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Lilith (; ), also spelled Lilit, Lilitu, or Lilis, is a feminine figure in Mesopotamian and . According to accounts in the she is the first wife of and a primordial .

(2025). 9780197565087, Oxford University Press.
Lilith is cited as having been "banished" from the Garden of Eden for disobeying Adam.

The stem Hebrew word from which the name Lilith is taken is in the , in the Book of Isaiah, though Lilith herself is not mentioned in any biblical text. In in Mandaean and Jewish sources from 500 AD onward, Lilith appears in ( incorporating a short mythic story) in various concepts and localities that give partial descriptions of her. She is mentioned in the Babylonian Talmud (Eruvin 100b, Niddah 24b, Shabbat 151b, 73a), in the Conflict of Adam and Eve with Satan as Adam's first wife, and in the § Leviticus 19a as "a hot fiery female who first cohabited with man".Davidson, Gustav (1971) Dictionary of Angels.pdf A Dictionary of Angels including the Fallen Angels, New York, The Free Press, p. 174. Many , including and , reject the existence of Lilith.

(2025). 9781589661653, University of Scranton Press. .

The name Lilith seems related to the masculine Akkadian word and its female variants and . The lil- root is shared by the Hebrew word appearing in , which is thought to be a night bird by modern scholars such as Judit M. Blair. In Mesopotamian religion according to the texts of , , and , lilû are a class of demonic spirits, consisting of adolescents who died before they could bear children.

(2025). 9780252029561, University of Illinois Press. .
Farber, Walter (1990) Reallexikon der Assyriologie und vorderasiatischen Archäologie ( RLA), 7, Berlin, de Gruyter, pp. 23–24, .Hutter, Manfred (1999) "Lilith", in K. van der Toorn et al. (eds.), Dictionary of Deities and Demons in the Bible, Leiden, Brill, pp. 520–521. . Many have also connected her to the Mesopotamian demon , who shares similar traits and a similar position in mythology to Lilith.

Lilith continues to serve as source material in today's , popular culture, , , , , and .


History
In some Jewish folklore, such as the Alphabet of Sirach (), Lilith appears as Adam's first wife, who was created at the same time and from the same clay as Adam. The legend of Lilith developed extensively during the , in the tradition of , the , and .
(2025). 9780195327137, Oxford University Press. .
For example, in the 13th-century writings of Isaac ben Jacob ha-Cohen, Lilith left Adam after she refused to become subservient to him and then would not return to the Garden of Eden after she had coupled with the .
(1999). 9780253212719, Indiana University Press. .

Interpretations of Lilith found in later Jewish materials are plentiful, but little information has survived relating to the Sumerian, Assyrian and Babylonian views of this class of demons. Recent scholarship has disputed the relevance of two sources previously used to connect the Jewish to an Akkadian – the appendix and the Arslan Tash amuletsFreedman, David Noel (ed.) (1997, 1992). Anchor Bible Dictionary. New York: Doubleday. "Very little information has been found relating to the Akkadian and Babylonian view of these figures. Two sources of information previously used to define Lilith are both suspect." (see below for discussion of these two problematic sources).

In contrast, some scholars, such as Lowell K. Handy, hold the view that though Lilith derives from Mesopotamian , evidence of the Hebrew Lilith being present in the sources frequently cited – the Sumerian Gilgamesh fragment and the Sumerian incantation from Arshlan-Tash being two – is scant, if present at all.

In Hebrew-language texts, the term or (translated as "night creatures", "night monster", "night hag", or "screech owl") first occurs in a list of animals in Isaiah 34. The Isaiah 34:14 Lilith reference does not appear in most common Bible translations such as KJV and NIV. Commentators and interpreters often envision the figure of Lilith as a dangerous demon of the night, who is sexually wanton, and who steals babies in the darkness. Currently there is no scholarly consensus, with some adhering to the animalistic interpretation, where as others claim 34:14 is referencing a literal demon or a category of demons falling under the specification of "lilith". Historically, certain prominent Jewish rabbis in Talmudic texts feared the likes of liliths, some to such an extent that they recommended men not sleep in a home alone, as any who do would be "seized by Lilith." Jewish and amulets from Mesopotamia from the first to the eighth centuries identify Lilith as a female demon and provide the first visual depictions of her. The said amulets were often symbolic divorce papers, warding off a given lilith that was thought to be haunting one's house or family.


Etymology
In the Akkadian language of Assyria and Babylonia, the terms and mean spirits. Some uses of are listed in the Assyrian Dictionary of the Oriental Institute of the University of Chicago (CAD, 1956, L.190), in Wolfram von Soden's Akkadisches Handwörterbuch (AHw, p. 553), and Reallexikon der Assyriologie (RLA, p. 47).Ebeling, Erich; Meissner, Bruno; Edzard, Dietz Otto Reallexikon der Assyriologie Vol. 9, pp. 47, 50. De Gruyter.

The female demons have no etymological relation to Akkadian , "evening".Astour, Michael C. (1965) Hellenosemitica: an ethnic and cultural study in west Semitic impact on Mycenaean. Greece. Brill. p. 138.

(1882) considered that the Hebrew and the earlier Akkadian names are derived from Proto-Semitic. (1902) has this literally translating to "female night being/demon", although inscriptions from exist where Līlīt and Līlītu refers to disease-bearing wind spirits.


Mesopotamian mythology

The spirit in the tree in the Gilgamesh cycle
Samuel Noah Kramer (1932, published 1938)Kramer, S. N. (1938) Gilgamesh and the Huluppu-Tree: A Reconstructed Sumerian Text. Assyriological Studies 10. Chicago. translated as "Lilith" in Tablet XII of the Epic of Gilgamesh dated . Tablet XII is not part of the Epic of Gilgamesh, but is a later Assyrian Akkadian translation of the latter part of the Sumerian Epic of Gilgamesh.George, A. (2003) The epic of Gilgamesh: the Babylonian epic poem and other texts in Akkadian. p. 100 Tablet XII. Appendix The last Tablet in the 'Series of Gilgamesh' . The is associated with a serpent and a zu bird. In Gilgamesh, Enkidu, and the Netherworld, a grows in 's garden in , whose wood she plans to use to build a new throne. After ten years of growth, she comes to harvest it and finds a serpent living at its base, a Zu bird raising young in its crown, and that a made a house in its trunk. Gilgamesh is said to have killed the snake, and then the zu bird flew away to the mountains with its young, while the fearfully destroys its house and runs for the forest.

