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Alizarin (also known as 1,2-dihydroxyanthraquinone, Mordant Red 11, C.I. 58000, and Turkey Red SigmaAldrich Catalog: Alizarin) is an with formula that has been used throughout history as a red , principally for dyeing textile fabrics. Historically it was derived from the roots of plants of the genus.The primary madder species from which alizarin historically has been obtained is . See also In 1869, it became the first natural dye to be produced synthetically.

Alizarin is the main ingredient for the manufacture of the madder known to painters as and alizarin crimson. Alizarin in the most common usage of the term has a deep red color, but the term is also part of the name for several related non-red dyes, such as Alizarine Cyanine Green and Alizarine Brilliant Blue. A use of alizarin in modern times is as a agent in biological research because it stains free and certain calcium compounds a red or light purple color. Alizarin continues to be used commercially as a red textile dye, but to a lesser extent than in the past.


History
Madder has been cultivated as a since antiquity in central and , where it was grown as early as 1500 BC. Cloth dyed with madder root pigment was found in the tomb of the , in the ruins of , and ancient and . In the Middle Ages, encouraged madder cultivation. Madder was widely used as a dye in Western Europe in the Late Medieval centuries.Many examples of the use of the word "madder", meaning the roots of the plant Rubia tinctorum used as a dye, are given in the Middle English Dictionary, a dictionary of late medieval English. In 17th century England, alizarin was used as a red dye for the clothing of the parliamentary New Model Army. The distinctive red color would continue to be worn for centuries (though also produced by other dyes such as ), giving English and later British soldiers the nickname of "redcoats".

The madder dyestuff is combined with a dye . Depending on which mordant is used, the resulting color may be anywhere from pink through purple to dark brown. In the 18th century, the most valued color was a bright red known as "Turkey Red". The combination of mordants and overall technique used to obtain the Turkey Red originated in the Middle East or Turkey (hence the name). It was a complex and multi-step technique in its Middle Eastern formulation, some parts of which were unnecessary. Additional 18th century history at The process was simplified in late 18th-century Europe. By 1804, dye maker George Field in Britain had refined a technique to make madder by treating it with , and an ,George Field's notes are held at the Courtauld Institute of Art. See that converts the water-soluble madder extract into a solid, insoluble pigment. This resulting madder lake has a longer-lasting color, and can be used more efficaciously, for example by blending it into a . Over the following years, it was found that other metal salts, including those containing , , and , could be used in place of alum to give madder-based pigments of various other colors. This general method of preparing lakes has been known for centuries

(2025). 9780486203270, Dover. .
but was simplified in the late 18th and early 19th centuries.

In 1826, the chemist Pierre-Jean Robiquet found that madder root contained two colorants, the red alizarin and the more rapidly fading purpurin.See:

  • Pierre-Jean Robiquet and Jean-Jacques Colin (1826) "Sur un nouveau principe immédiat des vègétaux (l’alizarin) obtenu de la garance" (On a new substance from plants (alizarin) obtained from madder), Journal de pharmacie et des sciences accessoires, 2nd series, 12 : 407–412.
  • Jean-Jacques Colin and Pierre-Jean Robiquet (1827) "Nouvelles recherches sur la matierè colorante de la garance" (New research into the coloring material of madder), Annales de chimie et de physique, 2nd series, 34 : 225–253. The alizarin component became the first natural dye to be synthetically duplicated in 1868 when the chemists and , working for , found a way to produce it from .Note:
  • In 1868, Graebe and Liebermann showed that alizarin can be converted into anthracene. See: C. Graebe and C. Liebermann (1868) "Ueber Alizarin, und Anthracen" (On alizarin and anthracene), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 1 : 49–51.
  • In 1869, Graebe and Liebermann announced that they had succeeded in transforming anthracene into alizarin. See: C. Graebe and C. Liebermann (1869) "Ueber künstliche Bildung von Alizarin" (On the artificial formation of alizarin), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 2 : 14.
  • For Graebe and Liebermann's original process for making alizarin from anthracene, see: Charles Graebe and Charles Liebermann, "Improved process of preparing alizarine," U.S. Patent no. 95,465 (issued: October 5, 1869). (See also their English patent, no. 3,850, issued December 18, 1868.)
  • A more efficient process for making alizarin from anthracene was developed by Caro, Graebe and Liebermann in 1870. See: H. Caro, C. Graebe, and C. Liebermann (1870) "Ueber Fabrikation von künstlichem Alizarin" (On the manufacture of artificial alizarin), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 3 : 359–360. The company draws its roots from alizarin as well. About the same time, the dye chemist William Henry Perkin independently discovered the same synthesis, although the BASF group filed their patent before Perkin by one day. The subsequent discovery (made by Broenner and Gutzhow in 1871) that anthracene could be abstracted from further advanced the importance and affordability of alizarin's artificial synthesis.

