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A sitcom (short for situation comedy or situational comedy) is a of produced for and , that centers on a recurring cast of characters as they navigate humorous situations within a consistent setting, such as a home, workplace, or community. Unlike , which features different characters and settings in each , sitcoms typically maintain plot continuity across episodes. This continuity allows for the development of storylines and characters over time, fostering audience engagement and investment in the characters' lives and relationships.


History
The structure and concept of a sitcom have roots in earlier forms of comedic theater, such as and comedy of manners. These forms relied on to generate humor, but the term sitcom emerged as radio and TV adapted these principles into a new medium. The word was not commonly used until the 1950s.
(2025). 9780791482636, SUNY Press. .

Early television sitcoms were often filmed in front of a using a multiple-camera setup, the latter of which continues in some modern productions such as The Big Bang Theory and Fuller House. Other formats make use of a or "canned laughter".

Since the 1990s, sitcoms have since expanded to , with successful shows of the genre including , King of the Hill, and .

Critics have debated the exact definition of a sitcom, mostly regarding productions created at the turn of the 21st century. Many contemporary American sitcoms use a single-camera setup and do not feature a laugh track, instead more resembling documentaries or the of the 1980s and 1990s. "The Evolution Of The Sitcom: The Age of the Single Camera" . New York Film Academy, September 24, 2014.


By country

Australia
Although there have been few long-running Australian-made sitcoms, many American and British sitcoms have been successful in Australia, since sitcoms are considered a staple of the government broadcaster Australian Broadcasting Corporation (ABC). In the 1970s and 1980s many British sitcoms also screened on the . By 1986, UK comedies Bless This House and Are You Being Served? had been re-screened several times by ABC Television; they were then acquired and screened by the Seven Network.Collier, Shayne. Again and again and again. The Sydney Morning Herald – The Guide: 2 June 1986, p.1, 6.

In 1981, Daily at Dawn was the first Australian comedy series to feature a regular gay character (Terry Bader as journalist Leslie).Howes, Keith. (1998, February). "Gays of Our Lives". Outrage, Number 177, 38-49.

In 1987, Mother and Son won the Television Drama Award for portraying a woman suffering from senile dementia and her interaction with her family, presented by the Australian Human Rights Commission.

In 2007, Kath & Kims first episode of series 4 attracted an Australian audience of 2.521 million nationally. This was the highest rating for a first episode in the history of Australian television, until the series premiere of in 2009, which garnered 2.58 million viewers.

In 2013, Please Like Me received an invitation to screen at the Television Festival in Paris, was praised by critics, and earned numerous awards and nominations.

Also in 2013, At Home with Julia was criticized by several social commentators as inappropriately disrespectful to the office of the Prime Minister. The show nevertheless proved very popular with both television audiences and critics, becoming the most-watched Australian scripted comedy series of 2011. It was nominated at the 2012 Awards for Best Television Comedy Series.


Canada
Although there have been several notable exceptions, relatively few Canadian sitcoms attained notable success in Canada or internationally. "Why do Canadian sitcoms suck?" . canada.com, March 21, 2014. Canadian television has had much greater success with and series.

The popular show King of Kensington aired from 1975 to 1980, at its peak garnering an average of 1.5 to 1.8 million viewers weekly.

The 1999 movie Trailer Park Boys was followed up by a television series of the same name that ran from 2001 to 2018, airing in Canada, the U.S., and the U.K.

, which ran for six seasons from 2004 to 2009, became an instant hit, averaging one million viewers per episode. It has been the recipient of six and has been nominated almost 70 times for various awards.

Other noteworthy recent sitcoms have included: Call Me Fitz, Schitt's Creek, "The success of Schitt's Creek marks a turning point for the CBC" . The Globe and Mail, January 9, 2017. Letterkenny, and Kim's Convenience, "CBC orders more Kim's Convenience" . Media in Canada, December 21, 2016. all of which have been winners of the Canadian Screen Award for Best Comedy Series.

In 2020, the sixth and final season of Schitt's Creek was nominated for 15 Primetime Emmy Awards. This broke the record for the most Emmy nominations given to a comedy series in its final season. During the 72nd Primetime Emmy Awards, the show became the first ever comedy or drama series to sweep the four acting categories (Outstanding Lead Actor, Outstanding Lead Actress, Outstanding Supporting Actor, Outstanding Supporting Actress for , Catherine O'Hara, Dan Levy, and respectively) and one of only four live action shows, along with All in the Family, The Golden Girls, and Will & Grace where all the principal actors have won at least one Emmy Award.


India
Sitcoms started appearing on Indian television in the 1980s, with serials such as Yeh Jo Hai Zindagi (1984), (1986), and Wagle Ki Duniya (1988) on the state-run channel. Gradually, as private channels were permitted to operate, many more sitcoms followed. In the 1990s these included: Dekh Bhai Dekh (1993), (1993), Shrimaan Shrimati (1995), (2001), Ramani Vs Ramani (Tamil 2001), Amrutham (Telugu 2001–2007), Khichdi (2002), Sarabhai vs Sarabhai (2005) F.I.R. (2006–2015), Taarak Mehta Ka Ooltah Chashmah (2008–present), (Malayalam 2015–present), and Bhabiji Ghar Par Hain (2015–present). is one of the leading channels in India, dedicated entirely to Sitcoms.

Taarak Mehta Ka Ooltah Chashmah is the longest-running sitcom of Indian television and is also known as the flagship show of .


