions, Prende is the daughter of Zojz, the Albanian sky and lightning god. Associated with the dawn goddess, the epithet "daughter of the sky-god" is commonly found in Indo-European traditions (cf. H₂éwsōs#Epithets).

According to folk beliefs, swallows, called Pulat e Zojës "the Lady's Birds", pull Prende across the sky in her chariot. Swallows are connected to the chariot by the rainbow ( Ylberi), which the people also call Brezi or Shoka e Zojës "the Lady's Belt".

The common Albanian name nepërkë for the venomous snake appears in the Arbëresh variety of as nepromtja, probably based on Prende / Premte.


Worship
Prende was worshipped in northern , especially by the Albanian women until recent times. Prende's festival was celebrated on July 26 every year, and her devotees would don beautiful clothing and would set out a mortar and pestle as a representation of sexual union. is regarded in popular beliefs as Prende's belt, and oral legend has it that anyone who jumps over the rainbow changes their sex. The goddess Prende is associated in Albanian folk beliefs with the cult of the planet ( Afërdita in Albanian).

When became in antiquity, Prende was identified by the Catholic Church as , mother of Virgin Mary, and was called "Saint Veneranda" ( or ), later also associated with Paraskevi, Romanian Sfânta Paraschiva, South Slavic Petka. Another Albanian Christian saint thought by some to have a non-Christian origin is .

Prende was so popular in Albania that of the some 275 Catholic churches recorded to have existed in Albania in the late 16th and the early 17th centuries, 33 were named after her, more than to any other saint except and . Many other historical Catholic and Orthodox churches were dedicated to her in the 18th and 19th centuries. In the Kurbin valley pilgrimages to the church of Saint Veneranda were common among both Christians and Muslims. There people went also in the hope of a cure for mental illness.

As is usual in many cultures, in Albania the day sacred to the goddess of love is Friday, named in the Albanian language after her: dita e premte, premtja ().


In popular culture
Prende, Pren(n)e and their masculine counterparts Prend, Preng, Prenk, Pren, etc., are Albanian , traditionally found among Albanian Catholics.

"Prende Publishing", from the publishing house Histria Books, was named for the Albanian goddess Prende.


See also
  • Albanian mythology
  • Illyrian religion
  • En
  • Perëndi
  • Venus


Notes

Bibliography

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