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In , shutter lag is the delay between triggering the shutter and when the is actually recorded, which includes all lag between when the is pressed and when the photo is taken, including metering and focus lag. it can be mitigated to an extent by pre-focusing and readying for action.

(2018). 9781317371700, Taylor & Francis. .


Film cameras
In , the delay is caused by the mechanism inside the camera that opens the shutter, exposing the film. Because the process is mechanical, however, and relatively brief, shutter lag in film cameras is often only noticeable (and of any concern) to professionals. SLRs have a slight additional lag due to the time it takes to move the mirror out of the way.
(2011). 9781040081617, CRC Press. .


Digital cameras
Shutter lag is much more of a problem with , although higher cost models tend to have less lag.
(2011). 9781040081617, CRC Press. .

The comet-tail artifact that early CCD sensors suffered from was significantly reduced by the invention of the pinned photodiode (PPD). It was invented by Nobukazu Teranishi, Hiromitsu Shiraki and Yasuo Ishihara at in 1980. The "pinned photodiode" is a structure used in almost all charge-coupled device (CCD) and CMOS image sensors (CIS) due to its low noise, high quantum efficiency and low dark current. In 1987, the PPD began to be incorporated into most CCD devices, becoming a fixture in consumer electronic and then digital still cameras. The PPD has since been used in most CCD sensors and then .

Improvements in technology, such as the speed, bandwidth and power consumption of chips and , as well as CCD technology and then CMOS sensors, have made shutter lag less of a problem. While digital SLRs have achieved lag times around 50 ms by the late 2000s, some EVILs take half as long in the 2010s. That said, the lag times of some exceptional historic devices are still unsurpassed, see table below.


Examples of various shutter lag times
Note that cameras offer increasingly varied choices of fully mechanical shutter, first-curtain electronic shutter (EFCS; meaning a mechanical shutter only at the end of the exposure), or fully electronic (thus silent) shutter. This is paired with either autofocus, fully manual focus, or prefocus (half-pressing the shutter button to engage autofocus and lock exposure; then holding the button half-pressed until the decisive picture-taking moment, in which the button is depressed completely). Typically, prefocus + EFCS results in the shortest shutter lag (see the following individual sources with measurements for all available modi).

This table quotes the shortest possible lag time of the respective camera. Note that variations may occur between manufacturer-claimed times and real-world measurements. In the case of follow-up versions of cameras (Mark II, -N, -s, ...), it is usually save to assume identical performance unless explicitly stated otherwise in press releases or comparisons.

Nikon Coolpix L3Point-and-shoot (digital)1800
S550Point-and-shoot (digital)590
Panasonic DMC FS20Point-and-shoot (digital)480
Canon PowerShot A590 ISPoint-and-shoot (digital)350
SLR (digital, APS)164
Sony Cyber-shot DSC-W80Point-and-shoot (digital)150
Pentax MZ-50SLR (Film)120
Konica Minolta Maxxum 7DSLR (digital, APS-C, built-in image stabilization)117
Sony NEX-5EVIL (APS)115
Fujifilm GFX 50SEVIL (44mm)108
Fujifilm GFX 100EVIL (44mm)105
Fujifilm GFX 50REVIL (44mm)102
SLR (Film)90
Sigma SD1SLR (APS)88
Leica M8Rangefinder (Digital, APS-H)80
Leica M9Rangefinder (Digital, 35mm)80
Sony A850SLR (digital, 35mm, built-in image stabilization)74
Sony A900SLR (digital, 35mm, built-in image stabilization)72
Minolta XD-7SLR (Film)60
Nikon Z7 and Z6EVIL (35mm)59 and 56 respectively, 69-70 both
Canon EOS-5D Mark IV and 5DSSLR (digital, 35mm)57, 61-63
Canon EOS-1D XSLR (digital, 35mm)57-58, 36
SLR (digital, 35mm)55-57
Nikon D300sSLR (digital, APS)53
Sony Alpha SLT-A77SLR (digital, APS, built-in image stabilization)53
Canon EOS-1D Mark IISLR (digital, APS-H)53, 40
Canon EOS-1D Mark IVSLR (digital, APS-H)49
Leica SL 601EVIL (35mm)46
Nikon D700 and 800SLR (digital, 35mm)44, less than D500, 600, 610, 750, 810, and 850.
Nikon D3sSLR (digital, 35mm)43
Nikon D3xSLR (digital, 35mm)40
Nikon D5SLR (digital, 35mm)39, 43-57
Minolta XE-1SLR (Film)38
Nikon D2H, D2Hs, D2XSLR (digital, APS)37
Nikon F6SLR (Film)37
Contax RTS33SLR (Film)22
Sony A7 and A7 IIIEVIL (35mm)21-25, 23
Sony NEX-7, NEX-5N, a6x00 seriesEVIL (APS)20-25, 22
Sony A7r IIEVIL (35mm)20, 21-26 (noticeably faster than the 163 ms of Mark 1; 3 ms faster than Mark 3 and 4)
Sony A7sEVIL (35mm)20-23
Leica M3Rangefinder (Film)16
Leica M7Rangefinder (Film)12
Sony Cyber-Shot DSC-F828Point-and-shoot (digital)9 = manufacturer claim. Note that Sony claims the same 9 ms for models P93, T33 and W1; ImagingResource tested them at 11 ms
Canon EOS RTSLR (Film)8
Canon EOS-1N RSSLR (Film)6

Josef Scheibel, Robert Scheibel: Foto-Guide Minolta Dynax 9. vfv Verlag für Foto, Film und Video, Gilching 1999, (176 pages, [1], retrieved at 8 January 2011). Imaging-Resource Preview Sony Alpha SLT-A77V Imaging-Resource Preview Sony Alpha NEX-5N Imaging-Resource Preview Sony Alpha NEX-5 Imaging-Resource Preview Sony Alpha DSLR-A900 (Firmware 1) Imaging-Resource Preview Sony Alpha DSLR-A850 (Firmware 1) Imaging-Resource Preview Konica Minolta Dynax/Maxxum/Alpha 7D


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