An underdog is a person or group participating in a competition, usually and , who is largely expected to lose.
"Everyone loves a scrappy underdog", as the article observes. The party, team, or individual expected to win is called the favorite or . In the case where an underdog wins, the outcome is an upset. An "underdog bet" is a Sports betting on the underdog or outsider for which the odds are generally higher.
The first recorded uses of the term occurred in the second half of the 19th century;The Shorter Oxford Dictionary, Third Edition, 1983. First use 1887. its first meaning was "the beaten dog in a fight".The Shorter Oxford Dictionary, Third Edition, 1983.
In British and American culture, underdogs are highly regarded. This harkens back to core biblical stories, such as that of Goliath, and also ancient British legends such as Robin Hood and King Arthur. This is also reflected in the idea of the American Dream, where someone from a low social class can achieve success through hard work. Sports are another instance where underdogs are highly valorized, reflected in both real events, such as the Miracle on Ice, and in popular culture depictions of sports. Spectators and commentators are commonly drawn to establishing one side as the underdog, even if both teams are considered evenly matched.
In fiction, the Fool archetype is often an underdog if they are depicted as the main character. Their apparent ineptitude leads to people underestimating their true abilities, and they are able to succeed against a more powerful, "establishment" villain. An example in film is The Tramp portrayed by Charlie Chaplin.
Both underdog support and Schadenfreude are influenced by perceptions of deserving and fairness within competitive contexts. The interplay between these two phenomena sheds light on the complex motivations underlying individuals' reactions to competitive situations, where notions of justice, fairness, and deserving play crucial roles in shaping emotional responses.
Moreover, reliance on Self-report in the study may oversimplify participants' emotional reactions, particularly concerning complex psychological Phenomenon like schadenfreude. Additionally, the study's exclusive focus on electoral contexts may limit the generalizability of its findings to other domains, such as sports or business competitions, where underdog phenomena and schadenfreude may manifest differently. Future research could mitigate these limitations by employing diverse methodological approaches and exploring underdog and schadenfreude dynamics across various contexts to gain a more comprehensive understanding of these phenomena.
Furthermore, there are challenges in distinguishing underdog support from schadenfreude, underscoring the intricate relationship between these psychological constructs. While the assumption is that both forces operate in the same direction, they may represent interchangeable phenomena rather than distinct processes. Attempts to disentangle them may have inadvertently created a By-product, complicating rather than clarifying their distinction. This suggests that the emotions associated with supporting underdogs and experiencing schadenfreude may be more intertwined than previously recognized, posing difficulties for researchers seeking to isolate and comprehend each theory independently. Further investigation into the complex interplay between underdog support and schadenfreude is necessary to unravel their intricate dynamics fully.
Additionally, underdog narratives can sometimes reinforce stigmatization, highlighting the need to address paternalistic tendencies that may portray underdogs as objects of sympathy rather than active agents. Such portrayals risk overlooking the agency and dignity of individuals marginalised by society, perpetuating symbolic tokenism rather than genuine empowerment.
The term comes from the well-known European folk tale of Cinderella, which embodies a myth-element of unjust oppression and triumphant reward, when the title character's life of poverty is suddenly changed to one of remarkable fortune. In a sporting context the term has been used at least since 1939, but came into widespread usage in 1950, when the Disney movie was released that year, and in reference to City College of New York, the unexpected winners of the NCAA Men's Basketball championship also that year. The term was used by Bill Murray in the 1980 movie Caddyshack where he pretends as the announcer to his own golf fantasy: "Cinderella story. Outta nowhere. A former greenskeeper, now, about to become the Masters champion." Referring somewhat inaccurately to the plot details of the classic Cinderella story, the media will debate whether the given "Cinderella" team or player will "turn into a pumpkin", i.e. fail to win the prize and then return to its former obscurity. In the fairy tale, it was the carriage that turned into a pumpkin at midnight, not Cinderella herself. Another popular term is "strike midnight", when a Cinderella team does finally get beaten. "Clock Strikes Midnight For Cinderella Team George Mason"
Prior to the widespread use of "Cinderella" in this way, the more common term for unexpected and dramatic success was "Miracle", as in the "Miracle Atlanta Braves" of 1914, the "Miracle on Grass" in 1950, the "Miracle of Coogan's Bluff" in 1951, the "Miracle Mets" of 1969, "Miracle on Ice" in 1980 and the "WrestleMania XXX" in 2014.
Cinderella teams are also referred to as a "surprise package" or "surprise packet", and their success would be termed a "fairy-tale run". A related concept is the giant-killer, which refers to a lesser competitor who defeats a favorite, reflecting the story of David and Goliath. In Soviet sports, particularly team sports like football and hockey, there appeared a term Thunder to the Dominant teams (, Groza avtoritetov) that referred to underdog, often a strong mid-table team, of which the dominant teams were afraid. The title is still in use in the post-Soviet period and sometimes is given to "dark horse" teams which manage to win a major tournament.Oleg Koshelev. The Thunder to the Dominant": the main sensations of the Russian Cup in football (Гроза авторитетов: главные сенсации Кубка России по футболу). TASS. In the 1970s and 1980s, the Soviet sports weekly Sportivnaya Moskva introduced an official award for top football and hockey competitions, which was given to teams that managed to take away the highest number of points from the last season's top three teams. Thunder to the Dominant (Гроза авторитетов). HSF.narod.ru
Cinderella
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