Identification of the as Lilith is stated in the Dictionary of Deities and Demons in the Bible (1999).Manfred Hutter article in Karel van der Toorn, Bob Becking, Pieter Willem van der Horst – 1999 pp. 520–521, article cites Hutter's own 1988 work Behexung, Entsühnung und Heilung 1988. pp. 224–228. Suggested translations for the Tablet XII spirit in the tree include as "sacred place", as "spirit", and as "water spirit",Sterman Sabbath, Roberta (2009) Sacred tropes: Tanakh, New Testament, and Qur'an as literature and culture. but also simply "owl", given that the is building a home in the trunk of the tree. Sex and gender in the ancient Near East: proceedings of the 47th Rencontre Assyriologique Internationale, Helsinki, 2–6 July 2001, Part 2 p. 481. A connection between the Gilgamesh and the Jewish Lilith was rejected on textual grounds by Sergio Ribichini (1978).Ribichini, S. (1976) "Lilith nell-albero Huluppu", pp. 25 in Atti del 1° Convegno Italiano sul Vicino Oriente Antico, Rome.


The bird-footed woman in the Burney Relief
Kramer's translation of the fragment was used by (1937) and (1937) to support identification of a woman with wings and bird-feet in the disputed as related to Lilith. Frankfort and Kraeling identified the figure in the relief with Lilith. Today, the identification of the Burney Relief with Lilith is questioned.Lowell K. Handy article Lilith Anchor Bible Dictionary Modern research has the figure as one of the main goddesses of the Mesopotamian pantheons, most probably . But the figure is more generally identified as the goddess of love and war:Bible Review Vol 17 Biblical Archaeology Society – 2001 Thorkild Jacobsen identified the figure as in an analysis based on the existence of symbols and attributes commonly recognized to the goddess and on textual evidence.Jacobsen, Thorkild (1987). "Pictures and pictorial language (the Burney Relief)". In Mindlin, M.; Geller, M.J.; Wansbrough, J.E. (eds.). Figurative Language in the Ancient Near East. London: School of Oriental and African Studies, University of London. pp. 1–11. ISBN 0-7286-0141-9.


The Arslan Tash amulets
The Arslan Tash amulets are limestone plaques discovered in 1933 at , the authenticity of which is disputed. William F. Albright, Theodor H. Gaster,Gaster, T. H. (1942). A Canaanite Magical Text. Or 11: and others, accepted the amulets as a pre-Jewish source which shows that the name Lilith already existed in the 7th century BC but Torczyner (1947) identified the amulets as a later Jewish source.


Lamashtu
Many have alternatively drawn connections between Lilith and the Mesopotamian demon , due to their similar position and traits in both mythologies.
(1995). 019509199X, Oxford Uni Press. 019509199X


In the Hebrew Bible
The word (or ) only in the , in a prophecy regarding the fate of . Most other nouns in the list appear more than once and thus are better documented, with the exception of another : the word .
(2025). 9780664221430, Westminster John Knox Press.
The reading of scholars and translators is often guided by a decision about the complete list of eight creatures as a whole.
(1997). 157506023X . 157506023X
Quoting from Isaiah 34 (NAB):


Hebrew text
In the :

In the Dead Sea Scrolls, among the 19 fragments of found at , the (1Q1Isa) in 34:14 renders the creature as plural (or ).Morray-Jones, Christopher R. A. (2002) A transparent illusion: the dangerous vision of water in Hekhalot. Brill. . Vol. 59, p. 258: "Early evidence of the belief in a plurality of liliths is provided by the from Qumran, which gives the name as liliyyot, and by the targum to Isaiah, which, in both cases, reads" (Targum reads: "when Lilith the Queen of Sheba and of Margod fell upon them.")

Eberhard Schrader (1875) Jahrbuch für Protestantische Theologie 1, 1875. p. 128. and Moritz Abraham Levy (1855) suggest that Lilith was a demon of the night, known also by the Jewish exiles in Babylon. Schrader's and Levy's view is therefore partly dependent on a later dating of to the 6th century BC and the presence of Jews in in the Neo-Babylonian Empire, which would coincide with the possible references to the in Babylonian . However, this view is challenged by Judit M. Blair, who argues that the context indicates .


Greek version
The translates both the reference to Lilith and the word for jackals or "wild beasts of the island" within the same verse into Greek as , apparently assuming them to refer to the same creatures and omitting "wildcats/wild beasts of the desert." Under this reading, instead of the wildcats or desert beasts meeting with the jackals or island beasts, the goat or "satyr" crying "to his fellow" and lilith or "screech owl" resting "there", it is the goat or "satyr", translated as "demons", and the jackals or island beasts "" meeting with each other and crying "one to the other" and the latter resting there.


Latin Bible
The early 5th-century translated the same word as .

The translation is, "And demons shall meet with monsters, and one hairy one shall cry out to another; there the lamia has lain down and found rest for herself".


English versions
Wycliffe's Bible (1395) preserves the Latin rendering lamia:

The Bishops' Bible of (1568) from the Latin:

Douay–Rheims Bible (1582/1610) also preserves the Latin rendering lamia:

The of William Whittingham (1587) from the Hebrew:

Then the King James Version (1611):

The "screech owl" translation of the King James Version is, together with the "owl" (, probably a water bird) in 34:11 and the "great owl" (, translated in other versions as a snake) of 34:15, an attempt to render the passage by choosing suitable animals for difficult to translate Hebrew words.

Later translations include:

  • night-owl (Young, 1898)
  • night spectre (Rotherham, , 1902)
  • night (ASV, 1901; JPS 1917, Good News Translation, 1992; NASB, 1995)
  • (Moffatt Translation, 1922; , 1950)
  • night (Revised Standard Version, 1947)
  • Lilith (, 1966)
  • (the) lilith (New American Bible, 1970)
  • Lilith (New Revised Standard Version, 1989)
  • (the) night-demon Lilith, evil and rapacious (The Message (Bible), Peterson, 1993)
  • night creature (New International Version, 1978; New King James Version, 1982; New Living Translation, 1996, Today's New International Version)
  • (New World Translation of the Holy Scriptures, 1984)
  • night bird (English Standard Version, 2001)
  • night-bird (NASB, 2020)
  • nocturnal animals (New English Translation (NET Bible))


Jewish tradition
Major sources in Jewish tradition regarding Lilith in chronological order include:
  • c. 40–10 BC Dead Sea Scrolls – Songs for a Sage (4Q510–511)
  • c. 200 – not mentioned
  • c. 500 of the
  • c. 700-1000 The Alphabet of Ben-Sira
  • c. 900
  • c. 1260 Treatise on the Left Emanation, Spain
  • c. 1280 , Spain.


