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Disjecta: Miscellaneous Writings and a Dramatic Fragment (John Calder, 1983) is a collection of previously uncollected writings by , spanning his entire career. The title is derived from the Latin phrase "", meaning scattered remains or fragments, usually applied to written work. The essays appear in their original language of composition (English, French, or German), as stipulated by Beckett, since the volume is intended for scholars who should be able to read several languages. Beckett himself did not value these pieces much, seeing them as "mere products of friendly obligation or economic need".Cohn, Ruby. Foreword to Disjecta. pg. 7

The collection includes Beckett's famous essay on an early version of which originally appeared in Our Exagmination Round His Factification for Incamination of Work in Progress.


Contents
  • Foreword by Ruby Cohn


Part I: Essays at Esthetics
  • ....Vico..essay on Finnegans Wake
  • Le Concentrisme – an account of an imaginary poet and the movement supposedly founded by him (French)
  • Excerpts from Dream of Fair to Middling Women
  • German Letter of 1937 (German)
  • Les Deux Besoins (French)


Part II: Words about Writers
  • Other Writers
  • Self
    • The Possessed
    • On Murphy (to McGreevy)
    • On Murphy (to Reavy)
    • On Works to 1951
    • On Endgame
    • On Play
    • On Murphy (to Sighle Kennedy)
    • Program note for Endgame


Part III: Words about Painters
  • Geer van Velde
  • La Peinture des van Velde (French)
  • Peintres de l'Empêchement (French)
  • Homme-Peintre (French)
  • Hommage à Jack B. Yeats (French)
  • Henri Heyden
  • Bram van Velde
  • Pour (French)


Part IV: Human Wishes
A One-Act fragment from an early historical play.

The play dramatized some episodes from the life of and takes its title from his long poem The Vanity of Human Wishes. The episodes taken dramatize Johnson's relationship with , and as such, draw from her Anecdotes and rather than the traditionally more popular Life of Samuel Johnson of . The play was abandoned after the completion of the First Act.

The only known extant fragment was given by Beckett to . Beckett left it in her Paris Hotel room shortly before the completion of her book of Beckett criticism, Just Play, the first to outline Beckett's dramatic . The fragment was first printed as an appendix to that volume.

(1984). 9780802151292, Grove.
The fragment was slightly annotated for the Disjecta collection, noting that Beckett produced a "fair copy" of the notebook material. The fragment, however, is only one of the "three full notebooks" that Beckett used while writing the play.
(1984). 9780802151292, Grove.

Beckett would reuse some of the dramatic effects, however. Critic writes in his essay on Beckett in that the fragment, and in particular the characters' reactions to Levett's entrance, offer the first glimpses of Beckett's much later masterpieces Endgame and Waiting for Godot.

(1995). 9781573225144, Riverhead Books. .


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