Awakenings is a 1990 American biographical drama film written by Steven Zaillian, directed by Penny Marshall, and starring Robert De Niro, Robin Williams, Julie Kavner, Ruth Nelson, John Heard, Penelope Ann Miller, Peter Stormare and Max von Sydow. It is based on Oliver Sacks's 1973 nonfiction memoir Awakenings. The film tells the story of the fictional neurologist Dr. Malcolm Sayer (Williams), whose character is based on Sacks.
In 1969, Sayer discovers the beneficial effects of the drug L-DOPA and administers the drug to catatonic patients who survived the 1919–1930 epidemic of encephalitis lethargica. The patients—among them the focal character Leonard Lowe (De Niro)—are awakened after decades and must therefore try to acclimate to life in a new and unfamiliar time.
The film is produced by Walter Parkes and Lawrence Lasker, who first encountered Sacks's book as undergraduates at Yale University. Released on December 21, 1990, Awakenings was a critical and commercial success, earning $108.7 million on a $29 million budget. It was nominated for three Academy Awards: Best Picture, Best Actor (De Niro), and Best Adapted Screenplay.
Plot
In 1969, Dr. Malcolm Sayer is a dedicated and caring physician at a local hospital in the New York City borough of
The Bronx. After working extensively with the
catatonia patients who survived the 1919–1930 epidemic of encephalitis lethargica, Sayer discovers a stimuli that will "awaken" the patients from their respective catatonic states. Actions such as catching a ball, hearing familiar music, being called by their name, and enjoying human touch each have unique effects on particular patients and offer a glimpse into their worlds. Patient Leonard Lowe seems to remain unmoved, but Dr. Sayer learns that Leonard is able to communicate with him by using a
Ouija board.
After attending a lecture at a conference on the drug L-DOPA and its success for patients with Parkinson's disease, Sayer believes that the drug may offer a breakthrough for his own group of patients. A trial run with Leonard yields astounding results; Leonard completely "awakens" from his catatonic state. This success inspires Sayer to ask for funding from donors, so that all the catatonic patients can receive the L-DOPA medication and gain "awakenings" to reality and the present.
Meanwhile, Leonard is adjusting to his new life and becomes romantically interested in Paula, the daughter of another hospital patient. Leonard begins to chafe at the restrictions placed on him as a patient of the hospital, desiring the freedom to come and go as he pleases. He stirs a revolt by arguing his case to Sayer and the hospital administration. As Leonard becomes more agitated, Sayer notices that a number of facial and body tics begin to manifest, which Leonard has difficulty controlling.
Although Dr. Sayer and the hospital staff are initially overjoyed by the success of L-DOPA in reviving a group of catatonic patients, they soon realize that the effects are only temporary. Leonard, the first to "awaken", is also the first to show signs of decline. His tics gradually worsen, his walk becomes a shuffle, and he begins to experience full-body spasms that severely limit his movement. Despite the pain, Leonard remains resolute. He asks Dr. Sayer to film him, hoping that his experience may one day contribute to research that helps others.
Aware of his deteriorating condition, Leonard shares a final lunch with Paula. He tells her that he can no longer see her, but before parting ways, she invites him to dance. While they dance, Leonard's spasms cease for a brief, calming moment.
Although Leonard and Sayer reconcile, Leonard soon returns to a catatonic state. One by one, the other patients follow, despite increasing doses of L-DOPA.
Dr. Sayer speaks to a group of hospital donors, explaining that while the physical awakenings were fleeting, a deeper awakening had occurred, with most a renewed sense of appreciation for life. Sayer also grows from the experience, finally overcoming his intense shyness to ask Nurse Eleanor Costello for coffee.
The staff now treats the patients with greater empathy and dignity, and Paula continues to visit Leonard. Although Leonard is again unresponsive, he and Sayer maintain their connection through the Ouija board, a quiet testament to the enduring human spirit.
Cast
Production
Casting
On September 15, 1989, Liz Smith reported that those being considered for the role of Leonard Lowe's mother were
Kaye Ballard,
Shelley Winters and
Anne Jackson.
[Smith, Liz (September 15, 1989). "Guess What She's Doing for Love". Daily News (New York). p. 8. Retrieved March 6, 2022.] Three weeks later,
Newsday named
Nancy Marchand as the leading contender.
[Fleming, Michael; Freifeld, Karen; Stasi, Linda (October 4, 1989). "Inside New York: Big Wigs at Lunch". Newsday (New York). p. 12. Retrieved March 9, 2022.]
In January 1990—more than three quarters of the way through the film's four-month shooting schedule[ Filming & Production; Filming Dates. IMDb.]— the matter was seemingly resolved when the February 1990 issue of Premiere magazine published a widely cited story belatedly informing fans that not only had Winters gotten the role, she had been targeted at De Niro's request and had been cast by displaying her Academy Awards awards (for the benefit of veteran casting director, Bonnie Timmermann).
