Cinquain ( ) is a class of Poetry forms that employ a 5-line pattern. Earlier used to describe any five-line form, it now refers to one of several forms that are defined by specific rules and guidelines.
In her 1915 collection titled Verse, published a year after her death, Adelaide Crapsey included 28 cinquains. Crapsey's American Cinquain form developed in two stages. The first, fundamental form is a stanza of five lines of accentual verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses. Then Crapsey decided to make the criterion a stanza of five lines of accentual-syllabic verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses and 2, 4, 6, 8, and 2 syllables. Iambic feet were meant to be the standard for the cinquain, which made the dual criteria match perfectly. Some resource materials define classic cinquains as solely iambic, but that is not necessarily so. In contrast to the Eastern forms upon which she based them, Crapsey always titled her cinquains, effectively utilizing the title as a sixth line. Crapsey's cinquain depends on strict structure and intense physical imagery to communicate a mood or feeling.
The form is illustrated by Crapsey's "November Night": Quoted in
Listen...The Scottish poet William Soutar also wrote over one hundred American cinquains (he labelled them "epigrams") between 1933 and 1940.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost- crisp'd, break from the trees
And fall.
+ !Variation !Description | |
Reverse cinquain | a form with one 5-line stanza in a syllabic pattern of two, eight, six, four, two. |
Mirror cinquain | a form with two 5-line stanzas consisting of a cinquain followed by a reverse cinquain. |
Butterfly cinquain | a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. |
Crown cinquain | a sequence of five cinquain stanzas functioning to construct one larger poem. |
Garland cinquain | a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from stanza two, and so on. |
Snow
Silent, white
Dancing, falling, drifting
Covering everything it touches
Blanket
Tetractys | is a five-line poem of 20 syllables with a title, arranged in the following order: 1, 2, 3, 4, 10, with each line standing as a phrase on its own. It can be inverted, doubled, etc. and was created by English poet Ray Stebbings. |
Lanterne | is an untitled five-line quintain verse with a syllabic pattern of 1, 2, 3, 4, 1. Each line is usually able to stand on its own. |
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