The synthetic alizarin could be produced for a fraction of the cost of the natural product, and the market for madder collapsed virtually overnight. The principal synthesis entailed bromination of anthraquinone by bromine (in a sealed tube at 100 oC) to give 1,2-dibromoanthraquinone. Then the two bromine atoms were substituted by -OH by heating (170 oC) with KOH, followed by treatment with strong acid. The incorporation of two bromine atoms in 1 and 2 position is not expected by an aromatic electrophilic substitution, and suggest the existence of an α,β unsaturated enol form of anthraquinone which suffer electrophilic addition by bromine.

Alizarin, as a dye, has been largely replaced today by the more light-resistant pigments developed at in 1958.


Structure and properties
Alizarin is one of ten dihydroxyanthraquinone isomers. It is soluble in and , and can be obtained from the latter as red-purple crystals, melting point 277–278 °C.

Alizarin changes color depending on the pH of the solution it is in, thereby making it a .


Applications
Alizarin Red is used in a biochemical assay to determine, quantitatively by , the presence of calcific deposition by cells of an lineage. As such it is an early stage marker (days 10–16 of in vitro culture) of matrix mineralization, a crucial step towards the formation of calcified extracellular matrix associated with true bone.

Alizarin's abilities as a biological stain were first noted in 1567, when it was observed that when fed to animals, it stained their teeth and bones red. The chemical is now commonly used in medical studies involving calcium. Free (ionic) calcium forms precipitates with alizarin, and tissue block containing calcium stain red immediately when immersed in alizarin. Thus, both pure calcium and calcium in bones and other tissues can be stained. These alizarin-stained elements can be better visualized under fluorescent lights, excited by 440–460 nm. The process of staining calcium with alizarin works best when conducted in acidic solution (in many labs, it works better in pH 4.1 to 4.3).

In clinical practice, it is used to stain to assess for basic calcium phosphate crystals. Alizarin has also been used in studies involving bone growth, osteoporosis, bone marrow, calcium deposits in the vascular system, cellular signaling, gene expression, tissue engineering, and mesenchymal stem cells.

In , it is used as a stain to differentiate the calcium carbonate , especially and in or polished surfaces.

(2025). 9780412589805, Springer. .

Madder lake had been in use as a red pigment in paintings since antiquity.Schweppe, H., and Winter, J. Madder and Alizarin in Artists’ Pigments. A Handbook of Their History and Characteristics, Vol 3: E.W. Fitzhugh (Ed.) Oxford University Press 1997, p. 111 – 112

File:Red alizarin 1.jpg|Red alizarin staining of rat's embryonic bones for osteogenesis study File:N pectoralis.jpg|Red alizarin stained juvenile lit by fluorescent light. File:Johannes (Jan) Vermeer - Christ in the House of Martha and Mary - Google Art Project.jpg|Johannes Vermeer, Christ in the House of Martha and Mary, 1654-56. The red jacket worn by Mary is painted in madder lake File:Walraversijde18.jpg|Reconstruction blankets dyed with madder


See also


Further reading
  • Schweppe, H., and Winter, J. "Madder and Alizarin", in Artists’ Pigments: A Handbook of Their History and Characteristics, Vol. 3: E.W. Fitzhugh (Ed.) Oxford University Press 1997, pp. 109–142


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