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Visayans (Cebuano language: mga Bisayà ) are a Philippine ethnolinguistic family group or metaethnicity native to the Visayas, to the southernmost islands south of Luzon, and to a significant portion of Mindanao. They are composed of numerous distinct ethnic groups. When taken as a single group, they number around 33.5 million. The Visayans, like the Luzon Lowlanders (Tagalogs, Bicolanos, Ilocanos, etc.) were originally predominantly animist-polytheists and broadly share a maritime culture until the 16th century when the Spanish Empire enforced Catholicism as the state religion. In more inland or otherwise secluded areas, ancient animistic-polytheistic beliefs and traditions either were Folk Catholicism within a Roman Catholic framework or syncretized with the new religion. Visayans are generally speakers of one or more of the distinct Bisayan languages, the most widely spoken being Cebuano language, followed by Hiligaynon (Ilonggo) and Waray-Waray.
Visayans were first referred to by the general term Pintados ("the painted ones") by the Spanish, in reference to the prominent practice of full-body tattooing ( batok). The word Bisaya, on the other hand, was first documented in Spanish sources in reference to the non-Ati people inhabitants of the island of Panay. However, it is likely that the name was already used as a general endonym by Visayans long before Spanish colonization, as evidenced by at least one instance of a place named "Bisaya" in coastal eastern Mindanao as reported by the Loaisa (c.1526), Saavedra (c.1528), and the Villalobos (c.1543) expeditions. It is likely that the reason the Spanish did not use the term generally until the later decades of the 1500s is due to the fact that people were more likely to identify themselves with more specific ethnic names like Cebuano people. In Sucesos de las Islas Filipinas (1609) by Antonio de Morga, he specifies that the name " Biçaya" is synonymous with Pintados.
The first Spanish-Visayan dictionary written was for the Waray language in the Bocabulario de la lengua Bisaya by Mateo Sánchez, which was completed in 1617 in Leyte. This was followed by the Bocabulario de la lengua Bisaya-Hiligueyna y Haraía de las islas de Panay y Sugbu, y para las demás islas (1637) by Alonso de Méntrida which in turn was for the Hiligaynon language, with notes on the Aklanon language and Kinaray-a languages. Both these works demonstrate that the term Bisaya was used as a general term for Visayans by the Spanish.
Another general term for Visayans in early Spanish records is Hiligueinos (also spelled Yliguenes, Yligueynes, or Hiligueynos; from Visayan Iligan or Iliganon, meaning "people of the coast"). It was used by the Spanish conquistador Miguel de Loarca in Relacion de las Yslas Filipinas (1582) as a general name for coastal-dwelling Visayans not only in Panay, but also Cebu, Bohol, and Western Negros. Today, the demonym is only used specifically for the Hiligaynon people, a major Visayan subgroup.
In Northern Mindanao, Visayans (both Mindanao natives and modern migrants) are also referred to by the Lumad as the dumagat ("sea people", from the root word dagat - "sea"; not to be confused with the Aeta people in Luzon). This was to distinguish the coast-dwelling Visayans from the Lumad of the interior highlands and marshlands.
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By the end of the 19th century, the Spanish Empire weakened after a series of wars with its American territories. The surge of newer ideas from the outside world thanks to the liberalization of trade by the Bourbon Spain fostered a relatively larger middle class population called the Ilustrados or "the Enlightened Ones." This then became an incentive for the new generation of educated political visionaries to fulfill their dreams of independence from three centuries of colonial rule. Some prominent leaders of the Philippine Revolution in the late 19th century were Visayans. Among leaders of the Propaganda movement was Graciano López Jaena, the Ilonggo who established the propagandist publication La Solidaridad (The Solidarity). In the Visayan theater of the Revolution, Pantaleón Villegas (better known as León Kilat) led the Cebuano revolution in the Battle of Tres de Abril (April 3). One of his successors, Arcadio Maxilom, is a prominent general in the liberalization of Cebu.
