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In , Orestes or Orestis (; ) was the son of and , and the brother of and . He was also known by the Agamemnonides (Ἀγαμεμνονίδης), meaning "son of Agamemnon." Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898), Agamemnonĭdes He is the subject of several Ancient Greek plays and of various connected with his madness, revenge, and purification, which retain obscure threads of much older works.Graves, Robert, The Greek Myths 112.1 ff. In particular Orestes plays a main role in ' .


Etymology
The Greek name Ὀρέστης, having become "Orestēs" in Latin and its descendants, is derived from Greek ὄρος (óros, "mountain") and ἵστημι (hístēmi, "to stand"), and so can be thought to have the meaning "stands on a mountain".


Greek literature

Homer
In the telling of the story,Homer, , I, 35ff. Orestes is a member of the doomed house of Atreus, which is descended from and . He is absent from when his father, , returns from the with the Trojan princess as his concubine, and thus not present for Agamemnon's murder by , the lover of his wife, . Seven years later, Orestes returns from and avenges his father's death by slaying both Aegisthus and his own mother Clytemnestra.Homer, , III, 300-310.

In the , Orestes is held up as a favorable example to , whose mother is plagued by suitors.Homer, Odyssey III, 313-316.


Pindar
In 's version, the young Orestes was saved by his nurse Arsinoe () or his sister Electra, who conveyed him out of the country when Clytemnestra wished to kill him. In the familiar theme of the hero's early eclipse and exile, he escaped to on , where King took charge of him.

In his twentieth year, he was urged by Electra to return home and avenge his father's death. He returned home, along with his first cousin , son of (sister to Agamemnon) and Strophius.


Greek drama
The story of Orestes was the subject of the of ( Agamemnon, Choephori, Eumenides), of the Electra of , and of the Electra, Iphigeneia in Tauris, Iphigenia at Aulis and Orestes, all of . He also appears in Euripides’ Andromache.


Aeschylus
In Aeschylus's Eumenides, Orestes goes mad after killing his mother and is pursued by the , whose duty it is to punish any violation of the ties of family piety. He takes refuge in the temple at ; but, even though had ordered him to kill his mother, the god is powerless to protect Orestes from the consequences. At last receives him on the Acropolis of Athens and arranges a formal trial of the case before twelve judges, including herself. The Erinyes demand their victim; Orestes asserts that it was indeed he who killed his mother, though he was acting on the orders of Apollo. At the close of the trial, Athena votes on the verdict last, announcing that she is for acquittal; the votes are counted and the result is a tie, forcing an acquittal in accordance with the rules previously stipulated by Athena. The Erinyes, who insisted on Orestes' responsibility in the murder, are converted into the Eumenides, who now offer him wisdom and counsel.
(1984). 9780140443332
They are then propitiated by the establishment of a new ritual, in which they are worshipped as "Semnai Theai", "Venerable Goddesses", and Orestes dedicates an altar to Athena Areia.


Euripides
As Aeschylus tells it, Orestes' punishment for matricide ended after a trial, but according to Euripides, in order to escape the persecutions of the Erinyes, Orestes was ordered by Apollo to go to Tauris, carry off the statue of that had fallen from the heavens, and bring it to Athens. Orestes traveled to Tauris with , where the pair were at once imprisoned by the people, among whom the custom was to sacrifice all Greek strangers in honor of Artemis. The priestess of Artemis, whose duty it was to perform the sacrifice, was Orestes' sister . She offered to release him if he would carry home a letter from her to Greece; he refused to go, but he implored Pylades to deliver the letter while he stayed to be slain. After a conflict of mutual affection, Pylades at last yielded, but the brother and sister finally recognized each other due to the letter, and all three escaped together, carrying with them the image of Artemis.


Other literature and media
After his return to Greece, Orestes took possession of his father's kingdom of Mycenae (killing his half-brother , who was the son of Clytemestra and Aegisthus), to which were added Argos and . Orestes was said to have died of a snakebite in Arcadia. His body was conveyed to Sparta for burial (where he was the object of a ) or, according to a Roman legend, to Aricia, when it was removed to Rome (Servius on , ii. 116).

