A crucifix (from the Latin cruci fixus meaning '(one) fixed to a cross') is a Christian cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the corpus (Latin for 'body'). The crucifix emphasizes Jesus' sacrifice, including his death by crucifixion, which Christians believe brought about the redemption of mankind. Most crucifixes portray Jesus on a Latin cross, rather than a Tau cross or a Coptic cross.
The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, and is also used in the Lutheranism, Anglicanism, Eastern Orthodox Church, and in most Oriental Orthodox Churches (except the Armenian Church and Syriac Church). The symbol is less common in churches of other Protestantism denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the corpus).
Western crucifixes usually have a three-dimensional corpus, but in Eastern Orthodoxy Jesus' body is normally painted on the cross, or in low relief. Strictly speaking, to be a crucifix, the cross must be three-dimensional, but this distinction is not always observed. An entire painting of the crucifixion of Jesus including a landscape background and other figures is not a crucifix either.
Large crucifixes high across the central axis of a church are known by the Old English term rood. By the Late Middle Ages these were a near-universal feature of Western churches, but they are now very rare. Modern Roman Catholic churches and many Lutheran churches often have a crucifix above the altar on the wall; for the celebration of Mass, the Roman Rite of the Catholic Church requires that "on or close to the altar there is to be a cross with a figure of Christ crucified".
Western crucifixes may show Christ dead or alive, the presence of the spear wound in his ribs traditionally indicating that he is dead. In either case his face very often shows his suffering. In the Eastern Orthodox tradition he has normally been shown as dead since around the end of the period of Byzantine Iconoclasm.Gertrud Schiller, Iconography of Christian Art, Vol. II, 1972 (English trans from German) Lund Humphries, London, Eastern crucifixes have Jesus' two feet nailed side by side, rather than crossed one above the other, as Western crucifixes have shown them since around the 13th century. The crown of thorns is also generally absent in Eastern crucifixes, since the emphasis is not on Christ's suffering, but on his triumph over sin and death. The S-shaped position of Jesus' body on the cross is a Byzantine art innovation of the late 10th century,Schiller, 98-99 though also found in the German Gero Cross of the same date. Probably more from Byzantine influence, it spread elsewhere in the West, especially to Italy, by the Romanesque art period, though it was more usual in painting than sculpted crucifixes. It was in Italy that the emphasis was put on Jesus' suffering and realistic details, during a process of general humanization of Christ favored by the Franciscan. During the 13th century the suffering Italian model (Christus patiens) triumphed over the traditional Byzantine one (Christus gloriosus) anywhere in Europe also due to the works of artists such as Giunta Pisano and Cimabue. Since the Renaissance the "S"-shape is generally much less pronounced. Eastern Christian blessing crosses will often have the Crucifixion depicted on one side, and the Resurrection on the other, illustrating Eastern Orthodox theology's understanding of the Crucifixion and Resurrection as two intimately related aspects of the same act of salvation.
Another, symbolic, depiction shows a triumphant Christ (), clothed in robes, rather than stripped as for his execution, with arms raised, appearing to rise up from the cross, sometimes accompanied by "rays of light", or an aureole encircling his body. He may be robed as a prophet, crowned as a king, and vested in a stole as Great High Priest.
On some crucifixes a skull and crossbones are shown below the corpus, referring to Golgotha (Calvary), the site at which Jesus was crucified, which the Gospels say means in Hebrew "the place of the skull." Medieval tradition held that it was the burial-place of Adam and Eve, and that the cross of Christ was raised directly over Adam's skull, so many crucifixes manufactured in Catholic countries still show the skull and crossbones below the corpus.
Very large crucifixes have been built, the largest being the Cross in the Woods in Michigan, with a high statue.
Catholic (both Eastern and Latin Church), Eastern Orthodox, Oriental Orthodox, Lutheran, and Anglican Christians generally use the crucifix in public religious services. They believe use of the crucifix is in keeping with the statement by Paul the Apostle in 1 Corinthians: "we preach Christ crucified, a stumbling block to Jews and folly to Gentiles, but to those who are called, both Jews and Greeks, Christ the power of God and the wisdom of God".
In the West, and processional crosses began to be crucifixes in the 11th century, which became general around the 14th century, as they became cheaper. The Roman Rite requires that "either on the altar or near it, there is to be a cross, with the figure of Christ crucified upon it, a cross clearly visible to the assembled people. It is desirable that such a cross should remain near the altar even outside of liturgical celebrations, so as to call to mind for the faithful the saving Passion of the Lord."General Instruction of the Roman Missal, 308 The requirement of the altar cross was also mentioned in pre-1970 editions of the Roman Missal, Rubricae generales Missalis, XX though not in the original 1570 Roman Missal of Pope Pius V.Manlio Sodi, Achille Maria Triacca, Missale Romanum: Editio Princeps (1570) (Libreria Editrice Vaticana 1998 ) The Rite of Funerals says that the Gospel Book, the Bible, or a cross (which will generally be in crucifix form) may be placed on the coffin for a Requiem Mass, but a second standing cross is not to be placed near the coffin if the altar cross can be easily seen from the body of the church.Rite of Funerals, 38
Eastern Christian liturgical processions called include a cross or crucifix at their head. In the Eastern Orthodox Church, the crucifix is often placed above the iconostasis in the church. In the Russian Orthodox Church a large crucifix ("Golgotha") is placed behind the Holy Table (altar). During Matins of Good Friday, a large crucifix is taken in procession to the center of the church, where it is venerated by the faithful. Sometimes the soma (corpus) is removable and is taken off the crucifix at Vespers that evening during the Gospel lesson describing the Descent from the Cross. The empty cross may then remain in the centre of the church until the Paschal vigil (local practices vary). The blessing cross which the priest uses to bless the faithful at the benediction will often have the crucifix on one side and an icon of the Resurrection of Jesus on the other, the side with the Resurrection being used on Sundays and during Paschaltide, and the crucifix on other days.
Modern anti-Christians have used an inverted (upside-down) crucifix when showing disdain for Jesus Christ or the Catholic Church which believes in his divinity.Lucifer Rising: A Book of Sin, Devil Worship and Rock n' Roll (Nemesis, 1994) According to Christian tradition, Saint Peter was by being crucified upside-down.Kramer, Heinrich and Sprenger, James (1486), Summers, Montague (translator - 1928), The Malleus Maleficarum
The Lutheran Churches retained the use of the crucifix, "justifying their continued use of medieval crucifixes with the same arguments employed since the Middle Ages, as is evident from the example of the altar of the Holy Cross in the Cistercian church of Doberan."
In contrast to the practice of the Catholic Church, Moravian Church and Lutheran Churches, the early rejected the use of the crucifix, and indeed the unadorned cross, along with other traditional religious imagery, as idolatrous.
In 2008, a chapel in a prison in England replaced its crucifix and static altar with a cross and portable altar when it was renovated as a multi-faith chapel. Right-wing media reported that the crucifix had been removed "in case it offends Muslims".
In 2008 in Spain, a local judge ordered crucifixes removed from public schools to settle a decades-old dispute over whether crucifixes should be displayed in public buildings in a non-confessional state.
On 18 March 2011, the European Court of Human Rights ruled in the Lautsi v. Italy case, that the requirement in Italian law that crucifixes be displayed in classrooms of state schools does not violate the European Convention on Human Rights. Crucifixes are common in most other Italian official buildings, including law court.
On 24 March 2011, the Constitutional Court of Peru ruled that the presence of crucifixes in courts of law does not violate the secular nature of the state.
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