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The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by and produced, in and Central Greece, between roughly 1025 and 900 BCE,Van Damme, Trevor, and Lis Bartłomiej, (29 October 2024). "The origin of the Protogeometric style in northern Greece and its relevance for the absolute chronology of the Early Iron Age", in: Antiquity, 2024, Vol. 98, No. 401, pp. 1271-1289, Table 1: "Early Protogeometric in Central Greece and Attica, 1025 cal BC."Toffolo, Michael B., et al., (December 26, 2013). "Towards an Absolute Chronology for the Aegean Iron Age: New Radiocarbon Dates from Lefkandi, Kalapodi and Corinth", in: PLoS ONE 8(12): e83117.Fantalkin, Alexander, Assaf Kleiman, Hans Mommsen, and Israel Finkelstein, (2020). "Aegean Pottery in Iron IIA Megiddo: Typological, Archaeometric and Chronological Aspects", in Mediterranean Archaeology and Archaeometry Vol. 20, No 3, (2020), p. 143: "...This would imply that the preceding Aegean sequence from Early Protogeometric to the end of Late Protogeometric should cover the last few decades of the 11th century BCE and the entire 10th century BCE..." during the Greek Dark Ages.Cook, 30 It was succeeded by the Early .

Earlier studies considered the beginning of this style around 1050 BCE.


History
After the collapse of the -Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the late 11th century BCE, as the first expression of a reviving civilization. Following on from the development of a faster potter's wheel, vases of this period are markedly more technically accomplished than earlier Dark Age examples. From Athens the style spread to several other centres.Cook, 30-31


Production and decoration
The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush. Many other simple motifs can be found, but unlike many pieces in the following , typically much of the surface is left plain.Cook, 31

Like many pieces, the example illustrated includes a colour change in the main band, arising from a firing fault. Both the red and black colour use the same clay, differently and fired. As the Greeks learnt to control this variation, the path to their distinctive three-phase firing technique opened.

Some of the innovations included some new Mycenean influenced shapes, such as the belly-handled , the neck handled amphora, the , and the . artists redesigned these vessels using the fast wheel to increase the height and therefore the area available for decoration.


Chronology
Based on radiocarbon datings and Bayesian models to , and , Toffolo et al. (2013) placed the Sub-Mycenaean/Protogeometric transition "in the second half of the 11th century, approximately centered on 1025 BCE."Toffolo, Michael B., et al., (December 26, 2013). "Towards an Absolute Chronology for the Aegean Iron Age: New Radiocarbon Dates from Lefkandi, Kalapodi and Corinth", in: PLoS ONE 8(12): e83117.

Alex Knodell, in his (2021) book, classifies Protogeometric period in three sub-periods:Knodell, Alex, (2021). Societies in Transition in Early Greece: An Archaeological History , University of California Press, Oakland, Table 1, p. 7.

1025–1000
1000–950
950–900


See also


Sources
  • Cook, R.M., Greek Art, Penguin, 1986 (reprint of 1972),
  • Murray, R. L. The Protogeometric Style: the first Greek style, Gothenburg, Paul Åströms (1975).
  • Eiteljorg, H., "The fast wheel, the multiple brush compass and Athens as home of the Protogeometric style" American Journal of Archaeology (AJA) 84 (1980) pp. 445–452.


Further reading
  • Betancourt, Philip P. 2007. Introduction to Aegean Art. Philadelphia: INSTAP Academic Press.
  • Preziosi, Donald, and Louise A. Hitchcock. 1999. Aegean Art and Architecture. Oxford: Oxford University Press.


External links

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