Despite Liz Smith's, Newsday's and Premiere's seemingly definitive reports (which, minus any mention of the specific film being discussed, would be periodically reiterated and ultimately embellished in subsequent years),[Ebert, Roger (May 12, 1995). "'Sharks' Takes Sardonic Swipe at Hollywood". Chicago Sun-Times. p. 37. Retrieved—via RogerEbert.com. "When we first meet Guy, he's having lunch with a table full of other ambitious young would-be executives, at Musso and Frank's. He's telling an anecdote about how Shelley Winters was asked to audition for a producer once, and simply pulled her Oscars out of her handbag and lined them up on his desk. It would be a great story, if the others had heard of Shelley Winters (one of them finally remembers her from 'The Poseidon Adventure'). Retrieved March 6, 2022. See also:]
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"SHELLEY WINTERS ~ Interview Tom Snyder Show (1996) pt 1". YouTube.
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Bernard, Jami (September 17, 2000). "And the Return Envelope, Please... ". New York Daily News.
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"Movies: When Shelley Winters was asked to audition...". The Sun Herald Marquee. March 27, 2003. p.4.
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Danziger, Maya (February 2005). "The Twilight Zone: The Shelley Winters Moment". Los Angeles Magazine. p. 75.
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O'Malley, Sheila (January 16, 2006). "R.I.P., Shelley Winters". The Sheila Variations.
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"Shelley Winters; Comments [Comment #4]". DAMEonline.net. November 12, 2007.
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O'Malley, Sheila (December 1, 2008). "The Books: “Shelley, Also Known As Shirley” (Shelley Winters)". The Sheila Variations.
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Brown, David (March 6, 2014). "Albert Pujols channels Joe Pesci character after being insulted by Mike Trout comparison". Yahoo!Entertainment.
[Cronin, Brian (July 6, 2022). "Is the Famous Shelley Winters Oscar Story Really True?". CBR. Retrieved February 6, 2023.] the film was released in December 1990, featuring neither Winters (whose early dismissal evidently resulted from continuing attempts to pull rank on director Penny Marshall)[Agan, Patrick (1993). Robert De Niro: The Man, the Myth and the Movies. London: Robert Hale. pp. 187–188. .][Baxter, John (2003). De Niro: An Autobiography. London: HarperCollinsPublishers. p. 289. .] nor any of the other previously publicized candidates (nor at least two others, Jo Van Fleet and Teresa Wright, identified in subsequent accounts),[Haun, Harry (2000). The Cinematic Century: An Intimate Diary of America's Affair with the Movies. New York: Applause. .][Spoto, Donald (2016). A Girl's Got to Breathe: The Life of Teresa Wright. Jackson: University Press of Mississippi. .] but rather the 85-year-old Group Theater alumnus Ruth Nelson, giving a well-received performance in what would be her final feature film.[ See also:
]
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Carroll, Kathleen (December 20, 1990). "De Niro Rises and Shines in 'Awakenings'; Robin Williams and Ruth Nelson also touch the heart in this Tale of medical miracles". New York Daily News. p. 31, 39. Retrieved March 13, 2022.
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Agan. op. cit., p. 188.
[ "As Leonard's mother," wrote The Wall Street Journal critic, Julie Salamon, "Nelson achieves a wrenching beauty that stands out even among these exceptional actors doing exceptional things."][.] In her 2012 memoir, Penny Marshall recalled:
Filming
Principal photography for
Awakenings began on October 16, 1989, at the Kingsboro Psychiatric Center in Brooklyn, New York, which was operating, and lasted until February 16, 1990. According to Williams, actual patients were used in the filming of the movie.
In addition to Kingsboro, sequences were filmed at the New York Botanical Garden, Julia Richman High School, the Casa Galicia, and Park Slope, Brooklyn.
Reception
Awakenings was released theatrically on December 12, 1990, with an opening weekend gross of $417,076,
opening in second place behind
Home Alone's ninth weekend, with $8,306,532. It went on to gross $52.1 million in the United States and Canada,[ and $56.6 million internationally,] for a worldwide total of $108.7 million.
Critical response
Awakenings received positive reviews from critics. Review aggregator Rotten Tomatoes reports that 81% of 37 film critics have given the film a positive review, with an average rating of 6.6/10. Its consensus states: "Elevated by some of Robin Williams's finest non-comedic work and a strong performance from Robert De Niro, Awakenings skirts the edges of melodrama, then soars above it." Metacritic, which assigns a weighted average score from reviews of mainstream critics, gives the film a score of 74 out of 100, based on 18 reviews. Audiences surveyed by CinemaScore gave the film a grade of A on a scale of A+ to F.
Roger Ebert of the Chicago Sun-Times gave the film a rating of four stars out of four, writing:
Owen Gleiberman of Entertainment Weekly praised the film's performances, citing,
Oliver Sacks, the author of the memoir on which the film is based, "was pleased with a great deal of the", explaining,
Desson Howe of The Washington Post said that the film's tragic aspects did not live up to the strength in its humor, saying,
Similarly, Janet Maslin of The New York Times concluded her review by stating,
Accolades
The film was nominated for three Academy Awards, including: the Academy Award for Best Picture, the Academy Award for Best Adapted Screenplay, and the Academy Award for Best Actor (Robert De Niro). Robin Williams was also nominated at the 48th Golden Globe Awards for Best Actor in a Motion Picture Drama.
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Best Actor | Robert De Niro | |
Best Adapted Screenplay | Steven Zaillian | |
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Top Ten Films | Awakenings | |
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Explanatory notes
External links