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Vinayaki (Vināyakī) is an elephant-headed Hinduism goddess. Her mythology and iconography are not clearly defined. Little is told about her in Hindu scriptures and very few images of this deity exist.Mundkur p. 291
Due to her elephantine features, the goddess is generally associated with the elephant-headed god of wisdom, Ganesha. She does not have a consistent name and is known by various names, Stri Ganesha ("female Ganesha"), Vainayaki, Gajananā ("elephant-faced"), Vighneshvari ("Mistress of the remover of obstacles") and Ganeshani, all of them being feminine forms of Ganesha's epithets Vinayaka, Gajanana, Vighneshvara and Ganesha itself. These identifications have resulted in her being assumed as the shakti – feminine form of Ganesha.Mundkur p. 291
Vinayaki is sometimes also seen as the part of the sixty-four or the matrika goddesses. However, scholar Krishan believes that Vinayaki is an early elephant-headed matrikas, the Brahmanical shakti of Ganesha, and the Tantric yogini are three distinct goddesses.
In the Jain and Buddhist traditions, Vinayaki is an independent goddess. In Buddhist works, she is called Ganapatihridaya ("heart of Ganesha").Mundkur p. 295
Other elephant-headed sculptures of the goddess are found from the tenth century onwards. One of the most famous sculptures of Vinayaki is as the forty-first yogini in the Chausath Yogini Temple, Bhedaghat, Madhya Pradesh. The goddess is called Sri-Aingini here. Here, the goddess's bent left leg is supported by an elephant-headed male, presumably Ganesha who is seated at her feet.
A rare metal sculpture of Vinayaki is found in Chitrapur Math, Shirali. She is full-breasted, but slender, unlike Ganesha. She wears the Yajnopavita ("sacred thread") across her chest and two neck ornaments. Her two front hands are held in abhayamudra ("fear-not") and varadamudra (boon-giving) (gestures). Her two back arms carry a sword and a noose. Her trunk is turned to the left. The image is probably 10th century from north-western India (Gujarat/Rajasthan) and belonging to the Tantra Ganapatya sect (who regarded Ganesha as the Supreme God) or to the vamachara (left-handed) Goddess-worshipping Shakta sect.Mundkur pp. 296-8, 301
A Pala Empire Vinayaki from Giryek, Bihar, is also not pot-bellied. The four-armed goddess carries a gada (mace), ghata (pot), parashu (axe) and possibly a radish. A Pratihara image shows a pot-bellied Vinayaki, with four arms holding a gada-parashu combination, a lotus, an unidentifiable object and a plate of modak sweets, which the trunk grabs. In both images, the trunk is turned to the right. Damaged four-armed or two-armed Vinayaki images are also found in Ranipur Jharial (Orissa), Gujarat and Rajasthan.
In another image from Satna, Vinayaki is one among five theriocephalic goddesses. The central figure, the cow-headed yogini, Vrishabha, holds the baby Ganesha in her arms. Vinayaki, a minor figure, is pot-bellied and carries an ankusha (elephant goad) like Ganesha.Mundkur p. 297 In this configuration, Vrishabha may be considered as a mother of Ganesha and other goddesses, thus signifying a sibling relationship between Vinayaki and Ganesha. Another interpretation suggests that all the female deities, including Vinayaki, are mothers of the infant god.Cohen pp. 118-20
A similar image of Ganeshyani is also seen at the Bhuleshwar Temple of Shiva, near Pune, Maharashtra.
In Cheriyanad Kartikeya Temple, considered the Desadeva (God of Locality) of Cheriyanad village, has a wooden statue of Vinayaki which is situated in "Balikal Pura" of Temple.
Vainayaki, not explicitly related to Ganesha, also appears in the Puranas. In the Matsya Purana (compiled c. 550 CE), she is one of the Matrikas, created by the god Shiva – Ganesha's father – to defeat the demon Andhaka. In this context, she may be considered as a shakti of Shiva, rather than Ganesha. Only the name "Vainayaki" meaning "belonging to Vinayaka/Ganesha" may suggest an association.Mundkur p. 293 She also figures in a list of shaktis in the Linga Purana. The Agni Purana (compiled in the 10th century) is the first Purana that lists the shaktis of Ganesha; however, Vainayaki is not one of them, nor are any of them elephant-faced. Vainayaki figures in a list of sixty-four yoginis in the same Purana.Mundkur pp. 293-4
However, the upapurana (lesser Purana) Devi Purana explicitly identifies Gananayika or Vinayaki as the shakti of Ganesha, characterized by her elephant head and ability to remove obstacles like Ganesha, and includes her as the ninth Matrika.Pal, P. The Mother Goddesses According to the Devipurana in Singh, Nagendra Kumar, Encyclopaedia of Hinduism, Published 1997, Anmol Publications PVT. LTD., p. 1846 Though generally the number of Matrikas is seven in sculpture and literature, nine Matrikas became popular in eastern India. Apart from the classical seven, Mahalakshmi or Yogeshvari and Ganeshani or Ganeshā were added as eighth and ninth Matrika respectively.Siṃhadeba, Jitāmitra Prasāda, Tāntric art of Orissa p. 53
The Medieval text Gorakshasamhita describes Vinayaki as elephant-faced, pot-bellied, having three eyes and four arms, holding a parashu and a plate of modaks.Krishan p. 47
Srikumara's sixteenth century iconographical treatise Shilparatna describes a female form of Ganesha (Ganapati) called Shakti-Ganapati, who resides in the . The deity has an elephant head and two trunks. Her body is of a young woman, vermilion red in colour and with ten arms. She is pot-bellied and with full breasts and beautiful hips. This icon probably belongs to Shaktism, the Hindu Goddess-worshipping sect. However, this form is also interpreted as a composite of Ganesha and his shakti, due to the presence of the twin trunks.Mundkur p. 295
In a Buddhist text called Aryamanjusrimulakalpa, the goddess is called the siddhi of Vinayaka. She inherits many of Ganesha's characteristics. Like Ganesha, she is the remover of obstacles and has an elephant's head with only one tusk. She is also called the daughter of the god Ishana, an aspect of Shiva.
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