Dead Sea Scrolls
The Dead Sea Scrolls contain one indisputable reference to Lilith in Songs of the Sage (4Q510–511)Davis, Michael T.; Strawn, Brent A. (2007) Qumran studies: new approaches, new questions. Wm. B. Eerdmans Publishing. . p. 47: "two manuscripts that date to the Herodian period, with 4Q510 slightly earlier". fragment 1:

And I, the Instructor, proclaim His glorious splendour so as to frighten and to terrify all the spirits of the destroying angels; spirits of the bastards, demons, Lilith, howlers, and desert ... and those which fall upon men, without warning, to lead them astray from a spirit of understanding, and to make their heart and their minds desolate during the present dominion of wickedness and predetermined time of humiliations for the Sons of Light, by the guilt of the ages of those smitten by iniquity – not for eternal destruction, but for an era of humiliation for transgression.Chilton, Bruce; Bock, Darrell and Gurtner, Daniel M. (2010) A Comparative Handbook to the Gospel of Mark. Brill. p. 84.

As with the Massoretic text of Isaiah 34:14, and therefore unlike the plural liliyyot (or liliyyoth) in the Isaiah scroll 34:14, lilit in 4Q510 is singular, this liturgical text both cautions against the presence of supernatural malevolence and assumes familiarity with Lilith; distinct from the biblical text, however, this passage does not function under any socio-political agenda, but instead serves in the same capacity as An Exorcism (4Q560) and Songs to Disperse Demons (11Q11). The text is thus, to a community "deeply involved in the realm of demonology", an exorcism hymn.

Joseph M. Baumgarten (1991) identified the unnamed woman of The Seductress (4Q184) as related to the female demon. However, John J. CollinsCollins, J. J. (1997) Jewish wisdom in the Hellenistic age. Westminster John Knox Press. regards this identification as "intriguing" but that it is "safe to say" that (4Q184) is based on the strange woman of Proverbs 2, 5, 7, 9:


Early Rabbinic literature
Lilith does not occur in the . The contains one mention in the 1523 edition (Shabbat 6:9), which is not supported by any manuscript. In the Leiden manuscript a dash has been inserted between לי and לית to create לילית, presumably by the Venice printers, who indeed print לילית. Cambridge T-S F 17:32 f. 1r attests לי לית, separated but with the final character lost to lacuna. reads "Lilith" but David Hirsch Fränkel, followed by all modern scholars, restores the manuscript text. The word "lilit" appears five times in the Babylonian Talmud:
  • "Rav Judah citing ruled: If an abortion has the likeness of lilit, its is unclean by reason of the , for it is a child except that it has wings." (b. Niddah 24b)Tractate Niddah in the Mishnah is the only tractate from the Order of Tohorot which has Talmud on it. The Jerusalem Talmud is incomplete here, but the Babylonian Talmud on Tractate Niddah (2a–76b) is complete.
  • "Expounding In a it was taught: She grows her hair like lilit, sits when urinating like an animal, and serves as a bolster for her husband." (b. Eruvin 100b)
  • "For a pricking sensation: he should bring an Arrow of Lilith and upturn it, and pour water on it and drink it. Alternatively he can take water of which a dog has drunk at night, but he must take care that it has not been exposed." (b. 69b).
  • "Rabbah said: I saw Hormin the son of Lilith running on the parapet of the wall of Mahoza, and a rider, galloping below on horseback, could not overtake him. Once, they saddled for him two mules which stood on two bridges of the Rognag; and he jumped from one to the other, backward and forward, holding in his hands two cups of wine, pouring alternately from one to the other, and not a drop fell to the ground. This was a day of 'They mount up to the heavens, they go down again to the depths', until word reached the house of the king and they killed him." (b. 73a-b).
  • "R. Hanina said: One may not sleep in a house alone, and whoever sleeps in a house alone is seized by lilit." (b. Shabbat 151b)

The above statement by Hanina may be related to the belief that nocturnal emissions engendered the birth of demons:

  • "R. Jeremiah b. Eleazar further stated: In all those years 130 during which Adam was under the ban he begot and male demons and female demons or, for it is said in Scripture: And Adam lived a hundred and thirty years and begot a son in own likeness, after his own image, from which it follows that until that time he did not beget after his own image ... When he saw that through him death was ordained as punishment he spent a hundred and thirty years in , severed connection with his wife for a hundred and thirty years, and wore clothes of on his body for a hundred and thirty years. – That statement of was made in reference to the which he emitted accidentally." (b. Eruvin 18b)

The collection contains two references to Lilith. The first one is present in 22:7 and 18:4: according to Rabbi Yehuda beRabbi, God proceeded to create a second Eve for Adam, after Lilith had to return to dust. However, to be exact the said passages do not employ the Hebrew word itself and instead speak of "the first Eve" (, analogical to "the first Adam"). Although in the medieval Hebrew literature and folklore, especially that reflected on the protective amulets of various kinds, "The First Eve" was identified with Lilith, one should remain careful in transposing this equation to the Late Antiquity.

The second mention of Lilith, this time explicit, is present in 16:25. The midrash develops the story of Moses's plea after God expresses anger at the bad report of the spies. Moses responds to a threat by God that He will destroy the Israelite people. Moses pleads before God, that God should not be like Lilith who kills her own children. Moses said:


Incantation bowls
An individual Lilith, along with Bagdana "king of the lilits", is one of the demons to feature prominently in protective spells in the eighty surviving Jewish occult from Babylon (4th–6th century AD) with influence from Iranian culture.47
(2025). 9789004229372 .
These bowls were buried upside down below the structure of the house or on the land of the house, in order to trap the demon or demoness. Almost every house was found to have such protective bowls against demons and demonesses. Descenders to the chariot: the people behind the Hekhalot literature, p. 277 James R. Davila – 2001: "that they be used by anyone and everyone. The whole community could become the equals of the sages. Perhaps this is why nearly every house excavated in the Jewish settlement in Nippur had one or more incantation bowl buried in it."

The centre of the inside of the bowl depicts Lilith, or the male form, Lilit. Surrounding the image is writing in spiral form; the writing often begins at the centre and works its way to the edge. The writing is most commonly scripture or references to the Talmud. The incantation bowls which have been analysed, are inscribed in the following languages, Jewish Babylonian Aramaic, , Mandaic, , and Arabic. Some bowls are written in a false script which has no meaning.

The correctly worded incantation bowl was capable of warding off Lilith or Lilit from the household. Lilith had the power to transform into a woman's physical features, seduce her husband, and conceive a child. However, Lilith would become hateful toward the children born of the husband and wife and would seek to kill them. Similarly, Lilit would transform into the physical features of the husband, seduce the wife, she would give birth to a child. It would become evident that the child was not fathered by the husband, and the child would be looked down on. Lilit would seek revenge on the family by killing the children born to the husband and wife.

Key features of the depiction of Lilith or Lilit include the following. The figure is often depicted with arms and legs chained, indicating the control of the family over the demon(ess). The demon(ess) is depicted in a frontal position with the whole face showing. The eyes are very large, as well as the hands (if depicted). The demon(ess) is entirely static.

