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A sequin ( ) is a small, typically shiny, generally disk-shaped ornament.
Sequins are also referred to as paillettes, spangles, or diamanté (also spelled diamante). Although the words sequins, paillettes, lentejuelas, and spangles can be used interchangeably, diamanté (literally "set with diamonds") is both an adjective and a plural-only noun, which specifically refers to diamond-shaped sequins and can also be used to mean "artificial diamonds", which serve the same purpose as sequins.
In costuming, sequins have a center hole, while spangles have the hole located at the top. Paillettes are typically very large and flat. Sequins may be stitched flat to the fabric, so they do not move, and are less likely to fall off; or they may be stitched at only one point, so they dangle and move easily, catching more light. Some sequins are made with multiple , to increase their reflective ability, while others are stamped out with lobes resembling flower petals.
Sequins made with nautilus shell were found dating back 12,000 years in Indonesia. Evidence exists that gold sequins were being used as decoration on clothing or paraphernalia in the Indus Valley as early as 2500 BC, during the Kot Diji phase. Solid gold sequins sewn into royal garments were found inside the tomb of Tutankhamun.
For the coronation of Henry VII of England in 1485, sequins called "spangles" and "oylets" of silver and gilt were supplied by London goldsmiths.William Campbell, Materials for a History of the Reign of Henry VII, 2 (London, 1877), p. 16. In June 1502, Elizabeth of York paid a coppersmith for "spangelles, settes, square pieces, stars, drops, and points" imitating silver and gold for costumes for "disguysings" at the Tudor court.Nicholas Harris Nicolas, Privy Purse Expenses of Elizabeth of York: Wardrobe Accounts of Edward the Fourth (London: Pickering, 1830), p. 21. Some sequins used for masque costume in the Tudor and Stuart period were known as "Oes".M. Channing Linthicum, Costume in the Drama of Shakespeare and his Contemporaries (Oxford, 1936), pp. 152-3.
By the 17th century, the modern sequin consisting of a small thin metal disk, known as spangle, appeared in Europe. These were made by punching out the desired shape from a thin metal sheet. Spangles (mainly made out of reflective bits of metals) sewn into jackets, bonnets, and dresses were popular among the european nobility and upper class from the 17th to 19th centuries.
During the Edwardian era, the usage of spangles became increasingly popular and Haute couture designers like Callot Soeurs designed evening dresses fully covered in sequins, often times using sequins of different colors to form intricate patterns.
During the 1920s, after the discovery of the Tomb of Tutankhamun, sequins witnessed renewed popularity as a consequence of Egyptomania. The usage of sequins (typically made out of metal) was widely popularized as a fashion statement by Flapper during this period.
In the 1930s, lightweight Electroplating gelatin sequins were produced, which were significantly less heavy than their metal counterparts. However, the gelatin sequins would melt if they got wet or too warm. Algy Trimmings Co. (an apparel manufacturing company), working with Kodak, produced clear plastic sequins, although it often suffered from brittleness. Polyester film was later used to surround the plastic sequin to safely wash it. Eventually, vinyl plastic mostly replaced film and clear plastic because of its durability and cost effectiveness.
In the late 1960s, sequins began to be widely used by popular musicians such as The Supremes. Sequins continued to be popular into the 1970s and early 1980s.
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