Earlier in 1897, Aklan fought against the Spaniards with Francisco Castillo and Candido Iban at the helm. Both were executed after a failed offensive. Martin Delgado led the rebellion in neighboring Iloilo. Led by Juan Araneta with the assistance of Aniceto Lacson, Negros Occidental was freed while Negros Oriental was liberated by Diego de la Viña. The former would be called the Negros Revolution or the Cinco de Noviembre. Movements in Capiz province were led by Esteban Contreras with the aid of Alejandro Balgos, Santiago Bellosillo and other Ilustrados. Meanwhile, Leandro Locsin Fullon spearheaded the liberalization of Antique. Most of these revolutionaries would continue their fight for independence until the Philippine–American War. There was also a less heard and short-lived uprising called the Igbaong Revolt which occurred in Igbaong, Antique steered by Maximo and Gregorio Palmero. This revolt, however, was secularism-motivated as they clamored for a more syncretic form of religion based on Visayan animist traditions and Christianity.
| Anecito Lacson |
| Eusebio Luzurriaga |
| Melecio Severino |
| Juan Araneta |
| Simeón Lizares |
| Nicolás Gólez |
| Antonio Jayme Ledesma |
| Agustín Amenablar |
The federation was immediately formed upon the merger of the Cantonal Government of Negros, the Cantonal Government of Bohol and the Provisional Government of the District of Visayas (based in Panay) which included Romblon. It was said to be based on American federalism and Swiss confederacy. Despite their skepticism towards Malolos, the Visayan government proclaimed its loyalty to the Luzon-based republic while maintaining their own governance, tax collection and army. Apolinario Mabini, then the prime minister of the Malolos republic convinced the Visayan leaders that the Malolos Constitution was only provisional and that the governments in Visayas and Mindanao were promised the power to co-ratify it.
During this period, the eastern islands of Samar, Leyte and Biliran (including Marinduque) were directly governed by the Malolos Republic through Vicente Lukban and later by Ambrosio Mojica. Meanwhile, prior to the full abolition of the federal government on November 12, 1899, Emilio Aguinaldo appointed Martin Delgado as the civil and military governor of Iloilo on April 28, 1899, upon American invasion of Antique. The federal government, much to its rejection of the Cebuano leaders who supported the Katipunan cause, was dissolved upon the Iloilo leaders' voluntary union with the newly formed First Philippine Republic. Other factors which led to Aguinaldo forcing the Visayans to dissolve their government was due to the federation's resistance from reorganizing its army and forwarding taxes to Malolos.
In addition, the Visayas has produced three Vice-Presidents, four Senate Presidents, nine Speakers of the House, six Chief Justices, and six Presidential Spouses including Imelda Marcos, a Waray. The then-president Gloria Macapagal Arroyo is also half Cebuano. Former president Rodrigo Duterte, who is of Visayan people, also has Leyteño roots. Incumbent president Bongbong Marcos, is of Visayan descent through his Waray mother Imelda Marcos. In international diplomacy the Visayas has produced a United Nations Undersecretary general, the Negros Occidental native Rafael M. Salas who served as the Head of the UNFPA. In the lines of religion, there have been three Visayan Cardinals, namely Julio Rosales from Samar, Jaime Sin from Aklan and Jose Advincula from Capiz. The first Visayan and second Filipinos that was canonized is Pedro Calungsod.
Throughout centuries, non-Visayan groups, most notably migrants from Luzon and foreigners such as the Chinese, have settled in predominantly-Visayan cities in Visayas like Iloilo City, Bacolod, Dumaguete and Cebu City and Mindanao such as Cagayan de Oro, Iligan City, Davao City and General Santos. These Filipino-Chinese have been assimilated to mainstream society. One factor would be the limited number of Chinese schools in the Visayas which help maintain the Chinese identity and a stronger sense of a distinct community.
Many of them, particularly the younger generation, have been de-cultured from Chinese traditions, share values about family and friends with other Filipinos, and do not write or speak Hokkien language well.Meanwhile, Negritos, locally called Ati, have also been assimilated into mainstream Visayan society.
