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Scrying, also referred to as "seeing" or "peeping," is a practice rooted in divination and fortune-telling. It involves gazing into a medium, hoping to receive significant messages or visions that could offer personal guidance, prophecy, revelation, or inspiration. The practice lacks a definitive distinction from other forms of clairvoyance or divination but generally relies on visions within the chosen medium. Unlike augury, which interprets observable events, or divination, which follows standardized rituals, scrying's impressions arise within the medium itself.
The terminology and methods of scrying are diverse and lack a standardized structure. Practitioners coin terms such as "crystallomancy," "spheromancy," or "catoptromancy," naming practices based on the medium or technique employed. These practices have been reinvented throughout history, spanning cultures and regions. Scrying media encompass reflective, refractive, or luminescent surfaces like crystals, mirrors, water, fire, or smoke. Some practitioners even close their eyes, engaging in "eyelid scrying."
Methods of scrying often include self-induced , using media like or even modern technology like . Practitioners enter a focused state that reduces mental clutter, enabling the emergence of visual images. These initial images, however trivial, are amplified during the trance. Some scryers report that they hear their voice affirming what they see, creating a mental feedback loop.
Throughout history, various traditions and cultures have practiced scrying as a means of revealing the past, present, or future. The practice involves diverse media, from reflective surfaces to shimmering mirages, and is often accompanied by inducing altered states of consciousness. Despite its popularity in occult circles and its portrayal in media, scrying lacks empirical support and has been met with skepticism from the scientific community.
Scrying is neither a single, clearly defined, nor formal discipline and there is no uniformity in the procedures, which repeatedly and independently have been reinvented or elaborated in many ages and regions. Furthermore, practitioners and writers coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or of descriptions of the media or activities. Examples of names coined for crystal gazing include 'crystallomancy', 'spheromancy', and 'catoptromancy'. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.
Scrying has been practiced in many cultures in the belief that it can reveal the past, present, or future. Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from deity, spirits, demon, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary.
Scrying media generally either suggest images directly (such as figures in fire, fluid eddies, or clouds), or else they distort or reflect the observers' vision confusingly, in the manner to be seen in crystals or transparent balls. Such fancies have long been satirised by sceptics, for example in Hamlet III.ii:
Do you see yonder cloud that's almost in shape of a camel? By the mass, and 'tis like a camel, indeed. Methinks it is like a weasel. It is backed like a weasel. Or like a whale? Very like a whale.
Alternatively the medium might reduce visual stimuli to thresholds below which any clear impressions could interfere with fancied visions or free association. Examples include darkened reflections of night sky, or plain shadow or darkness.
Many practitioners say that the scrying medium initially serves to focus attention, removing unwanted thoughts from the mind in much the same way as repetition of a mantra, concentration on a mandala, inducing the relaxation response, or possibly by hypnosis. Once this stage is achieved, the scryer may begin free association with the perceived images. The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, attempts to deepen the trance state. In this state some scryers hear their own disassociated voices affirming what they see, in a mental feedback loop.
Practitioners apply the process until they achieve a satisfactory state of perception in which rich visual images and dramatic stories seem to be projected within the medium itself, or in the mind's eye of the scryer. They report that the technique allows them to see relevant events or images within the chosen medium.
Nostradamus practiced scrying; he would stare into a bowl of water or a magic mirror to see the future while he was in trance.
Another form of the tale, involving the same actions of gazing into a mirror in a darkened room, is used as a legend tripping in the tale of "Bloody Mary". Here, the motive is usually to test the adolescent gazers' mettle against a malevolent witch or ghost, in a ritual designed to allow the scryers' easy escape if the visions summoned prove too frightening.
Folklore superstitions such as those just mentioned, are not to be distinguished clearly from traditional tales, within which the reality of such media are taken for granted. In the fairytale of Snow White for example, the jealous queen consults a magic mirror, which she asks "Magic mirror on the wall / Who is the fairest of them all?", to which the mirror always replies "You, my queen, are fairest of all." But when Snow White reaches the age of seven, she becomes as beautiful as the day, and when the queen asks her mirror, it responds: "Queen, you are full fair, 'tis true, but Snow White is fairer than you." There is no uniformity among believers, in how seriously they prefer to take such tales and superstitions.
Psychologist Leonard Zusne suggested that scrying images are or hypnagogia experiences.
A 2010 paper in the journal Perception identified one specific method of reliably reproducing a scrying illusion in a mirror and hypothesized that it "might be caused by low level fluctuations in the stability of edges, shading and outlines affecting the perceived definition of the face, which gets over-interpreted as ‘someone else’ by the face perception."
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