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Chaturanga (, , ) is an ancient Indian . It is first known from India around the seventh century AD.

While there is some uncertainty, the prevailing view among chess historians is that chaturanga is the common ancestor of the board games , (Chinese), (Korean), (Japanese), (Burmese), (Thai), (Cambodian) and modern . It was adopted as chatrang ( ) in , which in turn was the form of brought to late-medieval Europe.

Not all the rules of chaturanga are known with certainty. Chess historians suppose that the game had rules similar to those of its successor, shatranj. In particular, there is uncertainty as to the moves of the (elephant).


Etymology
is a compound word, meaning "having four limbs or parts" and in often meaning "army".Meri 2005: 148 The name comes from a battle formation mentioned in the Indian epic . Chaturanga refers to four divisions of an army, namely , , and .
(2012). 9781936490455, SCB Distributors. .
"The Indian case is that chess originated in the Indian subcontinent in or before the early seventh century AD, where it was known as chaturanga chaturanga or caturanga originally meant four elements or arms, and the term had been used in Sanskrit literature from an early date to describe the four parts of the Indian army: elephants, cavalry, chariots and foot soldiers. These were also the pieces, together with the rajah and mantrin or counsellor, which were used in the game of chaturanga which was thus a representation on the board of a conflict between Indian armies."
(2025). 9780714111537, British Museum Press. .
An ancient battle formation, , is like the setup of chaturanga.


History

Origin
The origin of chaturanga has been a puzzle for centuries. The earliest clear reference comes from north India from the , dating from the sixth century AD. 's (c. AD 625) contains the earliest reference to the name chaturanga:
Under this monarch ..., only the bees quarrelled to collect the dew; the only feet cut off were those of measurements, and only from Ashtâpada one could learn how to draw up a chaturanga, there was no cutting-off of the four limbs of condemned criminals...

According to , chaturanga was first described in the text . The Bhavishya Purana is known to include modern additions and interpolations, however, even mentioning British rule of India.

(1986). 9783447025225, Otto Harrassowitz. .

An early reference to an ancient Indian board game is sometimes attributed to Subandhu in his , dated between the 5th and 7th centuries AD:

The time of the rains played its game with frogs for pieces nayadyutair yellow and green in colour, as if mottled by lac, leapt up on the black field squares.

The colours are not those of the two camps, but mean that the frogs have two colours, yellow and green.

Chaturanga may also have much older roots, dating back 5,000 years. Archeological remains from 2000 to 3000 BC have been found from the city of (of the Indus Valley Civilisation) of pieces on a board that resemble chess.

(2015). 9781491773536, iUniverse. .
Another argument that chaturanga is much older is the fact that the chariot is the most powerful piece on the board, although appear to have been obsolete in warfare for at least five or six centuries, superseded by and . The counterargument is that they remained prominent in literature and continued to be used for travel and transport, in processions, for games, and in races.


Spread outside India
While there is some uncertainty, the prevailing view among chess historians is that chaturanga is the common ancestor of the , (Chinese), (Korean), (Japanese), (Burmese), (Thai), (Cambodian) and modern .
(2025). 9780936317014, Benjamin Press (originally published by Oxford University Press). .

In , most of the terminology of chess is derived directly from chaturanga: Modern chess itself is called shatranj in Arabic, and the bishop is called the elephant. The was also introduced in later.

The game was first introduced to the West in 's De ludis orientalibus libri duo, published in 1694. Subsequently, translations of Sanskrit accounts of the game were published by Sir William Jones.

9781606208977, Forgotten Books. .


The game

Set-up
Chaturanga was played on an 8×8 uncheckered board, called , which is also the name of a game. The board sometimes had special markings, the meaning of which are unknown today. These marks were not related to chaturanga, but were drawn on the board only by tradition. These special markings coincide with squares unreachable by any of the four gajas that start on the board due to movement rules. Chess historian H. J. R. Murray conjectured that the ashtāpada was also used for some old dice game, perhaps similar to , in which the marks had meaning.


Rules
The initial position is as shown. White moves first. The objective in chaturanga is for one side (say 'white') to the opponent's (king) or to reduce the other side (say 'black') to just the raja ('bare king'), although if on the following move the black side can also reduce the white side to 'bare king', in which case the game is drawn.


Pieces and their moves
+ Chaturanga pieces
(king)
(minister) or (general) (; early form of queen)
or sakaṭa (chariot; rook)
or (elephant; later called alfil; early form of bishop)
(horse; knight)
, bhata, or (foot-soldier or infantry; pawn)
  • Raja (king): moves one step in any direction (vertical, horizontal or diagonal), the same as the king in chess. There is no in chaturanga.
    • The general in Chinese lacks diagonals, which might be the earliest move of the raja. The minority view that chaturanga developed from a form of xiangqi implies such an evolution, but it is also logical to assume such a move as the case for an Indian proto-chaturanga.
  • Mantri (minister); also known as senapati (general): moves one step diagonally in any direction, like the fers in shatranj.
  • Ratha (chariot) (also known as sakaṭa) moves the same as a rook in chess: horizontally or vertically, through any number of unoccupied squares.
  • Gaja (elephant) (also known as hasti). Three different moves are described in ancient literature:
    1. Two squares in any diagonal direction, jumping over the first square, as the alfil in Iranian , Ethiopian , Mongolian and medieval . This is a fairy chess piece that is a (2,2)-leaper.
      • The same move is used for the boat in Indian , a four-player version of chaturanga.
      • The elephant in Chinese has the same move, but is not able to jump over an intervening piece or pawn.
      • The elephant in Korean has the same move, but outward from an initial orthogonal step, also without the ability to jump over an intervening piece or pawn.
    2. One step forward or one step in any diagonal direction.
      • The same move is used for the khon (nobleman) in Thai and the sin (elephant) in Burmese , as well as for the silver general in Japanese .
      • The move was described c. 1030 by in his book India.
    3. Two squares in any (vertical or horizontal) direction, jumping over the first square; raising the questions of whether the one step forward or one step in any orthogonal direction move for the gold general in Japanese is a Japanese invention and whether the camel’s (1,3) move is, according to tradition, ’s invention.
      • A piece with such a move is called a dabbābah in some . The move was described by the Arabic chess master al-Adli
        (2017). 9781476629018, McFarland. .
        (2015). 9781491773536, iUniverse. .
        (2015). 9780226264363, University of Chicago Press. .
        c. 840 in his (partly lost) chess work. (The Arabic word dabbāba in former times meant a covered for attacking walled fortifications; today it means "army ".)
      • This is reminiscent of the aforementioned , where the elephant moves as a rook.
      • The German historian (1843–1918) suggests, rather, that this was the earliest move of the Ratha.
  • Ashva (horse): moves the same as a knight in chess.
  • Padati or Bhata (foot-soldier or infantry); also known as sainika (warrior): moves and captures the same as a pawn in chess, but without a double-step option on the first move.
    (2025). 9780955516801, John Beasley.


Additional rules
Al-Adli mentions two further rules:
  • was a win for a stalemated player. This rule appeared again in some medieval chess variants in England c. 1600. According to some sources, there was no stalemate, as the king is forced to move and consequently be captured.
  • The player that is first to (i.e. capture all enemy pieces except the king) wins. In shatranj this is also a win, but only if the opponent cannot bare the player's king on his next turn.


See also
Bibliography


Further reading


External links

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