One bowl contains the following inscription commissioned from a Jewish occultist to protect a woman called Rashnoi and her husband from Lilith:


Alphabet of Ben Sira
The The attribution to the sage is considered false, with the true author unknown. 8th–10th centuries Alphabet of Ben Sira is considered to be the oldest form of the story of Lilith as Adam's first wife. Whether this particular tradition is older is not known. Scholars tend to date the Alphabet between the 8th and 10th centuries AD. The work has been characterized by some scholars as , but concluded it was meant seriously.

In the text, an is inscribed with the names of three (, , and ) and placed around the neck of in order to protect them from the until their .Alphabet of Ben Sirah, Question #5 (23a–b). The amulets used against Lilith that were thought to derive from this tradition are, in fact, dated as being much older.Humm, Alan. Lilith in the Alphabet of Ben Sira The concept of Eve having a predecessor is not exclusive to the Alphabet, and is not a new concept, as it can be found in . However, the idea that Lilith was the predecessor may be exclusive to the Alphabet.

The idea in the text that had a wife prior to Eve may have developed from an interpretation of the Book of Genesis and its dual creation accounts; while Genesis 2:22 describes God's creation of Eve from Adam's rib, an earlier passage, 1:27, already indicates that a woman had been made: "So God created man in his own image, in the image of God created he him; male and female created he them." The Alphabet text places Lilith's creation after God's words in Genesis 2:18 that "it is not good for man to be alone"; in this text God forms Lilith out of the clay from which he made Adam but she and Adam bicker. Lilith claims that since she and Adam were created in the same way they were equal and she refuses to submit to him:

After God created Adam, who was alone, He said, "It is not good for man to be alone." He then created a woman for Adam, from the earth, as He had created Adam himself, and called her Lilith. Adam and Lilith immediately began to fight. She said, "I will not lie below," and he said, "I will not lie beneath you, but only on top. For you are fit only to be in the bottom position, while I am to be the superior one." Lilith responded, "We are equal to each other inasmuch as we were both created from the earth." But they would not listen to one another. When Lilith saw this, she pronounced the Ineffable Name and flew away into the air.

Adam stood in prayer before his Creator: "Sovereign of the universe!" he said, "the woman you gave me has run away." At once, the Holy One, blessed be He, sent these three angels Senoy, Sansenoy, and Semangelof, to bring her back.

Said the Holy One to Adam, "If she agrees to come back, what is made is good. If not, she must permit one hundred of her children to die every day." The angels left God and pursued Lilith, whom they overtook in the midst of the sea, in the mighty waters wherein the Egyptians were destined to drown. They told her God's word, but she did not wish to return. The angels said, "We shall drown you in the sea."

"Leave me!' she said. "I was created only to cause sickness to infants. If the infant is male, I have dominion over him for eight days after his birth, and if female, for twenty days."

When the angels heard Lilith's words, they insisted she go back. But she swore to them by the name of the living and eternal God: "Whenever I see you or your names or your forms in an amulet, I will have no power over that infant." She also agreed to have one hundred of her children die every day. Accordingly, every day one hundred demons perish, and for the same reason, we write the angels' names on the amulets of young children. When Lilith sees their names, she remembers her oath, and the child recovers.

The background and purpose of The Alphabet of Ben-Sira is unclear. It is a collection of stories about heroes of the and , it may have been a collection of , a refutation of Christian, , or other separatist movements; its content seems so offensive to contemporary Jews that it was even suggested that it could be an anti-Jewish ,Segal, Eliezer. Looking for Lilith although, in any case, the text was accepted by the Jewish mystics of medieval Germany.

The Alphabet of Ben-Sira is the earliest surviving source of the story, and the conception that Lilith was Adam's first wife became only widely known with the 17th century Lexicon Talmudicum of German scholar .

In this folk tradition that arose in the early Middle Ages, Lilith, a dominant female demon, became identified with , King of Demons, as his queen. Asmodeus was already well known by this time because of the legends about him in the Talmud. Thus, the merging of Lilith and Asmodeus was inevitable. The second myth of Lilith grew to include legends about another world and by some accounts this other world existed side by side with this one, Yenne Velt is Yiddish for this described "Other World". In this case Asmodeus and Lilith were believed to procreate demonic offspring endlessly and spread chaos at every turn.

Two primary characteristics are seen in these legends about Lilith: Lilith as the incarnation of lust, causing men to be led astray, and Lilith as a child-killing witch, who strangles helpless neonates. These two aspects of the Lilith legend seemed to have evolved separately; there is hardly a tale where she encompasses both roles. But the aspect of the witch-like role that Lilith plays broadens her archetype of the destructive side of witchcraft. Such stories are commonly found among Jewish folklore.


The influence of the rabbinic traditions
Although the image of Lilith of the Alphabet of Ben Sira is unprecedented, some elements in her portrayal can be traced back to the talmudic and midrashic traditions that arose around Eve.

First and foremost, the very introduction of Lilith to the creation story rests on the rabbinic myth, prompted by the two separate creation accounts in Genesis 1:1–2:25, that there were two original women. A way of resolving the apparent discrepancy between these two accounts was to assume that there must have been some other first woman, apart from the one later identified with Eve. The Rabbis, noting Adam's exclamation, "this time ( zot hapa‘am) this bone of my bone and flesh of my flesh" (Genesis 2:23), took it as an intimation that there must already have been a "first time". According to Genesis rabbah 18:4, Adam was disgusted upon seeing the first woman full of "discharge and blood", and God had to provide him with another one. The subsequent creation is performed with adequate precautions: Adam is made to sleep, so as not to witness the process itself (Sanhedrin 39a), and Eve is adorned with fine jewellery (Genesis rabbah 18:1) and brought to Adam by the angels Gabriel and Michael (ibid. 18:3). However, nowhere do the rabbis specify what happened to the first woman, leaving the matter open for further speculation. This is the gap into which the later tradition of Lilith could fit.

Second, this new woman is still met with harsh rabbinic allegations. Again playing on the Hebrew phrase , Adam, according to the same midrash, declares: "it is she zot who is destined to strike the bell zog and to speak in against me, as you read, 'a golden bell pa‘amon and a pomegranate' Exodus ... it is she who will trouble me mefa‘amtani all night" (Genesis Rabbah 18:4). The first woman also becomes the object of accusations ascribed to Rabbi Joshua of Siknin, according to whom Eve, despite the divine efforts, turned out to be "swelled-headed, coquette, eavesdropper, gossip, prone to jealousy, light-fingered and gadabout" (Genesis Rabbah 18:2). A similar set of charges appears in Genesis Rabbah 17:8, according to which Eve's creation from Adam's rib rather than from the earth makes her inferior to Adam and never satisfied with anything.

