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   » » Wiki: Valknut
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The valknut is a consisting of three interlocked forming subliminal at its center. It appears on a variety of objects from the archaeological record of the ancient . The term valknut is a modern development; it is not known what term or terms were used to refer to the symbol historically.

Scholars have proposed a variety of explanations for the symbol, sometimes associating it with the god , and it has been compared to the three-horned symbol found on the 9th-century , to which it may be related.Simek (2007:163).


Archaeological record
The valknut appears on a wide variety of objects found in areas inhabited by the Germanic peoples. The symbol is prominently featured on the Nene River Ring, an gold finger ring dated to around the 8th to 9th centuries.The British Museum Online. "finger-ring" In 2024, an English showing both the symbol and a person holding a cross was found near . It has been interpreted as a mixing of religious imagery, with the cross being a Christian symbol and the valknut being heathen. This is consistent with its dating to the 7th century CE, when Christianity was being adopted in England.

A wooden bed in the buried near Tønsberg, , features a carving of the symbol on an ornately stylized bedpost and the Oseberg tapestry fragments, a partially preserved tapestry found within the ship burial, also features the symbol.Davidson (1967:125).

Additionally, the valknut appears prominently on two from , : the Stora Hammars I stone and the Tängelgårda stone.

The historically attested instances of the symbol appear in two traditional, distinct forms. The symbol appears in form, topologically a also seen in the . This unicursal form is found, for example, on the Tängelgårda stone. The symbol also appears in form, consisting of three linked triangles, topologically equivalent to the . This tricursal form can be seen on one of the Stora Hammars stones, as well as upon the Nene River Ring, and on the Oseberg ship bed post. Although other forms are topologically possible, these are the only attested forms found so far.

In Norwegian Bokmål, the term valknute is used for a polygon with a loop on each of its corners.Coat of arms for Lødingen Municipality, blazoned in the Norwegian Royal Decree of 11 May 1984, quoted in Hans Cappelen og Knut Johannessen: Norske kommunevåpen, Oslo 1987, page 197. The term is also used in Anders Bjønnes: Segltegninger fra hyllingene i Norge 1591 og 1610, Oslo 2010, pages 64–65. In the English language, the looped, four-cornered symbol is called Saint John's Arms.


Theories and interpretations
Several explanations for the symbol have been proposed:


Hrungnir's heart
Chapter 17 of the 13th century book Skáldskaparmál contains the following description of the heart of the jötunn : "Hrungnir had a heart that was famous. It was made of hard stone with three sharp-pointed corners just like the carved symbol hrungnishjarta Hrungnir's."Byock (2001:88). Comparisons have been made between this symbol description and the symbol known as the valknut.


Odin and mental binds
Hilda Ellis Davidson theorizes a connection between the valknut, the god , and "mental binds":

For instance, beside the figure of Odin on his horse shown on several memorial stones there is a kind of knot depicted, called the valknut, related to the . This is thought to symbolize the power of the god to bind and unbind, mentioned in the poems and elsewhere. Odin had the power to lay bonds upon the mind, so that men became helpless in battle, and he could also loosen the tensions of fear and strain by his gifts of battle-madness, intoxication, and inspiration.Davidson (1990:147).

Davidson says that similar symbols are found beside figures of wolves and ravens on "certain cremation urns" from Anglo-Saxon cemeteries in .


Other
Because the symbol appears on picture stones with Odin and on burial gifts in the Oseberg ship burial, says that the symbol may have been associated with religious practices surrounding death.


Topology
The valknut is equivalent to either the , the , or (in modern use only) a closed three-link chain, depending on the particular artistic depiction:


Modern popular culture
The symbol is used for a variety of purposes in modern popular culture. The valknut symbol is used as a religious symbol by some adherents of Heathenry, a new religious movement inspired by historic Germanic paganism.Harvey 2007: 59.

In Europe, the Swedish forest products company Svenska Cellulosa Aktiebolaget uses a triquetra valknut as their logo, which can be commonly seen on many products produced by the company; the DFB has used a logo inspired by the unicursal form of the valknut for the Germany national football team since 1991.

The symbol appears as the inlay on some of /Carcass guitarist 's signature "Tyrant" models, and it is also used as a logo by American engineering firm RedViking. RedViking home page . In , the valknut is the national symbol of , which in the game is led by and mostly representative of rather than the modern country.

Bogd Bank of Mongolia uses the same symbol as their main corporate logo.

In modern Norway, the word "valknut" means "knot of those fallen in battle", connecting the symbol to the god Odin and representing the glory of death in battle.

The valknut has seen some use by . "Hate on Display - Hate Symbols Database: Valknot" . Anti-Defamation League. The Anti-Defamation League notes that "nonracist pagans may also use this symbol, so one should carefully examine it in context rather than assume that a particular use of the symbol is racist."


See also
  • Mjölnir, a symbol representing the hammer of the god Thor, particularly popular during the Viking Age
  • , a symbol that produces a square with outward pointing loops at its corners
  • , a symbol composed of three interlaced arcs
  • , a type of representing three bent human limbs


Citations
  • Byock, Jesse (trans.) (2006). The Prose Edda. .
  • Davidson, Hilda Roderick Ellis (1967). Pagan Scandinavia. Frederick A. Praeger.
  • Davidson, H. R. Ellis (1990). Gods and Myths of Northern Europe. .
  • Harvey, Graham (2007). Listening People, Speaking Earth: Contemporary Paganism (second ed.). London: Hurst & Company.
  • Simek, Rudolf (2007), translated by Angela Hall. Dictionary of Northern Mythology. D. S. Brewer.


External links
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