In Mindanao, migrant ethnic individuals from Luzon as well as Lumad assimilated into a society of Cebuano-speaking majority (Hiligaynon-speaking majority in the case of Soccsksargen) over many years, identifying themselves as Visayans upon learning Cebuano (or Hiligaynon) despite many of them still know and retain their non-Visayan roots and some speak their ancestor's language fluently at least as their second or third languages, since Mindanao is melting pot of different cultures as a result of southward migration from Luzon and Visayas to the island since 20th century. Descendants of these migrant Luzon ethnic groups especially newer generations (as Mindanao-born natives) and Lumad individuals now speak Cebuano or Hiligaynon fluently as their main language with little or no knowledge of their ancestors' native tongues at the time of leaving their respective homelands in Luzon heading south, as for the Lumad, due to the contact with Cebuano- and Hiligaynon-speaking neighbors.
Visayans have likewise migrated to other parts of the Philippines, especially Metro Manila and Mindanao. The Visayans have also followed the pattern of migration of Filipinos abroad and some have migrated to other parts of the world starting from the Spanish and American period and after World War II. Most are migrants or working as overseas contract workers.
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Ethnic Visayans predominantly speak at least one of the Bisayan languages, most of which are commonly referred as Binisaya or Bisaya. The table below lists the Philippine languages classified as Bisayan languages by the Summer Institute of Linguistics. Although all of the languages indicated below are classified as "Bisayan" by linguistic terminology, not all speakers identify themselves as ethnically or culturally Visayan. The predominantly Muslim Tausūg people prefer to identify as a Moro people ethnic group and only use Bisaya to refer to the predominantly Christian lowland natives, despite speaking the Bisayan Tausug language and being closely related to the Visayan Surigaonon and Butuanon people.
Conversely, the natives of Capul in Northern Samar speak Abaknon language, a Sama–Bajaw language, but still identify as culturally Visayan. The Ati people also delineate Visayans from fellow Negritos, despite also being native to the Visayan islands.
Tattooing traditions were lost over time among almost all Visayans during Christianization in the Spanish colonial period. It is unclear whether the related Tausug people, who are a subset of southern Visayans who Islamized from the 13th century, practiced tattooing before they took up Islam. Today, traditional tattooing among Visayans only survives among some of the older members of the Sulodnon people of the interior highlands of Panay, the descendants of ancient Visayans who escaped Spanish conversion.
Tattoos were known as batuk (or batok) or patik among Visayans. These terms were also applied to identical designs used in woven textiles, pottery, and other decorations. Tattooed people were known generally as binatakan or batokan (also known to the Tagalog people people as batikan, which also means "renowned" or "skilled"). Both sexes had tattoos. They were symbols of tribal identity and kinship, as well as bravery, beauty, and social status. It was expected of adults to have them, with the exception of the asog (feminized men) for whom it was socially acceptable to be mapuraw or puraw (unmarked). Tattoos were so highly regarded that men will often just wear a loincloth ( bahag) to show them off.
The Visayan language itself had various terminologies relating to tattoos like kulmat ("to show off new tattoos) and hundawas ("to bare the chest and show off tattoos for bravado"). Men who were tattooed but have not participated in battles were scorned as halo (monitor lizard), in the sense of being tattooed but undeserving. Baug or binogok referred to the healing period after being tattooed. Lusak ("mud") refers to tattoos that had damaged designs due to infection. Famous heroes covered in tattoos were known as lipong. Tattoos are acquired gradually over the years, and patterns can take months to complete and heal. They were made by skilled artists using the distinctively Austronesian hafted tattooing technique. This involves using a small hammer to tap the tattooing needle (one or several) set perpendicularly on a wooden handle in an L-shape (hence "hafted"). The ink was made from soot or ashes and water or plant extracts (like those from Cayratia trifolia) and was known as biro. The tattooing process were sacred events that required chicken or pig sacrifices to the ancestor spirits ( anito). Artists were usually paid with livestock, heirloom beads, or precious metals.
