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A majorette is a female performer who combines baton twirling with dance movements, primarily associated with marching bands during . Majorettes may alternatively spin flags, fire batons, maces, or rifles. Some performers incorporate cartwheels and flips, while others may twirl multiple batons at once. "Twirl/Majorette info"
Majorettes are typically distinguished from cheerleaders, while baton twirling is closely related to rhythmic gymnastics.
During the carnival, the normal form of government was parodied. Also the army and defense forces were traditionally parodied as a way of protesting against the Prussian occupation of the Rhenish area at the time. In Cologne, these imitations arose in particular to make Prussian militarism look ridiculous.
The Tanzmariechen show clear origins in the camp followers in the 18th and 19th century, and have a vibrant and eventful past. Around this time, Germany had a large number of armies, and in each regiment there were women and girls selling and providing food and drink and taking on chores like washing clothes. Many also offered themselves as prostitutes.
Around 1800, more regulations began to emerge in the armies, which were gradually applied to the camp followers as well. Increasingly, camp followers were women married to corporals or privates, with tasks like washing the linen. They became no longer typical army prostitutes but also not proper married women. Besides caring for the soldiers, they could still continue entertaining them in various ways.
In the carnival mockery, both officers and camp followers were depicted: the officer as an effeminate, wig-wearing, conceited fool, and the camp followers as women who were militarily but provocatively costumed, and also clearly recognizable as a man: the Tanzmarie.
In the late 19th century, the carnival associations found further inspiration in the revue girls performing in theaters at the time. They were scantily clad young women, accompanied by military attributes like peak helmets and military backpacks, dancing provocatively in small groups. The revue girls became nightclub-like stars. It cannot be denied that the carnival with its Tanzmariechen has popularized and even parodied the sparkling shows that could otherwise be enjoyed only in the major European cities.
During the post-war carnival, young women and girls again took on the role of Tanzmariechen instead of men and performed in parades. A show element was added to carnival, partly because of rapidly evolving ballet education. Majorettes or Tanzmariechen increasingly began to act in groups. Some parts of the Prussian military background are sometimes still reflected today in the majorettes' movements, music, or clothing.
The somewhat slovenly camp followers who accompanied the troops have evolved into a show dance group, but still inspired by the Prussian army. This metamorphosis went through the intermediate step of the role performed by men as Tanzmarie. Although current majorettes have their roots in the carnival scene, majorette associations widely break these historical ties, appearing more as sports or dance clubs.
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