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Wayne Thiebaud ( ; born Morton Wayne Thiebaud; November 15, 1920 – December 25, 2021) was an American painter known for his colorful works depicting commonplace objects—pies, cakes, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and . Thiebaud is regarded as one of the United States' most beloved and recognizable artists. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, though he slightly predated the classic pop artists, producing his early works of this style in the fifties and sixties. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, his work almost always including the well-defined shadows characteristic of advertisements.
One summer during his first school years, he apprenticed at Walt Disney Studios drawing "in-betweens" of Goofy, Pinocchio, and Jiminy Cricket at a rate of $14 a week. The next summer, he studied at the Frank Wiggins Trade School in Los Angeles. From 1938 to 1949, he worked as a cartoonist and designer in California and New York City. He served as an artist in the First Motion Picture Unit of the United States Army Air Forces from 1942 to 1945.
In 1949, he enrolled at San Jose State College (now San José State University) before transferring to Sacramento State College (now California State University, Sacramento), where he earned a bachelor's degree in 1951 and a master's degree in 1952.
On a leave of absence during 1956–57, he spent time in New York City, where he became friends with Elaine and Willem de Kooning and Franz Kline, and was much influenced by these abstractionists as well as by proto-pop artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes.
Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative Gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York.
In 1960, he had his first solo show in San Francisco at the San Francisco Museum of Modern Art, and shows in New York City at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 Sidney Janis Gallery exhibition in New York officially launched Pop Art, bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form.
In 1961, Thiebaud met and became friends with art dealer Allan Stone (1932–2006), the man who gave him his first "break." Stone was Thiebaud's dealer until Stone's death in 2006. Stone said of Thiebaud "I have had the pleasure of friendship with a complex and talented man, a terrific teacher and cook, the best raconteur in the west with a spin serve, and a great painter whose magical touch is exceeded only by his genuine modesty and humility. Thiebaud's dedication to painting and his pursuit of excellence inspire all who are lucky enough to come in contact with him. He is a very special man." After Stone's death, Thiebaud's son Paul Thiebaud (1960–2010) took over as his dealer. Paul Thiebaud was a successful art dealer in his own right and had eponymous galleries in Manhattan and San Francisco; he died June 19, 2010.
In 1962, Thiebaud's work was included, along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Joe Goode, Edward Ruscha, and Robert Dowd, in the historically important and ground-breaking "New Painting of Common Objects," curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum at Pasadena). This exhibition is considered to have been one of the first Pop Art exhibitions in the United States. These painters were part of a new movement, in a time of social unrest, which shocked the United States and the art world.
In 1963, he turned increasingly to figure painting: wooden and rigid, with each detail sharply emphasized. In 1964, he made his first prints at Crown Point Press, and continued to make prints throughout his career. In 1967, his work was shown at the Biennale Internationale.
He died at his residence in Sacramento, California on Christmas Day 2021, at age 101.
He was associated with the Pop art painters because of his interest in objects of mass culture; however, his works, executed during the 1950s and 1960s, slightly predate the works of the classic pop artists, suggesting that Thiebaud may have had an influence on the movement. Thiebaud employed heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work. Thiebaud was averse to labels such as "fine art" versus "commercial art" and described himself as "just an old-fashioned painter". He disliked Andy Warhol's "flat" and "mechanical" paintings and did not consider himself a pop artist.
In addition to pastries, Thiebaud painted characters such as Mickey Mouse as well as landscapes, streetscapes, and cityscapes, which were influenced by the work of Richard Diebenkorn. His paintings such as Sunset Streets (1985) and Flatland River (1997) are noted for their hyper realism, and have been compared to Edward Hopper's work, another artist who was fascinated with mundane scenes from everyday American life.
The Crocker has hosted a Thiebaud exhibition every decade since 1951, including "Wayne Thiebaud 100" to honor the artist's 100th birthday in 2020.
In 2025, the San Francisco Legion of Honor, exhibited his work in " Wayne Thiebaud: Art Comes From Art." In the same year, the Courtauld Gallery, London, staged his first ever UK museum show, American Still Life.
Sharon Core is a photographer known for her photographic interpretations of Thiebaud's works.
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