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The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a that resembles the and , but has a wider, more conical bore.

(2025). 9780830415953, Rowman & Littlefield. .
Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved , developed in in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in in 1828.
(1993). 9780486275741, Courier Corporation. .
The valved bugle provided (creator of the ) with the inspiration for his B♭ soprano (contralto) , on which the modern-day flugelhorn is modelled.


Etymology
The German word Flügel means wing or flank in English. In early 18th century Germany, a ducal hunt leader known as a Flügelmeister blew the Flügelhorn, a large semicircular or valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a predecessor of the bugle.


Structure and variants
The flugelhorn is generally pitched in B♭, like most trumpets and . It usually has three piston valves and employs the same fingering system as other brass instruments, although four-valve versions and rotary-valve versions also exist. It can therefore be played by trumpet and cornet players, although it has different playing characteristics. The flugelhorn's mouthpiece is more deeply conical than either trumpet or cornet mouthpieces, but not as conical as a mouthpiece.

Some modern flugelhorns feature a fourth valve that lowers the pitch by a (similar to the fourth valve on some , , and , or the trigger on ). This adds a useful low range that, coupled with the flugelhorn's dark sound, extends the instrument's abilities. Players can also use the fourth valve in place of the first and third valve combination (which is somewhat sharp).

A compact version of the flugelhorn is the oval shaped in B♭. It was developed for the German Protestant trombone choirs.

A pair of bass flugelhorns in C, called , are played in the bands that provide music for dancers.


Timbre
The tone is fatter and usually regarded as more mellow and dark than the trumpet or cornet. The sound of the flugelhorn has been described as halfway between a trumpet and a , whereas the cornet's sound is halfway between a trumpet and a flugelhorn. The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G5), where in general it locks onto notes less easily.


Use and performances
The flugelhorn is a standard member of the British-style brass band, and it is also used frequently in . It also appears occasionally in and music. Famous orchestral works with flugelhorn include 's Threni, Ralph Vaughan Williams's Ninth Symphony, and 's third symphony. The flugelhorn is sometimes substituted for the in Third Symphony, and for the soprano Roman in Ottorino Respighi's Pines of Rome. In HK Gruber's trumpet concerto Busking (2007) the soloist is directed to play a flugelhorn in the slow middle movement. The flugelhorn figured prominently in many of 's 1960s song arrangements. It is featured in a solo role in 's 1962 recording of "That Happy Feeling". Flugelhorns have occasionally been used as the alto or low soprano voice in a drum and bugle corps.

Another use of the flugelhorn is found in the Dutch and Belgian " Fanfareorkesten" or fanfare orchestras. In these orchestras the flugelhorns, often between 10 and 20 in number, have a significant role, forming the base of the orchestra. They are pitched in B♭, with sporadically an E♭ soloist. Due to poor intonation, these E♭ flugelhorns are mostly replaced by the E♭ trumpet or cornet.

The 1996 film features a flugelhorn performance of Rodrigo's Concierto de Aranjuez, Adagio, as a key moment. The solo is played by Paul Hughes.


Notable players
, as a member of the band in 1936, was one of the earliest jazz musicians to use the flugelhorn. and Kenny Baker began playing it in the early fifties, and used it in 's orchestra in the mid-1950s. recorded several albums on the instrument in the 1950s and 1960s. further popularized the instrument in jazz on the albums Miles Ahead and Sketches of Spain, (both arranged by ) though he did not use it much on later projects. Other prominent flugelhorn players include , Freddy Buzon, , Tom Browne, , , , , , , , , , Gary Lord, Jimmy Owens, , , , , , , , Bill Coleman, , , of the rock band Chicago, of the , , , Till Brönner and Ack van Rooyen. Most jazz flugelhorn players use the instrument as an auxiliary to the trumpet, but in the 1970s gave up playing the trumpet and concentrated on the flugelhorn alone, notably on his jazz-pop hit song "Feels So Good". Mangione, in an interview on ABC during the 1980 Winter Olympics, for which he wrote the theme "Give It All You Got", referred to the flugelhorn as "the right baseball glove".

Pop flugelhorn players include Probyn Gregory ( Band), Ronnie Wilson of The Gap Band, , , , Zach Condon of the band Beirut, of the band Neutral Milk Hotel, of the band , Annie Chappell and of the Dave Matthews Band. played the flugelhorn solo on "Uncle Albert/Admiral Halsey" by and .

Classical flugelhorn players include Sergei Nakariakov and Kirill Soldatov.


Footnotes


External links

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