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Zuckerzeit (: Sugar Time) is the third studio album by German band Cluster, released in 1974 on . It was co-produced by , their bandmate in side-project Harmonia. The music on Zuckerzeit marks a shift from Cluster's abrasive early work toward a more rhythmic, -oriented sound. Pitchfork ranked the album at number 63 on its list of the top 100 albums of the 1970s, while writer and musician included Zuckerzeit in his "Krautrock Top 50" list.


Background
Zuckerzeit was recorded following Cluster's move from to the countryside of Forst, and came after their collaboration with Neu! guitarist on the 1973 Harmonia album Musik von Harmonia. The album's short instrumental tracks marked the group's shift toward a pop-oriented style which utilized cheap and synthesizers.
(2025). 9780472053193, University of Michigan Press. .
Each track is a solo composition, with the two members recording separately on different days; noted that "it is in reality two solo EPs masquerading as a joint release."

Rother is credited as co-producer, but his primary role was to leave the group some of his equipment, including instruments, a four-track recorder, a stereo mixer, and an Drummer One drum machine.

(2025). 9781612194745, Melville House Publishing. .
With the latter, the group experimented with mixing up multiple at once, as well as running the drum machine through echo, , and , and cutting parts of the rhythm entirely.


Reception
John Bush of described Zuckerzeit as "an unexpected jump from the extended jams of Cluster 71 into uncharted territory ... fusing the duo's haunted melodic sense with crisp, scratchy drum programs." Andy Beta of Pitchfork described it as " at its most protean," and compared it to "a sugar overload: giddy, infectious, manic and a little queasy." Peter Cauvel of Vinyl Me, Please stated that "even with drum machines and synths, Cluster pushed past the rigidity that defined their more successful peers in , making spacier, improvisational electronic music."


Legacy
In a review of Cluster's 1971–1981 box set, AllMusic's Paul Simpson called the album a "masterpiece that combined trippy drum machine rhythms with woozy, pastoral melodies, resulting in a skewed, playful vision of futuristic pop. The recording remains a watershed moment in electronic music, and is easily one of the best albums of the '70s." Writer Ulrich Adelt stated that the album's "influence on electronic music was significant, and many more contemporary groups have copied its sound." stated that the album "surely have been a template for so many of 's early roster of artists."

Pitchfork ranked the album at number 63 on its list of the top 100 albums of the 1970s. Among its fans are and , with Cope including Zuckerzeit in his "Krautrock Top 50" list.


Track listing

Personnel


Notes


Further reading
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