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Urutora Sebun is a Japanese tokusatsu science fiction television series created by Eiji Tsuburaya. It is the second entry (third overall) in the Ultra Series and was produced by Tsuburaya Productions. The series aired on Tokyo Broadcasting System from October 1, 1967 to September 8, 1968.
Eiji Tsuburaya proposed a series that would have been a hybrid of Thunderbirds and Lost in Space, Hajime proposed a new Ultraman series that would have included network and sponsors' input for each season, Jissoji proposed a time-travel themed show which would have focused on a time patrol team and their families, Kinjo proposed a children's horror/mystery show that would have been a hybrid of Ultra Q and The Twilight Zone, Sueyasu proposed a fairy tale-themed series, and Otomo proposed a space-themed series which would have been a cross of Lost in Space and Men into Space featuring giant monsters.
TBS eventually settled on a fusion of Eiji's and Otomo's ideas and Eiji submitted a treatment titled The Ultra Garrison, which featured six trained astronauts (including an android named "John") stationed on a satellite called "Mother", the first line of defense against alien invaders. Kinjo felt that the idea was lacking an essential element and suggested adding a superhero.
The treatment underwent massive revisions after TBS felt the idea was too similar to The Great Space War and the new version included giant monsters while retaining the original Earth Defense Force element at TBS' request. TBS eventually suggested to make the series a direct sequel to Ultraman and have it focused on Hayata and Fuji's son, who would be able to call upon Earth monsters for help and only transform into Ultraman in times of desperation.
Tetsuo Kinjo began working on an outline, combining elements of TBS' best ideas and his own, such as elements from his rejected proposal WoO, which featured an alien unwittingly becoming a savior of mankind. Kinjo's outline was titled Ultra Eye and featured Dan Moroboshi being the son of a human and an alien, with Dan coming to Earth in search of his mother. This version also featured Capsule Monsters that Dan would have used when he could not transform. Originally, monsters from Ultra Q and Ultraman were going to be used as the Capsule Monsters in order to cut down production costs.
Tohl Narita was assigned to design the aliens, monsters, and vehicles. Narita's design for Ultraseven was inspired by Mayan culture and originally chose silver and blue for the colors, but changed them to silver and red to avoid problems with the blue-screen matte process. Principal photography on the special effects began in May 1967 and casting began in June 1967. Many of the actors hired were chosen from Toho's acting pool, since the studio was one of the financial investors for Tsuburaya Productions. Yoji Hashimoto and Toshimichi Miwa were put in charge of duties with TBS for the show, while Eiji Tsuburaya served as the chief producer and supervisor for the show and Masami Sueyasu reprised his role as a hands-on producer for Tsuburaya Productions.
Four episodes were completed before copyright was approved for the show's title, which was changed to Ultraseven. The show was filmed silent, a common practice for Japanese shows at the time, and post-production, including editing and voice dubbing, began in September 1967. Toru Fuyuki was hired to compose the soundtrack, gearing towards a more classical direction as opposed to the jazz-inspired direction Kunio Miyauchi took for the Ultraman soundtrack.
Ultraseven aired on October 1, 1967 and earned a 33.7% rating, an achievement at the time. Due to the show's high ratings, TBS ordered an additional 10 episodes during preparations for the show's third Cours (episodes 27-39). Despite ratings dropping during the final weeks, Ultraseven still remained in the top five highest rated shows in Japanese television at the time.
Sequels for both Ultraman, titled Ultraman Continues, and Ultraseven, titled Fight! Ultraseven, were proposed, but Tsuburaya Productions would not produce another Ultra series until 1971, with Return of Ultraman.
Unsatisfied with Cinar's resultant work, Turner put the series into their vaults until 1994, when they were alerted that the episodes were never broadcast. Ultraseven was dusted off for the "Toons 'Til Noon" and "MonsterVision" blocks on TNT. The "Toons 'Til Noon" broadcasts received substantially heavy editing to make them suitable for the time slot, while the "MonsterVision" broadcasts were the full-length Cinar adaptations. Episodes 3 and 5-7 were missing or mislabeled and were never broadcast. Clips from the series were later used in the "Messages from Space" and "Vacation Spots Around the Universe" segments on the animated variety show Cartoon Planet, which aired on TBS and Cartoon Network. When the contract expired in 2001, Turner returned all the materials (film elements, videotapes, audio masters) to Tsuburaya Productions.
In July 2020, Shout! Factory announced to have struck a multi-year deal with Alliance Entertainment and Mill Creek Entertainment, with the blessings of Tsuburaya and Indigo, that granted them the exclusive SVOD and AVOD digital rights to the Ultra series and films (1,100 episodes and 20 films) acquired by Mill Creek the previous year. Ultraseven, amongst other titles, will stream in the United States and Canada through Shout! Factory TV and Tokushoutsu.
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