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An entablature (; nativization of intavolatura, from in "in" and tavola "table") is the of moldings and bands which lies horizontally above , resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the ). The and temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification.


Overview
The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Variants of entablature that do not fit these models are usually derived from them.


Doric
In the pure classical entablature is simple. The architrave, the lowest band, is split, from bottom to top, into the , the , and the taenia.

The frieze is dominated by the , vertically channelled tablets, separated by metopes, which may or may not be decorated. The triglyphs sit on top of the taenia, a flat, thin, horizontal protrusion, and are finished at the bottom by decoration (often ornate) of 'drops' called guttae, which belong to the top of the architrave. The top of the triglyphs meet the protrusion of the cornice from the entablature. The underside of this protrusion is decorated with , tablets that are typically finished with guttae.

The cornice is split into the , the corona, and the . The soffit is simply the exposed underside. The corona and the cymatium are the principal parts of the cornice.


Ionic
The of entablature adds the fascia in the architrave, which are flat horizontal protrusions, and the under the cornice, which are tooth-like rectangular block moldings.


Corinthian
The adds a far more ornate cornice, divided, from bottom to top, into the , the dentils, the , the , the fascia, and the . The modillions are ornate brackets, similar in use to dentils, but often in the shape of acanthus leaves.

The frieze is sometimes omitted—for example, on the portico of the caryatides of the —and probably did not exist as a structure in the temple of Diana at Ephesus. Neither is it found in the Lycian tombs, which are reproductions in the rock of timber structures based on early Ionian work. The entablature is essentially an evolution of the primitive , which spans two posts, supporting the ends of the roof rafters.

File:DoricParthenon.jpg|Entablature of the Image:Ionic entablature.jpg|Entablature of the File:CorinthianOrderPantheon.jpg|Entablature of the


Non-classical architecture
The entablature together with the system of classical columns occurs rarely outside classical architecture. It is often used to complete the upper portion of a wall where columns are not present, and in the case of (flattened columns or projecting from a wall) or detached or it is sometimes profiled around them. The use of the entablature, irrespective of columns, appeared after the Renaissance.


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