Product Code Database
Ghosteen is the seventeenth studio album by the Australian Rock music band Nick Cave and the Bad Seeds. It was released on 4 October 2019 on Ghosteen Ltd and on 8 November 2019 on Bad Seed Ltd, both the band's own imprints. Ghosteen is a double album—the band's first since Abattoir Blues / The Lyre of Orpheus (2004)—and the final part of a trilogy of albums that includes Push the Sky Away (2013) and Skeleton Tree (2016).
Produced by Nick Cave and Warren Ellis, Ghosteen was written in the aftermath of the death of Cave's son Arthur in 2015. It was recorded primarily in Malibu and West Hollywood, California in the United States, with further sessions in Germany and England. Cave's lyrics, which continue his deviation from his usual narrative-based writing, explore themes of loss, death and existentialism, as well as empathy, faith and optimism. Like Skeleton Tree, the album features extensive use of synthesizers, loops and Ambient music elements, particularly the minimal use of drums and percussion.
Upon its release Ghosteen was met with widespread critical acclaim. It received several perfect scores and is the highest-rated album of 2019 and the 2010s decade (tied with Kendrick Lamar's To Pimp a Butterfly) on Metacritic. The album placed in the top 10 album charts in several countries and was included in several publications' year-end and decade-end lists of best albums. Both European and North American tours in support for Ghosteen were cancelled due to the COVID-19 pandemic, with all shows rescheduled to later dates in 2021.
Nick Cave and the Bad Seeds returned to live performances in January 2017 and four months later released the compilation album (2017), which was originally due for release in 2015. In April 2018, Cave began a series of initially limited question-and-answer events called Conversations with Nick Cave, in which he explored the relationship with his audience; Cave's efforts in engaging directly with his fans continued in September 2018 when he began a blog, The Red Hand Files, with a similar concept where fans send in questions. In the same month, keyboardist Conway Savage—a member of the band since 1990—died of a brain tumor, which he had been diagnosed with a year earlier. Ghosteen was ultimately dedicated to Savage; however, Nick Cave discussed that the title of the album and lyrical imagery used is based on metaphysical conversations with Arthur. In the weeks after his death, the band released the extended play (2018) and premiered a full-length concert film of the same name.
Ellis selected 20 tracks from the Retreat sessions to continue recording at Woodshed Recording Studios in Malibu and NightBird Recording Studios in West Hollywood, California in the US some months later. The Woodshed sessions—during which most of the album was recorded— were held in a single room "surrounded by an Eden-like garden." Cave and Ellis lodged in the house attached to Woodshed for the duration of the sessions, which was subsequently destroyed by the 2019 California wildfires.
Further sessions were held at Candy Bomber Studio in Berlin, Germany and at Air Studios in London, England. The Air sessions featured the recording of a String orchestra with orchestrator Ben Foster. By January 2019, Cave said he and the Bad Seeds had "nearly finished a new record". Ghosteen was subsequently mixed by Cave, Ellis, Lance Powell and Andrew Dominik at Conway Recording Studios in Los Angeles, California and Audio mastering by Chris Gehringer.
Warren Ellis described the album's recording sessions as having a "spiritual" quality to them, noting: "The was seemingly otherworldly. The ten days we did in Malibu were like... they were some of the happiest days I've ever lived on this earth. They were days filled with continual wonder and disbelief at what was coming out. It felt like someone, or something, wanted us to make it. It was a truly spiritual experience."
As with the lyrics on Skeleton Tree, Cave abandoned the narrative-based approach he was known for, as he believed it to be "restrictive". Explaining his new approach to writing, Cave said: "The idea that we live life in a straight line, like a story, seems to me to be increasingly absurd and, more than anything, a kind of intellectual convenience … There is a pure heart, but all around it is chaos." In the first-ever issue of The Red Hand Files, Cave elaborated that he found an authentic "way to write beyond the trauma … that deals with all manner of issues but does not turn its back on the issue of the death of my child". He said this new-found method allowed him to write "beyond the personal into a state of wonder. In doing so the colour came back to things with a renewed intensity and the world seemed clear and bright and new."
Several publications described Ghosteens lyrics as dealing with themes of loss, death, grief, and existentialism, but also noted positive themes such as empathy, faith and optimism. Several lyrical motifs and phrases are repeated and referenced throughout different songs, as well as recurring imagery of nature, the elements and Christianity. In addition to Cave's Christian imagery, the lyrics for the closing track "Hollywood" reference the story of Kisa Gotami, a Buddhist arhat who seeks help from Gautama Buddha after the death of her child and discovers that "no one is untouched by loss." Cave himself later commented on the inclusion of the Kisa story, saying it "had been of great significance and comfort to me for years and at some point I jotted it down in verse form, completely independent of anything else, and with no intention of it being a song."
Several critics emphasised Ghosteens infrequent use of drums and Jim Sclavunos percussion in contrast to the band's previous albums. Wydler had recorded drum tracks for several songs, but Cave felt "the drums anchored the songs to the ground and didn't allow them to float". Most of Wydler's tracks were subsequently removed from the final mix, a decision that Cave said was "not made lightly or on a whim, rather it was a tough artistic decision determined by the needs of the songs themselves."
All of the music on Ghosteen was composed together by Cave and Ellis. Describing their writing process as "something chemical", Andrew Dominik—who co-mixed the album and who was present at the Woodshed sessions in 2018—said that "Nick is more into formal ideas of structure and whether or not a piece of music sounds good. Warren doesn't give a fuck about anything except how a piece of music feels. Nick doesn't really let his control go, but working with somebody like Warren allows him to move … They react to each other." "Hollywood" was based around a loop and "circular synth chords" that were originally composed by Ellis, which Cave further improvised on top of. The original "Hollywood" Jam session was significantly longer and only the final 15 minutes were edited for use as the album version, as Cave considered the track mostly "unusable" apart from the final "mysterious and compelling" section.
