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The Njuup tradition is a style of rooted in the Ndut initiation rite, which is a rite of passage that young Serers must go through once in their lifetime as commanded in the . The Culture trip : "Youssou N'Dour: An Unlikely Politician" (Retrieved : 28 June 2012)


History
Njuup songs are in nature. For a large part of its history, Njuup was only used within the Ndut ritual. The history of Njuup comes from the older Ndut style of teachings. Young Serer boys in the ndut (nest) were required to create religious tunes during their rite of passage to take their minds off the transitional experience, build their aesthetic skills, and enhance their spirituality. The veneration of Serer influenced the songs of the Ndut, including Njuup. Le Ndut dans « L'héritage spirituel sereer : valuer traditionnelle d'hier, d'aujourd'hui et de demain » in Éthiopiques n° 31

Modern artists who sing the purest form of Njuup in the include Rémi Jegaan Dioh Ferloo "Rémi Jegaan Dioh : Sur un air culturel et cultuel " (Retrieved : 28 June 2012) All Africa "Sénégal: Rémi Diégane Dioh présente samedi son CD dédié à Senghor" and Yandé Codou Sène. All Africa "Sénégal: Commémoration du dixième anniversaire du décès de Senghor – Les héritiers de Yandé Codou Sène et de Julien Jouga assurent les partitions"


Influence
Njuup is the of music. Mbalax music originated when prominent Senegalese artists, such Youssou N'Dour, began to incorporate Njuup into their works Unlike Njuup, which is religious, Mbalax is party music. All Mbalax artists are strongly influenced by the Njuup tradition. who specialize in Mbalax include Mbaye Dieye Faye, Youssou N'Dour, and .


See also


Further reading
  • , "L’appel du Ndut ou l’initiation des garçons seereer", Dakar, Institut Fondamental d'Afrique Noire / Enda-Editions(2004)
  • , "La civilisation sereer : ", vol.2, Les Nouvelles Editions Africaines du Sénégal, (1990),
  • Faye, Louis Diène, "Mort et Naissance Le Monde Sereer", Les Nouvelles Edition Africaines (1983),

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