The first tattoos were acquired during the initiation into adulthood. They are initially made on the ankles, gradually moving up to the legs and finally the waist. These tattoos were known as hinawak ("of the waist"). These were done on all men, and did not indicate special status. Tattoos on the upper body, however, were only done after notable feats (including in love) and after participation in battles. Once the chest and throat are covered, tattoos are further applied to the back. Tattoos on the chin and face (reaching up to the eyelids) are restricted to the most elite warriors. These face tattoos are called bangut ("muzzle") or langi ("gaping jaws/beaks") and are often designed to resemble frightening masks. They may also be further augmented with scarification ( labong) burned into the arms. Women were tattooed only on the hands in very fine and intricate designs resembling damask embroidery.
Tattoo designs varied by region. They can be repeating geometric designs, stylized representations of animals (like snakes and lizards), and floral or sun-like patterns. The most basic design was the labid, which was an inch-wide continuous tattoo that covered the legs to the waist in straight or zigzagging lines. Shoulder tattoos were known as ablay; chest tattoos up to the throat were known as dubdub; and arm tattoos were known as daya-daya (also tagur in Panay).
Some Spanish colonial historians, including Isabelo de los Reyes y Florentino, would classify some heroes and demigods of the Panay epic Hinilawod, like Labaw Donggon, among these Diwatas.
The people of the coast, who are called Yligueynes, believed that the heaven and earth had no beginning and that there were two gods, one called Captan and the other Maguayen. They believed that the breeze and the sea were married; and that the land breeze brought forth a reed, which was planted by the god Captan. When the reed grew, it broke into two sections, from which came a man and a woman. To the man they gave the name Silalac, and that is the reason why men from that time on have been called lalac; the woman they named Sicavay, and henceforth women have been called babaye...'
One day the man asked the woman to marry him for there were no other people in the world; but she refused, saying they were brother and sister, born of the same reed, with only one know between them. Finally, they agreed to ask the advice from the tunnies of the sea and from the doves of the earth. They also went to the earthquake, which said that it was necessary for them to marry, so that the world might be peopled.
Notable among the rituals performed by Babaylan was the pig sacrifice. Sometimes chicken were also offered. The sacrificial victims were placed on well adorned altars, together with other commodities and with the most exquisite local wine called Pangasi. The Babaylan would break into dance hovering around these offerings to the sound of drums and brass bells called Agongs, with palm leaves and trumpets made of cane. The ritual is called by the Visayans "Pag-aanito".
Spirits were referred to as umalagad (called anito in Luzon). These refer to ancestors, past leaders or heroes also transfigured within nature. Beside idols symbolizing the umalagad were food, drinks, clothing, precious valuables or even a sacrificial animal offered for protection of life or property. Such practice was a form of ancestor worship. Furthermore, these rituals surrounding the diwata and umalagad were mediated by the babaylan who were highly revered in society as spiritual leaders. These intercessors were equivalent to shamans, and were predominantly women or were required to have strong female attributes such as hermaphrodites and homosexuals. Old men were also allowed to become one. One notable example is Dios Buhawi who ruled a politico-religious revolt in Negros Oriental at the beginning of the Philippine Revolution.
The same survey showed that 92% of household populations in Central Visayas were Catholics, followed by Aglipayans (2%) and Evangelicals (1%). The remaining 5% belonged to the United Church of Christ in the Philippines, Iglesia ni Cristo, various Protestant denominations or other religions.
For Eastern Visayas, 93% of the total household population were Catholics, while 12% identified as "Aglipayan", and 1% as "Evangelical". The remaining 5% belonged to other Protestant denominations (including the Iglesia ni Cristo, the Seventh-day Adventist Church, and various Baptist churches) or identified with Islam and other religions.
The Tausūg people are excluded in these statistics because they do not self-identify as Visayans. The Tausug are overwhelmingy Muslim and are grouped together with other Muslim Filipinos as the Moro people.
