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John H. Safer (September 6, 1922 – December 7, 2018) was an American sculptor. Safer's varied career spanned work in Stage lighting, television, real estate, politics and banking.
Safer was best known for his monumental sculptures, but he has also created many smaller works. These include award sculptures for organizations such as the National Air and Space Museum, the PGA Tour, the Georgetown University Lombardi Cancer Center, the World Peace Foundation, and the Shakespeare Guild.
Safer's works stand in museums, galleries and embassies throughout the world. In 1972 and in 1989 the U.S. Department of State sent a group of Safer sculptures abroad to be exhibited as examples of America's finest art. He died in December 2018 at the age of 96. John H. Safer Obituary & Life Tributes published on Taylor and Modeen Funeral Home Website John H. Safer's Obituary Announcement Published by The Washington Post on Dec. 30, 2018
This was the first in a long string of public installations.
As the commissions grew in number they grew in size as well. Interplay, created in 1987, is high. Leading Edge, created in 1989, is high. His hallmark work, Ascent, which stands at the entrance of the Smithsonian Institution's Udvar-Hazy Center at Dulles Airport in Virginia, is high.
"Through his work, John has tried to capture the essence and reduce the subject to the pure line in space that Aristotle believed to be the basis of sculpture."
Safer continued as a precocious student. Fluent in French language, he entered high school at the age of eleven and graduated when he was fourteen. He was pressured by his mother to enroll at Harvard University. Safer, uncomfortable at the thought of being a fourteen-year-old college student, deliberately failed the Harvard entrance exam by handing in blank pages.
Safer instead attended Woodward Prep School. There he discovered his love for and ability in Sport. This theme would greatly influence his art and his life. Until then, his age and size had prevented him from participating in sports and left him with the sense that he was a misfit.
At the age of sixteen, Safer entered George Washington University where he majored in economics. He became an assistant to Professor Edward Acheson –– brother of the United States Secretary of State Dean Acheson –– who became a mentor. At the beginning of World War II, Safer enlisted in the United States Air Force to become a flying cadet.
Safer became a first lieutenant and served in India, Burma and China. When the war ended in 1945 he opted for an additional year in the Air Force hoping to fulfill a dream of seeing Europe's great works of art while he was stationed there. His new assignment allowed him to visit the Parthenon, the Tate, and the Louvre. While in Rome, he learned that he was suddenly to be transferred to Athens. Unwilling to leave Italy without visiting the Accademia in Florence, Safer "borrowed" a jeep to make the drive to see Michelangelo's David. The Accademia was closed but he convinced the caretaker to let him in. The two hours Safer spent alone with the masterpiece resulted in a seminal experience, but it was Michelangelo's other sculptures in the Gallery, The Prisoners, which gave Safer an insight that was to impact his entire life and transform his artistic career.
The Prisoners are heroic figures rising from rough hewn stone. The upper portion of the figures are finished while the lower part remains uncarved. As Safer studied The Prisoners he realized the power of the abstract –– a realization that gave direction to his future work.
In 1953 Safer's father became terminally ill and he returned to Washington, D.C. to take over his father's affairs. Although Safer successfully parlayed these into a major real estate development business he did not find his commercial life a rewarding one.
In 1974 Safer entered the world of banking, becoming chairman of the executive committee of Financial General Bankshares, and in 1981 the chairman of the Board of DC National Bank which later became part of Bank of America.
In 1999 Safer became chairman of the Board of Materia, Inc. Materia specializes in Olefin metathesis, and is noted for its Nobel Prize–winning Green chemistry.
In 1971 the renowned art collector and U.S. Ambassador to Great Britain, Walter Annenberg, invited Safer to have an exhibition at the American Embassy in London.
In 1972 President Gerald Ford presented Safer's Limits of Infinity to King Juan Carlos of Spain as a gift of state. This in turn led to several major events in Safer's sculptural career. As a result of a news report of President Ford's gift, the Dean of Harvard Law School sought to acquire a Safer sculpture for the school. This culminated in 1979 with the installation of Judgment, a monumental bronze work which was presented to Harvard Law School as a gift of Safer's class of 1949. This was Safer's first monumental public work.
John McArthur, the Dean of Harvard Business School visited the palace at Zarzuela where King Juan Carlos had installed Limits of Infinity. Moved by the sculpture, Dean McArthur returned to America and commissioned Safer's Search for Harvard Business School. The patinated bronze was installed on the Business School grounds in 1984 adjacent to the spot where Safer's daughter, Janine, received her MBA five days later.
In 1985 Safer was invited to exhibit sculpture in the Pioneers of Flight Hall at the Smithsonian Institution's National Air and Space Museum, in Washington, D.C. He has the distinction of being the only artist to have ever had an exhibition in the central gallery of the most visited museum in the world.[5]
In 1989 the U.S. Department of State again sent Safer sculptures to Europe. As of 2008, the department has exhibited Safer sculpture in London, Paris, Beijing, Dublin, Bern, Lisbon, Brussels, Bucharest, Belgrade, Nassau, Washington, and New Deli. Both public and private exhibitions of Safer sculpture can be seen in venues throughout the world.
Safer continues to create sculpture. He works with his stepdaughter Kathryn Scott, to whom he taught his trade and offered his mantle.. In 2007, they began work on a monumental sculpture, Quest, for the Johns Hopkins Wilmer Eye Institute. The stainless steel fabricated sculpture and state of the art research center, the Robert H. and Clarice Smith Building, was dedicated two years later, on October 16, 2009, 80 years to the day after the pioneering institute's first building made its debut. Safer, a patient, donated the multi-ton sculpture as a gift of appreciation "Sharing vision his doctors saved" Published by the Baltimore Sun on October 17, 2009 It is one of the largest gifts of art that Johns Hopkins has received. In December 2011, Scott and Safer began work on a model for a monumental sculpture for the Marine Aviation Memorial.
Over the next ten years the Safer-Scott partners continued to collaborate on private and public projects. The eleven foot-high (3.4 m) mirror finished, Interplay, was commissioned for the LEED wing of the $340M Kimmel Cancer Center expansion at Sibley Memorial Hospital in Washington, DC. In 2014 Scott began negotiations with MGM Resorts International for a centerpiece at MGM National Harbor in Maryland. The 60 foot high (18.3 m) stainless steel sculpture, Unity, weighting eighteen thousand pounds and unprecedented in its scale, was installed two years later on November 12, 2016—one month before the opening of the $1.4B resort.
Safer explains the motivation behind his sculpture:
Safer credits his wife, Joy, with giving him "a new perspective on the world ... which lifted my sculpture to a level I had not previously attained."
As a youngster, Safer was ahead of, and therefore smaller than his classmates in school, so it was later that he discovered his own athletic prowess. Safer has awards in , baseball and bowling. Safer, now ninety, still plays competitive golf. In November 2012, Safer and his partner Jack Frazee won the Lyford Cay Shootout. Later that week, Safer and his team won the "B" flight in the Lyford Cay Four-Ball Invitational tournament, a tournament they won in 2007, when Safer was 85.
Safer explains the motivation behind his career:
There is one other basic principle that guides my work, my business career, and my life in general, and that is balance. I believe that the Aristotle golden mean is as good a guiding philosophy for life as you can find. In business, I adhere to it continually, trying to balance the necessity for a successful business always to move forward with the caveat that too much motion can be counterproductive or unnecessarily dangerous. In art, the human spirit is gratified by balance, by a tonic note. And so I try to express a sense of balance and completeness in my work.
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