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Syro () is the sixth studio album by the British electronic music artist and producer Aphex Twin under the alias of Aphex Twin. It was released on 19September 2014 through Warp Records. It was James's first album under the Aphex Twin name since Drukqs (2001).
The album was recorded over several years on a wide range of equipment setups. Described by James as his "pop music album, or as poppy as it's going to get", it incorporates styles such as techno, synth-funk, breakbeat, acid techno, and jungle music, as well as edited vocal samples of James and his family. The artwork features a detailed list of its production and promotional costs. A cryptic viral marketing campaign included an announcement on the dark web and listening events in cities around the world. The album was preceded by the lead single "minipops 67 [120.2]".
Syro received critical acclaim and placed in several international charts, peaking at number 11 in the US Billboard 200 and number 8 in the UK Albums Chart. It was nominated for the Choice Music Prize and the 2015 Mercury Music Prize, and won the 2015 Grammy Award for Best Dance/Electronic Album.
In 2014 a test pressing of James's unreleased album Caustic Window was listed on Discogs for US$13,500 (£8,050). Members of the internet forum We Are the Music Makers negotiated a deal between the collector, the forum's administrator, James and Rephlex Records, and launched a crowdfunding campaign on Kickstarter to purchase the album. The campaign raised over $67,000 (£41,000) from 4,124 contributions, with proceeds split between James, Rephlex and the charity Doctors Without Borders. James said the campaign was "really touching, and really sweet" and, upon realising the continued interest in his music, he was inspired to release Syro.
According to James, the tracks were written over an extended period; Syro features both archived and more recent compositions, with the album's oldest track around "six or seven years old". A total of 138 pieces of equipment were used on Syro, including , samplers, Music sequencer, processing units, MIDI interfaces, , , graphic equalisers and Mixing console. Among the brands James used were Yamaha, SSL, Sennheiser, Boss Corporation, Roland, Korg and AKG Acoustics. Several pieces of equipment were further modified by James himself. In addition to instrumentation, Syro features several vocal tracks. Among them are edited "unintelligible" tracks of James, his wife Anastasia Rybina and his two sons, as well as both his mother and father, who appear on "XMAS_EVET10 120". He recorded several additional "Pop music" vocals of his parents—none of which were used on Syro—and stored "entire Sample library of their voices" during the process.
On the album's overall sound, James said it is "his pop album, or as poppy as it's going to get" and "pleasurable to listen to ... maybe just the composition's changed, but there's no next-level beats on there". He attributed this change in style to the fact he had not used computer-controlled percussion during Syros sessions. James also described the album as capping off an era so that he could begin working on new material, stating that "I don't think these tracks are particularly innovative. Maybe in really subtle ways they are, for me, but there's nothing there that I need to explore more ... It just totally makes me want to not do anything else in that particular style."
Syros cover artwork was designed by the Designers Republic, a graphic design studio that provided designs for previous Aphex Twin releases, including the 1999 single "Windowlicker" and the compilation album 26 Mixes for Cash. The cover art resembles a receipt, with the official Aphex Twin logo and album title printed upon it. According to Creative Review, the receipt on the album cover details the production and promotional costs of Syro, "from courier charges to photoshoot expenses, expressed per disc and tailored for both vinyl and Compact disc versions."
Ian Anderson, the founder of the Designers Republic, noted that the final concept for the album cover was conceived after receiving a number of suggestions from James. Among James' other suggestions for the album's packaging was "the idea of pressing the album or a single track into the fabric of the cover, effectively as a Paper embossing", or using various images of the raw vinyl pucks from which all copies of Syro are pressed. These suggestions were implemented into Syros final LP packaging, with James' wife Anastasia Rybina credited for additional design and "puckography".
In the following week several purported Music leak of Syro appeared on YouTube and SoundCloud; Richard D James subsequently denied that any of the leaks were legitimate. "Listening events" for Syro were then organised in various cities in the UK, Belgium, Canada, Netherlands and the US as part of the album's promotional campaign. Beginning on 5 September in London and concluding on 10 September in Utrecht, the events allowed applicants who had won an online lottery ballot to hear the album in its entirety prior to its international release. "minipops 67 120.2", Syros opening track, was released as the album's lead single on 4 September. It was made available for stream and as a Music download following its premiere on BBC Radio 1 earlier that day.
Syro was released on Warp on 19 September 2014 in Australia, Germany, Ireland, New Zealand and Switzerland; 22 September in the UK and various European countries, including Denmark and Netherlands; 23 September in the US; and 24 September in Japan. The album was released on triple LP, CD and various digital formats, including MP3, AAC, WAV and FLAC. A limited-edition box set version of Syro, featuring a bonus track debossed on perspex vinyl, was released through Bleep.com. Limited to 200 pressings, interested users had to first enter a lottery, "in the interest of fairness", to become eligible.
Syro entered the top 10 in several international charts, including the Irish Albums Chart, the Irish Independent Albums Chart and the Russian Albums Chart, where it debuted at number 10 with first week sales of 10,029. The album entered the weekly Japanese Albums Chart at number 8 and sold 10,553 physical copies in its first week of release. Syro debuted at number 35 on the Ultratop in Flanders and subsequently entered the top 10, rising to number 7 in its second week.