Third, and despite the terseness of the biblical text in this regard, the erotic iniquities attributed to Eve constitute a separate category of her shortcomings. Told in Genesis 3:16 that "your desire shall be for your husband", she is accused by the Rabbis of having an overdeveloped sexual drive (Genesis Rabbah 20:7) and constantly enticing Adam (Genesis Rabbah 23:5). However, in terms of textual popularity and dissemination, the motif of Eve copulating with the primeval serpent takes priority over her other sexual transgressions. Despite the rather unsettling picturesqueness of this account, it is conveyed in numerous places: Genesis Rabbah 18:6, and BT Sotah 9b, Shabbat 145b–146a and 156a, Yevamot 103b and Avodah Zarah 22b.


Kabbalah
attempted to establish a more exact relationship between Lilith and God. With her major characteristics having been well developed by the end of the , after six centuries had elapsed between the texts that mention Lilith and the early Spanish Kabbalistic writings in the 13th century, she reappears, and her life history becomes known in greater mythological detail. Her creation is described in many alternative versions.

One mentions her creation as being before Adam's, on the fifth day, because the "living creatures" with whose swarms God filled the waters included Lilith. A similar version, related to the earlier Talmudic passages, recounts how Lilith was fashioned with the same substance as Adam was, shortly before. A third alternative version states that God originally created Adam and Lilith in a manner that the female creature was contained in the male. Lilith's soul was lodged in the depths of the Great Abyss. When God called her, she joined Adam. After Adam's body was created a thousand souls from the Left (evil) side attempted to attach themselves to him. However, God drove them off. Adam was left lying as a body without a soul. Then a cloud descended and God commanded the to produce a living soul. This God into Adam, who began to spring to life and his female was attached to his side. God separated the female from Adam's side. The female side was Lilith, whereupon she flew to the Cities of the Sea and attacked .

Yet another version claims that Lilith emerged as a divine entity that was born spontaneously, either out of the Great Supernal Abyss or out of the power of an aspect of God (the ). This aspect of God was negative and punitive, as well as one of his ten attributes (), at its lowest manifestation has an affinity with the realm of evil and it is out of this that Lilith merged with Samael.

An alternative story links Lilith with the creation of luminaries. The "first light", which is the light of Mercy (one of the Sefirot), appeared on the first day of creation when God said "Let there be light". This light became hidden and the Holiness became surrounded by a husk of evil. "A husk (klippa) was created around the brain" and this husk spread and brought out another husk, which was Lilith.


Midrash ABKIR
The first medieval source to depict Adam and Lilith in full was the (c. 10th century), which was followed by the Zohar and other Kabbalistic writings. Adam is said to be perfect until he recognises either his sin or Cain's fratricide that is the cause of bringing death into the world. He then separates from holy Eve, sleeps alone, and fasts for 130 years. During this time "Pizna", either an alternate name for Lilith or a daughter of hers, desires his beauty and seduces him against his will. She gives birth to multitudes of and demons, the first of them being named Agrimas. However, they are defeated by , who slays thousands of them with a holy sword and forces Agrimas to give him the names of the rest, after which he casts them away to the sea and the mountains.Geoffrey W. Dennis, The Encyclopedia of Jewish Myth, Magic and Mysticism: Second Edition.


Treatise on the Left Emanation
The mystical writing of two brothers Jacob and Isaac Hacohen, Treatise on the Left Emanation, which predates the Zohar by a few decades, states that Samael and Lilith are in the shape of an being, double-faced, born out of the emanation of the Throne of Glory and corresponding in the spiritual realm to Adam and Eve, who were likewise born as a . The two twin androgynous couples resembled each other and both "were like the image of Above"; that is, that they are reproduced in a visible form of an androgynous deity.

19. In answer to your question concerning Lilith, I shall explain to you the essence of the matter. Concerning this point there is a received tradition from the ancient Sages who made use of the Secret Knowledge of the Lesser Palaces, which is the manipulation of demons and a ladder by which one ascends to the prophetic levels. In this tradition it is made clear that Samael and Lilith were born as one, similar to the form of Adam and Eve who were also born as one, reflecting what is above. This is the account of Lilith which was received by the Sages in the Secret Knowledge of the Palaces.

Another version that was also current among Kabbalistic circles in the Middle Ages establishes Lilith as the first of Samael's four wives: Lilith, Naamah, , and Agrat bat Mahlat. Each of them are mothers of demons and have their own hosts and unclean spirits in no number. The marriage of archangel Samael and Lilith was arranged by Tanin'iver ("Blind Dragon"), who is the counterpart of "the dragon that is in the sea". Blind Dragon acts as an intermediary between Lilith and Samael:

Blind Dragon rides Lilith the Sinful – may she be extirpated quickly in our days, Amen! – And this Blind Dragon brings about the union between Samael and Lilith. And just as the Dragon that is in the sea (Isa. 27:1) has no eyes, likewise Blind Dragon that is above, in the likeness of a spiritual form, is without eyes, that is to say, without colors.... (Patai 81:458) Samael is called the Slant Serpent, and Lilith is called the Tortuous Serpent.Humm, Alan. Lilith, Samael, & Blind Dragon

The marriage of Samael and Lilith is known as the "Angel Satan" or the "Other God", but it was not allowed to last. To prevent Lilith and Samael's demonic children Lilin from filling the world, God Samael. In many 17th century Kabbalistic books, this seems to be a reinterpretation of an old Talmudic myth where God castrated the male and slew the female Leviathan in order to prevent them from mating and thereby destroying the Earth with their offspring. With Lilith being unable to fornicate with Samael anymore, she sought to couple with men who experience nocturnal emissions. A 15th or 16th century Kabbalah text states that God has "cooled" the female Leviathan, meaning that he has made Lilith infertile and she is a mere fornication.

The Treatise on the Left Emanation also says that there are two Liliths, the lesser being married to the great demon .

The Matron Lilith is the mate of Samael. Both of them were born at the same hour in the image of Adam and Eve, intertwined in each other. Asmodeus the great king of the demons has as a mate the Lesser (younger) Lilith, daughter of the king whose name is Qafsefoni. The name of his mate is Mehetabel daughter of Matred, and their daughter is Lilith.R. Isaac b. Jacob Ha-Kohen. (1986) "Lilith in Jewish Mysticism: Treatise on the Left Emanation" in Joseph Dan, ed. The Early Kabbalah, New York: Pauilist Press, pp. 172-182.

Another passage charges Lilith as being a tempting serpent of Eve.