Cave—usually known for his "stiff baritone"— sings on several tracks in a falsetto vocal register, which has been noted for its "quavering, trembling" and "Tremolo" quality.
Ghosteens sleeve was designed by Cave and Hingston Studio, an independent creative agency based in London which had designed several previous Nick Cave and the Bad Seeds' releases. The album's front cover art features an edited version of The Breath of Life, a 2001 painting by the artist Tom duBois from his Eden series. It depicts the biblical Garden of Eden, with various wildlife and colourful scenery. Creative Reviews Rachael Steven commented that "in an era of … record sleeves with dark and dystopian themes, the image stands out for its radiant optimism", while The Observers Kitty Empire described the artwork as a "kitsch paradise" that signified "a radical change of emotional landscape" for the band. The album's inner sleeve features photographs of Cave and Warren Ellis shot by Matthew Thorne.
Several album-listening events were held in 33 cities in Australia, Europe and the US on 3 October, alongside a worldwide YouTube stream featuring an animated lyric film directed by Tom Hingston. The film, which was later released as separate parts per song, features "a Kaleidoscope backdrop that shifts in colour and texture as the viewer passes through the sequence – each vista making subtle reference to the theme behind the individual song."
In support of Ghosteen, Nick Cave and the Bad Seeds announced a 33-date European and UK tour, due to begin on 19 April 2020 in Lisbon, Portugal and conclude on 17 June in Tel Aviv, Israel. An 18-date North American tour, beginning on 16 September in Minneapolis, Minnesota, US and concluding on 17 October in Vancouver, British Columbia, Canada, was also later announced. A month prior to its commencement, it was announced that the European and UK tour was cancelled in response to the COVID-19 pandemic, with all shows rescheduled to later dates in 2021; three months later the North American tour was also cancelled. In lieu of the cancelled shows, Cave recorded a solo performance that June at West Hall in London, which featured songs from Ghosteen. The full performance was streamed globally as a concert film, , on 23 July. An extended version of the film, featuring four songs omitted from the original stream, was released in cinemas worldwide on 5 November, followed by double CD and LP, download and streaming releases on 22 November. Songs from Ghosteen were first performed by Cave and Ellis with singers and a string quartet in the documentary film This Much I Know to Be True, directed by Andrew Dominik and released in 2022. The documentary was filmed in spring 2021 before Cave and Ellis's UK tour.
The Independent reviewer Helen Brown called Ghosteen "astonishing" in a five-out-of-five-star review, praising in particular Cave's vocals and lyrics and Warren Ellis' use of analogue synthesizers, which she described as "a warm cloud of ambient solace". Clash reviewer Josh Gray awarded Ghosteen a nine-out-of-ten rating, calling the album "another chapter in Cave's captivating quest for meaningful connection in a world where we so often feel disconnected", and surmising that Ghosteen is "not a blissful or comfortable album, but it is a hopeful one … another open letter straight from artist to audience that cuts right to the core of what means to have loved, lost and loved again." The A.V. Clubs Marty Sartini Garner gave the album an A rating, praising its instrumentation, the otherworldly and spiritual quality of Cave's lyrics and its surprising accessibility.
In a full five-star review for The Observer, Kitty Empire praised the "subtle evolutions in mood and instrumentation" in the band's sound on Ghosteen, which she said "come to peaks that are made all the more stunning by their scarcity." Empire drew comparisons to "the gravitas" of Leonard Cohen and the "hoarse, harsh beauty" of Scott Walkers final releases. Pitchfork rated the album 8.8 out of 10, with reviewer Grayson Haver Currin calling it "sublime" and saying it "may be the most poignant album of Cave's storied career." Currin further praised Ghosteens lyrical balance between abstract fantasies and the reality of grief, concluding that "you don’t need to be an expert in Cave's wider cosmology to be swept inside of Ghosteen … You only need the ability to suffer and the desire to survive." Writing in Hot Press, Pat Carty stated that Ghosteen features "an artist laying himself bare" and called it "art as bleak as it is beautiful, and one can only hope it offers some sort of catharsis – some modicum of relief – to its creator."
In a year-end essay for Slate, Ann Powers cited Ghosteen as one of her favorite albums from 2019 and proof that but rather undergoing a "metamorphosis". She added that had reemerged through the culturally relevant autobiographical narratives of artists such as Cave, who "offered a grand tour of his own haunted house of mourning four years after the accidental death of his son".
Ghosteen was the best-selling LP in the UK in its first week of physical release, with 15,135 copies sold. It previously sold 6,396 copies in the UK its first week of digital-only release. By the end of 2019, Ghosteen had sold 30,929 copies overall in the UK—with streams accounting for 12.5 per cent of sales—and was the twenty-sixth best-selling LP of the year. In January 2020 Ghosteen was certified Gold in Belgium, with 15,000 copies sold.
Ghosteen was nominated for Best Australian Album at the 2020 NME Awards, Best Independent Album at the 2020 Association of Independent Music (Aim) Independent Music Awards, Best Album at the 2020 Ivor Novello Awards, Best Independent Rock Album or EP at the 2020 Australian Independent Record Labels Association (Air) Awards and was shortlisted for the fifteenth annual Australian Music Prize.
Nick Cave and the Bad Seeds
Additional performers
Orchestral performers
Technical personnel
Design personnel
| 8 November 2019 | Compact disc | Bad Seed Ltd | BS016CD |
| LP record | BS016LP |
target="_blank" rel="nofollow"
/a> from Consequence of Sound
|
|