Iran
and were among the first and most important sitcoms that led to the growth of this type of comedy in Iran, both receiving wide critical and audience acclaim.


Mexico
El Chavo del Ocho, which ran from 1971 to 1980, was the most-watched show on Mexican television and had a Latin-American audience of 350 million viewers per episode at its popularity peak during the mid-1970s. The show continues to be popular in as well as in Colombia, Venezuela, Brazil, Spain, the United States, and other countries. Syndicated episodes average 91 million daily viewers in all its American markets. Since it ceased production in 1992, the show has earned an estimated $1 billion in syndication fees alone for .


New Zealand
, a popular sitcom in New Zealand in the early 1980s, won multiple awards during its run including Best Comedy, Best Drama and Best Direction at the Feltex Awards.


Russia
The first sitcom series was "Strawberry", which resembled "Duty Pharmacy" in a Spanish format. It was aired from 1996 to 1997 on the RTR channel. The "boom" of Russian sitcoms began only in the 2000s, when in 2004, the STS started the highly successful sitcom "My Fair Nanny" (an adaptation of the American sitcom ""). Since that time, sitcoms in Russia have been produced by the two largest entertainment channels in the country — STS and TNT. In 2007, the STS released the first original domestic sitcom — "Daddy's Daughters" (there were only adaptations before), and in 2010, TNT released "Interns" — the first sitcom, filmed as a comedy (unlike dominated "conveyor" sitcoms).


South Korea
Sitcoms, or "시트콤" in Korean, gained significant popularity in South Korea during the 1990s. This popularity was fueled by the success of shows such as Dr. Oh's People, LA Arirang, and Men and Women.

The use of computer graphics (CG) in sitcoms began to increase in the late 1990s as more broadcasters adopted CG technology. This led to more visually dynamic and creative sitcoms.

However, viewer preferences shifted towards dramas and thrillers in the 2010s, resulting in a decline in sitcom popularity. Nevertheless, there have been recent efforts to revive the sitcom genre. For instance, released So Not Worth It in 2021, featuring many creators from popular South Korean sitcoms.

Popular South Korean sitcoms include the High Kick series, which has spawned several spin-offs.


United Kingdom
, like their American counterparts, often revolve around a core group of characters who interact in a recurring setting, such as a family, workplace, or institution. However, British sitcoms typically consist of shorter series, often six episodes, and are frequently developed by a smaller writing team.

The majority of are half-hour comedies recorded in studio settings using a multiple-camera setup. While many adhere to traditional sitcom conventions, some have ventured into more unconventional territory. For example, and shifted the focus from domestic or workplace settings to the world of politics.

A more recent development in British comedy is the , a style that blends documentary and comedic elements. Shows such as The Office, Come Fly with Me, W1A, People Just Do Nothing, and have successfully employed this format to explore a variety of topics and characters.


United States
Sitcoms, or situation comedies, made their debut in the United States in 1926 with the radio show Sam 'n' Henry. The subsequent success of Amos 'n' Andy, also created by and , solidified the sitcom's place in American radio programming.

The transition to television brought about significant changes in the sitcom format. Mary Kay and Johnny, which premiered in 1947, became the first American television sitcom. Today, American sitcoms typically run for 22 minutes, allowing for approximately eight minutes of advertising within a 30-minute time slot.

Throughout their history, American sitcoms have often drawn inspiration from British counterparts. Popular shows such as All in the Family, Three's Company, and Sanford and Son were adapted from successful British series. More recently, The Office achieved significant popularity in the , following the success of its British counterpart.

The large influence of the cinema of the United States has also allowed it to influence the world, with I Love Lucy, , The Beverly Hillbillies, The Mary Tyler Moore Show, Gilligan's Island, , and continuing to hold an influence on the format. The United States also features the largest , including , , , King of the Hill, , , SpongeBob SquarePants, and . Sitcoms have had such a profound impact on U.S. television entertainment that aspects of it even appear in other broadcasting formats; including the radio and television comedy series The Jack Benny Program, Western series , comedy drama M*A*S*H, fantasy series Supernatural, contemporary Western crime Breaking Bad, and reality television show .

Numerous television networks in the feature sitcoms in their programming. , TBS, , and are just a few examples, however many of them are beginning to move to digital formats.


See also


Further reading
  • (2004). Gagged (A Thriller with Jokes). Arrow books. . A contemporary comic thriller set in London and Los Angeles that covers the financing, production, creation, ratings, and marketing of a modern American network half-hour situation comedy.
  • (2012). 9780791482636, SUNY Press. .
  • (2003) Radio Times' Guide to TV Comedy. 2nd Ed. Revised – BBC Consumer Publishing. , Provides details of every comedy show ever seen on British television, including imports.
  • (2006). 9781844570874, British Film Institute. .
  • (2025). 9780748637522, Edinburgh University Press. .
  • (2025). 9780815629832, Syracuse University Press. .
  • Padva, Gilad (2005). "Desired Bodies and Queer Masculinities in Three Popular TV Sitcoms". In Lorek-Jezinska, Edyta and Wieckowska, Katarzyna (Eds.), Corporeal Inscriptions: Representations of the Body in Cultural and Homosexual Literature (pp. 127–138). Torun, Poland: Nicholas Copernicus University Press. .
  • (2010). 9780786459926, McFarland. .
  • Starman, Ray (2014). The Sitcom Class Wars: 20th Century. Troy, NY: The Troy Bookmakers. History and analysis of 60 classic American sitcoms. Also includes a glossary for easy access. Photos for every program.


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