And the Serpent, the Woman of Harlotry, incited and seduced Eve through the husks of Light which in itself is holiness. And the Serpent seduced Holy Eve, and enough said for him who understands. And all this ruination came about because Adam the first man coupled with Eve while she was in her menstrual impurity – this is the filth and the impure seed of the Serpent who mounted Eve before Adam mounted her. Behold, here it is before you: because of the sins of Adam the first man all the things mentioned came into being. For Evil Lilith, when she saw the greatness of his corruption, became strong in her husks, and came to Adam against his will, and became hot from him and bore him many demons and spirits and Lilin. (Patai81:455f)


Zohar
References to Lilith in the include the following:

She roams at night, and goes all about the world and makes sport with men and causes them to emit seed. In every place where a man sleeps alone in a house, she visits him and grabs him and attaches herself to him and has her desire from him, and bears from him. And she also afflicts him with sickness, and he knows it not, and all this takes place when the moon is on the wane.

This passage may be related to the mention of Lilith in Talmud Shabbath 151b (see above), and also to Talmud Eruvin 18b where nocturnal emissions are connected with the begettal of demons.

According to Rapahel Patai, older sources state clearly that after Lilith's Red Sea sojourn (mentioned also in 's Legends of the Jews), she returned to Adam and begat children from him by forcing herself upon him. Before doing so, she attaches herself to and bears him numerous spirits and demons. In the Zohar, however, Lilith is said to have succeeded in begetting offspring from Adam even during their short-lived sexual experience. Lilith leaves Adam in Eden, as she is not a suitable helpmate for him. proposes that the author of the Zohar, Rabbi Moses de Leon, was aware of both the folk tradition of Lilith and another conflicting version, possibly older.Scholem, Gershom (1941) Major Trends in Jewish Mysticism. p. 174.

The Zohar adds further that two female spirits instead of one, Lilith and Naamah, desired Adam and seduced him. The issue of these unions were demons and spirits called "the plagues of humankind", and the usual added explanation was that it was through Adam's own sin that Lilith overcame him against his will.


17th-century Hebrew magical amulets
A copy of Jean de Pauly's translation of the Zohar in the contains an inserted late 17th century printed Hebrew sheet for use in magical amulets where the prophet confronts Lilith."Printed sheet, late 17th century or early 18th century, 185x130 mm.

The sheet contains two texts within borders, which are amulets, one for a male ('lazakhar'), the other one for a female ('lanekevah'). The invocations mention Adam, Eve and Lilith, 'Chavah Rishonah' (the first Eve, who is identical with Lilith), also devils or angels: Sanoy, Sansinoy, Smangeluf, Shmari'el (the guardian) and Hasdi'el (the merciful). A few lines in Yiddish are followed by the dialogue between the prophet Elijah and Lilith when he met her with her host of demons to kill the mother and take her new-born child ('to drink her blood, suck her bones and eat her flesh'). She tells Elijah that she will lose her power if someone uses her secret names, which she reveals at the end: lilith, abitu, abizu, hakash, avers hikpodu, ayalu, matrota ...

In other amulets, probably informed by The Alphabet of Ben-Sira, she is Adam's first wife. (, Zohar 1:34b, 3:19Humm, Alan. Kabbalah: Lilith's origins )

Charles Richardson's dictionary portion of the Encyclopædia Metropolitana appends to his etymological discussion of lullaby "a manuscript note written in a copy of Skinner" i.e., which asserts that the word lullaby originates from , a Hebrew incantation meaning "Lilith begone" recited by Jewish mothers over an infant's cradle. Richardson did not endorse the theory and modern lexicographers consider it a .; ;


Alsatian Krasmesser (16th to 20th century)
Not so much an as a ritual object for protection, the "Krasmesser" (or "Kreismesser", circle knife) played a role in Jewish birth rituals in the area of , and Southern Germany between the 16th and 20th century. The Krasmesser would be used by a or by the husband to draw a around the pregnant or birthing woman to protect her from Lilith and the , which were considered to represent the greatest danger for children and pregnant women.
(2025). 9783796546075

Rabbi Naphtali Hirsch ben Elieser Treves described this custom as early as 1560, and later references to a knife or sword by the birthing bed by both Paul Christian Kirchner and Johann Christian Georg Bodenschatz indicate its continuance. A publication about birth customs by the Jewish Museum of Switzerland also includes oral accounts from 20th century Baden-Württemberg which likewise mention circling movements with a knife in order to protect a woman in childbirth.


Greco-Roman mythology
In the Latin Book of Isaiah 34:14, Lilith is translated .

According to , Lilith has connections with early views on vampires and sorcery:

According to Siegmund Hurwitz the Talmudic Lilith is connected with the Greek Lamia, who, according to Hurwitz, likewise governed a class of child stealing lamia-demons. Lamia bore the title "child killer" and was feared for her malevolence, like Lilith. She has different conflicting origins and is described as having a human upper body from the waist up and a serpentine body from the waist down. One source states simply that she is a daughter of the goddess , another, that Lamia was subsequently cursed by the goddess Hera to have stillborn children because of her association with Zeus; alternatively, Hera slew all of Lamia's children (except Scylla) in anger that Lamia slept with her husband, Zeus. The grief caused Lamia to turn into a monster that took revenge on mothers by stealing their children and devouring them. Lamia had a vicious sexual appetite that matched her cannibalistic appetite for children. She was notorious for being a vampiric spirit and loved sucking men's blood. Her gift was the "mark of a Sibyl", a gift of second sight. Zeus was said to have given her the gift of sight. However, she was "cursed" to never be able to shut her eyes so that she would forever obsess over her dead children. Taking pity on Lamia, gave her the ability to remove and replace her eyes from their sockets.


In Mandaeism
In Mandaean scriptures such as the and , liliths () are mentioned as inhabitants of the World of Darkness.
(2025). 9780958034630, Living Water Books. .

Lilith is mentioned in a magic incantation inscribed in on a c. 7th-century Late Antiquity lead amulet designated "BM 135794 II", where she is mentioned together with other demons, in plural form. The first of the charm's text consists of a banning formula that calls for the binding, subduing and destruction of various demons, mentioned by name in plural form, and also talks of the demons of time walking about and harming "the children of Adam and all offspring of Hawa (=Eve)". The lines of this formula are repeated near-identically about three times, with Lilith's name, in plural, appearing in the formula on lines 27, 46 and 55, in the same near-identical line "Sahras, Dews, Rhuas, Humartas and Lilits." At lines 70-100, the banning formula of the charm ends and is taken over by a Mandaic magic story that tells of a gnostic tree made up of different demon groups and of a "" demon dwelling in the tree being cast out of it and expelled from the tree by the archangel . In this part of the charm, Lilith is mentioned as a part of this gnostic tree, again rendered in plural. The tree's trunk is said to be made up of "" (or 'dewis' or 'daeva') on lines 76-77, the tree's foliage to be made up of "Latabas" ('devils') on line 77, and its branches to be made up of "Lilits" on lines 77-78. The charm associates the demons with time, using units of time such as "season", "month", "day", "hour", "minute" and so on, and so the charm has been interpreted to be a magical protection against "demons of time" or against time as threatening and harmful elements.

