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Yorick is an in William Shakespeare's play . He is the dead court whose is exhumed by the in Act 5, Scene 1, of the play. The sight of Yorick's skull evokes a reminiscence by of the man, who apparently played a role during Hamlet's upbringing:

Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that were wont to set the table on a roar? ( Hamlet, V.i)

It is suggested that Shakespeare may have intended his audience to connect Yorick with the comedian , a celebrated performer of the pre-Shakespearean stage, who had died a decade or so before Hamlet was first performed.Muriel Bradbrook, Shakespeare the Craftsman, London, 1969, p. 135.


Vanitas imagery
The contrast between Yorick as "a fellow of infinite jest, of most excellent fancy" and his grim remains reflects on the theme of earthly : death being unavoidable, the things of this life are inconsequential.

The theme of ("Remember you shall die") is common in 16th- and 17th-century painting, appearing in art throughout Europe. Images of regularly showed her contemplating a skull. It is also a very common motif in 15th- and 16th-century British portraiture.

Memento mori are also expressed in images of playful children or young men, depicted looking at a skull as a sign of the transience of life. It was also a familiar motif in and tombs.

Hamlet meditating upon the skull of Yorick has become a lasting embodiment of this idea, and has been depicted by later artists as part of the vanitas tradition.


Name
The name Yorick has been interpreted as an attempt to render a Scandinavian forename: usually either "Eric" or "Jørg", a form of the name George. Digest of theories of the name at Hamlet Works The name "Rorik" has also been suggested, since it appears in , one of Shakespeare's source texts, as the name of the queen's father. There has been no agreement about which name is most likely.Jenkins, Harold, (ed), Hamlet, Arden edition, Methuen, 1982, p. 386

Alternative suggestions include the ideas that it may be derived from the Viking name of the city of (Jórvík), or that it is a near-anagram of the Greek word 'Kyrios' and thus a reference to the Catholic martyr .Requiem for a Prince: Rites of Memory in Hamlet, in Theatre And Religion: Lancastrian Shakespeare edited by Richard Dutton, Alison Findlay, Richard Wilson, Manchester University Press, 2004, p. 152

The name was used by in his comic novels Tristram Shandy and A Sentimental Journey as the surname of one of the characters, a parson who is a humorous portrait of the author. Parson Yorick is supposed to be descended from Shakespeare's Yorick.


Portrayals
The earliest known printed image of Hamlet holding Yorick's skull is a 1773 engraving by John Hall after a design by Edward Edwards in Bell's edition of Shakespeare's plays.Alan R. Young, Hamlet and the Visual Arts, 1709–1900, University of Delaware Press, Newark, 2002, p.246. It has since become a common subject. While Yorick normally only appears as the skull, there have been scattered portrayals of him as a living man, such as Philip Hermogenes Calderon's painting The Young Lord Hamlet (1868), which depicts him carrying the child Hamlet on his back, being ridden like a horse by the prince. He was portrayed by comedian in a flashback during the gravedigging scene in 's 1996 film Hamlet.

Pianist André Tchaikowsky donated his skull to the Royal Shakespeare Company for use in theatrical productions, hoping that it would be used as the skull of Yorick. Tchaikowsky died in 1982. His skull was used during rehearsals for a 1989 RSC production of Hamlet starring , but the company eventually decided to use a replica skull in the performance. Musical director Claire van Kampen, who later married Rylance, recalled:

Although Tchaikowsky's skull was not used in the performances of this production, its use during rehearsals affected some interpretations and line readings: for example, Rylance delivered the line "That skull had a tongue in it, and could sing once" with especial reproach. In this production, Hamlet retained Yorick's skull throughout subsequent scenes, and it was eventually placed on a mantelpiece as a "talisman" during his final duel with Laertes. In 2008, Tchaikowsky's skull was used by in an RSC production of Hamlet at the Courtyard Theatre, Stratford-upon-Avon. It was later announced that the skull had been replaced, after it became apparent that news of the skull distracted the audience too much from the play. This was untrue, however, and the skull was used as a prop throughout the run of the production after its move to London's West End.

Yorick appears as a principal character in the novel The Skull of Truth by Bruce Coville.

(2025). 9780152046125, Houghton Mifflin Harcourt. .

The book title of the novel by David Foster Wallace is directly influenced by the first lines spoken by Hamlet in reference to Yorick, after Hamlet discovers the court jester's skull. The book title is specifically and partially taken from the line, "a fellow of infinite jest." Furthermore, the name of Dr. James Orin Incandenza's film company "Poor Yorick Entertainment" in Infinite Jest is inspired by the opening line, "Alas, Poor Yorick!"

Yorick appears in the -themed video game Balatro. In the game, Yorick is portrayed as a seemingly unhappy joker card with a gold and black outfit.

In the videogame series, Yorick is a recurring enemy that's portrayed as a headless skeleton who kicks his skull to damage foes.

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