A codpiece () is a triangular piece that attached to the front of men's hose, covering the fly. It may be held in place by ties or buttons. It was an important fashion item of European clothing during the 15th–16th centuries, in the 16th century becoming a firm upwards-pointing projection based on a stiff material such as boiled leather, or in plate armour, steel.
In the modern era, similar clothing pieces are worn in the leather subculture, and in performance costumes, such as for rock and metal musicians. A similar device with rigid construction, an athletic cup, is used as protective gear for male athletes.
In European fashion
From the ancient world there are extant depictions of articles of clothing designed to cover just the male genitalia; for example, archaeological recovery at Minoan
Knossos on
Crete has yielded
, some of whom wear only a garment covering the male genitalia.
However, the codpiece,
per se, appeared in everyday European fashion for men only many centuries later, associated with hose and trousers.
In 14th century European fashions, men's hose were two separate legs worn over linen
Undergarment, leaving a man's genitals covered only by a layer of the linen drawers. As the century wore on and men's
hemline fashion rose, the hose became longer and joined at the centre back, there rising to the waist, but remaining open at the centre front. Further shortening of the cote or doublet fashion resulted in more prominence of the genitals; this area would then be covered with a triangular material called a codpiece.
Most of what is known about the cut, fit, and materials used for Renaissance codpieces is through portraits, clothing inventories, receipts for payments and tailor cutting guides.
As time passed, codpieces became shaped and padded to emphasize rather than to conceal the penis. Such excessive codpieces became an object of derision showered on outlandish fashions. The Renaissance author François Rabelais refers satirically to a book entitled On the Dignity of Codpieces in the foreword to his 1532 book The Histories of Gargantua and Pantagruel.[John Grabenstein, .] in Worcester, Massachusetts, also had an example on display until its close. The armor of Henry VIII displayed in the Tower of London has a codpiece as well.
Gallery
File:Giovanni Battista Moroni 009.jpg|Portrait of Antonio Navagero (1565) with an accentuated codpiece, oil on canvas by Giovanni Battista Moroni, Pinacoteca di Brera, Milan
File:Tizian 081FXD.jpg|Charles V, Holy Roman Emperor, by Titian, 1533, shown wearing a codpiece with short doublet, italic=no
File:Armor of Emperor Ferdinand I (1503–1564) MET DT773.jpg|Armor of Ferdinand I, Holy Roman Emperor (1549), Metropolitan Museum of Art
See also
Notes
Further reading
-
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. .
-
Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition (), 1994 reprint ().
-
Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
-
Karen Hearn, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. New York: Rizzoli, 1995. .
-
Bodemer, Brett: " Pantagruel's Seventh Chapter:The Title as Suspect Codpiece ."
External links