The amulet is part of a set of lead, silver and gold amulets attributed to the family archive of Mah-Adhur Gushnasp, who served as prime minister of the during 's reign, and was discovered by Lietuenant Colonel H.S. Alexander in a lead jar under the foundations of a private house in a mound near el-Qurnah at the confluence of the rivers Tigris and Euphrates in southern Iraq during a private dig between 1910 and 1920, which was then passed on to the British Library and is today housed in the Department of the Ancient Near East in the British Museum. The text was translated by scholar Christa Müller-Kessler and published in 2002 in Cornelia Wunsch and C. B. F. Walker's Mining The Archives.


In Arabic mythology
The occult writer (d. 1225), in his Sun of the Great Knowledge (), mentions a demon called "the mother of children" (), a term also used "in one place". Folkloric traditions recorded around 1953 tell about a jinn called Qarinah, who was rejected by Adam and mated with instead. She gave birth to a host of demons and became known as their mother. To take revenge on Adam, she pursues human children. As such, she would kill a pregnant mother's baby in the womb, causes impotence to men or attacks little children with illnesses. According to occult practises, she would be subject to the demon-king Murrah al-Abyad, which appears to be another name for Iblis used in magical writings. Stories about Qarinah and Lilith merged in early Islam.
(2025). 9780857730633, I. B. Tauris. .


In Western media

In German media
Lilith's earliest appearance in the literature of the Romantic period (1789–1832) was in Goethe's 1808 work .

After Mephistopheles offers this warning to Faust, he then, quite ironically, encourages Faust to dance with "the Pretty Witch". Lilith and Faust engage in a short dialogue, where Lilith recounts the days spent in Eden.


In English media
The Pre-Raphaelite Brotherhood, which developed around 1848, were greatly influenced by Goethe's work on the theme of Lilith. In 1863, Dante Gabriel Rossetti of the Brotherhood began painting what would later be his first rendition of , a painting he expected to be his "best picture hitherto". appearing in the painting allude to the "femme fatale" reputation of the Romantic Lilith: (death and cold) and white (sterile passion). Accompanying his Lady Lilith painting from 1866, Rossetti wrote a entitled Lilith, which was first published in Swinburne's pamphlet-review (1868), Notes on the Royal Academy Exhibition.

The poem and the picture appeared together alongside Rossetti's painting Sibylla Palmifera and the sonnet Soul's Beauty. In 1881, the Lilith sonnet was renamed " Body's Beauty" in order to contrast it and Soul's Beauty. The two were placed sequentially in The House of Life collection (sonnets number 77 and 78).

Rossetti wrote in 1870:

This is in accordance with Jewish folk tradition, which associates Lilith both with long hair (a symbol of dangerous feminine seductive power in culture), and with possessing women by entering them through mirrors.

The Victorian poet re-envisioned Lilith in his poem "Adam, Lilith, and Eve". First published in 1883, the poem uses the traditional myths surrounding the triad of Adam, Eve, and Lilith. Browning depicts Lilith and Eve as being friendly and complicitous with each other, as they sit together on either side of Adam. Under the threat of death, Eve admits that she never loved Adam, while Lilith confesses that she always loved him:

Browning focused on Lilith's emotional attributes, rather than that of her ancient demon predecessors.Seidel, Kathryn Lee. The Lilith Figure in Toni Morrison's Sula and Alice Walker's The Color Purple

Scottish author also wrote a fantasy novel entitled Lilith, first published in 1895. MacDonald employed the character of Lilith in service to a spiritual drama about sin and redemption, in which Lilith finds a hard-won salvation. Many of the traditional characteristics of Lilith mythology are present in the author's depiction: Long dark hair, pale skin, a hatred and fear of children and babies, and an obsession with gazing at herself in a mirror. MacDonald's Lilith also has vampiric qualities: she bites people and sucks their blood for sustenance.

Australian poet and scholar Christopher John Brennan (1870–1932), included a section titled "Lilith" in his major work "Poems: 1913" (Sydney: G. B. Philip and Son, 1914). The "Lilith" section contains thirteen poems exploring the Lilith myth and is central to the meaning of the collection as a whole.

C. L. Moore's 1940 story Fruit of Knowledge is written from Lilith's point of view. It is a re-telling of the Fall of Man as a between Lilith, Adam and Eve – with Eve's eating the forbidden fruit being in this version the result of misguided manipulations by the jealous Lilith, who had hoped to get her rival discredited and destroyed by God and thus regain Adam's love.

British poet 's 2011 collection Full Blood has a suite of 11 poems called The Tree of Life, which features Lilith as the divine feminine aspect of God. A number of the poems feature Lilith directly, including the piece Unwritten which deals with the spiritual problem of the feminine being removed by the scribes from The Bible.

Lilith is also mentioned in The Lion, the Witch and the Wardrobe, by C. S. Lewis. The character Mr. Beaver ascribes the ancestry of the main antagonist, Jadis the , to Lilith. The Lion, the Witch, and Wardrobe, Collier Books (paperback, Macmillan subsidiary), 1970, pg. 77.

"Lilith" is a poem by Vladimir Nabokov, written in 1928. Many have connected it to Lolita, but Nabokov adamantly denies this: "Intelligent readers will abstain from examining this impersonal fantasy for any links with my later fiction."Vladimir Nabokov "Collected Poems" edited and introduced by Thomas Karshan, Penguin Books, c2012.

In Samuel de Ceccatty's 2022 British adult animated short film Lilith & Eve, Eve leaves Eden to learn about Lilith despite Adam's protests.


In American media
is a four-act medieval fantasy verse drama written in by American poet and playwright , first published in 1919. Influential critic H. L. Mencken said of Sterling: "I think his dramatic poem Lilith was the greatest thing he ever wrote."“Poet Found Dead in Bed in S. F. Club,” Oakland Tribune (17 November 1926), p. 1. The New York Times declared Lilith "the finest thing in poetic drama yet done in America and one of the finest poetic dramas yet written in English."Percy A. Hutchison, “Poetic Drama Did Not Die with Stephen Phillips,” New York Times Review of Books (22 August 1926), p. 9. Author said: "It rings richer in thought than any American dramatic poem with which I am familiar."Theodore Dreiser, “Introduction,” Lilith: A Dramatic Poem (New York: Macmillan, 1926), p. xi. Poet Clark Ashton Smith wrote: " Lilith is certainly the best dramatic poem in English since the days of Swinburne and . ... The lyrics interspersed throughout the drama are as beautiful as any by the Elizabethans."Clark Ashton Smith, “Praise for Sterling,” Oakland Enquirer (10 January 1920), p.8.

