Tokonoma

 ( Japanese Architectural Features ) 

A tokonoma, Kenkyusha's New Japanese-English Dictionary, Kenkyusha Limited, or simply toko, Kōjien Japanese dictionary, entry for tokonoma. Genshoku Chadō Daijiten Japanese encyclopedia of Chanoyu. Iguchi Kaisen, et al., supv. eds. (Kyoto: Tankosha, 1986 10th ed.) entry for Toko. is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed. In English, a could be called an alcove.

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History There are two theories about the predecessor of : the first is that it derives from the room structure of the , which flourished in the Heian period (794–1185) and declined in the Muromachi period (1336–1573); the second is that it derives from the room structure of Zen monasteries in the Kamakura period (1185–1333). In the room of the monastery, there was a board called oshiita which displayed Buddhist altar fittings such as candlesticks, incense burners and vases. On the wall behind was a hanging scroll with a Buddhist theme. The second theory is that the and the back wall developed into a -style in the Muromachi period. target="_blank" rel="nofollow"> Tokonoma. Shinken press. Genshoku Chadō Daijiten Japanese encyclopedia of Chanoyu, entry for Toko

In , an architectural style developed in the Muromachi period, came to be used as room decoration, and the owner of the house sat in front of decorated with various things to meet guests. However, in the case of important guests, the householder, in deference to them, had them sit in front of the . Tokonoma. Kotobank

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Characteristics The items typically displayed in a are calligraphic or pictorial Hanging scroll and an flower arrangement. Bonsai and are also common—although traditionally, bonsai were not considered worthy for a place of such respect. The and its contents are essential elements of traditional Japanese interior decoration. The kanji (床) literally means "floor" or "bed"; (間) means "space" or "room".

When seating guests in a Japanese-style room, the correct etiquette is to seat the most important guest closest to the as this is in the location furthest from the entrance, a location called the .

Stepping within it is strictly forbidden, except to change the display, when a strict etiquette must be followed.

The pillar on one side of the , called toko-bashira, is usually made of wood, specially prepared for the purpose. It can range from a seemingly raw trunk with bark still attached, to a square piece of heart wood with very straight grain. The choice of determines the level of formality for the .

American architect Frank Lloyd Wright was influenced by Japanese architecture. He translated the meaning of the into its Western counterpart: the fireplace.Nute, Kevin (1993). Frank Lloyd Wright and Japan. London: Chapman & Hall. p. 61 This gesture became more of a ceremonial core in his architecture.

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See also

• Fireplace mantel
• Higashiyama culture in the Muromachi period

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Further reading

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External links

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