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The are terracotta clay Extract of page 50 Extract of page 92 figures that were made for ritual use and buried with the dead as funerary objects during the Kofun period (3rd to 6th centuries AD) of the history of Japan. Haniwa were created according to the wazumi technique, in which mounds of coiled clay were built up to shape the figure, layer by layer.Nussbaum, Louis Frédéric (2025). 9780674017535, Harvard University Press Reference Library. . ISBN 9780674017535 Haniwa can also refer to offering cylinders, not the clay sculptures on top of them as well as the "wooden haniwa" found in Kofun tumulus.
Terracotta Haniwa were made with water-based clay and dried into a coarse and absorbent material that stood the test of time. Their name means "circle of clay", referring to how they were arranged in a circle above the tomb. The protruding parts of the figures were made separately and then attached, while a few things were carved into them. They were smoothed out by a wooden paddle. Terraces were arranged to place them with a cylindrical base into the ground, where the earth would hold them in place.
During the Kofun period, a highly aristocratic society with militaristic rulers developed. The cavalry wore iron armor, carried and other weapons, and used advanced military methods like those of northeast Asia. Many of them are represented in haniwa figurines for funerary purposes.
The most important of the haniwa were found in southern Honshū—especially the Kinai region around Nara prefecture—and northern Kyūshū. Haniwa grave offerings were made in many forms, such as horses, chickens, birds, fans, fish, houses, weapons, shields, sunshades, pillows, and humans. Besides decorative and spiritual reasons of protecting the deceased in the afterlife, these figures served as a sort of retaining wall for the Tumulus.
Because these haniwa display the contemporary clothing, hairstyle, farming tools, and architecture, these sculptures are important as a historical archive of the Kofun Period.
Everyday pottery items from that period are called Haji pottery.
Hiroaki Sato cites a passage from the Nihon Shoki, in which Emperor Suinin issued an imperial edict concerning funerals: "From now on make it a rule to erect clay figures and not to hurt people." It was therefore thought that these clay figures may have replaced live human sacrifices. However, haniwa figures were not made until long after Suinin's rule had ended.
The origin of haniwa started during the latter part of the Yayoi period around the Kingdom of Kibi. During this time special earthenware figurines and bowls started to appear on top of the tombs of leaders. The early sculptures exceeded 1 m (3.3 ft) in length. They consisted of a cylindrical portion, which represented the torso, and a skirt-shaped portion at the base, which represented the legs. Many times a special insignia or pattern would be displayed on the torso. Sometimes an obi would be placed around the torso. These sculptures are thought to have been used as part of a funeral ritual. Other than the Kibi area, the only other place these sculptures were found was in the Izumo province.
During the latter part of the third century, these sculptures started to appear on top of the imperial tumulus in the Kinai region. During this time more elaborate haniwa appeared with earthenware bowls. It is believed that the movement of these sculptures and haniwa from the Kibi region to the Kinai region is indicative of an increase in their importance.
Toward the early 4th century CE, haniwa sculptures in the shape of shields and other tools started to appear. By the middle Kofun period (mid-5th century AD), there were haniwa statues in the shape of Miko, horses, dogs, and other animals. As the practice of ceremonial Kofun declined in the mid-6th century CE, haniwa became rarer in the Kinai region; however, haniwa were made in abundance in the Kantō region.
It is not uncommon for some haniwa to be painted with red dye or other colors. Besides the cylindrical haniwa (enkei-haniwa), another common type was the house-shaped haniwa (keisho-haniwa). Other things that fell into the category of keisho-haniwa were those shaped like humans, animals, and swords. The details on the haniwa give information about the elite buried in the tomb, and represent some of the tools or other objects people of that time used. The military haniwa inform archeologists of the armour and weapons, as well as the status symbols of the military class.
There is a theory that the soul of the deceased would reside in the haniwa, as the earlier haniwa were placed on top of the funeral mounds. There are haniwa that are equipped with weapons and armor. These are thought to be containers for souls. The armor and weapons would drive away evil spirits and protect the buried ruler from calamity. Because the horse- and animal-shaped haniwa were normally neatly arranged into a line, it is believed that they were part of a sending-off ceremony.
The portrayal of living haniwa has—since the late 1990s—become widespread, being featured in entertainment media, including but not limited to: video games, trading cards, movies, and television. In some of the depictions, the haniwa is primarily presented as a ghostlike, malevolent creature with no Remorse to complete its task. The most common portrayal depicts the haniwa with a rounded, pot-like shape, bearing two deep eyes, a wide mouth, and two featureless "arms" on opposite sides of the "pot". Gyroids in the Animal Crossing video game series are based on haniwa, and, indeed, are so called in the game's original Japanese versions.
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