The Sandugo Festival of Tagbilaran, Bohol is a celebration of one of the most significant parts of pre-Philippine history. This festival revolves around the theme of the reenactment of the blood compact between the island's monarch, Datu Sikatuna, and the conquistador, Miguel López de Legazpi, which is known among Filipinos as the Sandugo (lit. unified/one blood). The arrival of the ten Borneo as mentioned in the legend of Maragtas is celebrated in Binirayan Festival in Antique.
The MassKara Festival of Bacolod, Negros Occidental explores more on the distinct cultural identity of the city. Since Bacolod is tagged as the City of Smiles due to its fun-loving and enduring people, the city government inaugurated the festival in 1980 after tragedy struck the region.
It was found by Filipinos polymath José Rizal in Antonio de Morga's Sucesos delas islas Filipinas that one of the first documented poets in much of pre-Philippines known to Conquistador was a Visayan named Karyapa. During the golden age of Philippine languages at the onset of Japanese occupation, numerous Visayan names rose to literary prominence. Acclaimed modern Visayan writers in their respective native languages are Marcel Navarra, the father of modern Cebuano literature, Magdalena Jalandoni, Ramon Muzones, Iluminado Lucente, Francisco Alvardo, Eduardo Makabenta, Norberto Romuáldez, Antonio Abad, Augurio Abeto, Diosdado Alesna, Maragtas S. V. Amante, Epifanio Alfafara, Jose Yap, Leoncio P. Deriada, Conrado Norada, Alex Delos Santos, John Iremil Teodoro and Peter Solis Nery.
Don Ramon Roces of Roces Publishing, Inc. is credited for the promulgation of Visayan languages in publications through Hiligaynon and Bisaya Magasin.
The national film and television industries are also supported by actors who have strong Visayan roots such as Joel Torre, Jackie Lou Blanco, Edu Manzano, Manilyn Reynes, Dwight Gaston, Vina Morales, Sheryl Reyes, and Cesar Montano, who starred in the 1999 biographical film Rizal and multi-awarded 2004 movie Panaghoy sa Suba. Younger actors and actress of Visayan origin or ancestry include Isabel Oli, Kim Chiu, Enrique Gil, Shaina Magdayao, Carla Abellana, Erich Gonzales and Matteo Guidicelli.
Award-winning director Peque Gallaga of Bacolod has garnered acclaim from his most successful movie Oro, Plata, Mata which depicted Negros Island and its Negrenses during World War II. Among his other works and contributions are classic Shake, Rattle & Roll horror film series, Scorpio Nights and Batang X.
GMA Network's 2011 period drama teleserye Amaya as well as its 2013 series Indio, featured the politics and culture of ancient and colonial Visayan societies, respectively.
Contemporary Philippine music was highly influenced and molded through the contributions of many Visayan artists. Many of them are platinum recorder Jose Mari Chan, Pilita Corrales, Dulce, Verni Varga, Susan Fuentes, Jaya and Kuh Ledesma who enjoyed acclaim around the 1960s to the early 1990s. Newer singers are Jed Madela, Sheryn Regis and Sitti Navarro.
Yoyoy Villame, a Boholano people, is dubbed as the Father of Filipino with his Butsekik as the most popular. Villame often collaborated with fellow singer, Max Surban. Joey Ayala, Grace Nono and Bayang Barrios are some of the front-runners of a branching musical subgenre called Neotraditional which involved traditional Filipino instruments with modern rhythm and melody.
Rock emerged into dominance within the Philippine music scene in the 1980s. Among the bands from Visayas are Urbandub and Junior Kilat. Another subgenre also sprung a few years later called BisRock which is a portmanteau of Bisaya and rock music.
A renowned figure in architecture is Leandro Locsin of Silay, Negros Occidental. He was proclaimed as National Artist of the Philippines for architecture in 1990. Locsin worked on many of the buildings in many campuses of the University of the Philippines System. He also designed the main building or the Tanghalang Pambansa of the Cultural Center of the Philippines and the Ayala Tower One & Exchange Plaza housing the Philippine Stock Exchange at Makati.
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