Before the , Orestes was to marry his first cousin Hermione, daughter of and Helen. Things soon changed after Orestes committed : Menelaus then gave his daughter to , son of and Deidamia. According to Euripides' play Andromache, Orestes slew Neoptolemus just outside a temple and took off with Hermione. He seized Argos and Arcadia after their thrones had become vacant, becoming ruler of all the . His son by Hermione, Tisamenus, became ruler after him but was eventually killed by the .

There is extant a , consisting of about 1000 , called Orestes Tragoedia, which has been ascribed to of Carthage.

Orestes appears also to be a dramatic prototype for all persons whose crime is mitigated by extenuating circumstances. These legends belong to an age when higher ideas of law and of social duty were being established; the implacable blood-feud of gives place to a fair trial, and in Athens, when the votes of the judges are evenly divided, mercy prevails.

In one version of the story of , the infant Orestes was kidnapped by King Telephus, who used him as leverage in his demand that heal him.

According to some sources, Orestes fathered by his half-sister, Erigone.

For modern treatments see the Oresteia in the arts and popular culture.


Reported remains

Brought to Sparta
In The History by , the Oracle of Delphi foretold that the could not defeat the until they moved the bones of Orestes to Sparta. Lichas discovered the body, which measured 7 long (311.5 cm if 1 cubit is 44.5 cm
(2025). 9789004137387, Koninklijke Brill NV. .
). Thus Orestes would have been a Giant. These remains could have belonged to a huge animal from the epoch. Huge bones found in caves in nearby areas of Greece have been attributed to ( ), , , , and .


The ashes of Orestes as Pignora Imperii
Maurus Servius Honoratus, an early 4th century grammarian, regards the ashes of Orestes ( Cineres Orestis) as one of the seven of the Roman empire in his In Vergilii Aeneidem commentarii (‘Commentary on Virgil’s Aeneid’). Alongside the ashes, Servius lists the other six pignora: the stone of the Mother of the Gods, the terracotta chariot of the Veientines, the , the , the veil of Iliona, and the palladium.

The ashes were kept at the Temple of Jupiter Optimus Maximus on the .


Orestes and Pylades
The relationship between Orestes and has been presented by some authors of the Roman era (not by classic Greek tragedians) as romantic or . A dialogue entitled Erotes ("Affairs of the Heart") and attributed to compares the merits and advantages of heterosexuality and homoeroticism, and Orestes and Pylades are presented as the principal representatives of homoerotic friendship:

Taking the love god as the mediator of their emotions for each other, they sailed together as it were on the same vessel of life...nor did they restrict their affectionate friendship to the limits of Hellas....as soon as they set foot on the land of the Tauride, the Fury of matricides was there to welcome the strangers, and, when the natives stood around them, the one was struck to the ground by his usual madness and lay there, but Pylades "did wipe away the foam and tend his frame and shelter him with a fine well-woven robe," thus showing the feelings not merely of a lover, but also of a father. But when it had been decided that, while one remained to be killed, the other should depart for Mycenae to bear a letter, each wished to remain for the sake of the other, considering that he himself lived in the survival of his friend. But Orestes refused to take the letter, claiming Pylades was the fitter person to do so, and thus showed himself almost to be the lover rather than the beloved.
L'Orestie d'Eschyle (47)
In 1734, George Frederic Handel's opera (based on Giangualberto Barlocci's Roman libretto of 1723), was premiered in London's .

L'Orestie d'Eschyle (1913–1923) is a French-language opera in three parts by based on triptych by in a French translation by his collaborator .


Sanctuary of Maniae
Pausanias writes that at the road from Megalopolis to there was a sanctuary of goddesses (meaning madness). Citizens said that it was there that madness overtook Orestes. Pausanias, Description of Greece, 8.34.1


Further reading
  • Bielfeldt, Ruth (2005). Orestes auf römischen Sarkophagen. Berlin: Reimer, .
  • Knoepfler, Denis (1993). Les imagiers de l'Orestie. Kilchberg/Zürich: Akanthus, .
  • Poppenberg, Gerhard (2013). Die Antinomie des Gesetzes. Der Orest-Mythos in der Antike und der Moderne. Berlin: Matthes & Seitz, .


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