In the role playing game series Vampire the Masquerade, Lilith plays a major part in the mythology within the games.

Lilith is a 1961 novel by J. R. Salamanca that tells the story of a man, Vincent, who is seduced by a schizophrenic woman named Lilith. It explores themes of love, obsession, and blurred lines between fantasy and reality. A feature film of the same name written by and starring and was released in 1964.

In the 2019 adult animated series , Lilith is depicted as the wife of Lucifer and the queen of Hell. Charlie, the protagonist of the series, is Lilith's daughter. According to The Washington Times, Hazbin Hotel subverts traditional narratives of Lucifer and Lilith by presenting their betrayal of God as heroic and noble.

In the Diablo series of video games, Lilith is depicted as the daughter of Mephisto and the creator of the games world alongside her lover, the angel Inarius. Lilith serves as the main antagonist in .


In Western esotericism
The depiction of Lilith in Romanticism continues to be popular among and in other modern . A few magical orders dedicated to the undercurrent of Lilith, featuring initiations specifically related to the arcana of the "first mother", exist. Two organisations that use initiations and magic associated with Lilith are the Ordo Antichristianus Illuminati and the Order of Phosphorus. Lilith appears as a in 's De Arte Magica. Lilith was also one of the middle names of Crowley's first child, Nuit Ma Ahathoor Hecate Sappho Jezebel Lilith Crowley (1904–1906), and Lilith is sometimes identified with in writings. Many early occult writers who contributed to modern day expressed special reverence for Lilith. associated Aradia with Lilith: Aradia, says Leland, is , who was regarded in folklore as being associated with Diana as chief of the witches. Leland further notes that Herodias is a name that comes from west Asia, where it denoted an early form of Lilith.Grimassi, Raven. Stregheria: La Vecchia Religione Leland, Charles. Aradia, Gospel of the Witches-Appendix

asserted that there was continuous historical worship of Lilith to present day, and that her name is sometimes given to the being personified in the coven by the priestess. This idea was further attested by , who cited her as a presiding goddess of the Craft: "the personification of erotic dreams, the suppressed desire for delights". In some contemporary concepts, Lilith is viewed as the embodiment of , a designation that is thought to be shared with what these faiths believe to be her counterparts: , , , , and .Grenn, Deborah J. History of Lilith Institute According to one view, Lilith was originally a Sumerian, Babylonian, or Hebrew mother goddess of childbirth, children, women, and sexuality.

holds that Lilith is a dark moon goddess on par with the Hindu ., The Witch Book, Visible Ink Press, 1 November 2001.

Many theistic Satanists consider Lilith a goddess, with some recognizing her as the patron of strong women and women's rights. Lilith is popular among theistic Satanists because of her association with Satan and is most often worshipped by women, but not exclusively. Some Satanists believe that she is married to Satan and thus think of her as a mother figure. Others base their reverence for her on her history as a succubus and praise her as a sex goddess. A different approach to a Satanic Lilith holds that she was once a fertility and agricultural goddess.

The Western mystery tradition associates Lilith with the of Kabbalah. writes, "The Virgin Mary is reflected in Lilith",

(1963). 9781609254643, Weiser Books. .
and that Lilith is the source of "lustful dreams".

Lilith is a source of veneration within the Luciferian Tradition of Michael W. Ford."The Bible of the Adversary", Succubus Productions Publishing, ISBN 9781387323197 The research and esoteric development of modern Luciferianism recognizes Lilith as equal to Samael, composing the symbol of the "Adversary"."Infernal Union - Sinister Initiation and Satanic Psalms", Succubus Productions Publishing, ISBN 9781304971128 Michael W. Ford's works on this Luciferian interpretation was first published in 1999 and the early 2000's, with "Book of the Witch Moon"; "Luciferian Witchcraft" and "Liber HVHI" . The origins of the various mythologies concerning Lilith were then published in works such as "The Bible of the Adversary"; "Adversarial Light - Magick of the Adversary"; "Maskim Hul"; "Sebitti"; "Akhkharu - Vampyre Magick"; "Dragon of the Two Flames" and "The Demons of Solomon", among others. Ford's work explores considerably deep lore commonly overlooked previously by much of common lore concerning Lilith.

"The Luciferian Tarot", the first published Left-Hand Path Tarot Deck and book 2007, depicts several Qlippothic representations of Lilith as a guide and feminine energy reflecting an aspect of the Adversary in Luciferianism. Additional works which focus by a chapter on Lilith are "Infernal Union - Sinister Initiation and Satanic Psalms" and "Whispers of the Jinn" which presents the Arabic and Islamic representation of Lilith. The book on ancient Persian sorcery, known as Yatukdinoih, centered on the cult of the Daevas and Ahriman, identifies a manifestation of Lilith as both the Manichaean "Az" and Zoroastrian demoness, "Jeh". This is based on the traits and lore concerning the direct alignments with Lilith.

Recently, Lilith is the central topic of study in Michael W. Ford's "Lilith and Lamastu: Legends of the Ancient Abyss", which explores the Western mystery tradition within a Luciferian perspective. The Mesopotamian 3rd to 8th century Aramaic Incantation Bowls, hold a good deal of lore concerning the many different types of Lilith-spirits and the depictions of Lilith, yet also the associations between the King of Demons, Bagdana. The modern aim of Luciferian Magick with concern to Lilith, utilizes methods of seeking the nocturnal energies inherent in humanity and is directed towards beneficial workings:

"For the Black Magickan, these are demons of nocturnal desire, the passions of our subconscious that motivate aspects of our consciousness. Igrath, the “Mistress of the Sorcerers” guides and inspires the attainment of magical knowledge and sorcery, including the shaping of the energy of the mind to manipulate the element of air to project upon the astral plane and by dream."


See also
  • – a Near Eastern demon blamed for miscarriages and infant mortality
  • - a goddess in ancient Semitic religions
  • Black Moon Lilith – an astrological and mathematical point
  • – a term for Greek lesser deities, the etymology of the English word "demon"
  • Lailah – a Jewish angel, whose name means "night", believed to protect in pregnancy
  • – a travelling music festival
  • – a Gnostic figure
  • – a fringe belief
  • Siren – dangerous female creatures in Ancient Greek religion
  • – an element of shamanism
  • – a type of seductive female demon based on Lilith
  • – a type of seductive male demon based on Lilith


Notes

Cited sources


Further reading

External links
  • Lilith at Jewish & Christian Literature

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