Batiar (; ), plural form batiary ( baciary, батяри) is a popular name for a certain class of inhabitants of the city of Lviv (, ), considered to be a part of the city's subculture. Associated with Lviv's knajpa lifestyle, batiary became a cultural phenomenon at the beginning of the twentieth century, although their roots go back to the mid-nineteenth century, when Lviv was part of the Austro-Hungarian Empire. The batiar subculture declined following the Soviet annexation of Eastern Galicia and Volhynia and Lviv's attachment to the Ukrainian SSR, during which Soviet authorities expelled most of the Polish inhabitants and suppressed the local Polish culture. However, the use of the word "batiar" continued, and it remains a popular term of endearment in today's Lviv. Since 2008 Lviv has celebrated "International Batiar Day", started by the "Dik-Art" company in cooperation with the Lviv City Council. "Dik-Art" website
Definition by the Encyclopædia Britannica:
19th-century Polish people writer Jan Lam, a native of Stanislawów (modern Ivano-Frankivsk), is considered by some to be the inventor of the term batiar ( baciar, baciarz).
One of the early mentions of the term batiar can be found in the Lviv newspaper Dilo from 1889, which claimed the word to be of Turkish language origin and have the meaning of "young vagabond among the Persians". Batiar was the name for lower-class inhabitants of Lwów (the "elite of Lviv's streets"). Batiary spoke a distinctive version of the Polish language, called Bałak, a variant of the Lwów dialect.
Originating in Polish, the term batiar eventually became common in the Ukrainian language as well. Initially it had a negative connotation, and was used among others to describe the murderer of Empress Elisabeth of Austria in a popular Ukrainian folk song of the time. The creation of the popular image of batiary started from 1911, when they became heroes of a series of stories published by humour magazine Pocięgiel. Similar publications from other media soon followed.
Batiars were romanticized in popular culture, but in many cases their activities were nothing other than theft, street crime and fraud. Polish author Gabriela Zapolska compared batiary to the Apaches.
Batiars are claimed to have played an important role in aiding the Polish side during the Battle of Lemberg in 1918 due to their good knowledge of the city. As a result, their image was glorified in the Polish media, which eventually had an influence on the emergence of a positive attitude to batiars in the culture of local Ukrainians as well.
Dynamo Kyiv footballer Oleksandr Skotsen, a natie of Lviv's Levandivka neighbourhood, was nicknamed "Lviv batiar" in a 1992 publication dedicated to his life and career.
The term is still in local use, albeit in the Ukrainian language. Modern Batiar are the playboys of the Ukrainian Piedmont, as Eastern Galicia is sometimes referred to, and are easily identified by exquisite manners, stylish attire, and the obligatory attribute of every Batiar, a lyaska (walking stick).
The Batiar's Day in Lviv replaced the Soviet holiday of 1 May (the Labor Day), the Day of Worker's Solidarity. Batiar Day celebrated in Lviv (by Channel 5 on May 1, 2009) Batiars also adopted the proletarian motto: Batiars of all countries unite!.
At the time of the rise of the Batiar's culture, Lviv's Polish-Jewish poet Emanuel Szlechter wrote lyrics for a song that became well known in Poland, Tylko we Lwowie (Only in Lwów; from the comedy film The Vagabonds) which became the anthem of the Batiars, The Batiar's Day will become an annual event (BBCUkrainian.com May 1, 2008) and the accompanying music was written by another Polish-Jew Henryk Wars. Tylko we Lwowie (courtesy of youtube) The Ukrainian repertoire of that song is performed by Yurko Hnatovsky (in retro-psychedelic style) Tilki u Lvovi (no ovations are necessary, youtube) and Zosya Fedina. Tilki u Lvovi (YouTube)
Batiars are seen as embodying the unique culture and spirit of Lviv, and are often celebrated in local folklore and popular culture.
In other cities
Cultural influence
Batiars in the 21st century
Quotes
See also
External links
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