Gallhammer () were a Japanese extreme metal group that drew on blackened crust,"Hard of Hearing", Terrorizer no. 171, June 2008, p. 56. black metal, doom metal and crust punk. They formed in Tokyo in 2003 and released three studio albums.
The final group lineup consisted of Vivian Slaughter (vocals, bass guitar) and Risa Reaper (vocals, drums); the original lineup included Mika Penetrator (vocals, guitar).
In January 2006, Gallhammer was signed to Peaceville Records, on the recommendation of Darkthrone. A CD/DVD pack, entitled The Dawn of..., was released, containing a CD, demo and rehearsal footage, and a DVD recording of Gallhammer performing in Okayama and five concerts in Tokyo.
Gallhammer released their second full-length album, Ill Innocence, through Peaceville Records in September 2007, followed by a European tour. In March 2008, they did a second European tour. They also played at the Inferno Metal Festival in June.
For their third LP The End released in 2011 their guitarist, Mika Penetrator, was no longer present, but nevertheless the band chose to continue as a bass-drums duo. For allmusic.com´s reviewer Phil Freeman "this has changed their musical style quite a bit; the thrashing punk metal of 2004's Gloomy Lights and 2007's Ill Innocence can still be heard on songs like "Rubbish CG202" and "Entropy G35," but tracks like "Aberration," "Sober," and the title cut are totally different—slow, sludgy death marches that owe more to Flipper and the Melvins than black metal."
Gallhammer appeared in Nocturno Culto's film The Misanthrope: The Existence of Solitude and Chaos.
Lisa Reaper is a fan of old school techno, krautrock, Kraftwerk and Laibach.
The band's other influences include Joy Division, Antisect, Carcass, Cathedral, Morbid Angel and Scorn.Interview with Cosmic Lava, October 2004. [2] Access date: October 26, 2008. The group is also inspired by Japanoise and have collaborated with Incapacitants.
While the group borrows from crust and anarcho-punk, they do not identify with a particular political outlook."I never wanted to write political lyrics or sing about political topics – I just don't feel I can handle the responsibility, but me and many others in Japan were influenced by bands on Crass Records. But the political and economic systems in Japan and the UK are very different." – Vivian Slaughter, "Hard of Hearing", Terrorizer No. 171, June 2008, p. 56-57.
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