On the United States' Billboard charts, Syro placed in the top 10 in several charts, having sold 23,000 first-week copies—22 percent of which were LP copies and responsible for "the largest sales week in 2014 for a dance/electronic album on vinyl", according to Nielsen SoundScan. Syro topped the Vinyl Albums, Dance/Electronic Albums and Tastemaker Albums charts, and entered the Digital Albums chart at number 8 and the Independent Albums chart at number 2. As of February 2015 Syro had sold 54,000 copies in the US.
On 5 March 2015 it was announced that Syro's Japanese bonus track "MARCHROMT30A edit 2b 96" would be released as a 12-inch single on 6 April 2015, backed with alternative versions of the title track and Syro's "XMAS_EVET10 120 (thanaton3 mix)".
Clash editor Mike Diver referred to the album as "an effortless comeback" and described it as "a more immediately engaging collection" than Drukqs (2001) and "an album that plays almost exclusively to its maker's long-established strengths". Writing for The Guardian, Tim Jonze said that " Syro doesn't do what some fans will have been hoping, in that it does not completely reshape the sonic landscape in the way Richard D James repeatedly did through the 1990s ... and yet by sounding simply like a series of Aphex Twin tracks, Syro is still utterly engrossing and remains, somewhat unbelievably, on a completely different planet". NME reviewer Louis Pattison surmised that the album is "a banging reminder of why the Cornwall raver is one of music's true innovators". Pattison further stated that "whereas Drukqs sometimes felt alienating or punishing, Syro charms and beguiles … it amazing: bug-eyed, banging rave that sounds quintessentially Aphex while not quite sounding like anything he's done before."
In his review for The Wire, Derek Walmsley wrote positively that " Syro feels like a perfected memory of 80s music," adding "its sweeping melodies, with echoes of 1991's Analogue Bubblebath, could be seen as a return to his roots" but concluded that "Aphex Twin's music seems as new as it ever was." Rolling Stone reviewer Will Hermes stated that the record "answers Random Access Memories with future-shock electronics supplanting nostalgic dazzle … graying snobs once called this 'intelligent dance music.' Even now, few do it better." The Independents Andy Gill called Syro "a collection primarily concerned with the somatic rather than cerebral sides of Richard James' music, overdosing somewhat on staccato, bouncing synth twangs and jittery drum'n'bass beats." Syros closing track "aisatsana 102" drew comparisons to the works of French composer Erik Satie from both The Independent and Drowned in Sound. Summarising the album, reviewer Tom Fenwick said that " Syro sees a master craftsman return with renewed inspiration. And while it might not technically be James' most innovative album, it way well be his best … and once you let the hype drain away—what's revealed is pretty much flawless."
Resident Advisors Jordan Rothlein described Syro as "freewheeling and playful, but its every warbled note and compositional hard-left betray consideration and technical expertise that didn't come overnight. In terms of impressive twists and turns, they're myriad. Tracks morph, pressurize and reorganize—but never break down, exactly—following a completely unpredictable if utterly natural logic". Writing for AllMusic, Andy Kellman referred to Syro as "one of James' most inviting and enjoyable releases" and said the album is "decked in accents and melodies that are lively even at their most distressed". Derek Staples of Consequence of Sound said Syro "peaks as Aphex Twin's most accessible album since his ambient works". Pitchfork highlighted Syro as part of the publication's "Best New Music"; editor Mark Richardson wrote that Syro "has few extremes, no hyper-intense splatter-breaks or satanic 'Come to Daddy' vocals or rushes of noise. On the other end of the spectrum, Syro doesn't cast James in a quasi-classical light; there's no 'serious composer' tracks … without all that, what's left? Sixty-five minutes of highly melodic, superbly arranged, precisely mixed, texturally varied electronic music that sounds like it could have come from no other artist."
Australian national radio station Double J selected Syro as its "Feature Album" for the week beginning 22 September 2014. The station concluded its review with the statement: "This is another fascinating record from one of the few artists on this planet who can make something very weird sound utterly amazing." Syro was also selected as "Album of the Week" by Mojo and The Sunday Times, ranked number one on The Washington Posts September list of "best new music", featured among Dazeds "top ten albums of the month" for September, and was the highest-scoring album on Metacritic that month.
Elsewhere, Syro was featured in Rolling Stone at number 41 on its "50 Best Albums of 2014" list, on "50 Best Albums of 2014" at number 33 and Pitchforks "50 Best Albums of 2014" at number 4. Critics on behalf of Billboard selected Syro as the eighth-best album of 2014 and PopMatters placed the album at number 9 on its "Best Albums of 2014" feature, while Resident Advisor ranked it at number 4 on its "Top 20 albums of 2014". In its end-of-year roundup Bleep.com selected Syro as the top album of 2014, writing that the album is "a poignant reminder of the relevance of one of the most important artists of our time."
Syro won a Grammy Award for Best Dance/Electronic Album at the 57th Annual Grammy Awards in February 2015; sales of the album in the US increased 101 percent following James' win. Syro was nominated for IMPALA's European Independent Album of the Year and shortlisted for the 2015 Choice Music Prize for Irish Album of the Year.
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